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It is now at the National Gallery of Art in Washington, DC.","note","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1318.jpg?dl=1","page_url","/art/the-feast-of-the-gods-nga-1138","walk_url","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",203,"h",187.2109375,"image_w","image_h",172.2109375,{"_287":225,"_123":171,"_154":170,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1318/480.jpg","960","https://img.ochreeditions.com/a/1318/960.jpg","1920","https://img.ochreeditions.com/a/1318/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#3e5f7a","weight",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","bio","Italian, 1424–1516","nationality","Italian","birth_year",1424,"death_year",1516,"birth_place","Venice","death_place","about_excerpt","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":385,"_222":386,"_325":387,"_327":328,"_329":388,"_331":389,"_333":-5,"_335":-5,"_336":390,"_140":103},"c. 1535/1540","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[370,371,372,373,374],{"_221":301,"_222":302,"_42":303,"_304":305},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_295":367,"_297":368,"_299":369},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_291":292,"_293":294},{"_225":362,"_125":363,"_285":364},{"_276":359,"_278":360,"_280":343,"_281":361},147,145.1953125,130.1953125,{"_287":225,"_123":365,"_154":366,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_311":383,"_313":384},{"_311":381,"_313":382},{"_311":379,"_313":380},{"_311":377,"_313":378},{"_311":375,"_313":376},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":449,"_222":450,"_325":451,"_327":328,"_329":452,"_331":453,"_333":454,"_335":455,"_336":-5,"_140":103},"ca. 1449","Paintings","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[434,435,436,437,438],{"_221":430,"_222":431,"_42":432,"_304":433},"Courtesy of The Metropolitan Museum of Art","1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_295":427,"_297":428,"_299":429},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_291":292,"_293":294},{"_225":416,"_125":417,"_285":418},{"_276":413,"_278":414,"_280":398,"_281":415},107.7,105.74339768339769,90.74339768339769,{"_287":225,"_123":425,"_154":426,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},{"_311":441,"_313":442},{"_311":439,"_313":440},"#a69f8f",0.0741,"#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,1486,"San Giovanni Valdarno","Florence","madonna-and-child-met-436892","Madonna and Child",{"_42":503,"_222":504,"_325":505,"_327":328,"_329":506,"_331":507,"_333":508,"_335":455,"_336":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[488,489,490,491,492],{"_221":430,"_222":431,"_42":432,"_304":433},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_295":485,"_297":486,"_299":487},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_291":292,"_293":294},{"_225":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":479,"_281":463},75.4851775071262,96.3,60.485177507126195,{"_287":225,"_123":483,"_154":484,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},{"_311":495,"_313":496},{"_311":493,"_313":494},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":563,"_222":564,"_325":565,"_327":328,"_329":566,"_331":567,"_333":-5,"_335":-5,"_336":-5,"_140":101},"c. 1516","print","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[548,549,550,551,552],{"_221":301,"_222":302,"_42":303,"_304":305},"1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_295":545,"_297":546,"_299":547},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_291":543,"_293":544},{"_225":535,"_125":536,"_285":537},{"_276":532,"_278":533,"_280":534,"_281":518},37.58662109375,50.3,13.58662109375,{"_287":225,"_123":541,"_154":542,"_140":89},{"_287":125,"_123":538,"_154":539,"_140":540},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","black","snow","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg",{"_311":561,"_313":562},{"_311":559,"_313":560},{"_311":557,"_313":558},{"_311":555,"_313":556},{"_311":553,"_313":554},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"brother-gregorio-belo-of-vicenza-met-436917","Brother Gregorio Belo of Vicenza",{"_42":616,"_222":617,"_325":618,"_327":328,"_329":619,"_331":620,"_333":334,"_335":621,"_336":622,"_140":99},"1547","Oil on canvas","34 3/8 x 28 in. (87.3 x 71.1 cm)",71.1,87.3,0.82,[601,602,603,604,605],{"_221":430,"_222":431,"_42":432,"_304":433},"65.117","Lorenzo Lotto painted this in 1547, aged 72. It is now at The Met in New York.","Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation.","Brother Gregorio Belo of Vicenza, by Lorenzo Lotto, 