[{"_1":2,"_3":4},"root",{"_5":1135},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Italian Renaissance, in the galleries · Ochre Editions","description","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/italian-renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/italian-renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Italian Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-feast-of-the-gods-nga-1138",15,"https://www.ochreeditions.com/art/the-baptism-of-christ-nga-1142",14,"https://www.ochreeditions.com/art/brother-gregorio-belo-of-vicenza-met-436917",13,"https://www.ochreeditions.com/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",12,"https://www.ochreeditions.com/art/bacchanal-with-a-wine-vat-met-337057",11,"https://www.ochreeditions.com/art/the-coronation-of-the-virgin-nga-12134",10,"https://www.ochreeditions.com/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",9,"https://www.ochreeditions.com/art/madonna-and-child-met-436892",8,"https://www.ochreeditions.com/art/abraham-met-436911",7,"https://www.ochreeditions.com/art/the-musicians-met-435844",6,"https://www.ochreeditions.com/art/orpheus-nga-1139",5,"https://www.ochreeditions.com/art/madonna-and-child-met-435641",4,"https://www.ochreeditions.com/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",3,"https://www.ochreeditions.com/art/a-young-woman-and-her-little-boy-nga-1143",2,"https://www.ochreeditions.com/art/a-bear-walking-met-459184",1,"https://www.ochreeditions.com/art/portrait-of-a-young-man-met-435581","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~italian-renaissance.eb1c3223c3.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~italian-renaissance.eb1c3223c3.jpg","alt","The Italian Renaissance, a room in the galleries: three of its 61 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Italian Renaissance: 61 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~italian-renaissance.jpg","key","style/italian-renaissance","style","The Italian Renaissance","intro","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",6748,"/galleries/style/italian-renaissance","total",61,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6Njc0OCwiaSI6bnVsbCwiZyI6IjFxQVlsRnc0In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/italian-renaissance?hang=6748&cursor=eyJvIjoxNiwiaCI6Njc0OCwiaSI6bnVsbCwiZyI6IjFxQVlsRnc0In0&via=continue","label","The Italian Renaissance, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1070/480.jpg","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1152/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"16th-century Italy","era/16-italy","/galleries/era/16-italy?hang=6748&via=continue",66,"Giovanni Bellini's contemporaries","artist/contemporaries-of-giovanni-bellini","/galleries/artist/contemporaries-of-giovanni-bellini?hang=6748&via=continue",{"_42":198,"_178":199},{"_42":193,"_178":194},{"_42":188,"_178":189},{"_42":183,"_178":184},{"_42":177,"_178":179},"Third room, north wall","work_ids",[180,181,182],1122,1322,1318,"Second room, north wall",[185,186,187],1364,1008,1347,"Second room, south wall",[190,191,192],1121,1114,1055,"First room, south wall",[195,196,197],1061,1319,1069,"First room, north wall",[200,201,202,203],1058,1267,1323,1009,{"_220":200,"_221":1084,"_20":1085,"_224":1086,"_226":-5,"_227":1087,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":882,"_239":1088,"_241":1089,"_243":1090,"_245":1091,"_247":1092,"_249":1093,"_251":402,"_253":1094,"_255":256,"_257":1095,"_154":-5,"_259":-5,"_111":1096,"_262":1097,"_264":1098,"_266":1099,"_268":1100,"_270":1101,"_144":1102,"_273":1103},{"_220":201,"_221":1025,"_20":1026,"_224":1027,"_226":-5,"_227":1028,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":631,"_235":632,"_237":1029,"_239":1030,"_241":1031,"_243":1032,"_245":1033,"_247":1034,"_249":1035,"_251":402,"_253":1036,"_255":256,"_257":1037,"_154":-5,"_259":1038,"_111":1039,"_262":1040,"_264":1041,"_266":1042,"_268":1043,"_270":1044,"_144":1045,"_273":1046},{"_220":202,"_221":972,"_20":973,"_224":974,"_226":-5,"