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Italian maker","date","c. 1515","century","place","italy","movement","italian-renaissance","painting","classification","Painting","medium","oil on panel transferred to canvas","dimensions","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)","width_cm",81,"height_cm",39.5,"aspect",1.7407564810879728,"palette",[308,309,310,311,312],"museum",{"_224":303,"_225":304,"_42":305,"_306":307},"credit","Courtesy National Gallery of Art, Washington","accession","1942.9.2","licence","CC0","story","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","note","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/1319.jpg?dl=1","page_url","/art/orpheus-nga-1139","walk_url","/galleries/style/italian-renaissance/orpheus-nga-1139","frame",{"_293":294,"_295":296},{"_228":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":246,"_283":284},"w",96,"h",61.531494140625,"image_w","image_h",46.531494140625,{"_289":228,"_123":171,"_154":170,"_140":77},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":167,"_154":166,"_140":169},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1319/480.jpg","960","https://img.ochreeditions.com/a/1319/960.jpg","1920","https://img.ochreeditions.com/a/1319/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#b17758","weight",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":388,"_225":389,"_390":391,"_392":391,"_393":-5,"_394":395,"_396":-5,"_397":-5,"_398":-5,"_140":103},"1590–1646","drawing","Drawing","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[373,374,375,376,377],{"_224":369,"_225":370,"_42":371,"_306":372},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":366,"_367":368},"POPE RECEIVING VISITOR",{"_297":363,"_299":364,"_301":365},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_293":361,"_295":362},{"_228":353,"_125":354,"_287":355},{"_278":350,"_280":351,"_282":333,"_283":352},56.7,48.089,24.089000000000002,{"_289":228,"_123":359,"_154":360,"_140":89},{"_289":125,"_123":356,"_154":357,"_140":358},{"_289":287,"_123":167,"_154":166,"_140":169},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","black","snow","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_313":386,"_315":387},{"_313":384,"_315":385},{"_313":382,"_315":383},{"_313":380,"_315":381},{"_313":378,"_315":379},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio","bio","Italian","nationality","birth_year","death_year",1646,"birth_place","death_place","about_excerpt","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":451,"_225":452,"_390":453,"_392":391,"_393":454,"_394":455,"_396":456,"_397":457,"_398":-5,"_140":103},"1570s","Paintings","Oil on canvas","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[436,437,438,439,440],{"_224":433,"_225":434,"_42":435,"_306":372},"Courtesy of The Metropolitan Museum of Art","10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_297":430,"_299":431,"_301":432},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_293":294,"_295":296},{"_228":425,"_125":426,"_287":427},{"_278":422,"_280":423,"_282":424,"_283":407},175.13744999999997,220.7,160.13744999999997,{"_289":228,"_123":428,"_154":429,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":511,"_225":512,"_390":513,"_392":391,"_393":514,"_394":515,"_396":-5,"_397":-5,"_398":-5,"_140":103},"c. 1490/1493","tempera on poplar panel","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[496,497,498,499,500],{"_224":303,"_225":304,"_42":305,"_306":307},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_297":493,"_299":494,"_301":495},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_293":294,"_295":296},{"_228":482,"_125":483,"_287":484},{"_278":479,"_280":480,"_282":481,"_283":465},45.162988281249994,62.3,30.162988281249998,{"_289":228,"_123":491,"_154":492,"_140":89},{"_289":125,"_123":488,"_154":489,"_140":490},{"_289":287,"_123":485,"_154":486,"_140":487},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_313":509,"_315":510},{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)",{"_42":568,"_225":569,"_390":570,"_392":391,"_393":571,"_394":572,"_396":573,"_397":574,"_398":575,"_140":99},"1480–85","Drawings","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[553,554,555,556,557],{"_224":433,"_225":434,"_42":435,"_306":372},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_297":550,"_299":551,"_301":552},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_293":361,"_295":362},{"_228":543,"_125":544,"_287":545},{"_278":539,"_280":540,"_282":541,"_283":542},45.128841607565015,49,21.128841607565015,25,{"_289":228,"_123":548,"_154":549,"_140":99},{"_289":125,"_123":546,"_154":547,"_140":91},{"_289":287,"_123":485,"_154":486,"_140":487},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_313":566,"_315":567},{"_313":564,"_315":565},{"_313":562,"_315":563},{"_313":560,"_315":561},{"_313":558,"_315":559},"#958066",0.0535,"#f3e5cf",0.0741,"#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":624,"_225":625,"_390":626,"_392":391,"_393":627,"_394":628,"_396":-5,"_397":-5,"_398":629,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[609,610,611,612,613],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_297":606,"_299":607,"_301":608},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_293":294,"_295":296},{"_228":601,"_125":602,"_287":603},{"_278":598,"_280":599,"_282":582,"_283":600},147,145.1953125,130.1953125,{"_289":228,"_123":604,"_154":605,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_313":622,"_315":623},{"_313":620,"_315":621},{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","portrait-of-a-young-man-met-435802","Portrait