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(88.9 x 71.1 cm)","width_cm",71.1,"height_cm",88.9,"aspect",0.8119956966110812,"palette",[305,306,307,308,309],"museum",{"_221":300,"_222":301,"_42":302,"_303":304},"credit","Courtesy of The Metropolitan Museum of Art","accession","08.183.1","licence","CC0","story","Giovanni Bellini painted this in the late 1480s, aged about 63. 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It is now at the National Gallery of Art in Washington, DC.","Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485",{"_294":368,"_296":369,"_298":370},"https://img.ochreeditions.com/m/1320.jpg?dl=1","/art/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","/galleries/style/italian-renaissance/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140",{"_290":291,"_292":293},{"_225":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":362,"_281":345},61.2201904296875,85.3,46.2201904296875,{"_286":225,"_123":366,"_154":367,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-benvenuto-di-giovanni","Benvenuto di Giovanni's contemporaries","https://img.ochreeditions.com/a/1320/480.jpg","https://img.ochreeditions.com/a/1320/960.jpg","https://img.ochreeditions.com/a/1320/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":388,"_312":389},{"_310":386,"_312":387},{"_310":384,"_312":385},{"_310":382,"_312":383},{"_310":380,"_312":381},"#fcfaf7",0.0699,"#a76642",0.0882,"#7d6345",0.1894,"#2c3021",0.2139,"#c6a16c",0.4386,"Benvenuto di Giovanni","benvenuto-di-giovanni","Sienese, 1436 - before 1517",1436,1517,"orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[433,434,435,436,437],{"_221":371,"_222":372,"_42":373,"_303":374},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_294":430,"_296":431,"_298":432},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_290":291,"_292":293},{"_225":419,"_125":420,"_284":421},{"_275":416,"_277":417,"_279":401,"_281":418},96,61.531494140625,46.531494140625,{"_286":225,"_123":428,"_154":429,"_140":77},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},{"_310":438,"_312":439},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"a-flying-angel-nga-56625","A Flying Angel",{"_42":502,"_222":503,"_324":504,"_326":327,"_328":505,"_330":506,"_332":-5,"_334":-5,"_335":-5,"_140":101},"1580/1590","drawing","Drawing","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[487,488,489,490,491],{"_221":371,"_222":372,"_42":373,"_303":374},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_294":484,"_296":485,"_298":486},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_290":482,"_292":483},{"_225":474,"_125":475,"_284":476},{"_275":471,"_277":472,"_279":473,"_281":457},42.07490234375,51.4,18.07490234375,{"_286":225,"_123":480,"_154":481,"_140":89},{"_286":125,"_123":477,"_154":478,"_140":479},{"_286":284,"_123":422,"_154":423,"_140":424},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","black","snow","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},{"_310":494,"_312":495},{"_310":492,"_312":493},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85",0.1633,"#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"pieta-nga-41592","Pietà",{"_42":554,"_222":555,"_324":556,"_326":327,"_328":557,"_330":558,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1520s","oil on panel","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[539,540,541,542,543],{"_221":371,"_222":372,"_42":373,"_303":374},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_294":536,"_296":537,"_298":538},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_290":291,"_292":293},{"_225":531,"_125":532,"_284":533},{"_275":528,"_277":529,"_279":530,"_281":514},113.0291015625,190.8,98.0291015625,{"_286":225,"_123":534,"_154":535,"_140":89},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},{"_310":546,"_312":547},{"_310":544,"_312":545},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1498,1554,"venus-and-cupid-met-436918","Venus and Cupid",{"_42":606,"_222":607,"_324":608,"_326":327,"_328":609,"_330":610,"_332":333,"_334":611,"_335":612,"_140":99},"Oil on canvas","36 3/8 x 43 7/8 in. (92.4 x 111.4 cm)",111.4,92.4,1.1951000896325068,[591,592,593,594,595],{"_221":300,"_222":301,"_42":302,"_303":304},"1986.138","Lorenzo Lotto painted this in the 1520s, aged about 45. It is now at The Met in New York.","Venus reclines on draperies beneath a hanging shell, wearing a bridal crown and veil, while a mischievous Cupid urinates through a myrtle wreath onto her lap, an earthy wish for fertility and good fortune in marriage.","Venus and Cupid, by Lorenzo Lotto, 