_227":975,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":976,"_239":977,"_241":978,"_243":979,"_245":980,"_247":981,"_249":982,"_251":252,"_253":983,"_255":256,"_257":984,"_154":-5,"_259":-5,"_111":985,"_262":986,"_264":987,"_266":988,"_268":989,"_270":990,"_144":991,"_273":992},{"_220":203,"_221":922,"_20":923,"_224":924,"_226":-5,"_227":925,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":455,"_235":514,"_237":926,"_239":927,"_241":928,"_243":929,"_245":930,"_247":931,"_249":932,"_251":402,"_253":933,"_255":256,"_257":934,"_154":-5,"_259":-5,"_111":935,"_262":936,"_264":937,"_266":938,"_268":939,"_270":940,"_144":941,"_273":942},{"_220":195,"_221":879,"_20":685,"_224":880,"_226":-5,"_227":881,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":882,"_239":883,"_241":397,"_243":884,"_245":885,"_247":886,"_249":887,"_251":402,"_253":888,"_255":256,"_257":889,"_154":-5,"_259":-5,"_111":890,"_262":891,"_264":892,"_266":893,"_268":894,"_270":895,"_144":896,"_273":897},{"_220":196,"_221":833,"_20":834,"_224":-5,"_226":835,"_227":836,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":837,"_239":838,"_241":750,"_243":839,"_245":840,"_247":841,"_249":842,"_251":252,"_253":843,"_255":256,"_257":844,"_154":-5,"_259":-5,"_111":845,"_262":846,"_264":847,"_266":848,"_268":849,"_270":850,"_144":851,"_273":852},{"_220":197,"_221":781,"_20":782,"_224":783,"_226":-5,"_227":784,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":395,"_239":785,"_241":786,"_243":787,"_245":788,"_247":789,"_249":790,"_251":402,"_253":791,"_255":256,"_257":792,"_154":-5,"_259":-5,"_111":793,"_262":794,"_264":795,"_266":796,"_268":797,"_270":798,"_144":799,"_273":800},{"_220":190,"_221":729,"_20":730,"_224":731,"_226":-5,"_227":732,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":733,"_239":734,"_241":735,"_243":168,"_245":736,"_247":737,"_249":738,"_251":402,"_253":739,"_255":256,"_257":740,"_154":-5,"_259":-5,"_111":741,"_262":742,"_264":743,"_266":744,"_268":745,"_270":746,"_144":747,"_273":748},{"_220":191,"_221":684,"_20":685,"_224":686,"_226":-5,"_227":687,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":688,"_239":689,"_241":690,"_243":691,"_245":692,"_247":693,"_249":694,"_251":402,"_253":695,"_255":256,"_257":696,"_154":-5,"_259":-5,"_111":697,"_262":698,"_264":699,"_266":700,"_268":701,"_270":702,"_144":703,"_273":704},{"_220":192,"_221":627,"_20":628,"_224":629,"_226":-5,"_227":630,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":631,"_235":632,"_237":633,"_239":634,"_241":635,"_243":636,"_245":637,"_247":638,"_249":639,"_251":402,"_253":640,"_255":256,"_257":641,"_154":-5,"_259":-5,"_111":642,"_262":643,"_264":644,"_266":645,"_268":646,"_270":647,"_144":648,"_273":649},{"_220":185,"_221":570,"_20":571,"_224":572,"_226":-5,"_227":573,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":574,"_239":575,"_241":576,"_243":577,"_245":578,"_247":579,"_249":580,"_251":252,"_253":581,"_255":256,"_257":582,"_154":-5,"_259":-5,"_111":583,"_262":584,"_264":585,"_266":586,"_268":587,"_270":588,"_144":589,"_273":590},{"_220":186,"_221":510,"_20":511,"_224":512,"_226":-5,"_227":513,"_229":75,"_230":231,"_232":-5,"_125":233,"_28":455,"_235":514,"_237":515,"_239":516,"_241":517,"_243":518,"_245":519,"_247":520,"_249":521,"_251":402,"_253":522,"_255":256,"_257":523,"_154":-5,"_259":-5,"_111":524,"_262":525,"_264":526,"_266":527,"_268":528,"_270":529,"_144":530,"_273":531},{"_220":187,"_221":451,"_20":452,"_224":453,"_226":-5,"_227":454,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":455,"_235":456,"_237":457,"_239":458,"_241":459,"_243":460,"_245":461,"_247":462,"_249":463,"_251":252,"_253":464,"_255":256,"_257":465,"_154":-5,"_259":-5,"_111":466,"_262":467,"_264":468,"_266":469,"_268":470,"_270":471,"_144":472,"_273":473},{"_220":180,"_221":390,"_20":391,"_224":392,"_226":-5,"_227":393,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":394,"_237":395,"_239":396,"_241":397,"_243":398,"_245":399,"_247":400,"_249":401,"_251":402,"_253":403,"_255":256,"_257":404,"_154