1547",{"_295":598,"_297":599,"_299":600},"https://img.ochreeditions.com/m/1122.jpg?dl=1","/art/brother-gregorio-belo-of-vicenza-met-436917","/galleries/style/italian-renaissance/brother-gregorio-belo-of-vicenza-met-436917",{"_291":292,"_293":294},{"_225":593,"_125":594,"_285":595},{"_276":590,"_278":591,"_280":592,"_281":575},86.586,102.3,71.586,{"_287":225,"_123":596,"_154":597,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/1122/480.jpg","https://img.ochreeditions.com/a/1122/960.jpg","https://img.ochreeditions.com/a/1122/1920.jpg",{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},"#232e1c",0.0274,"#583f24",0.0318,"#2d2113",0.1147,"#110d08",0.3567,"#1d150c",0.4694,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":563,"_222":564,"_325":565,"_327":328,"_329":566,"_331":567,"_333":-5,"_335":-5,"_336":-5,"_140":101},"c. 1514/1515","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[653,654,655,656,657],{"_221":301,"_222":302,"_42":303,"_304":305},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_295":650,"_297":651,"_299":652},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_291":543,"_293":544},{"_225":647,"_125":648,"_285":649},{"_276":643,"_278":644,"_280":645,"_281":646},46.2736368184092,49,22.273636818409205,25,{"_287":225,"_123":541,"_154":542,"_140":89},{"_287":125,"_123":538,"_154":539,"_140":540},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_311":666,"_313":667},{"_311":664,"_313":665},{"_311":662,"_313":663},{"_311":660,"_313":661},{"_311":658,"_313":659},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81",0.1214,"#aba194",0.2514,"#b9af9f",0.4921,"study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":719,"_222":720,"_325":721,"_327":328,"_329":722,"_331":723,"_333":455,"_335":724,"_336":-5,"_140":101},"early to mid 1480s","drawing","Drawings","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",25.4,28.1,0.9000336587007741,[704,705,706,707,708],{"_221":430,"_222":431,"_42":432,"_304":433},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_295":701,"_297":702,"_299":703},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_291":543,"_293":544},{"_225":694,"_125":695,"_285":696},{"_276":691,"_278":692,"_280":693,"_281":677},49.29094580949175,52.1,25.290945809491753,{"_287":225,"_123":699,"_154":700,"_140":89},{"_287":125,"_123":697,"_154":698,"_140":91},{"_287":285,"_123":419,"_154":420,"_140":421},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_311":717,"_313":718},{"_311":715,"_313":716},{"_311":713,"_313":714},{"_311":711,"_313":712},{"_311":709,"_313":710},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Rome","saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":772,"_222":773,"_325":774,"_327":328,"_329":775,"_331":776,"_333":777,"_335":724,"_336":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[757,758,759,760,761],{"_221":430,"_222":431,"_42":432,"_304":433},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_295":754,"_297":755,"_299":756},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_291":292,"_293":294},{"_225":749,"_125":750,"_285":751},{"_276":746,"_278":747,"_280":748,"_281":732},58.842013978772975,69.3,43.842013978772975,{"_287":225,"_123":752,"_154":753,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_311":770,"_313":771},{"_311":768,"_313":769},{"_311":766,"_313":767},{"_311":764,"_313":765},{"_311":762,"_313":763},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","saint-margaret-nga-12102","Saint Margaret",{"_42":824,"_222":825,"_325":826,"_327":328,"_329":827,"_331":828,"_333":829,"_335":830,"_336":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[809,810,811,812,813],{"_221":301,"_222":302,"_42":303,"_304":305},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_295":806,"_297":807,"_299":808},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_291":292,"_293":294},{"_225":801,"_125":802,"_285":803},{"_276":799,"_278":731,"_280":800,"_281":785},27.05126953125,12.05126953125,{"_287":225,"_123":804,"_154":805,"_140":99},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":878,"_222":879,"_325":328,"_327":328,"_329":-5,"_331":723,"_333":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[863,864,865,866,867],{"_221":430,"_222":431,"_42":432,"_304":433},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_295":860,"_297":861,"_299":862},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_291":292,"_293":294},{"_225":855,"_125":856,"_285":857},{"_276":852,"_278":853,"_280":854,"_281":646},32.4375,40,17.4375,{"_287":225,"_123":858,"_154":859,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_311":876,"_313":877},{"_311":874,"_313":875},{"_311":872,"_313":873},{"_311":870,"_313":871},{"_311":868,"_313":869},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano","saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":927,"_222":928,"_325":929,"_327":328,"_329":930,"_331":931,"_333":830,"_335":830,"_336":-5,"_140":103},"ca. 1440","Tempera and gold on