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(92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[376,377,378,379,380],{"_217":297,"_218":298,"_42":299,"_300":301},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. 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(19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[434,435,436,437,438],{"_217":297,"_218":298,"_42":299,"_300":301},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_291":431,"_293":432,"_295":433},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_287":288,"_289":290},{"_221":424,"_125":425,"_281":426},{"_272":420,"_274":421,"_276":422,"_278":423},45.128841607565015,49,21.128841607565015,25,{"_283":221,"_123":429,"_154":430,"_140":99},{"_283":125,"_123":427,"_154":428,"_140":91},{"_283":281,"_123":363,"_154":364,"_140":365},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_307":446,"_309":447},{"_307":444,"_309":445},{"_307":442,"_309":443},{"_307":441,"_309":382},{"_307":439,"_309":440},"#958066",0.0535,"#f3e5cf","#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":512,"_218":513,"_321":324,"_323":324,"_325":-5,"_327":514,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1590–1646","Drawing","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[497,498,499,500,501],{"_217":494,"_218":495,"_42":496,"_300":301},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":491,"_492":493},"POPE RECEIVING VISITOR",{"_291":488,"_293":489,"_295":490},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_287":288,"_289":290},{"_221":483,"_125":484,"_281":485},{"_272":480,"_274":481,"_276":463,"_278":482},56.7,48.089,24.089000000000002,{"_283":221,"_123":486,"_154":487,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_307":510,"_309":511},{"_307":508,"_309":509},{"_307":506,"_309":507},{"_307":504,"_309":505},{"_307":502,"_309":503},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,"ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":572,"_218":573,"_321":574,"_323":324,"_325":575,"_327":576,"_329":-5,"_331":-5,"_333":-5,"_140":101},"c. 1516","print","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[557,558,559,560,561],{"_217":553,"_218":554,"_42":555,"_300":556},"Courtesy National Gallery of Art, Washington","1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_291":550,"_293":551,"_295":552},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_287":288,"_289":290},{"_221":542,"_125":543,"_281":544},{"_272":539,"_274":540,"_276":541,"_278":524},37.58662109375,50.3,13.58662109375,{"_283":221,"_123":548,"_154":549,"_140":89},{"_283":125,"_123":545,"_154":546,"_140":547},{"_283":281,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_307":570,"_309":571},{"_307":568,"_309":569},{"_307":566,"_309":567},{"_307":564,"_309":565},{"_307":562,"_309":563},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":624,"_218":625,"_321":324,"_323":324,"_325":-5,"_327":192,"_329":-5,"_331":-5,"_333":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[609,610,611,612,613],{"_217":297,"_218":298,"_42":299,"_300":301},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_291":606,"_293":607,"_295":608},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_287":371,"_289":372},{"_221":601,"_125":602,"_281":603},{"_272":598,"_274":599,"_276":600,"_278":423},32.4375,40,17.4375,{"_283":221,"_123":604,"_154":605,"_140":89},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_307":622,"_309":623},{"_307":620,"_309":621},{"_307":618,"_309":619},{"_307":616,"_309":617},{"_307":614,"_309":615},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano","madonna-and-child-met-436892","Madonna and