of a Young Man",{"_42":677,"_225":678,"_390":679,"_392":391,"_393":680,"_394":681,"_396":682,"_397":683,"_398":-5,"_140":101},"1530s","Oil on wood","37 5/8 x 29 1/2 in. (95.6 x 74.9 cm)",74.9,95.6,0.785300780266801,[662,663,664,665,666],{"_224":433,"_225":434,"_42":435,"_306":372},"29.100.16","Agnolo Bronzino painted this in the 1530s, aged about 27. It is now at The Met in New York.","Portrait of a Young Man, by Agnolo Bronzino, 1530s",{"_297":659,"_299":660,"_301":661},"https://img.ochreeditions.com/m/1065.jpg?dl=1","/art/portrait-of-a-young-man-met-435802","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435802",{"_293":294,"_295":296},{"_228":654,"_125":655,"_287":656},{"_278":651,"_280":652,"_282":653,"_283":637},90.07475459350617,110.6,75.07475459350617,{"_289":228,"_123":657,"_154":658,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1065/480.jpg","https://img.ochreeditions.com/a/1065/960.jpg","https://img.ochreeditions.com/a/1065/1920.jpg",{"_313":675,"_315":676},{"_313":673,"_315":674},{"_313":671,"_315":672},{"_313":669,"_315":670},{"_313":667,"_315":668},"#79613e",0.0619,"#5a5741",0.1119,"#2c2420",0.2037,"#3e392c",0.2231,"#151413",0.3994,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","Florence","a-flying-angel-nga-56625","A Flying Angel",{"_42":730,"_225":731,"_390":732,"_392":391,"_393":733,"_394":734,"_396":-5,"_397":-5,"_398":-5,"_140":101},"1580/1590","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[716,717,718,719,720],{"_224":303,"_225":304,"_42":305,"_306":307},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_297":713,"_299":714,"_301":715},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_293":361,"_295":362},{"_228":708,"_125":709,"_287":710},{"_278":705,"_280":706,"_282":707,"_283":691},42.07490234375,51.4,18.07490234375,{"_289":228,"_123":711,"_154":712,"_140":89},{"_289":125,"_123":356,"_154":357,"_140":358},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_313":728,"_315":729},{"_313":726,"_315":727},{"_313":725,"_315":506},{"_313":723,"_315":724},{"_313":721,"_315":722},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85","#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"saint-margaret-nga-12102","Saint Margaret",{"_42":781,"_225":782,"_390":783,"_392":391,"_393":784,"_394":785,"_396":786,"_397":787,"_398":-5,"_140":99},"c. 1435","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[766,767,768,769,770],{"_224":303,"_225":304,"_42":305,"_306":307},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_297":763,"_299":764,"_301":765},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_293":294,"_295":296},{"_228":758,"_125":759,"_287":760},{"_278":755,"_280":756,"_282":757,"_283":741},27.05126953125,43.5,12.05126953125,{"_289":228,"_123":761,"_154":762,"_140":99},{"_289":125,"_123":488,"_154":489,"_140":490},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_313":779,"_315":780},{"_313":777,"_315":778},{"_313":775,"_315":776},{"_313":773,"_315":774},{"_313":771,"_315":772},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","portrait-of-a-young-man-met-435581",{"_42":832,"_225":833,"_390":834,"_392":391,"_393":835,"_394":836,"_396":837,"_397":837,"_398":-5,"_140":101},"ca. 1470","10 5/8 x 8 1/8 in. (27 x 20.6 cm)",20.6,27,0.758357462490129,[818,819,820,821,822],{"_224":433,"_225":434,"_42":435,"_306":372},"14.40.645","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. It is now at The Met in New York.","Portrait of a Young Man, by Antonello da Messina (Antonello di Giovanni d'Antonio), ca. 1470",{"_297":815,"_299":816,"_301":817},"https://img.ochreeditions.com/m/1058.jpg?dl=1","/art/portrait-of-a-young-man-met-435581","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435581",{"_293":294,"_295":296},{"_228":810,"_125":811,"_287":812},{"_278":807,"_280":808,"_282":809,"_283":793},35.475651487233485,42,20.475651487233485,{"_289":228,"_123":813,"_154":814,"_140":89},{"_289":125,"_123":488,"_154":489,"_140":490},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1058/480.jpg","https://img.ochreeditions.com/a/1058/960.jpg","https://img.ochreeditions.com/a/1058/1920.jpg",{"_313":830,"_315":831},{"_313":828,"_315":829},{"_313":826,"_315":827},{"_313":824,"_315":825},{"_313":823,"_315":724},"#552f1a","#a37452",0.0934,"#7a4525",0.1133,"#2b2019",0.1484,"#0f0d0a",0.5664,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":890,"_225":891,"_390":892,"_392":391,"_393":893,"_394":894,"_396":-5,"_397":-5,"_398":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