":-5,"_259":405,"_111":406,"_262":407,"_264":408,"_266":409,"_268":410,"_270":411,"_144":412,"_273":413},{"_220":181,"_221":337,"_20":338,"_224":339,"_226":-5,"_227":340,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":341,"_241":342,"_243":343,"_245":344,"_247":345,"_249":346,"_251":252,"_253":347,"_255":256,"_257":348,"_154":-5,"_259":349,"_111":350,"_262":351,"_264":352,"_266":353,"_268":354,"_270":355,"_144":356,"_273":357},{"_220":182,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":53,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":260,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","the-feast-of-the-gods-nga-1138","The Feast of the Gods","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":101},"unrecorded","date","1514/1529","century","place","italy","movement","italian-renaissance","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)","width_cm",188,"height_cm",170.2,"aspect",1.091684434968017,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","1942.9.1","licence","CC0","story","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","note","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1318.jpg?dl=1","page_url","/art/the-feast-of-the-gods-nga-1138","walk_url","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",203,"h",187.2109375,"image_w","image_h",172.2109375,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1318/480.jpg","960","https://img.ochreeditions.com/a/1318/960.jpg","1920","https://img.ochreeditions.com/a/1318/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#3e5f7a","weight",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","bio","Italian, 1424–1516","nationality","Italian","birth_year",1424,"death_year",1516,"birth_place","Venice","death_place","about_excerpt","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":384,"_221":385,"_324":386,"_326":327,"_328":387,"_330":388,"_332":-5,"_334":-5,"_335":389,"_140":103},"c. 1535/1540","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[369,370,371,372,373],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_294":366,"_296":367,"_298":368},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_290":291,"_292":293},{"_224":361,"_125":362,"_284":363},{"_275":358,"_277":359,"_279":342,"_280":360},147,145.1953125,130.1953125,{"_286":224,"_123":364,"_154":365,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_310":382,"_312":383},{"_310":380,"_312":381},{"_310":378,"_312":379},{"_310":376,"_312":377},{"_310":374,"_312":375},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","brother-gregorio-belo-of-vicenza-met-436917","Brother Gregorio Belo of Vicenza",{"_42":444,"_221":445,"_324":446,"_326":327,"_328":447,"_330":448,"_332":333,"_334":449,"_335":450,"_140":99},"1547","Paintings","Oil on canvas","34 3/8 x 28 in. (87.3 x 71.1 cm)",71.1,87.3,0.82,[429,430,431,432,433],{"_220":425,"_221":426,"_42":427,"_303":428},"Courtesy of The Metropolitan Museum of Art","65.117","Lorenzo Lotto painted this in 1547, aged 72. It is now at The Met in New York.","Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation.","Brother Gregorio Belo of Vicenza, by Lorenzo Lotto, 1547",{"_294":422,"_296":423,"_298":424},"https://img.ochreeditions.com/m/1122.jpg?dl=1","/art/brother-gregorio-belo-of-vicenza-met-436917","/galleries/style/italian-renaissance/brother-gregorio-belo-of-vicenza-met-436917",{"_290":291,"_292":293},{"_224":417,"_125":418,"_284":419},{"_275":414,"_277":415,"_279":416,"_280":398},86.586,102.3,71.586,{"_286":224,"_123":420,"_154":421,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1122/480.jpg","https://img.ochreeditions.com/a/1122/960.jpg","https://img.ochreeditions.com/a/1122/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":442,"_312":443},{"_310":440,"_312":441},{"_310":438,"_312":439},{"_310":436,"_312":437},{"_310":434,"_312":435},"#232e1c",0.0274,"#583f24",0.0318,"#2d2113",0.1147,"#110d08",0.3567,"#1d150c",0.4694,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":505,"_221":506,"_324":507,"_326":327,"_328":508,"_330":509,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[490,491,492,493,494],{"_220":300,"_221":301,"_42":302,"_303":304},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_290":485,"_292":486},{"_224":477,"_125":478,"_284":479},{"_275":474,"_277":475,"_279":459,"_280":476},62,51.00634765625,27.00634765625,{"_286":224,"_123":483,"_154":484,"_140":89},{"_286":125,"_123":480,"_154":481,"_140":482},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","black","snow","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"bacchanal-with-a-wine-vat-met-337057","Bacchanal