Child",{"_42":673,"_218":674,"_321":675,"_323":324,"_325":676,"_327":677,"_329":678,"_331":397,"_333":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[658,659,660,661,662],{"_217":297,"_218":298,"_42":299,"_300":301},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_291":655,"_293":656,"_295":657},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_287":371,"_289":372},{"_221":650,"_125":651,"_281":652},{"_272":647,"_274":648,"_276":649,"_278":633},75.4851775071262,96.3,60.485177507126195,{"_283":221,"_123":653,"_154":654,"_140":89},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_307":671,"_309":672},{"_307":669,"_309":670},{"_307":667,"_309":668},{"_307":665,"_309":666},{"_307":663,"_309":664},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":726,"_218":727,"_321":728,"_323":324,"_325":394,"_327":729,"_329":397,"_331":730,"_333":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[711,712,713,714,715],{"_217":297,"_218":298,"_42":299,"_300":301},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_291":708,"_293":709,"_295":710},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_287":371,"_289":372},{"_221":703,"_125":704,"_281":705},{"_272":700,"_274":701,"_276":702,"_278":686},57.47969032258064,79.1,42.47969032258064,{"_283":221,"_123":706,"_154":707,"_140":89},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_307":724,"_309":725},{"_307":722,"_309":723},{"_307":720,"_309":721},{"_307":718,"_309":719},{"_307":716,"_309":717},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1469,"Spoleto","venus-and-cupid-met-436918","Venus and Cupid",{"_42":782,"_218":783,"_321":784,"_323":324,"_325":785,"_327":786,"_329":787,"_331":788,"_333":789,"_140":99},"1520s","Oil on canvas","36 3/8 x 43 7/8 in. (92.4 x 111.4 cm)",111.4,92.4,1.1951000896325068,[767,768,769,770,771],{"_217":297,"_218":298,"_42":299,"_300":301},"1986.138","Lorenzo Lotto painted this in the 1520s, aged about 45. It is now at The Met in New York.","Venus reclines on draperies beneath a hanging shell, wearing a bridal crown and veil, while a mischievous Cupid urinates through a myrtle wreath onto her lap, an earthy wish for fertility and good fortune in marriage.","Venus and Cupid, by Lorenzo Lotto, 1520s",{"_291":764,"_293":765,"_295":766},"https://img.ochreeditions.com/m/1123.jpg?dl=1","/art/venus-and-cupid-met-436918","/galleries/style/italian-renaissance/venus-and-cupid-met-436918",{"_287":371,"_289":372},{"_221":756,"_125":757,"_281":758},{"_272":753,"_274":754,"_276":737,"_278":755},126.4,108.21395,93.21395,{"_283":221,"_123":762,"_154":763,"_140":99},{"_283":125,"_123":759,"_154":760,"_140":761},{"_283":281,"_123":166,"_154":165,"_140":168},"style/painting-16","More paintings of the 16th century",95,"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1123/480.jpg","https://img.ochreeditions.com/a/1123/960.jpg","https://img.ochreeditions.com/a/1123/1920.jpg",{"_307":780,"_309":781},{"_307":778,"_309":779},{"_307":776,"_309":777},{"_307":774,"_309":775},{"_307":772,"_309":773},"#234b5c",0.1082,"#b4a086",0.1949,"#615140",0.1963,"#652d2d",0.2075,"#291d19",0.2931,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":837,"_218":838,"_321":839,"_323":324,"_325":840,"_327":841,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1561-1565","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[822,823,824,825,826],{"_217":553,"_218":554,"_42":555,"_300":556},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_291":819,"_293":820,"_295":821},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_287":288,"_289":290},{"_221":814,"_125":815,"_281":816},{"_272":811,"_274":812,"_276":796,"_278":813},62,51.00634765625,27.00634765625,{"_283":221,"_123":817,"_154":818,"_140":89},{"_283":125,"_123":545,"_154":546,"_140":547},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_307":835,"_309":836},{"_307":833,"_309":834},{"_307":831,"_309":832},{"_307":829,"_309":830},{"_307":827,"_309":828},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"the-holy-family-nga-41590","The Holy Family",{"_42":890,"_218":891,"_321":892,"_323":324,"_325":893,"_327":894,"_329":-5,"_331":-5,"_333":-5,"_140":103},"probably