1520s",{"_294":588,"_296":589,"_298":590},"https://img.ochreeditions.com/m/1123.jpg?dl=1","/art/venus-and-cupid-met-436918","/galleries/style/italian-renaissance/venus-and-cupid-met-436918",{"_290":291,"_292":293},{"_225":583,"_125":584,"_284":585},{"_275":580,"_277":581,"_279":564,"_281":582},126.4,108.21395,93.21395,{"_286":225,"_123":586,"_154":587,"_140":99},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1123/480.jpg","https://img.ochreeditions.com/a/1123/960.jpg","https://img.ochreeditions.com/a/1123/1920.jpg",{"_310":604,"_312":605},{"_310":602,"_312":603},{"_310":600,"_312":601},{"_310":598,"_312":599},{"_310":596,"_312":597},"#234b5c",0.1082,"#b4a086",0.1949,"#615140",0.1963,"#652d2d",0.2075,"#291d19",0.2931,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","allegory-nga-35082","Allegory",{"_42":660,"_222":661,"_324":327,"_326":327,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1515-1525","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[645,646,647,648,649],{"_221":371,"_222":372,"_42":373,"_303":374},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_294":642,"_296":643,"_298":644},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_290":291,"_292":293},{"_225":637,"_125":638,"_284":639},{"_275":634,"_277":635,"_279":636,"_281":619},54.105224609375,58,39.105224609375,{"_286":225,"_123":640,"_154":641,"_140":89},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_310":658,"_312":659},{"_310":656,"_312":657},{"_310":654,"_312":655},{"_310":652,"_312":653},{"_310":650,"_312":651},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":709,"_222":710,"_324":711,"_326":327,"_328":712,"_330":713,"_332":714,"_334":715,"_335":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[694,695,696,697,698],{"_221":300,"_222":301,"_42":302,"_303":304},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_294":691,"_296":692,"_298":693},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_290":291,"_292":293},{"_225":686,"_125":687,"_284":688},{"_275":683,"_277":684,"_279":685,"_281":669},58.842013978772975,69.3,43.842013978772975,{"_286":225,"_123":689,"_154":690,"_140":89},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":766,"_222":767,"_324":768,"_326":327,"_328":769,"_330":770,"_332":771,"_334":772,"_335":-5,"_140":103},"1435–38","Drawings","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[751,752,753,754,755],{"_221":300,"_222":301,"_42":302,"_303":304},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_294":748,"_296":749,"_298":750},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_290":482,"_292":483},{"_225":741,"_125":742,"_284":743},{"_275":738,"_277":739,"_279":740,"_281":724},46.8975,54,22.8975,{"_286":225,"_123":746,"_154":747,"_140":89},{"_286":125,"_123":744,"_154":745,"_140":91},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_310":764,"_312":765},{"_310":762,"_312":763},{"_310":760,"_312":761},{"_310":758,"_312":759},{"_310":756,"_312":757},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":828,"_222":829,"_324":327,"_326":327,"_328":-5,"_330":830,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1590–1646","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[813,814,815,816,817],{"_221":810,"_222":811,"_42":812,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":807,"_808":809},"POPE RECEIVING VISITOR",{"_294":804,"_296":805,"_298":806},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_290":482,"_292":483},{"_225":799,"_125":800,"_284":801},{"_275":796,"_277":797,"_279":779,"_281":798},56.7,48.089,24.089000000000002,{"_286":225,"_123":802,"_154":803,"_140":89},{"_286":125,"_123":477,"_154":478,"_140":479},{"_286":284,"_123":422,"_154":423,"_140":424},"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":826,"_312":827},{"_310":824,"_312":825},{"_310":822,"_312":823},{"_310":820,"_312":821},{"_310":818,"_312":819},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,"a-bear-walking-met-459184","A Bear Walking",{"_42":880,"_222":881,"_324":882,"_326":327,"_328":883,"_330":884,"_332":885,"_334":886,"_335":887,"_140":99},"ca. 1482–85","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[865,866,867,868,869],{"_221":300,"_222":301,"_42":302,"_303":304},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_294":862,"_296":863,"_298":864},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_290":482,"_292":483},{"_225":857,"_125":858,"_284":859},{"_275":853,"_277":854,"_279":855,"_281":856},49,43.29429429429429,25,19.294294294294293,{"_286":225,"_123":860,"_154":861,"_140":99},{"_286":125,"_123":744,"_154":745,"_140":91},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","the-adoration-of-the-shepherds-met-436966","The Adoration of the Shepherds",{"_42":935,"_222":936,"_324":937,"_326":327,"_328":938,"_330":939,"_332":940,"_334":941,"_335":-5,"_140":101},"shortly after 1450","Tempera on canvas, transferred from