with a Wine Vat",{"_42":563,"_221":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":568,"_334":569,"_335":-5,"_140":101},"Before 1475","Prints","Engraving and drypoint","Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)",43.8,29.8,1.4139271827500883,[548,549,550,551,552],{"_220":425,"_221":426,"_42":427,"_303":428},"1986.1159","Andrea Mantegna made this (Before 1475), aged 45. It is now at The Met in New York.","Bacchanal with a Wine Vat, by Andrea Mantegna, Before 1475",{"_294":545,"_296":546,"_298":547},"https://img.ochreeditions.com/m/1008.jpg?dl=1","/art/bacchanal-with-a-wine-vat-met-337057","/galleries/style/italian-renaissance/bacchanal-with-a-wine-vat-met-337057",{"_290":485,"_292":486},{"_224":535,"_125":536,"_284":537},{"_275":532,"_277":533,"_279":517,"_280":534},67.8,54.977549999999994,30.977549999999997,{"_286":224,"_123":543,"_154":544,"_140":89},{"_286":125,"_123":541,"_154":542,"_140":53},{"_286":284,"_123":538,"_154":539,"_140":540},"era/15-italy","15th-century Italy",57,"style/print-15","More prints of the 15th century","artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1008/480.jpg","https://img.ochreeditions.com/a/1008/960.jpg","https://img.ochreeditions.com/a/1008/1920.jpg",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#f4f0e1",0.1469,"#bba186",0.1799,"#826d59",0.2184,"#675646",0.2236,"#9e866d",0.2312,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":620,"_221":621,"_324":622,"_326":327,"_328":623,"_330":624,"_332":625,"_334":626,"_335":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[605,606,607,608,609],{"_220":300,"_221":301,"_42":302,"_303":304},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_294":602,"_296":603,"_298":604},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_290":291,"_292":293},{"_224":594,"_125":595,"_284":596},{"_275":591,"_277":592,"_279":576,"_280":593},237.9,104.90009765625,89.90009765625,{"_286":224,"_123":600,"_154":601,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":538,"_154":539,"_140":540},"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","Florence","jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries",{"_42":679,"_221":680,"_324":681,"_326":327,"_328":682,"_330":508,"_332":626,"_334":683,"_335":-5,"_140":103},"ca. 1532–35","drawing","Drawings","Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache","Sheet: 17 x 15 3/4 in. (43.2 x 40 cm)",40,43.2,0.8836846213895394,[664,665,666,667,668],{"_220":425,"_221":426,"_42":427,"_303":428},"2011.36","Perino del Vaga (Pietro Buonaccorsi) painted this in about 1532–35, aged about 25. It is now at The Met in New York.","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35",{"_294":661,"_296":662,"_298":663},"https://img.ochreeditions.com/m/1055.jpg?dl=1","/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","/galleries/style/italian-renaissance/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",{"_290":485,"_292":486},{"_224":653,"_125":654,"_284":655},{"_275":650,"_277":651,"_279":652,"_280":636},62.1751756440281,67.2,38.1751756440281,{"_286":224,"_123":659,"_154":660,"_140":89},{"_286":125,"_123":656,"_154":657,"_140":658},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-perino-del-vaga-pietro-buonaccorsi","Perino del Vaga (Pietro Buonaccorsi)'s contemporaries","https://img.ochreeditions.com/a/1055/480.jpg","https://img.ochreeditions.com/a/1055/960.jpg","https://img.ochreeditions.com/a/1055/1920.jpg",{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},"#cbb59c",0.0965,"#988167",0.1757,"#544a3e",0.2135,"#7d6b55",0.2421,"#685a49",0.2722,"Perino