[875,876,877,878,879],{"_224":303,"_225":304,"_42":305,"_306":307},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_297":872,"_299":873,"_301":874},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_293":361,"_295":362},{"_228":864,"_125":865,"_287":866},{"_278":861,"_280":862,"_282":846,"_283":863},62,51.00634765625,27.00634765625,{"_289":228,"_123":870,"_154":871,"_140":89},{"_289":125,"_123":867,"_154":868,"_140":869},{"_289":287,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_313":888,"_315":889},{"_313":886,"_315":887},{"_313":884,"_315":885},{"_313":882,"_315":883},{"_313":880,"_315":881},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":943,"_225":944,"_390":945,"_392":391,"_393":946,"_394":947,"_396":948,"_397":949,"_398":950,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[928,929,930,931,932],{"_224":433,"_225":434,"_42":435,"_306":372},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_297":925,"_299":926,"_301":927},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_293":294,"_295":296},{"_228":920,"_125":921,"_287":922},{"_278":916,"_280":917,"_282":918,"_283":919},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_289":228,"_123":923,"_154":924,"_140":99},{"_289":125,"_123":488,"_154":489,"_140":490},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_313":941,"_315":942},{"_313":939,"_315":940},{"_313":937,"_315":938},{"_313":935,"_315":936},{"_313":933,"_315":934},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":998,"_225":999,"_390":1000,"_392":391,"_393":1001,"_394":1002,"_396":457,"_397":457,"_398":1003,"_140":101},"1514/1529","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[983,984,985,986,987],{"_224":303,"_225":304,"_42":305,"_306":307},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_297":980,"_299":981,"_301":982},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_293":294,"_295":296},{"_228":975,"_125":976,"_287":977},{"_278":972,"_280":973,"_282":956,"_283":974},203,187.2109375,172.2109375,{"_289":228,"_123":978,"_154":979,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_313":996,"_315":997},{"_313":994,"_315":995},{"_313":992,"_315":993},{"_313":990,"_315":991},{"_313":988,"_315":989},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":1050,"_225":1051,"_390":1052,"_392":391,"_393":1053,"_394":1054,"_396":683,"_397":683,"_398":1055,"_140":97},"ca. 1528","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[1035,1036,1037,1038,1039],{"_224":433,"_225":434,"_42":435,"_306":372},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_297":1032,"_299":1033,"_301":1034},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_293":294,"_295":296},{"_228":1027,"_125":1028,"_287":1029},{"_278":1024,"_280":1025,"_282":1026,"_283":1010},115.90715392561984,150.9,100.90715392561984,{"_289":228,"_123":1030,"_154":1031,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_313":1048,"_315":1049},{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":1103,"_225":1104,"_390":1105,"_392":391,"_393":1106,"_394":893,"_396":-5,"_397":-5,"_398":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[1088,1089,1090,1091,1092],{"_224":303,"_225":304,"_42":305,"_306":307},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_297":1085,"_299":1086,"_301":1087},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_293":294,"_295":296},{"_228":1080,"_125":1081,"_287":1082},{"_278":1077,"_280":1078,"_282":1079,"_283":1063},62.301611328125006,69.7,47.301611328125006,{"_289":228,"_123":1083,"_154":1084,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_313":1101,"_315":1102},{"_313":1099,"_315":1100},{"_313":1097,"_315":1098},{"_313":1095,"_315":1096},{"_313":1093,"_315":1094},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,"three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":1153,"_225":1154,"_390":1155,"_392":391,"_393":1156,"_394":1157,"_396":1158,"_397":456,"_398":-5,"_140":103},"1435–38","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[1138,1139,1140,1141,1142],{"_224":433,"_225":434,"_42":435,"_306":372},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_297":1135,"_299":1136,"_301":1137},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_293":361,"_295":362},{"_228":1130,"_125":1131,"_287":1132},{"_278":1128,"_280":869,"_282":1129,"_283":1114},46.8975,22.8975,{"_289":228,"_123":1133,"_154":1134,"_140":89},{"_289":125,"_123":546,"_154":547,"_140":91},{"_289":287,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_313":1151,"_315":1152},{"_313":1149,"_315":1150},{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia",{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","4c0cba0aaa7a1a77ec2c407b01b11557983ab99a","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_225":1203,"_20":1204},{"_225":1201,"_20":1202},{"_225":1199,"_20":1200},{"_225":1197,"_20":1198},{"_225":1195,"_20":1196},{"_225":1193,"_20":1194},{"_225":1191,"_20":1192},{"_225":1189,"_20":1190},{"_225":1187,"_20":1188},{"_225":1185,"_20":1186},{"_225":1183,"_20":1184},{"_225":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]