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It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_289":290,"_291":292},{"_224":425,"_125":426,"_283":427},{"_274":422,"_276":423,"_278":406,"_280":424},147,145.1953125,130.1953125,{"_285":224,"_123":428,"_154":429,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","venus-and-adonis-met-437826","Venus and Adonis",{"_42":500,"_221":501,"_323":502,"_325":326,"_327":503,"_329":504,"_331":505,"_332":506,"_333":-5,"_140":101},"1550s","Oil on canvas","42 x 52 1/2 in. (106.7 x 133.4 cm)",133.4,106.7,1.2368583797155226,[485,486,487,488,489],{"_220":374,"_221":375,"_42":376,"_302":377},"49.7.16","Titian painted this in the 1550s, aged about 62. It is now at The Met in New York.","Venus and Adonis, by Titian, 1550s",{"_293":482,"_295":483,"_297":484},"https://img.ochreeditions.com/m/1168.jpg?dl=1","/art/venus-and-adonis-met-437826","/galleries/style/italian-renaissance/venus-and-adonis-met-437826",{"_289":290,"_291":292},{"_224":477,"_125":478,"_283":479},{"_274":474,"_276":475,"_278":459,"_280":476},148.4,122.8539,107.8539,{"_285":224,"_123":480,"_154":481,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/1168/480.jpg","https://img.ochreeditions.com/a/1168/960.jpg","https://img.ochreeditions.com/a/1168/1920.jpg",{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},{"_309":492,"_311":493},{"_309":490,"_311":491},"#9e7c52",0.0925,"#423f31",0.1137,"#62462b",0.1397,"#372617",0.3002,"#1d150e",0.3539,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","Venice","a-bear-walking-met-459184","A Bear Walking",{"_42":562,"_221":563,"_323":564,"_325":326,"_327":565,"_329":566,"_331":567,"_332":568,"_333":569,"_140":99},"ca. 1482–85","drawing","Drawings","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[547,548,549,550,551],{"_220":374,"_221":375,"_42":376,"_302":377},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_293":544,"_295":545,"_297":546},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_289":542,"_291":543},{"_224":535,"_125":536,"_283":537},{"_274":531,"_276":532,"_278":533,"_280":534},49,43.29429429429429,25,19.294294294294293,{"_285":224,"_123":540,"_154":541,"_140":99},{"_285":125,"_123":538,"_154":539,"_140":91},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","black","snow","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","the-nativity-met-459007","The Nativity",{"_42":617,"_221":618,"_323":619,"_325":326,"_327":620,"_329":621,"_331":-5,"_332":-5,"_333":622,"_140":99},"ca. 1406–10","Tempera and gold on wood","8 3/4 x 12 1/4 in. (22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[602,603,604,605,606],{"_220":374,"_221":375,"_42":376,"_302":377},"1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_293":599,"_295":600,"_297":601},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_289":290,"_291":292},{"_224":594,"_125":595,"_283":596},{"_274":591,"_276":592,"_278":576,"_280":593},46.1,35.760535292574126,20.760535292574126,{"_285":224,"_123":597,"_154":598,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg",{"_309":615,"_311":616},{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)",{"_42":673,"_221":674,"_323":675,"_325":326,"_327":676,"_329":677,"_331":678,"_332":679,"_333":-5,"_140":101},"ca. 1510–11","Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)","Sheet: 11 3/8 × 8 7/16 in. (28.9 × 21.4 cm) Framed: 21 × 16 in. (53.3 × 40.6 cm)",21.4,28.9,0.7373233582709892,[658,659,660,661,662],{"_220":374,"_221":375,"_42":376,"_302":377},"24.197.2","Michelangelo Buonarroti drew this in about 1510–11, aged 36. It is now at The Met in New York.","Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11",{"_293":655,"_295":656,"_297":657},"https://img.ochreeditions.com/m/1023.jpg?dl=1","/art/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497","/galleries/style/italian-renaissance/studies-for-the-libyan-sibyl-recto-studies-for-the-libyan-si-met-337497",{"_289":542,"_291":543},{"_224":647,"_125":648,"_283":649},{"_274":644,"_276":645,"_278":646,"_280":630},45.30864505403159,52.9,21.308645054031587,{"_285":224,"_123":653,"_154":654,"_140":89},{"_285":125,"_123":650,"_154":651,"_140":652},{"_285":283,"_123":363,"_154":364,"_140":365},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/1023/480.jpg","https://img.ochreeditions.com/a/1023/960.jpg","https://img.ochreeditions.com/a/1023/1920.jpg",{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},"#e1d4b8",0.0598,"#b6765b",0.0821,"#c89573",0.13,"#cdab87",0.3188,"#d6b996",0.4093,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,1564,"Caprese","Rome","madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":728,"_221":729,"_323":730,"_325":326,"_327":731,"_329":732,"_331":733,"_332":679,"_333":734,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[713,714,715,716,717],{"_220":374,"_221":375,"_42":376,"_302":377},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":710,"_295":711,"_297":712},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":705,"_125":706,"_283":707},{"_274":701,"_276":702,"_278":703,"_280":704},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":708,"_154":709,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":726,"_311":727},{"_309":724,"_311":725},{"_309":722,"_311":723},{"_309":720,"_311":721},{"_309":718,"_311":719},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":781,"_221":782,"_323":783,"_325":326,"_327":784,"_329":785,"_331":786,"_332":786,"_333":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[766,767,768,769,770],{"_220":374,"_221":375,"_42":376,"_302":377},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_293":763,"_295":764,"_297":765},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_289":290,"_291":292},{"_224":758,"_125":759,"_283":760},{"_274":755,"_276":756,"_278":757,"_280":741},45.62467599792639,57.5,30.62467599792639,{"_285":224,"_123":761,"_154":762,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_309":779,"_311":780},{"_309":777,"_311":778},{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","allegory-nga-35082","Allegory",{"_42":835,"_221":836,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1515-1525","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