del Vaga (Pietro Buonaccorsi)","perino-del-vaga-pietro-buonaccorsi","Italian, 1501–1547",1501,"Rome","madonna-and-child-met-436892","Madonna and Child",{"_42":620,"_221":621,"_324":622,"_326":327,"_328":623,"_330":624,"_332":625,"_334":626,"_335":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[714,715,716,717,718],{"_220":425,"_221":426,"_42":427,"_303":428},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_294":711,"_296":712,"_298":713},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_290":291,"_292":293},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":707,"_280":691},75.4851775071262,96.3,60.485177507126195,{"_286":224,"_123":600,"_154":601,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":538,"_154":539,"_140":540},"https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},{"_310":719,"_312":720},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"abraham-met-436911","Abraham",{"_42":775,"_221":776,"_324":777,"_326":327,"_328":778,"_330":779,"_332":-5,"_334":-5,"_335":780,"_140":99},"ca. 1408–10","Tempera on wood, gold ground","Overall 26 x 16 7/8 in. (66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm)",42.9,0.6585,[760,761,762,763,764],{"_220":425,"_221":426,"_42":427,"_303":428},"65.14.1","Lorenzo Monaco painted this in about 1408–10, aged about 38. It is now at The Met in New York.","Abraham, by Lorenzo Monaco, ca. 1408–10",{"_294":757,"_296":758,"_298":759},"https://img.ochreeditions.com/m/1121.jpg?dl=1","/art/abraham-met-436911","/galleries/style/italian-renaissance/abraham-met-436911",{"_290":291,"_292":293},{"_224":752,"_125":753,"_284":754},{"_275":749,"_277":750,"_279":751,"_280":168},58.461,81,43.461,{"_286":224,"_123":755,"_154":756,"_140":99},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":538,"_154":539,"_140":540},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1121/480.jpg","https://img.ochreeditions.com/a/1121/960.jpg","https://img.ochreeditions.com/a/1121/1920.jpg",{"_310":773,"_312":774},{"_310":771,"_312":772},{"_310":769,"_312":770},{"_310":767,"_312":768},{"_310":765,"_312":766},"#0f0c0a",0.0915,"#5b6652",0.1574,"#c49b55",0.205,"#724a39",0.2318,"#a97350",0.3143,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-musicians-met-435844","The Musicians",{"_42":827,"_221":828,"_324":829,"_326":327,"_328":388,"_330":830,"_332":831,"_334":832,"_335":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[812,813,814,815,816],{"_220":425,"_221":426,"_42":427,"_303":428},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_294":809,"_296":810,"_298":811},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_290":291,"_292":293},{"_224":804,"_125":805,"_284":806},{"_275":801,"_277":802,"_279":786,"_280":803},133.4,106.908,91.908,{"_286":224,"_123":807,"_154":808,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_310":825,"_312":826},{"_310":823,"_312":824},{"_310":821,"_312":822},{"_310":819,"_312":820},{"_310":817,"_312":818},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1610,"Milan or Caravaggio","Porto Ercole","orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",39.5,1.7407564810879728,[864,865,866,867,868],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_294":861,"_296":862,"_298":863},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_290":291,"_292":293},{"_224":856,"_125":857,"_284":858},{"_275":853,"_277":854,"_279":750,"_280":855},96,61.531494140625,46.531494140625,{"_286":224,"_123":859,"_154":860,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},{"_310":869,"_312":870},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"madonna-and-child-met-435641",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":101},"late 1480s","Oil on wood","35 x 28 in. (88.9 x 71.1 