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There is no jewelry, and the background is plain.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1626.jpg?dl=1","page_url","/art/saint-jerome-nga-91442","walk_url","/galleries/style/italian-renaissance/saint-jerome-nga-91442","frame",{"_292":293,"_294":295},{"_227":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":247},"w",45.8095458984375,"h",54.9,"image_w",21.8095458984375,"image_h",{"_288":227,"_123":171,"_154":170,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/drawing-16","More drawings of the 16th century",35,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1626/480.jpg","960","https://img.ochreeditions.com/a/1626/960.jpg","1920","https://img.ochreeditions.com/a/1626/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#886750","weight",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","bio","Venetian, 1525–1608","nationality","Italian","birth_year",1525,"death_year",1608,"birth_place","death_place","about_excerpt","the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":394,"_224":395,"_326":396,"_328":329,"_330":397,"_332":398,"_334":399,"_335":400,"_336":-5,"_140":101},"c. 1475","painting","Painting","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[379,380,381,382,383],{"_223":302,"_224":303,"_42":304,"_305":306},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. 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(40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,40,1.3584577978464745,[439,440,441,442,443],{"_223":435,"_224":436,"_42":437,"_305":438},"Courtesy of The Metropolitan Museum of Art","32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_296":432,"_298":433,"_300":434},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_292":374,"_294":375},{"_227":427,"_125":428,"_286":429},{"_277":424,"_279":425,"_281":408,"_283":426},70.6,55.928765021733575,40.928765021733575,{"_288":227,"_123":430,"_154":431,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":512,"_224":513,"_326":514,"_328":329,"_330":206,"_332":515,"_334":-5,"_335":-5,"_336":516,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[497,498,499,500,501],{"_223":302,"_224":303,"_42":304,"_305":306},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_292":374,"_294":375},{"_227":486,"_125":487,"_286":488},{"_277":483,"_279":484,"_281":467,"_283":485},147,145.1953125,130.1953125,{"_288":227,"_123":492,"_154":493,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","madonna-and-child-met-435641","Madonna and Child",{"_42":564,"_224":565,"_326":566,"_328":329,"_330":567,"_332":568,"_334":569,"_335":569,"_336":570,"_140":101},"late 1480s","Oil on wood","35 x 28 in. (88.9 x 71.1 cm)",71.1,88.9,0.8119956966110812,[549,550,551,552,553],{"_223":435,"_224":436,"_42":437,"_305":438},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_296":546,"_298":547,"_300":548},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_292":374,"_294":375},{"_227":541,"_125":542,"_286":543},{"_277":538,"_279":539,"_281":540,"_283":524},87.18641742872512,103.9,72.18641742872512,{"_288":227,"_123":544,"_154":545,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_312":562,"_314":563},{"_312":560,"_314":561},{"_312":558,"_314":559},{"_312":556,"_314":557},{"_312":554,"_314":555},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","the-nativity-met-459007","The Nativity",{"_42":618,"_224":619,"_326":620,"_328":329,"_330":621,"_332":622,"_334":-5,"_335":-5,"_336":623,"_140":99},"ca. 1406–10","Tempera and gold on wood","8 3/4 x 12 1/4 in. (22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[603,604,605,606,607],{"_223":435,"_224":436,"_42":437,"_305":438},"1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_296":600,"_298":601,"_300":602},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_292":374,"_294":375},{"_227":595,"_125":596,"_286":597},{"_277":592,"_279":593,"_281":577,"_283":594},46.1,35.760535292574126,20.760535292574126,{"_288":227,"_123":598,"_154":599,"_140":99},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg",{"_312":616,"_314":617},{"_312":614,"_314":615},{"_312":612,"_314":613},{"_312":610,"_314":611},{"_312":608,"_314":609},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":670,"_224":671,"_326":672,"_328":329,"_330":457,"_332":673,"_334":674,"_335":674,"_336":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[655,656,657,658,659],{"_223":435,"_224":436,"_42":437,"_305":438},