wood","Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,40,1.3584577978464745,[920,921,922,923,924],{"_221":300,"_222":301,"_42":302,"_303":304},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_294":917,"_296":918,"_298":919},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_290":291,"_292":293},{"_225":912,"_125":913,"_284":914},{"_275":909,"_277":910,"_279":894,"_281":911},70.6,55.928765021733575,40.928765021733575,{"_286":225,"_123":915,"_154":916,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_310":933,"_312":934},{"_310":931,"_312":932},{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":322,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[973,974,975,976,977],{"_221":371,"_222":372,"_42":373,"_303":374},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_294":970,"_296":971,"_298":972},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_290":291,"_292":293},{"_225":967,"_125":968,"_284":969},{"_275":964,"_277":965,"_279":948,"_281":966},203,187.2109375,172.2109375,{"_286":225,"_123":171,"_154":170,"_140":89},{"_286":125,"_123":425,"_154":426,"_140":427},{"_286":284,"_123":422,"_154":423,"_140":424},"https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"madonna-and-child-nga-12111",{"_42":1034,"_222":1035,"_324":1036,"_326":327,"_328":1037,"_330":1038,"_332":-5,"_334":-5,"_335":1039,"_140":99},"1413","painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.)",52.8,113.5,0.462646484375,[1019,1020,1021,1022,1023],{"_221":371,"_222":372,"_42":373,"_303":374},"1943.4.13","Lorenzo Monaco painted this in 1413, aged 43. It is now at the National Gallery of Art in Washington, DC.","The Virgin, in a midnight-blue robe scattered with golden stars, supports the Christ Child as he stands on her knee, one hand holding her sky-blue scarf and the other a scroll with the words “EGO S…”, the beginning of a Latin declaration, “I am…”.","A woman sits and supports a baby standing on her lap, both against a gold background in this arched, vertical painting. The woman and baby’s light skin is shaded with faint green, and they have pale pink cheeks. The woman’s body faces us. She tips her head toward the baby who stands on her knee, to our right. The woman looks at us with light brown eyes under curving brows. She has a long, straight nose, and her small pink lips are closed. Her blond hair is mostly covered by a midnight-blue robe that drapes over her shoulders, across her lap, and pools on the floor. The robe is lined with goldenrod yellow, edged with bright gold, and has gold starburst-like designs on the shoulder we can see and top of the head. The dress she wears underneath has more gold stars creating a pattern across the pearl-white fabric. A sky-blue scarf wraps over her head and loops across her shoulders. The baby holds one end of the scarf, and his other elbow rests on the woman’s shoulder. She props him up with both hands. He has a cap of blond curls and chubby cheeks with delicate features. His geranium-red garment falls over a pale blue skirt that reaches his bare feet. In the hand near the woman’s shoulder, he holds a scroll with the letters “EGO S.” The floor beneath them is mint green and has gold writing across the front, reading, “AVE.G ANN O.D M.CCCC.XIII.” The woman and baby’s disc-like gold halos blend into the gold background, which is visibly cracked in some areas. The panel comes to a pointed arch at the top.",{"_294":1016,"_296":1017,"_298":1018},"https://img.ochreeditions.com/m/1362.jpg?dl=1","/art/madonna-and-child-nga-12111","/galleries/style/italian-renaissance/madonna-and-child-nga-12111",{"_290":291,"_292":293},{"_225":1011,"_125":1012,"_284":1013},{"_275":1008,"_277":1009,"_279":1010,"_281":993},67.5103759765625,128.5,52.5103759765625,{"_286":225,"_123":1014,"_154":1015,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1362/480.jpg","https://img.ochreeditions.com/a/1362/960.jpg","https://img.ochreeditions.com/a/1362/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#915c42",0.0738,"#f1ede7",0.0797,"#707862",0.1579,"#3d3d40",0.2419,"#d6aa6d",0.4467,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":1087,"_222":1088,"_324":1089,"_326":327,"_328":1090,"_330":1091,"_332":1092,"_334":1093,"_335":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[1072,1073,1074,1075,1076],{"_221":371,"_222":372,"_42":373,"_303":374},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_294":1069,"_296":1070,"_298":1071},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_290":291,"_292":293},{"_225":1064,"_125":1065,"_284":1066},{"_275":1061,"_277":1062,"_279":1046,"_281":1063},237.9,104.90009765625,89.90009765625,{"_286":225,"_123":1067,"_154":1068,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","Florence","saint-margaret-nga-12102","Saint Margaret",{"_42":1140,"_222":1141,"_324":1142,"_326":327,"_328":1143,"_330":1144,"_332":1145,"_334":1146,"_335":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[1125,1126,1127,1128,1129],{"_221":371,"_222":372,"_42":373,"_303":374},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_294":1122,"_296":1123,"_298":1124},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_290":291,"_292":293},{"_225":1117,"_125":1118,"_284":1119},{"_275":1115,"_277":668,"_279":1116,"_281":1101},27.05126953125,12.05126953125,{"_286":225,"_123":1120,"_154":1121,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},{"_310":1130,"_312":1131},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena",{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","5b8fe658ebe50cede79f5617483b3a1080769499","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]