wood","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[912,913,914,915,916],{"_221":430,"_222":431,"_42":432,"_304":433},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_295":909,"_297":910,"_299":911},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_291":292,"_293":294},{"_225":904,"_125":905,"_285":906},{"_276":901,"_278":902,"_280":903,"_281":887},49.760041300980895,62.6,34.760041300980895,{"_287":225,"_123":907,"_154":908,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_311":925,"_313":926},{"_311":923,"_313":924},{"_311":921,"_313":922},{"_311":919,"_313":920},{"_311":917,"_313":918},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d",0.1323,"#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","Hercules chasing Avarice from the Temple of the Muses",{"_42":979,"_222":980,"_325":981,"_327":328,"_329":982,"_331":983,"_333":984,"_335":777,"_336":-5,"_140":103},"ca. 1520–27","Prints","Chiaroscuro woodcut from two blocks in green","11 15/16 × 9 1/4 in. (30.3 × 23.5 cm)",23.5,30.3,0.7796043466146559,[964,965,966,967,968],{"_221":430,"_222":431,"_42":432,"_304":433},"20.24.76","Ugo da Carpi made this in about 1520–27, aged about 35. It is now at The Met in New York.","Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27",{"_295":961,"_297":962,"_299":963},"https://img.ochreeditions.com/m/1028.jpg?dl=1","/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","/galleries/style/italian-renaissance/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700",{"_291":543,"_293":544},{"_225":956,"_125":957,"_285":958},{"_276":954,"_278":732,"_280":955,"_281":940},47.622011702424075,23.622011702424075,{"_287":225,"_123":959,"_154":960,"_140":89},{"_287":125,"_123":538,"_154":539,"_140":540},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ugo-da-carpi","Ugo da Carpi's contemporaries","https://img.ochreeditions.com/a/1028/480.jpg","https://img.ochreeditions.com/a/1028/960.jpg","https://img.ochreeditions.com/a/1028/1920.jpg",{"_311":977,"_313":978},{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},"#e3d7cc",0.0635,"#b8a798",0.1438,"#988a7c",0.2191,"#686059",0.2264,"#7f736a",0.3472,"Ugo da Carpi","ugo-da-carpi","Italian, 1480–1532",1480,1532,"Carpi","the-holy-family-with-the-young-saint-john-the-baptist-met-437609","The Holy Family with the Young Saint John the Baptist",{"_42":1032,"_222":1033,"_325":1034,"_327":328,"_329":453,"_331":1035,"_333":455,"_335":455,"_336":1036,"_140":97},"ca. 1528","Oil on wood","53 1/2 x 39 5/8 in. (135.9 x 100.6 cm)",100.6,135.9,0.7425103305785123,[1017,1018,1019,1020,1021],{"_221":430,"_222":431,"_42":432,"_304":433},"22.75","Andrea del Sarto painted this in about 1528, aged about 37. It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_295":1014,"_297":1015,"_299":1016},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_291":292,"_293":294},{"_225":1009,"_125":1010,"_285":1011},{"_276":1006,"_278":1007,"_280":1008,"_281":992},115.90715392561984,150.9,100.90715392561984,{"_287":225,"_123":1012,"_154":1013,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1530,"Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","madonna-and-child-met-435641",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":334,"_336":337,"_140":101},"late 1480s","35 x 28 in. (88.9 x 71.1 cm)",88.9,0.8119956966110812,[1064,1065,1066,1067,1068],{"_221":430,"_222":431,"_42":432,"_304":433},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_295":1061,"_297":1062,"_299":1063},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_291":292,"_293":294},{"_225":1058,"_125":1059,"_285":1060},{"_276":1055,"_278":1056,"_280":1057,"_281":1041},87.18641742872512,103.9,72.18641742872512,{"_287":225,"_123":171,"_154":170,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_311":1077,"_313":1078},{"_311":1075,"_313":1076},{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":1125,"_222":1126,"_325":1127,"_327":328,"_329":1128,"_331":1129,"_333":1130,"_335":1130,"_336":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[1110,1111,1112,1113,1114],{"_221":430,"_222":431,"_42":432,"_304":433},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_295":1107,"_297":1108,"_299":1109},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_291":292,"_293":294},{"_225":1102,"_125":1103,"_285":1104},{"_276":1099,"_278":1100,"_280":1101,"_281":1085},45.62467599792639,57.5,30.62467599792639,{"_287":225,"_123":1105,"_154":1106,"_140":89},{"_287":125,"_123":422,"_154":423,"_140":424},{"_287":285,"_123":419,"_154":420,"_140":421},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},{"_311":1117,"_313":1118},{"_311":1115,"_313":1116},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina",{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","3a5f6d056476d2f0b7a4e92f5009ed73eeda4efa","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]