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_296":652,"_298":653,"_300":654},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_292":374,"_294":375},{"_227":647,"_125":648,"_286":649},{"_277":644,"_279":645,"_281":646,"_283":630},45.62467599792639,57.5,30.62467599792639,{"_288":227,"_123":650,"_154":651,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_312":668,"_314":669},{"_312":666,"_314":667},{"_312":664,"_314":665},{"_312":662,"_314":663},{"_312":660,"_314":661},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1479,"Messina","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":564,"_224":565,"_326":566,"_328":329,"_330":567,"_332":568,"_334":569,"_335":569,"_336":570,"_140":101},"1514/1529","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[705,706,707,708,709],{"_223":302,"_224":303,"_42":304,"_305":306},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_296":702,"_298":703,"_300":704},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_292":374,"_294":375},{"_227":699,"_125":700,"_286":701},{"_277":696,"_279":697,"_281":680,"_283":698},203,187.2109375,172.2109375,{"_288":227,"_123":544,"_154":545,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_312":718,"_314":719},{"_312":716,"_314":717},{"_312":714,"_314":715},{"_312":712,"_314":713},{"_312":710,"_314":711},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":767,"_224":768,"_326":329,"_328":329,"_330":-5,"_332":769,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[752,753,754,755,756],{"_223":435,"_224":436,"_42":437,"_305":438},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_296":749,"_298":750,"_300":751},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_292":374,"_294":375},{"_227":744,"_125":745,"_286":746},{"_277":741,"_279":409,"_281":742,"_283":743},32.4375,17.4375,25,{"_288":227,"_123":747,"_154":748,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_312":765,"_314":766},{"_312":763,"_314":764},{"_312":761,"_314":762},{"_312":759,"_314":760},{"_312":757,"_314":758},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",1498,"the-baptism-of-christ-met-440393",{"_42":816,"_224":817,"_326":818,"_328":329,"_330":819,"_332":820,"_334":821,"_335":821,"_336":-5,"_140":101},"ca. 1590","Oil on canvas","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[801,802,803,804,805],{"_223":435,"_224":436,"_42":437,"_305":438},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_296":798,"_298":799,"_300":800},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_292":374,"_294":375},{"_227":793,"_125":794,"_286":795},{"_277":790,"_279":791,"_281":792,"_283":776},171.29437386569876,206.8,156.29437386569876,{"_288":227,"_123":796,"_154":797,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_312":814,"_314":815},{"_312":812,"_314":813},{"_312":810,"_314":811},{"_312":808,"_314":809},{"_312":806,"_314":807},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":868,"_224":869,"_326":870,"_328":329,"_330":871,"_332":872,"_334":400,"_335":873,"_336":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[854,855,856,857,858],{"_223":435,"_224":436,"_42":437,"_305":438},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_296":851,"_298":852,"_300":853},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_292":374,"_294":375},{"_227":846,"_125":847,"_286":848},{"_277":843,"_279":844,"_281":845,"_283":829},57.47969032258064,79.1,42.47969032258064,{"_288":227,"_123":849,"_154":850,"_140":89},{"_288":125,"_123":369,"_154":370,"_140":371},{"_288":286,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_312":866,"_314":867},{"_312":864,"_314":865},{"_312":862,"_314":863},{"_312":861,"_314":321},{"_312":859,"_314":860},"#a8835c",0.0778,"#694d2e","#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Spoleto","venus-and-adonis-met-437826","Venus and Adonis",{"_42":920,"_224":921,"_326":922,"_328":329,"_330":923,"_332":924,"_334":925,"_335":569,"_336":-5,"_140":101},"1550s","42 x 52 1/2 in. (106.7 x 133.4 cm)",133.4,106.7,1.2368583797155226,[905,906,907,908,909],{"_223":435,"_224":436,"_42":437,"_305":438},"49.7.16","Titian painted this in the 1550s, aged about 62. It is now at The Met in New York.","Venus and Adonis, by Titian, 1550s",{"_296":902,"_298":903,"_300":904},"https://img.ochreeditions.com/m/1168.jpg?dl=1","/art/venus-and-adonis-met-437826","/galleries/style/italian-renaissance/venus-and-adonis-met-437826",{"_292":374,"_294":375},{"_227":897,"_125":898,"_286":899},{"_277":894,"_279":895,"_281":879,"_283":896},148.4,122.8539,107.8539,{"_288":227,"_123":900,"_154":901,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-titian","Titian's