c. 1500","Painting","oil on panel transferred to hardboard","overall: 37.3 x 45.6 cm (14 11/16 x 17 15/16 in.) framed: 55.9 x 64.8 x 7.6 cm (22 x 25 1/2 x 3 in.)",45.6,37.3,1.2333634447455586,[875,876,877,878,879],{"_217":553,"_218":554,"_42":555,"_300":556},"1952.2.8","Giorgione painted this (probably c. 1500), aged 23. It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_291":872,"_293":873,"_295":874},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_287":371,"_289":372},{"_221":867,"_125":868,"_281":869},{"_272":864,"_274":865,"_276":849,"_278":866},60.6,51.9720703125,36.9720703125,{"_283":221,"_123":870,"_154":871,"_140":89},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg",{"_307":888,"_309":889},{"_307":886,"_309":887},{"_307":884,"_309":885},{"_307":882,"_309":883},{"_307":880,"_309":881},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,1510,"hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","Hercules chasing Avarice from the Temple of the Muses",{"_42":943,"_218":944,"_321":945,"_323":324,"_325":946,"_327":947,"_329":948,"_331":949,"_333":-5,"_140":103},"ca. 1520–27","Prints","Chiaroscuro woodcut from two blocks in green","11 15/16 × 9 1/4 in. (30.3 × 23.5 cm)",23.5,30.3,0.7796043466146559,[928,929,930,931,932],{"_217":297,"_218":298,"_42":299,"_300":301},"20.24.76","Ugo da Carpi made this in about 1520–27, aged about 35. It is now at The Met in New York.","Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27",{"_291":925,"_293":926,"_295":927},"https://img.ochreeditions.com/m/1028.jpg?dl=1","/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","/galleries/style/italian-renaissance/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700",{"_287":288,"_289":290},{"_221":920,"_125":921,"_281":922},{"_272":917,"_274":918,"_276":919,"_278":903},47.622011702424075,54.3,23.622011702424075,{"_283":221,"_123":923,"_154":924,"_140":89},{"_283":125,"_123":545,"_154":546,"_140":547},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ugo-da-carpi","Ugo da Carpi's contemporaries","https://img.ochreeditions.com/a/1028/480.jpg","https://img.ochreeditions.com/a/1028/960.jpg","https://img.ochreeditions.com/a/1028/1920.jpg",{"_307":941,"_309":942},{"_307":939,"_309":940},{"_307":937,"_309":938},{"_307":935,"_309":936},{"_307":933,"_309":934},"#e3d7cc",0.0635,"#b8a798",0.1438,"#988a7c",0.2191,"#686059",0.2264,"#7f736a",0.3472,"Ugo da Carpi","ugo-da-carpi","Italian, 1480–1532",1480,1532,"Carpi","Bologna","portrait-of-a-young-man-met-435581","Portrait of a Young Man",{"_42":997,"_218":998,"_321":999,"_323":324,"_325":1000,"_327":1001,"_329":1002,"_331":1002,"_333":-5,"_140":101},"ca. 1470","Oil on wood","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[982,983,984,985,986],{"_217":297,"_218":298,"_42":299,"_300":301},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_291":979,"_293":980,"_295":981},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_287":371,"_289":372},{"_221":974,"_125":975,"_281":976},{"_272":971,"_274":972,"_276":973,"_278":957},35.475651487233485,42,20.475651487233485,{"_283":221,"_123":977,"_154":978,"_140":89},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_307":995,"_309":996},{"_307":993,"_309":994},{"_307":991,"_309":992},{"_307":989,"_309":990},{"_307":987,"_309":988},"#552f1a",0.0785,"#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries",{"_42":1049,"_218":1050,"_321":1051,"_323":324,"_325":1052,"_327":840,"_329":397,"_331":332,"_333":-5,"_140":103},"ca. 1532–35","Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache","Sheet: 17 x 15 3/4 in. (43.2 x 40 cm)",43.2,0.8836846213895394,[1034,1035,1036,1037,1038],{"_217":297,"_218":298,"_42":299,"_300":301},"2011.36","Perino del Vaga (Pietro Buonaccorsi) painted this in about 1532–35, aged about 25. It is now at The Met in New