cm)",88.9,0.8119956966110812,[907,908,909,910,911],{"_220":425,"_221":426,"_42":427,"_303":428},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_294":904,"_296":905,"_298":906},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_290":291,"_292":293},{"_224":901,"_125":902,"_284":903},{"_275":898,"_277":899,"_279":900,"_280":884},87.18641742872512,103.9,72.18641742872512,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":538,"_154":539,"_140":540},"https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":968,"_221":969,"_324":970,"_326":327,"_328":447,"_330":971,"_332":-5,"_334":-5,"_335":-5,"_140":103},"ca. 1510–20","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[954,955,956,957,958],{"_220":425,"_221":426,"_42":427,"_303":428},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_294":951,"_296":952,"_298":953},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_290":485,"_292":486},{"_224":946,"_125":947,"_284":948},{"_275":943,"_277":944,"_279":928,"_280":945},67.7,53.59459819052688,29.594598190526877,{"_286":224,"_123":949,"_154":950,"_140":89},{"_286":125,"_123":541,"_154":542,"_140":53},{"_286":284,"_123":538,"_154":539,"_140":540},"artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_310":966,"_312":967},{"_310":964,"_312":965},{"_310":963,"_312":558},{"_310":961,"_312":962},{"_310":959,"_312":960},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486","#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1534,"a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":1019,"_221":1020,"_324":1021,"_326":327,"_328":1022,"_330":1023,"_332":1024,"_334":626,"_335":-5,"_140":101},"c. 1540","oil on panel","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[1004,1005,1006,1007,1008],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_294":1001,"_296":1002,"_298":1003},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_290":291,"_292":293},{"_224":996,"_125":997,"_284":998},{"_275":993,"_277":994,"_279":995,"_280":979},91.033935546875,114.5,76.033935546875,{"_286":224,"_123":999,"_154":1000,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg",{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},{"_310":1011,"_312":1012},{"_310":1009,"_312":1010},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","a-bear-walking-met-459184","A Bear Walking",{"_42":1076,"_221":1077,"_324":1078,"_326":327,"_328":1079,"_330":1080,"_332":1081,"_334":1082,"_335":1083,"_140":99},"ca. 1482–85","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[1061,1062,1063,1064,1065],{"_220":425,"_221":426,"_42":427,"_303":428},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_294":1058,"_296":1059,"_298":1060},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_290":485,"_292":486},{"_224":1051,"_125":1052,"_284":1053},{"_275":1047,"_277":1048,"_279":1049,"_280":1050},49,43.29429429429429,25,19.294294294294293,{"_286":224,"_123":1056,"_154":1057,"_140":99},{"_286":125,"_123":1054,"_154":1055,"_140":91},{"_286":284,"_123":538,"_154":539,"_140":540},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},{"_310":1068,"_312":1069},{"_310":1066,"_312":1067},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","portrait-of-a-young-man-met-435581","Portrait of a Young Man",{"_42":1130,"_221":1131,"_324":1132,"_326":327,"_328":566,"_330":1133,"_332":1134,"_334":1134,"_335":-5,"_140":101},"ca. 1470","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[1115,1116,1117,1118,1119],{"_220":425,"_221":426,"_42":427,"_303":428},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_294":1112,"_296":1113,"_298":1114},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_290":291,"_292":293},{"_224":1107,"_125":1108,"_284":1109},{"_275":1104,"_277":1105,"_279":1106,"_280":1090},35.475651487233485,42,20.475651487233485,{"_286":224,"_123":1110,"_154":1111,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":599},{"_286":284,"_123":538,"_154":539,"_140":540},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},{"_310":1120,"_312":1121},"#552f1a",0.0785,"#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1479,"Messina",{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","ad929237e065301c7e12f10d2fe2cfb7eda3bd33","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]