[{"_1":2,"_3":4},"root",{"_5":1143},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Italian Renaissance, in the galleries · Ochre Editions","description","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/italian-renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/italian-renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Italian Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",15,"https://www.ochreeditions.com/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",14,"https://www.ochreeditions.com/art/the-baptism-of-christ-met-440393",13,"https://www.ochreeditions.com/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",12,"https://www.ochreeditions.com/art/orpheus-nga-1139",11,"https://www.ochreeditions.com/art/man-seated-holding-a-forked-staff-nga-6082",10,"https://www.ochreeditions.com/art/a-hunting-scene-met-437283",9,"https://www.ochreeditions.com/art/saint-anthony-the-abbot-in-the-wilderness-met-458967",8,"https://www.ochreeditions.com/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",7,"https://www.ochreeditions.com/art/portrait-of-a-young-woman-met-436910",6,"https://www.ochreeditions.com/art/saint-margaret-nga-12102",5,"https://www.ochreeditions.com/art/madonna-and-child-enthroned-with-saints-met-437372",4,"https://www.ochreeditions.com/art/the-annunciation-met-459016",3,"https://www.ochreeditions.com/art/the-musicians-met-435844",2,"https://www.ochreeditions.com/art/mars-and-venus-united-by-love-met-437891",1,"https://www.ochreeditions.com/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~italian-renaissance.eb1c3223c3.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~italian-renaissance.eb1c3223c3.jpg","alt","The Italian Renaissance, a room in the galleries: three of its 61 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Italian Renaissance: 61 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~italian-renaissance.jpg","key","style/italian-renaissance","style","The Italian Renaissance","intro","Florence, Venice and Rome from 1400 to 1600: perspective, anatomy and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",4667,"/galleries/style/italian-renaissance","total",61,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NDY2NywiaSI6bnVsbCwiZyI6IjFxQVlsRnc0In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/italian-renaissance?hang=4667&cursor=eyJvIjoxNiwiaCI6NDY2NywiaSI6bnVsbCwiZyI6IjFxQVlsRnc0In0&via=continue","label","The Italian Renaissance, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1737/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":99},{"_154":165,"_123":166,"_44":167,"_140":168},"15th-century Italy","era/15-italy","/galleries/era/15-italy?hang=4667&via=continue",57,"More by Leonardo da Vinci","artist/leonardo-da-vinci","/galleries/artist/leonardo-da-vinci?hang=4667&via=continue",{"_42":198,"_178":199},{"_42":192,"_178":193},{"_42":187,"_178":188},{"_42":182,"_178":183},{"_42":177,"_178":179},"Third room, north wall","work_ids",[114,180,181],1033,1021,"Second room, north wall",[184,185,186],1345,1319,1250,"Second room, south wall",[189,190,191],1499,1244,1135,"First room, south wall",[194,195,196,197],1249,1140,1360,1120,"First room, north wall",[200,201,202],1028,1174,1069,{"_219":200,"_220":1088,"_20":1089,"_223":1090,"_225":-5,"_226":1091,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":564,"_234":1092,"_236":1093,"_238":1094,"_240":1095,"_242":1096,"_244":1097,"_246":1098,"_248":1099,"_250":251,"_252":1100,"_254":255,"_256":1101,"_154":-5,"_258":-5,"_111":1102,"_261":1103,"_263":1104,"_265":1105,"_267":1106,"_269":1107,"_144":1108,"_272":1109},{"_219":201,"_220":1036,"_20":1037,"_223":1038,"_225":-5,"_226":1039,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":397,"_238":1040,"_240":1041,"_242":1042,"_244":1043,"_246":1044,"_248":1045,"_250":251,"_252":1046,"_254":255,"_256":1047,"_154":-5,"_258":-5,"_111":1048,"_261":1049,"_263":1050,"_265":1051,"_267":1052,"_269":1053,"_144":1054,"_272":1055},{"_219":202,"_220":983,"_20":984,"_223":985,"_225":-5,"_226":986,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":397,"_238":987,"_240":988,"_242":989,"_244":990,"_246":991,"_248":992,"_250":251,"_252":993,"_254":255,"_256":994,"_154":-5,"_258":-5,"_111":995,"_261":996,"_263":997,"_265":998,"_267":999,"_269":1000,"_144":1001,"_272":1002},{"_219":194,"_220":933,"_20":934,"_223":935,"_225":-5,"_226":936,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":672,"_238":937,"_240":938,"_242":939,"_244":940,"_246":941,"_248":942,"_250":251,"_252":943,"_254":255,"_256":944,"_154":-5,"_