York.","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35",{"_291":1031,"_293":1032,"_295":1033},"https://img.ochreeditions.com/m/1055.jpg?dl=1","/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","/galleries/style/italian-renaissance/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",{"_287":288,"_289":290},{"_221":1026,"_125":1027,"_281":1028},{"_272":1023,"_274":1024,"_276":1025,"_278":1009},62.1751756440281,67.2,38.1751756440281,{"_283":221,"_123":1029,"_154":1030,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-perino-del-vaga-pietro-buonaccorsi","Perino del Vaga (Pietro Buonaccorsi)'s contemporaries","https://img.ochreeditions.com/a/1055/480.jpg","https://img.ochreeditions.com/a/1055/960.jpg","https://img.ochreeditions.com/a/1055/1920.jpg",{"_307":1047,"_309":1048},{"_307":1045,"_309":1046},{"_307":1043,"_309":1044},{"_307":1041,"_309":1042},{"_307":1039,"_309":1040},"#cbb59c",0.0965,"#988167",0.1757,"#544a3e",0.2135,"#7d6b55",0.2421,"#685a49",0.2722,"Perino del Vaga (Pietro Buonaccorsi)","perino-del-vaga-pietro-buonaccorsi","Italian, 1501–1547",1501,"a-flying-angel-nga-56625","A Flying Angel",{"_42":1099,"_218":1100,"_321":1101,"_323":324,"_325":1102,"_327":1103,"_329":-5,"_331":-5,"_333":-5,"_140":101},"1580/1590","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[1085,1086,1087,1088,1089],{"_217":553,"_218":554,"_42":555,"_300":556},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_291":1082,"_293":1083,"_295":1084},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_287":288,"_289":290},{"_221":1077,"_125":1078,"_281":1079},{"_272":1074,"_274":1075,"_276":1076,"_278":1060},42.07490234375,51.4,18.07490234375,{"_283":221,"_123":1080,"_154":1081,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_307":1097,"_309":1098},{"_307":1095,"_309":1096},{"_307":1093,"_309":1094},{"_307":1092,"_309":988},{"_307":1090,"_309":1091},"#b89b76",0.0577,"#e4cdab","#caac85",0.1633,"#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"abraham-met-436911","Abraham",{"_42":1150,"_218":1151,"_321":1152,"_323":324,"_325":1153,"_327":1154,"_329":-5,"_331":-5,"_333":1155,"_140":99},"ca. 1408–10","Tempera on wood, gold ground","Overall 26 x 16 7/8 in. (66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm)",42.9,0.6585,[1135,1136,1137,1138,1139],{"_217":297,"_218":298,"_42":299,"_300":301},"65.14.1","Lorenzo Monaco painted this in about 1408–10, aged about 38. It is now at The Met in New York.","Abraham, by Lorenzo Monaco, ca. 1408–10",{"_291":1132,"_293":1133,"_295":1134},"https://img.ochreeditions.com/m/1121.jpg?dl=1","/art/abraham-met-436911","/galleries/style/italian-renaissance/abraham-met-436911",{"_287":371,"_289":372},{"_221":1127,"_125":1128,"_281":1129},{"_272":1124,"_274":1125,"_276":1126,"_278":168},58.461,81,43.461,{"_283":221,"_123":1130,"_154":1131,"_140":99},{"_283":125,"_123":366,"_154":367,"_140":368},{"_283":281,"_123":363,"_154":364,"_140":365},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1121/480.jpg","https://img.ochreeditions.com/a/1121/960.jpg","https://img.ochreeditions.com/a/1121/1920.jpg",{"_307":1148,"_309":1149},{"_307":1146,"_309":1147},{"_307":1144,"_309":1145},{"_307":1142,"_309":1143},{"_307":1140,"_309":1141},"#0f0c0a",0.0915,"#5b6652",0.1574,"#c49b55",0.205,"#724a39",0.2318,"#a97350",0.3143,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.",{"_1157":-5,"_1158":1159,"_1160":1161,"_1162":8,"_1163":1164,"_1165":8},"user","csrf","7816f669406c87d0d3b4cfd72991d96aeaab1089","cartCount",0,"dropLive","legal",[1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177],"uploadsEnabled",{"_218":1200,"_20":1201},{"_218":1198,"_20":1199},{"_218":1196,"_20":1197},{"_218":1194,"_20":1195},{"_218":1192,"_20":1193},{"_218":1190,"_20":1191},{"_218":1188,"_20":1189},{"_218":1186,"_20":1187},{"_218":1184,"_20":1185},{"_218":1182,"_20":1183},{"_218":1180,"_20":1181},{"_218":1178,"_20":1179},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]