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(135.9 x 100.6 cm)","width_cm",100.6,"height_cm",135.9,"aspect",0.7425103305785123,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy of The Metropolitan Museum of Art","accession","22.75","licence","CC0","story","Andrea del Sarto painted this in about 1528, aged about 37. 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(47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[374,375,376,377,378],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. 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It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_293":426,"_295":427,"_297":428},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_289":290,"_291":292},{"_224":421,"_125":422,"_283":423},{"_274":418,"_276":419,"_278":402,"_280":420},60.6,51.9720703125,36.9720703125,{"_285":224,"_123":424,"_154":425,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,1510,"the-annunciation-met-459016","The Annunciation",{"_42":499,"_221":500,"_323":501,"_325":326,"_327":502,"_329":452,"_331":332,"_333":332,"_334":-5,"_140":101},"ca. 1490","7 1/2 x 12 3/8 in. (19.1 x 31.4 cm)",31.4,19.1,1.5219758848697005,[484,485,486,487,488],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.74","Botticelli (Alessandro di Mariano Filipepi) painted this in about 1490, aged about 41. It is now at The Met in New York.","The Annunciation, by Botticelli (Alessandro di Mariano Filipepi), ca. 1490",{"_293":481,"_295":482,"_297":483},"https://img.ochreeditions.com/m/1249.jpg?dl=1","/art/the-annunciation-met-459016","/galleries/style/italian-renaissance/the-annunciation-met-459016",{"_289":290,"_291":292},{"_224":476,"_125":477,"_283":478},{"_274":473,"_276":474,"_278":458,"_280":475},46.4,35.63107590084334,20.631075900843342,{"_285":224,"_123":479,"_154":480,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1249/480.jpg","https://img.ochreeditions.com/a/1249/960.jpg","https://img.ochreeditions.com/a/1249/1920.jpg",{"_309":497,"_311":498},{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},{"_309":489,"_311":490},"#7d573f",0.1306,"#524b43",0.1648,"#343332",0.1656,"#743b26",0.2645,"#817268",0.2745,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,"bacchanal-with-a-wine-vat-met-337057","Bacchanal with a Wine Vat",{"_42":556,"_221":557,"_323":558,"_325":326,"_327":559,"_329":560,"_331":561,"_333":562,"_334":-5,"_140":101},"Before 1475","print","Prints","Engraving and drypoint","Sheet: 11 3/4 x 17 3/16in. (29.9 x 43.7cm)",43.8,29.8,1.4139271827500883,[541,542,543,544,545],{"_220":299,"_221":300,"_42":301,"_302":303},"1986.1159","Andrea Mantegna made this (Before 1475), aged 45. It is now at The Met in New York.","Bacchanal with a Wine Vat, by Andrea Mantegna, Before 1475",{"_293":538,"_295":539,"_297":540},"https://img.ochreeditions.com/m/1008.jpg?dl=1","/art/bacchanal-with-a-wine-vat-met-337057","/galleries/style/italian-renaissance/bacchanal-with-a-wine-vat-met-337057",{"_289":536,"_291":537},{"_224":529,"_125":530,"_283":531},{"_274":526,"_276":527,"_278":511,"_280":528},67.8,54.977549999999994,30.977549999999997,{"_285":224,"_123":534,"_154":535,"_140":89},{"_285":125,"_123":532,"_154":533,"_140":53},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-15","More prints of the 15th century","artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","black","snow","https://img.ochreeditions.com/a/1008/480.jpg","https://img.ochreeditions.com/a/1008/960.jpg","https://img.ochreeditions.com/a/1008/1920.jpg",{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},{"_309":548,"_311":549},{"_309":546,"_311":547},"#f4f0e1",0.1469,"#bba186",0.1799,"#826d59",0.2184,"#675646",0.2236,"#9e866d",0.2312,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","madonna-and-child-met-435641","Madonna and Child",{"_42":609,"_221":610,"_323":611,"_325":326,"_327":612,"_329":613,"_331":614,"_333":614,"_334":615,"_140":101},"late 1480s","35 x 28 in. (88.9 x 71.1 cm)",71.1,88.9,0.8119956966110812,[594,595,596,597,598],{"_220":299,"_221":300,"_42":301,"_302":303},"08.183.1","Giovanni Bellini painted this in the late 1480s, aged about 63. It is now at The Met in New York.","Madonna and Child, by Giovanni Bellini, late 