258":-5,"_111":945,"_261":946,"_263":947,"_265":948,"_267":949,"_269":950,"_144":951,"_272":952},{"_219":195,"_220":877,"_20":878,"_223":879,"_225":-5,"_226":880,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":881,"_238":882,"_240":883,"_242":883,"_244":884,"_246":885,"_248":886,"_250":251,"_252":887,"_254":255,"_256":888,"_154":-5,"_258":889,"_111":890,"_261":891,"_263":892,"_265":893,"_267":894,"_269":895,"_144":896,"_272":897},{"_219":196,"_220":824,"_20":825,"_223":826,"_225":-5,"_226":827,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":511,"_236":828,"_238":829,"_240":830,"_242":831,"_244":832,"_246":833,"_248":834,"_250":519,"_252":835,"_254":255,"_256":836,"_154":-5,"_258":-5,"_111":837,"_261":838,"_263":839,"_265":840,"_267":841,"_269":842,"_144":843,"_272":844},{"_219":197,"_220":773,"_20":774,"_223":775,"_225":-5,"_226":776,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":777,"_238":778,"_240":476,"_242":779,"_244":780,"_246":781,"_248":782,"_250":251,"_252":783,"_254":255,"_256":784,"_154":-5,"_258":-5,"_111":785,"_261":786,"_263":787,"_265":788,"_267":789,"_269":790,"_144":791,"_272":792},{"_219":189,"_220":721,"_20":722,"_223":723,"_225":-5,"_226":724,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":511,"_236":725,"_238":726,"_240":727,"_242":728,"_244":729,"_246":730,"_248":731,"_250":519,"_252":732,"_254":255,"_256":733,"_154":-5,"_258":-5,"_111":734,"_261":735,"_263":736,"_265":737,"_267":738,"_269":739,"_144":740,"_272":741},{"_219":190,"_220":668,"_20":669,"_223":670,"_225":-5,"_226":671,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":672,"_238":673,"_240":674,"_242":675,"_244":676,"_246":677,"_248":678,"_250":251,"_252":679,"_254":255,"_256":680,"_154":-5,"_258":-5,"_111":681,"_261":682,"_263":683,"_265":684,"_267":685,"_269":686,"_144":687,"_272":688},{"_219":191,"_220":615,"_20":616,"_223":617,"_225":-5,"_226":618,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":619,"_238":620,"_240":621,"_242":622,"_244":623,"_246":624,"_248":625,"_250":251,"_252":626,"_254":255,"_256":627,"_154":-5,"_258":-5,"_111":628,"_261":629,"_263":630,"_265":631,"_267":632,"_269":633,"_144":634,"_272":635},{"_219":184,"_220":560,"_20":561,"_223":562,"_225":-5,"_226":563,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":564,"_234":565,"_236":566,"_238":567,"_240":568,"_242":569,"_244":570,"_246":571,"_248":572,"_250":519,"_252":573,"_254":255,"_256":574,"_154":-5,"_258":-5,"_111":575,"_261":576,"_263":577,"_265":578,"_267":579,"_269":580,"_144":581,"_272":582},{"_219":185,"_220":507,"_20":508,"_223":-5,"_225":509,"_226":510,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":511,"_236":512,"_238":513,"_240":514,"_242":515,"_244":516,"_246":517,"_248":518,"_250":519,"_252":520,"_254":255,"_256":521,"_154":-5,"_258":-5,"_111":522,"_261":523,"_263":524,"_265":525,"_267":526,"_269":527,"_144":528,"_272":529},{"_219":186,"_220":454,"_20":455,"_223":456,"_225":-5,"_226":457,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":458,"_238":459,"_240":460,"_242":461,"_244":462,"_246":463,"_248":464,"_250":251,"_252":465,"_254":255,"_256":466,"_154":-5,"_258":-5,"_111":467,"_261":468,"_263":469,"_265":470,"_267":471,"_269":472,"_144":473,"_272":474},{"_219":114,"_220":391,"_20":392,"_223":393,"_225":-5,"_226":394,"_228":53,"_229":230,"_231":-5,"_125":232,"_28":395,"_234":396,"_236":397,"_238":398,"_240":399,"_242":400,"_244":401,"_246":402,"_248":403,"_250":251,"_252":404,"_254":255,"_256":405,"_154":-5,"_258":-5,"_111":406,"_261":407,"_263":408,"_265":409,"_267":410,"_269":411,"_144":412,"_272":413},{"_219":180,"_220":337,"_20":338,"_223":339,"_225":-5,"_226":340,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":341,"_238":342,"_240":343,"_242":344,"_244":345,"_246":346,"_248":347,"_250":251,"_252":348,"_254":255,"_256":349,"_154":-5,"_258":-5,"_111":350,"_261":351,"_263":352,"_265":353,"_267":354,"_269":355,"_144":356,"_272":357},{"_219":181,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":75,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_154":-5,"_258":259,"_111":260,"_261":262,"_263":264,"_265":266,"_267":268,"_269":270,"_144":271,"_272":273},"id","slug","compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)","artist",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":99},"unrecorded","date","1480–85","century","place","italy","movement","italian-renaissance","drawing","classification","Drawings","medium","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","dimensions","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)","width_cm",16.2,"height_cm",19.3,"aspect",0.8451536643026005,"palette",[304,305,306,307,308],"museum",{"_219":299,"_220":300,"_42":301,"_302":303},"credit","Courtesy