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(81.3 x 59.7 cm)","width_cm",59.7,"height_cm",81.3,"aspect",0.7439751230888831,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy of The Metropolitan Museum of Art","accession","49.7.10","licence","CC0","story","Filippino Lippi painted this in about 1483–84, aged about 26. 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(46.4 × 52.1 cm)",52.1,46.4,1.1235955056179776,[369,370,371,372,373],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.31","Giovanni di Paolo painted this in 1445, aged 47. It is now at The Met in New York.","Two moments share one small panel. At the left, God the Father, borne by a ring of blue cherubim, sets the universe in motion: a great disc of concentric circles for the elements, the planets and the signs of the zodiac, with a map of the earth at its centre.","The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445",{"_293":366,"_295":367,"_297":368},"https://img.ochreeditions.com/m/1245.jpg?dl=1","/art/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","/galleries/style/italian-renaissance/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971",{"_289":290,"_291":292},{"_224":361,"_125":362,"_283":363},{"_274":358,"_276":359,"_278":342,"_280":360},67.1,61.369,46.369,{"_285":224,"_123":364,"_154":365,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1245/480.jpg","https://img.ochreeditions.com/a/1245/960.jpg","https://img.ochreeditions.com/a/1245/1920.jpg",{"_309":382,"_311":383},{"_309":380,"_311":381},{"_309":378,"_311":379},{"_309":376,"_311":377},{"_309":374,"_311":375},"#0e0c0a",0.1085,"#777e75",0.1783,"#385163",0.2003,"#88704d",0.2215,"#473d2b",0.2914,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":437,"_221":438,"_323":439,"_325":326,"_327":440,"_329":441,"_331":442,"_333":389,"_335":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[422,423,424,425,426],{"_220":299,"_221":300,"_42":301,"_302":303},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. 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It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_293":474,"_295":475,"_297":476},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_289":290,"_291":292},{"_224":469,"_125":470,"_283":471},{"_274":466,"_276":467,"_278":450,"_280":468},60.6,51.9720703125,36.9720703125,{"_285":224,"_123":472,"_154":473,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":494,"_311":495},{"_309":492,"_311":493},{"_309":490,"_311":491},{"_309":488,"_311":489},{"_309":486,"_311":487},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,1510,"the-last-communion-of-saint-jerome-met-435728","The Last Communion of Saint Jerome",{"_42":547,"_221":548,"_323":549,"_325":326,"_327":550,"_329":500,"_331":334,"_333":334,"_335":-5,"_140":101},"early 1490s","13 1/2 x 10 in. (34.3 x 25.4 cm)",25.4,34.3,0.75475,[532,533,534,535,536],{"_220":299,"_221":300,"_42":301,"_302":303},"14.40.642","Botticelli (Alessandro di Mariano Filipepi) painted this in the early 1490s, aged about 46. It is now at The Met in New York.","The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s",{"_293":529,"_295":530,"_297":531},"https://img.ochreeditions.com/m/1063.jpg?dl=1","/art/the-last-communion-of-saint-jerome-met-435728","/galleries/style/italian-renaissance/the-last-communion-of-saint-jerome-met-435728",{"_289":290,"_291":292},{"_224":524,"_125":525,"_283":526},{"_274":521,"_276":522,"_278":523,"_280":507},40.887924999999996,49.3,25.887925,{"_285":224,"_123":527,"_154":528,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1063/480.jpg","https://img.ochreeditions.com/a/1063/960.jpg","https://img.ochreeditions.com/a/1063/1920.jpg",{"_309":545,"_311":546},{"_309":543,"_311":544},{"_309":541,"_311":542},{"_309":539,"_311":540},{"_309":537,"_311":538},"#a06a4e",0.0609,"#95927e",0.1214,"#7f6948",0.1745,"#262119",0.3145,"#4b3b29",0.3287,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,"the-adoration-of-the-shepherds-met-436966","The Adoration of the Shepherds",{"_42":598,"_221":599,"_323":600,"_325":326,"_327":601,"_329":602,"_331":603,"_333":604,"_335":-5,"_140":101},"shortly after 1450","Tempera on canvas, transferred from wood","Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,40,1.3584577978464745,[583,584,585,586,587],{"_220":299,"_221":300,"_42":301,"_302":303},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_293":580,"_295":581,"_297":582},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_289":290,"_291":292},{"_224":575,"_125":576,"_283":577},{"_274":572,"_276":573,"_278":557,"_280":574},70.6,55.928765021733575,40.928765021733575,{"_285":224,"_123":578,"_154":579,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_309":596,"_311":597},{"_309":594,"_311":595},{"_309":592,"_311":593},{"_309":590,"_311":591},{"_309":588,"_311":589},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","madonna-and-child-nga-12111",{"_42":652,"_221":653,"_323":654,"_325":326,"_327":655,"_329":656,"_331":-5,"_333":-5,"_335":657,"_140":99},"1413","tempera on