1480s",{"_293":591,"_295":592,"_297":593},"https://img.ochreeditions.com/m/1061.jpg?dl=1","/art/madonna-and-child-met-435641","/galleries/style/italian-renaissance/madonna-and-child-met-435641",{"_289":290,"_291":292},{"_224":586,"_125":587,"_283":588},{"_274":583,"_276":584,"_278":585,"_280":569},87.18641742872512,103.9,72.18641742872512,{"_285":224,"_123":589,"_154":590,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1061/480.jpg","https://img.ochreeditions.com/a/1061/960.jpg","https://img.ochreeditions.com/a/1061/1920.jpg",{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},{"_309":601,"_311":602},{"_309":599,"_311":600},"#888a90",0.1244,"#ac8755",0.1433,"#5e3d24",0.1941,"#943011",0.2347,"#1e1823",0.3035,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":667,"_221":668,"_323":669,"_325":326,"_327":670,"_329":671,"_331":672,"_333":673,"_334":-5,"_140":103},"1435–38","drawing","Drawings","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[652,653,654,655,656],{"_220":299,"_221":300,"_42":301,"_302":303},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_293":649,"_295":650,"_297":651},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_289":536,"_291":537},{"_224":642,"_125":643,"_283":644},{"_274":639,"_276":640,"_278":641,"_280":625},46.8975,54,22.8975,{"_285":224,"_123":647,"_154":648,"_140":89},{"_285":125,"_123":645,"_154":646,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":724,"_221":725,"_323":726,"_325":326,"_327":727,"_329":728,"_331":-5,"_333":-5,"_334":-5,"_140":101},"c. 1516","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[709,710,711,712,713],{"_220":429,"_221":430,"_42":431,"_302":432},"1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_293":706,"_295":707,"_297":708},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_289":536,"_291":537},{"_224":699,"_125":700,"_283":701},{"_274":696,"_276":697,"_278":698,"_280":682},37.58662109375,50.3,13.58662109375,{"_285":224,"_123":704,"_154":705,"_140":89},{"_285":125,"_123":702,"_154":703,"_140":640},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century","artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg",{"_309":722,"_311":723},{"_309":720,"_311":721},{"_309":718,"_311":719},{"_309":716,"_311":717},{"_309":714,"_311":715},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"allegory-nga-35082","Allegory",{"_42":777,"_221":778,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_140":103},"c. 1515-1525","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[762,763,764,765,766],{"_220":429,"_221":430,"_42":431,"_302":432},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":759,"_295":760,"_297":761},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":754,"_125":755,"_283":756},{"_274":751,"_276":752,"_278":753,"_280":736},54.105224609375,58,39.105224609375,{"_285":224,"_123":757,"_154":758,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},{"_309":767,"_311":768},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":824,"_221":825,"_323":826,"_325":326,"_327":827,"_329":828,"_331":332,"_333":829,"_334":-5,"_140":103},"Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[810,811,812,813,814],{"_220":299,"_221":300,"_42":301,"_302":303},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_293":807,"_295":808,"_297":809},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_289":290,"_291":292},{"_224":802,"_125":803,"_283":804},{"_274":799,"_276":800,"_278":801,"_280":785},57.47969032258064,79.1,42.47969032258064,{"_285":224,"_123":805,"_154":806,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_309":823,"_311":318},{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},{"_309":815,"_311":816},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f","Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Spoleto","compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)",{"_42":879,"_221":880,"_323":881,"_325":326,"_327":882,"_329":883,"_331":884,"_333":885,"_334":886,"_140":99},"1480–85","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[864,865,866,867,868],{"_220":299,"_221":300,"_42":301,"_302":303},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_293":861,"_295":862,"_297":863},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_289":536,"_291":537},{"_224":856,"_125":857,"_283":858},{"_274":852,"_276":853,"_278":854,"_280":855},45.128841607565015,49,21.128841607565015,25,{"_285":224,"_123":859,"_154":860,