of The Metropolitan Museum of Art","accession","17.142.1","licence","CC0","story","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","note","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1021.jpg?dl=1","page_url","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","walk_url","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","frame",{"_289":290,"_291":292},{"_223":282,"_125":283,"_284":285},"size",{"_274":275,"_276":277,"_278":279,"_280":281},"w",45.128841607565015,"h",49,"image_w",21.128841607565015,"image_h",25,{"_286":223,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":91},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/drawing-15","More drawings of the 15th century","moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1021/480.jpg","960","https://img.ochreeditions.com/a/1021/960.jpg","1920","https://img.ochreeditions.com/a/1021/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#958066","weight",0.0535,"#f3e5cf",0.0741,"#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","bio","Italian, 1452–1519","nationality","Italian","birth_year",1452,"death_year",1519,"birth_place","Vinci","death_place","Amboise","about_excerpt","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":384,"_220":385,"_323":386,"_325":326,"_327":387,"_329":388,"_331":389,"_333":390,"_335":-5,"_140":103},"1435–38","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[369,370,371,372,373],{"_219":299,"_220":300,"_42":301,"_302":303},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_293":366,"_295":367,"_297":368},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_289":290,"_291":292},{"_223":361,"_125":362,"_284":363},{"_274":358,"_276":359,"_278":360,"_280":344},46.8975,54,22.8975,{"_286":223,"_123":364,"_154":365,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":91},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_309":382,"_311":383},{"_309":380,"_311":381},{"_309":378,"_311":379},{"_309":376,"_311":377},{"_309":374,"_311":375},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","the-baptism-of-christ-met-440393","The Baptism of Christ",{"_42":448,"_220":449,"_323":450,"_325":326,"_327":451,"_329":452,"_331":453,"_333":453,"_335":-5,"_140":101},"ca. 1590","painting","Paintings","Oil on canvas","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[433,434,435,436,437],{"_219":299,"_220":300,"_42":301,"_302":303},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_289":428,"_291":429},{"_223":417,"_125":418,"_284":419},{"_274":414,"_276":415,"_278":416,"_280":400},171.29437386569876,206.8,156.29437386569876,{"_286":223,"_123":426,"_154":427,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":504,"_220":505,"_323":326,"_325":326,"_327":-5,"_329":506,"_331":-5,"_333":-5,"_335":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[489,490,491,492,493],{"_219":299,"_220":300,"_42":301,"_302":303},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":486,"_295":487,"_297":488},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":428,"_291":429},{"_223":478,"_125":479,"_284":480},{"_274":475,"_276":476,"_278":477,"_280":281},32.4375,40,17.4375,{"_286":223,"_123":484,"_154":485,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",1498,"orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","Painting","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[545,546,547,548,549],{"_219":541,"_220":542,"_42":543,"_302":544},"Courtesy National Gallery of Art, Washington","1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_293":538,"_295":539,"_297":540},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_289":428,"_291":429},{"_223":533,"_125":534,"_284":535},{"_274":530,"_276":531,"_278":514,"_280":532},96,61.531494140625,46.531494140625,{"_286":223,"_123":536,"_154":537,"_140":77},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":610,"_220":611,"_323":612,"_325":326,"_327":613,"_329":614,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[595,596,597,598,599],{"_219":541,"_220":542,"_42":543,"_302":544},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_293":592,"_295":593,"_297":594},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_289":290,"_291":292},{"_223":585,"_125":586,"_284":587},{"_274":583,"_276":277,"_278":584,"_280":281},46.2736368184092,22.273636818409205,{"_286":223,"_123":590,"_154":591,"_140":89},{"_286":125,"_123":588,"_154":589,"_140":359},{"_286":284,"_123":420,"_154":421,"_140":422},"style/print-16","More