[820,821,822,823,824],{"_220":299,"_221":300,"_42":301,"_302":303},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":817,"_295":818,"_297":819},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":812,"_125":813,"_283":814},{"_274":809,"_276":810,"_278":811,"_280":794},54.105224609375,58,39.105224609375,{"_285":224,"_123":815,"_154":816,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":833,"_311":834},{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":888,"_221":889,"_323":890,"_325":326,"_327":891,"_329":892,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[873,874,875,876,877],{"_220":299,"_221":300,"_42":301,"_302":303},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_293":870,"_295":871,"_297":872},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_289":542,"_291":543},{"_224":862,"_125":863,"_283":864},{"_274":860,"_276":531,"_278":861,"_280":533},46.2736368184092,22.273636818409205,{"_285":224,"_123":868,"_154":869,"_140":89},{"_285":125,"_123":865,"_154":866,"_140":867},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_309":886,"_311":887},{"_309":884,"_311":885},{"_309":882,"_311":883},{"_309":880,"_311":881},{"_309":878,"_311":879},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81",0.1214,"#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"pieta-nga-41592","Pietà",{"_42":939,"_221":940,"_323":941,"_325":326,"_327":942,"_329":943,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1520s","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[924,925,926,927,928],{"_220":299,"_221":300,"_42":301,"_302":303},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_293":921,"_295":922,"_297":923},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_289":290,"_291":292},{"_224":916,"_125":917,"_283":918},{"_274":913,"_276":914,"_278":915,"_280":899},113.0291015625,190.8,98.0291015625,{"_285":224,"_123":919,"_154":920,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_309":937,"_311":938},{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,"the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":990,"_221":991,"_323":992,"_325":326,"_327":993,"_329":994,"_331":995,"_332":996,"_333":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[975,976,977,978,979],{"_220":374,"_221":375,"_42":376,"_302":377},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_293":972,"_295":973,"_297":974},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_289":290,"_291":292},{"_224":967,"_125":968,"_283":969},{"_274":964,"_276":965,"_278":949,"_280":966},44.8,37.715050000000005,22.71505,{"_285":224,"_123":970,"_154":971,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_309":988,"_311":989},{"_309":986,"_311":987},{"_309":984,"_311":985},{"_309":982,"_311":983},{"_309":980,"_311":981},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":1043,"_221":1044,"_323":1045,"_325":326,"_327":1046,"_329":1047,"_331":399,"_332":399,"_333":-5,"_140":103},"ca. 1490–1500","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",40,58.7,0.7005941617153191,[1028,1029,1030,1031,1032],{"_220":374,"_221":375,"_42":376,"_302":377},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_293":1025,"_295":1026,"_297":1027},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_289":290,"_291":292},{"_224":1020,"_125":1021,"_283":1022},{"_274":1017,"_276":1018,"_278":1019,"_280":1003},56.124877292689234,73.7,41.124877292689234,{"_285":224,"_123":1023,"_154":1024,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_309":1041,"_311":1042},{"_309":1039,"_311":1040},{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},{"_309":1033,"_311":1034},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":393,"_221":394,"_323":395,"_325":326,"_327":396,"_329":397,"_331":398,"_332":399,"_333":-5,"_140":101},"c. 1540","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[1077,1078,1079,1080,1081],{"_220":299,"_221":300,"_42":301,"_302":303},"1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_293":1074,"_295":1075,"_297":1076},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_289":290,"_291":292},{"_224":1071,"_125":1072,"_283":1073},{"_274":1068,"_276":1069,"_278":1070,"_280":1054},91.033935546875,114.5,76.033935546875,{"_285":224,"_123":369,"_154":370,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg",{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},{"_309":1086,"_311":1087},{"_309":1084,"_311":1085},{"_309":1082,"_311":1083},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","The Creation of the World and the Expulsion from Paradise",{"_42":1139,"_221":1140,"_323":1141,"_325":326,"_327":1142,"_329":1143,"_331":996,"_332":996,"_333":1144,"_140":97},"1445","Overall: 18 1/4 × 20 1/2 in. (46.4 × 52.1 cm)",52.1,46.4,1.1235955056179776,[1124,1125,1126,1127,1128],{"_220":374,"_221":375,"_42":376,"_302":377},"1975.1.31","Giovanni di Paolo painted this in 1445, aged 47. It is now at The Met in New York.","Two moments share one small panel. At the left, God the Father, borne by a ring of blue cherubim, sets the universe in motion: a great disc of concentric circles for the elements, the planets and the signs of the zodiac, with a map of the earth at its centre.","The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445",{"_293":1121,"_295":1122,"_297":1123},"https://img.ochreeditions.com/m/1245.jpg?dl=1","/art/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","/galleries/style/italian-renaissance/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971",{"_289":290,"_291":292},{"_224":1116,"_125":1117,"_283":1118},{"_274":1113,"_276":1114,"_278":1097,"_280":1115},67.1,61.369,46.369,{"_285":224,"_123":1119,"_154":1120,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1245/480.jpg","https://img.ochreeditions.com/a/1245/960.jpg","https://img.ochreeditions.com/a/1245/1920.jpg",{"_309":1137,"_311":1138},{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},"#0e0c0a",0.1085,"#777e75",0.1783,"#385163",0.2003,"#88704d",0.2215,"#473d2b",0.2914,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.",{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","d219e54b164b09f79c21bd279100a976b1e20b46","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]