contemporaries","https://img.ochreeditions.com/a/1168/480.jpg","https://img.ochreeditions.com/a/1168/960.jpg","https://img.ochreeditions.com/a/1168/1920.jpg",{"_312":918,"_314":919},{"_312":916,"_314":917},{"_312":914,"_314":915},{"_312":912,"_314":913},{"_312":910,"_314":911},"#9e7c52",0.0925,"#423f31",0.1137,"#62462b",0.1397,"#372617",0.3002,"#1d150e",0.3539,"Titian","titian","Italian, c. 1488–1576",1488,1576,"Pieve di Cadore","venus-and-cupid-met-436918","Venus and Cupid",{"_42":973,"_224":974,"_326":975,"_328":329,"_330":976,"_332":977,"_334":569,"_335":978,"_336":979,"_140":99},"1520s","36 3/8 x 43 7/8 in. (92.4 x 111.4 cm)",111.4,92.4,1.1951000896325068,[958,959,960,961,962],{"_223":435,"_224":436,"_42":437,"_305":438},"1986.138","Lorenzo Lotto painted this in the 1520s, aged about 45. It is now at The Met in New York.","Venus reclines on draperies beneath a hanging shell, wearing a bridal crown and veil, while a mischievous Cupid urinates through a myrtle wreath onto her lap, an earthy wish for fertility and good fortune in marriage.","Venus and Cupid, by Lorenzo Lotto, 1520s",{"_296":955,"_298":956,"_300":957},"https://img.ochreeditions.com/m/1123.jpg?dl=1","/art/venus-and-cupid-met-436918","/galleries/style/italian-renaissance/venus-and-cupid-met-436918",{"_292":374,"_294":375},{"_227":950,"_125":951,"_286":952},{"_277":947,"_279":948,"_281":931,"_283":949},126.4,108.21395,93.21395,{"_288":227,"_123":953,"_154":954,"_140":99},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1123/480.jpg","https://img.ochreeditions.com/a/1123/960.jpg","https://img.ochreeditions.com/a/1123/1920.jpg",{"_312":971,"_314":972},{"_312":969,"_314":970},{"_312":967,"_314":968},{"_312":965,"_314":966},{"_312":963,"_314":964},"#234b5c",0.1082,"#b4a086",0.1949,"#615140",0.1963,"#652d2d",0.2075,"#291d19",0.2931,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","pieta-nga-41592","Pietà",{"_42":1026,"_224":1027,"_326":1028,"_328":329,"_330":769,"_332":1029,"_334":-5,"_335":-5,"_336":-5,"_140":103},"oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[1011,1012,1013,1014,1015],{"_223":302,"_224":303,"_42":304,"_305":306},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_296":1008,"_298":1009,"_300":1010},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_292":374,"_294":375},{"_227":1003,"_125":1004,"_286":1005},{"_277":1000,"_279":1001,"_281":1002,"_283":986},113.0291015625,190.8,98.0291015625,{"_288":227,"_123":1006,"_154":1007,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},{"_312":1020,"_314":1021},{"_312":1018,"_314":1019},{"_312":1016,"_314":1017},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1554,"allegory-nga-35082","Allegory",{"_42":1077,"_224":1078,"_326":329,"_328":329,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1515-1525","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[1062,1063,1064,1065,1066],{"_223":302,"_224":303,"_42":304,"_305":306},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_296":1059,"_298":1060,"_300":1061},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_292":374,"_294":375},{"_227":1054,"_125":1055,"_286":1056},{"_277":1051,"_279":1052,"_281":1053,"_283":1036},54.105224609375,58,39.105224609375,{"_288":227,"_123":1057,"_154":1058,"_140":89},{"_288":125,"_123":489,"_154":490,"_140":491},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":1131,"_224":1132,"_326":1133,"_328":329,"_330":1134,"_332":1135,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[1116,1117,1118,1119,1120],{"_223":302,"_224":303,"_42":304,"_305":306},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_296":1113,"_298":1114,"_300":1115},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_292":293,"_294":295},{"_227":1105,"_125":1106,"_286":1107},{"_277":1102,"_279":1103,"_281":1087,"_283":1104},62,51.00634765625,27.00634765625,{"_288":227,"_123":1111,"_154":1112,"_140":89},{"_288":125,"_123":1108,"_154":1109,"_140":1110},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_312":1129,"_314":1130},{"_312":1127,"_314":1128},{"_312":1125,"_314":1126},{"_312":1123,"_314":1124},{"_312":1121,"_314":1122},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","3c81a515552ea40fe081f828c1eb475efe27d268","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]