panel","painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.)",52.8,113.5,0.462646484375,[637,638,639,640,641],{"_220":477,"_221":478,"_42":479,"_302":480},"1943.4.13","Lorenzo Monaco painted this in 1413, aged 43. It is now at the National Gallery of Art in Washington, DC.","The Virgin, in a midnight-blue robe scattered with golden stars, supports the Christ Child as he stands on her knee, one hand holding her sky-blue scarf and the other a scroll with the words “EGO S…”, the beginning of a Latin declaration, “I am…”.","A woman sits and supports a baby standing on her lap, both against a gold background in this arched, vertical painting. The woman and baby’s light skin is shaded with faint green, and they have pale pink cheeks. The woman’s body faces us. She tips her head toward the baby who stands on her knee, to our right. The woman looks at us with light brown eyes under curving brows. She has a long, straight nose, and her small pink lips are closed. Her blond hair is mostly covered by a midnight-blue robe that drapes over her shoulders, across her lap, and pools on the floor. The robe is lined with goldenrod yellow, edged with bright gold, and has gold starburst-like designs on the shoulder we can see and top of the head. The dress she wears underneath has more gold stars creating a pattern across the pearl-white fabric. A sky-blue scarf wraps over her head and loops across her shoulders. The baby holds one end of the scarf, and his other elbow rests on the woman’s shoulder. She props him up with both hands. He has a cap of blond curls and chubby cheeks with delicate features. His geranium-red garment falls over a pale blue skirt that reaches his bare feet. In the hand near the woman’s shoulder, he holds a scroll with the letters “EGO S.” The floor beneath them is mint green and has gold writing across the front, reading, “AVE.G ANN O.D M.CCCC.XIII.” The woman and baby’s disc-like gold halos blend into the gold background, which is visibly cracked in some areas. The panel comes to a pointed arch at the top.",{"_293":634,"_295":635,"_297":636},"https://img.ochreeditions.com/m/1362.jpg?dl=1","/art/madonna-and-child-nga-12111","/galleries/style/italian-renaissance/madonna-and-child-nga-12111",{"_289":290,"_291":292},{"_224":629,"_125":630,"_283":631},{"_274":626,"_276":627,"_278":628,"_280":611},67.5103759765625,128.5,52.5103759765625,{"_285":224,"_123":632,"_154":633,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1362/480.jpg","https://img.ochreeditions.com/a/1362/960.jpg","https://img.ochreeditions.com/a/1362/1920.jpg",{"_309":650,"_311":651},{"_309":648,"_311":649},{"_309":646,"_311":647},{"_309":644,"_311":645},{"_309":642,"_311":643},"#915c42",0.0738,"#f1ede7",0.0797,"#707862",0.1579,"#3d3d40",0.2419,"#d6aa6d",0.4467,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":723,"_221":724,"_323":326,"_325":326,"_327":-5,"_329":725,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1590–1646","drawing","Drawing","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[708,709,710,711,712],{"_220":705,"_221":706,"_42":707,"_302":303},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":702,"_703":704},"POPE RECEIVING VISITOR",{"_293":699,"_295":700,"_297":701},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_289":697,"_291":698},{"_224":686,"_125":687,"_283":688},{"_274":683,"_276":684,"_278":666,"_280":685},56.7,48.089,24.089000000000002,{"_285":224,"_123":695,"_154":696,"_140":89},{"_285":125,"_123":692,"_154":693,"_140":694},{"_285":283,"_123":689,"_154":690,"_140":691},"era/16-italy","16th-century Italy",66,"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","black","snow","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,"the-nativity-met-459007","The Nativity",{"_42":652,"_221":653,"_323":654,"_325":326,"_327":655,"_329":656,"_331":-5,"_333":-5,"_335":657,"_140":99},"ca. 1406–10","8 3/4 x 12 1/4 in. (22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[755,756,757,758,759],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_293":752,"_295":753,"_297":754},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_289":290,"_291":292},{"_224":749,"_125":750,"_283":751},{"_274":746,"_276":747,"_278":731,"_280":748},46.1,35.760535292574126,20.760535292574126,{"_285":224,"_123":632,"_154":633,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg",{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":764,"_311":765},{"_309":762,"_311":763},{"_309":760,"_311":761},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"madonna-and-child-met-435641",{"_42":816,"_221":817,"_323":818,"_325":326,"_327":819,"_329":820,"_331":821,"_333":821,"_335":822,"_140":101},"late 1480s","Oil on wood","35 x 28 in. (88.9 x 71.1 