prints of the 16th century","artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_309":608,"_311":609},{"_309":606,"_311":607},{"_309":604,"_311":605},{"_309":602,"_311":603},{"_309":600,"_311":601},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81",0.1214,"#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"a-hunting-scene-met-437283","A Hunting Scene",{"_42":662,"_220":663,"_323":664,"_325":326,"_327":665,"_329":666,"_331":667,"_333":667,"_335":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[647,648,649,650,651],{"_219":299,"_220":300,"_42":301,"_302":303},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_293":644,"_295":645,"_297":646},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_289":428,"_291":429},{"_223":639,"_125":640,"_284":641},{"_274":636,"_276":637,"_278":621,"_280":638},184.5,91.19025,76.19025,{"_286":223,"_123":642,"_154":643,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},{"_309":654,"_311":655},{"_309":652,"_311":653},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"Florence","saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":715,"_220":716,"_323":717,"_325":326,"_327":718,"_329":719,"_331":720,"_333":720,"_335":-5,"_140":103},"ca. 1440","Tempera and gold on wood","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[700,701,702,703,704],{"_219":299,"_220":300,"_42":301,"_302":303},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_293":697,"_295":698,"_297":699},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_289":428,"_291":429},{"_223":692,"_125":693,"_284":694},{"_274":689,"_276":690,"_278":691,"_280":675},49.760041300980895,62.6,34.760041300980895,{"_286":223,"_123":695,"_154":696,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_309":713,"_311":714},{"_309":711,"_311":712},{"_309":709,"_311":710},{"_309":707,"_311":708},{"_309":705,"_311":706},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d",0.1323,"#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"Siena","portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":768,"_220":769,"_323":770,"_325":326,"_327":771,"_329":772,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[753,754,755,756,757],{"_219":541,"_220":542,"_42":543,"_302":544},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_293":750,"_295":751,"_297":752},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_289":428,"_291":429},{"_223":745,"_125":746,"_284":747},{"_274":742,"_276":743,"_278":744,"_280":728},62.301611328125006,69.7,47.301611328125006,{"_286":223,"_123":748,"_154":749,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_309":766,"_311":767},{"_309":764,"_311":765},{"_309":762,"_311":763},{"_309":760,"_311":761},{"_309":758,"_311":759},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":819,"_220":820,"_323":821,"_325":326,"_327":822,"_329":823,"_331":667,"_333":667,"_335":-5,"_140":103},"ca. 1490–1500","Oil on wood","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",58.7,0.7005941617153191,[804,805,806,807,808],{"_219":299,"_220":300,"_42":301,"_302":303},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_293":801,"_295":802,"_297":803},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_289":428,"_291":429},{"_223":796,"_125":797,"_284":798},{"_274":793,"_276":794,"_278":795,"_280":779},56.124877292689234,73.7,41.124877292689234,{"_286":223,"_123":799,"_154":800,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_309":817,"_311":818},{"_309":815,"_311":816},{"_309":813,"_311":814},{"_309":811,"_311":812},{"_309":809,"_311":810},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"saint-margaret-nga-12102","Saint Margaret",{"_42":871,"_220":872,"_323":873,"_325":326,"_327":874,"_329":875,"_331":876,"_333":720,"_335":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[856,857,858,859,860],{"_219":541,"_220":542,"_42":543,"_302":544},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_293":853,"_295":854,"_297":855},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_289":428,"_291":429},{"_223":848,"_125":849,"_284":850},{"_274":845,"_276":846,"_278":847,"_280":831},27.05126953125,43.5,12.05126953125,{"_286":223,"_123":851,"_154":852,"_140":99},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_309":869,"_311":870},{"_309":867,"_311":868},{"_309":865,"_311":866},{"_309":863,"_311":864},{"_309":861,"_311":862},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":925,"_220":926,"_323":927,"_325":326,"_327":928,"_329":929,"_331":930,"_333":931,"_335":932,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[910,911,912,913,914],{"_219":299,"_220":300,"_42":301,"_302":303},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":907,"_295":908,"_297":909},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":428,"_291":429},{"_223":902,"_125":903,"_284":904},{"_274":898,"_276":899,"_278":900,"_280":901},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_286":223,"_123":905,"_154":906,"_140":99},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-annunciation-met-459016","The