"_140":99},{"_285":125,"_123":645,"_154":646,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_309":877,"_311":878},{"_309":875,"_311":876},{"_309":873,"_311":874},{"_309":871,"_311":872},{"_309":869,"_311":870},"#958066",0.0535,"#f3e5cf",0.0741,"#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":935,"_221":936,"_323":937,"_325":326,"_327":938,"_329":939,"_331":940,"_333":941,"_334":942,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[920,921,922,923,924],{"_220":299,"_221":300,"_42":301,"_302":303},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":917,"_295":918,"_297":919},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":912,"_125":913,"_283":914},{"_274":908,"_276":909,"_278":910,"_280":911},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":915,"_154":916,"_140":99},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},{"_309":925,"_311":926},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","abraham-met-436911","Abraham",{"_42":989,"_221":990,"_323":991,"_325":326,"_327":992,"_329":993,"_331":-5,"_333":-5,"_334":994,"_140":99},"ca. 1408–10","Tempera on wood, gold ground","Overall 26 x 16 7/8 in. (66 x 42.9 cm); painted surface 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm)",42.9,0.6585,[974,975,976,977,978],{"_220":299,"_221":300,"_42":301,"_302":303},"65.14.1","Lorenzo Monaco painted this in about 1408–10, aged about 38. It is now at The Met in New York.","Abraham, by Lorenzo Monaco, ca. 1408–10",{"_293":971,"_295":972,"_297":973},"https://img.ochreeditions.com/m/1121.jpg?dl=1","/art/abraham-met-436911","/galleries/style/italian-renaissance/abraham-met-436911",{"_289":290,"_291":292},{"_224":966,"_125":967,"_283":968},{"_274":963,"_276":964,"_278":965,"_280":168},58.461,81,43.461,{"_285":224,"_123":969,"_154":970,"_140":99},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1121/480.jpg","https://img.ochreeditions.com/a/1121/960.jpg","https://img.ochreeditions.com/a/1121/1920.jpg",{"_309":987,"_311":988},{"_309":985,"_311":986},{"_309":983,"_311":984},{"_309":981,"_311":982},{"_309":979,"_311":980},"#0f0c0a",0.0915,"#5b6652",0.1574,"#c49b55",0.205,"#724a39",0.2318,"#a97350",0.3143,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":1040,"_221":1041,"_323":1042,"_325":326,"_327":827,"_329":328,"_331":1043,"_333":332,"_334":-5,"_140":103},"ca. 1449","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[1026,1027,1028,1029,1030],{"_220":299,"_221":300,"_42":301,"_302":303},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_293":1023,"_295":1024,"_297":1025},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_289":290,"_291":292},{"_224":1018,"_125":1019,"_283":1020},{"_274":1015,"_276":1016,"_278":1001,"_280":1017},107.7,105.74339768339769,90.74339768339769,{"_285":224,"_123":1021,"_154":1022,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},{"_309":1031,"_311":872},"#a69f8f","#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486","San Giovanni Valdarno","the-musicians-met-435844","The Musicians",{"_42":1091,"_221":1092,"_323":1093,"_325":326,"_327":1094,"_329":1095,"_331":1096,"_333":1097,"_334":-5,"_140":101},"1597","Oil on canvas","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[1076,1077,1078,1079,1080],{"_220":299,"_221":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":1073,"_295":1074,"_297":1075},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":290,"_291":292},{"_224":1068,"_125":1069,"_283":1070},{"_274":1065,"_276":1066,"_278":1050,"_280":1067},133.4,106.908,91.908,{"_285":224,"_123":1071,"_154":1072,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","madonna-and-child-met-436892",{"_42":1144,"_221":1145,"_323":1146,"_325":326,"_327":1147,"_329":1148,"_331":1149,"_333":332,"_334":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[1129,1130,1131,1132,1133],{"_220":299,"_221":300,"_42":301,"_302":303},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_289":290,"_291":292},{"_224":1121,"_125":1122,"_283":1123},{"_274":1118,"_276":1119,"_278":1120,"_280":1104},75.4851775071262,96.3,60.485177507126195,{"_285":224,"_123":1124,"_154":1125,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato",{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","2d7f5380ca60a014a3aefecb532b75eccf4f1505","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]