cm)",71.1,88.9,0.8119956966110812,[801,802,803,804,805],{"_220":299,"_221":300,"_42":301,"_302":303},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_293":798,"_295":799,"_297":800},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_289":290,"_291":292},{"_224":793,"_125":794,"_283":795},{"_274":790,"_276":791,"_278":792,"_280":776},87.18641742872512,103.9,72.18641742872512,{"_285":224,"_123":796,"_154":797,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_309":814,"_311":815},{"_309":812,"_311":813},{"_309":810,"_311":811},{"_309":808,"_311":809},{"_309":806,"_311":807},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":870,"_221":871,"_323":326,"_325":326,"_327":-5,"_329":185,"_331":-5,"_333":-5,"_335":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[855,856,857,858,859],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":852,"_295":853,"_297":854},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":290,"_291":292},{"_224":847,"_125":848,"_283":849},{"_274":844,"_276":558,"_278":845,"_280":846},32.4375,17.4375,25,{"_285":224,"_123":850,"_154":851,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":868,"_311":869},{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},{"_309":860,"_311":861},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano","man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":923,"_221":924,"_323":925,"_325":326,"_327":926,"_329":927,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[909,910,911,912,913],{"_220":477,"_221":478,"_42":479,"_302":480},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_293":906,"_295":907,"_297":908},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_289":697,"_291":698},{"_224":898,"_125":899,"_283":900},{"_274":895,"_276":896,"_278":897,"_280":846},46.2736368184092,49,22.273636818409205,{"_285":224,"_123":904,"_154":905,"_140":89},{"_285":125,"_123":901,"_154":902,"_140":903},{"_285":283,"_123":689,"_154":690,"_140":691},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":918,"_311":540},{"_309":916,"_311":917},{"_309":914,"_311":915},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81","#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[963,964,965,966,967],{"_220":477,"_221":478,"_42":479,"_302":480},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_293":960,"_295":961,"_297":962},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_289":290,"_291":292},{"_224":952,"_125":953,"_283":954},{"_274":949,"_276":950,"_278":934,"_280":951},96,61.531494140625,46.531494140625,{"_285":224,"_123":958,"_154":959,"_140":77},{"_285":125,"_123":955,"_154":956,"_140":957},{"_285":283,"_123":689,"_154":690,"_140":691},"style/painting-16","More paintings of the 16th century",95,"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"portrait-of-a-young-man-met-435581","Portrait of a Young Man",{"_42":1024,"_221":1025,"_323":1026,"_325":326,"_327":601,"_329":1027,"_331":1028,"_333":1028,"_335":-5,"_140":101},"ca. 1470","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[1009,1010,1011,1012,1013],{"_220":299,"_221":300,"_42":301,"_302":303},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_293":1006,"_295":1007,"_297":1008},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_289":290,"_291":292},{"_224":1001,"_125":1002,"_283":1003},{"_274":998,"_276":999,"_278":1000,"_280":984},35.475651487233485,42,20.475651487233485,{"_285":224,"_123":1004,"_154":1005,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},{"_309":1014,"_311":1015},"#552f1a",0.0785,"#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1479,"Messina","a-hunting-scene-met-437283","A Hunting Scene",{"_42":1076,"_221":1077,"_323":1078,"_325":326,"_327":1079,"_329":1080,"_331":334,"_333":334,"_335":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[1061,1062,1063,1064,1065],{"_220":299,"_221":300,"_42":301,"_302":303},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_293":1058,"_295":1059,"_297":1060},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_289":290,"_291":292},{"_224":1053,"_125":1054,"_283":1055},{"_274":1050,"_276":1051,"_278":1035,"_280":1052},184.5,91.19025,76.19025,{"_285":224,"_123":1056,"_154":1057,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_309":1074,"_311":1075},{"_309":1072,"_311":1073},{"_309":1070,"_311":1071},{"_309":1068,"_311":1069},{"_309":1066,"_311":1067},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":1128,"_221":1129,"_323":1130,"_325":326,"_327":1131,"_329":1132,"_331":1133,"_333":1134,"_335":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[1113,1114,1115,1116,1117],{"_220":299,"_221":300,"_42":301,"_302":303},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_293":1110,"_295":1111,"_297":1112},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_289":290,"_291":292},{"_224":1105,"_125":1106,"_283":1107},{"_274":1102,"_276":1103,"_278":1104,"_280":1088},58.842013978772975,69.3,43.842013978772975,{"_285":224,"_123":1108,"_154":1109,"_140":89},{"_285":125,"_123":955,"_154":956,"_140":957},{"_285":283,"_123":689,"_154":690,"_140":691},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_309":1126,"_311":1127},{"_309":1124,"_311":1125},{"_309":1122,"_311":1123},{"_309":1120,"_311":1121},{"_309":1118,"_311":1119},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome",{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","ddf4c7754226711356bbb7411eb580fed652c1de","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]