Annunciation",{"_42":979,"_220":980,"_323":981,"_325":326,"_327":982,"_329":451,"_331":667,"_333":667,"_335":-5,"_140":101},"ca. 1490","7 1/2 x 12 3/8 in. (19.1 x 31.4 cm)",31.4,19.1,1.5219758848697005,[964,965,966,967,968],{"_219":299,"_220":300,"_42":301,"_302":303},"1975.1.74","Botticelli (Alessandro di Mariano Filipepi) painted this in about 1490, aged about 41. It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_293":961,"_295":962,"_297":963},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_289":428,"_291":429},{"_223":956,"_125":957,"_284":958},{"_274":953,"_276":954,"_278":938,"_280":955},46.4,35.63107590084334,20.631075900843342,{"_286":223,"_123":959,"_154":960,"_140":89},{"_286":125,"_123":481,"_154":482,"_140":483},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg",{"_309":977,"_311":978},{"_309":975,"_311":976},{"_309":973,"_311":974},{"_309":971,"_311":972},{"_309":969,"_311":970},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,"the-musicians-met-435844","The Musicians",{"_42":1029,"_220":1030,"_323":1031,"_325":326,"_327":1032,"_329":1033,"_331":1034,"_333":1035,"_335":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[1014,1015,1016,1017,1018],{"_219":299,"_220":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":1011,"_295":1012,"_297":1013},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":428,"_291":429},{"_223":1006,"_125":1007,"_284":1008},{"_274":1003,"_276":1004,"_278":988,"_280":1005},133.4,106.908,91.908,{"_286":223,"_123":1009,"_154":1010,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":1082,"_220":1083,"_323":1084,"_325":326,"_327":1085,"_329":1086,"_331":390,"_333":1087,"_335":-5,"_140":103},"1570s","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[1067,1068,1069,1070,1071],{"_219":299,"_220":300,"_42":301,"_302":303},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_293":1064,"_295":1065,"_297":1066},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_289":428,"_291":429},{"_223":1059,"_125":1060,"_284":1061},{"_274":1056,"_276":1057,"_278":1058,"_280":1042},175.13744999999997,220.7,160.13744999999997,{"_286":223,"_123":1062,"_154":1063,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},{"_309":1072,"_311":1073},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Venice","hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","Hercules chasing Avarice from the Temple of the Muses",{"_42":1136,"_220":1137,"_323":1138,"_325":326,"_327":1139,"_329":1140,"_331":1141,"_333":1142,"_335":-5,"_140":103},"ca. 1520–27","Prints","Chiaroscuro woodcut from two blocks in green","11 15/16 × 9 1/4 in. (30.3 × 23.5 cm)",23.5,30.3,0.7796043466146559,[1121,1122,1123,1124,1125],{"_219":299,"_220":300,"_42":301,"_302":303},"20.24.76","Ugo da Carpi made this in about 1520–27, aged about 35. It is now at The Met in New York.","Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27",{"_293":1118,"_295":1119,"_297":1120},"https://img.ochreeditions.com/m/1028.jpg?dl=1","/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","/galleries/style/italian-renaissance/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700",{"_289":290,"_291":292},{"_223":1113,"_125":1114,"_284":1115},{"_274":1110,"_276":1111,"_278":1112,"_280":1096},47.622011702424075,54.3,23.622011702424075,{"_286":223,"_123":1116,"_154":1117,"_140":89},{"_286":125,"_123":588,"_154":589,"_140":359},{"_286":284,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-ugo-da-carpi","Ugo da Carpi's contemporaries","https://img.ochreeditions.com/a/1028/480.jpg","https://img.ochreeditions.com/a/1028/960.jpg","https://img.ochreeditions.com/a/1028/1920.jpg",{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},"#e3d7cc",0.0635,"#b8a798",0.1438,"#988a7c",0.2191,"#686059",0.2264,"#7f736a",0.3472,"Ugo da Carpi","ugo-da-carpi","Italian, 1480–1532",1480,1532,"Carpi","Bologna",{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","1f09f195458c40155c304013a896c2c956622d8e","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]