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It is now at the National Gallery of Art in Washington, DC.","This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.",{"_294":435,"_296":436,"_298":437},"https://img.ochreeditions.com/m/1325.jpg?dl=1","/art/david-with-the-head-of-goliath-nga-1145","/galleries/style/italian-renaissance/david-with-the-head-of-goliath-nga-1145",{"_290":371,"_292":372},{"_224":424,"_125":425,"_284":426},{"_275":421,"_277":422,"_279":423,"_280":407},96.6339111328125,130.5,81.6339111328125,{"_286":224,"_123":433,"_154":434,"_140":89},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-andrea-del-castagno","Andrea del Castagno's contemporaries","https://img.ochreeditions.com/a/1325/480.jpg","https://img.ochreeditions.com/a/1325/960.jpg","https://img.ochreeditions.com/a/1325/1920.jpg",{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},"#a07d5a",0.1,"#6b4531",0.1323,"#36291e",0.1458,"#3e4f47",0.2122,"#f6f6f4",0.4097,"Andrea del Castagno","andrea-del-castagno","Florentine, before 1419–1457",1419,1457,"madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":511,"_221":512,"_327":513,"_329":328,"_330":514,"_331":515,"_333":516,"_334":517,"_335":518,"_140":99},"ca. 1504","Paintings","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[496,497,498,499,500],{"_220":493,"_221":494,"_42":495,"_306":307},"Courtesy of The Metropolitan Museum of Art","16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_294":490,"_296":491,"_298":492},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_290":371,"_292":372},{"_224":485,"_125":486,"_284":487},{"_275":481,"_277":482,"_279":483,"_280":484},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_286":224,"_123":488,"_154":489,"_140":99},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_313":509,"_315":510},{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":565,"_221":566,"_327":567,"_329":328,"_330":568,"_331":569,"_333":570,"_334":570,"_335":-5,"_140":103},"ca. 1440","Tempera and gold on wood","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[551,552,553,554,555],{"_220":493,"_221":494,"_42":495,"_306":307},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_290":371,"_292":372},{"_224":543,"_125":544,"_284":545},{"_275":540,"_277":541,"_279":542,"_280":526},49.760041300980895,62.6,34.760041300980895,{"_286":224,"_123":546,"_154":547,"_140":89},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":560,"_315":446},{"_313":558,"_315":559},{"_313":556,"_315":557},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d","#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"Siena","the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":617,"_221":618,"_327":619,"_329":328,"_330":620,"_331":621,"_333":622,"_334":570,"_335":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[602,603,604,605,606],{"_220":493,"_221":494,"_42":495,"_306":307},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_294":599,"_296":600,"_298":601},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_290":371,"_292":372},{"_224":594,"_125":595,"_284":596},{"_275":591,"_277":592,"_279":576,"_280":593},44.8,37.715050000000005,22.71505,{"_286":224,"_123":597,"_154":598,"_140":99},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_313":615,"_315":616},{"_313":613,"_315":614},{"_313":611,"_315":612},{"_313":609,"_315":610},{"_313":607,"_315":608},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":670,"_221":671,"_327":672,"_329":328,"_330":673,"_331":674,"_333":570,"_334":570,"_335":675,"_140":97},"ca. 1455–60","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",43.2,75.9,0.4765,[655,656,657,658,659],{"_220":493,"_221":494,"_42":495,"_306":307},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_294":652,"_296":653,"_298":654},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_290":371,"_292":372},{"_224":647,"_125":648,"_284":649},{"_275":644,"_277":645,"_279":646,"_280":629},51.16635,90.9,36.16635,{"_286":224,"_123":650,"_154":651,"_140":97},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},{"_313":662,"_315":663},{"_313":660,"_315":661},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":723,"_221":724,"_327":725,"_329":328,"_330":726,"_331":727,"_333":728,"_334":729,"_335":-5,"_140":103},"1570s","Oil on canvas","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[708,709,710,711,712],{"_220":493,"_221":494,"_42":495,"_306":307},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_294":705,"_296":706,"_298":707},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_290":371,"_292":372},{"_224":700,"_125":701,"_284":702},{"_275":697,"_277":698,"_279":699,"_280":683},175.13744999999997,220.7,160.13744999999997,{"_286":224,"_123":703,"_154":704,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_313":721,"_315":722},{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},{"_313":713,"_315":714},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":776,"_221":777,"_327":778,"_329":328,"_330":779,"_331":780,"_333":781,"_334":782,"_335":-5,"_140":103},"Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[761,762,763,764,765],{"_220":493,"_221":494,"_42":495,"_306":307},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_294":758,"_296":759,"_298":760},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_290":371,"_292":372},{"_224":753,"_125":754,"_284":755},{"_275":750,"_277":751,"_279":752,"_280":736},57.47969032258064,79.1,42.47969032258064,{"_286":224,"_123":756,"_154":757,"_140":89},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},{"_313":766,"_315":767},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Florence","Spoleto","the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":833,"_221":834,"_327":835,"_329":328,"_330":836,"_331":837,"_333":838,"_334":839,"_335":840,"_140":99},"1510–13","Drawings","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[818,819,820,821,822],{"_220":493,"_221":494,"_42":495,"_306":307},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_294":815,"_296":816,"_298":817},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_290":291,"_292":293},{"_224":810,"_125":811,"_284":812},{"_275":806,"_277":807,"_279":808,"_280":809},43.44008372579801,49,19.44008372579801,25,{"_286":224,"_123":813,"_154":814,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_313":831,"_315":832},{"_313":829,"_315":830},{"_313":827,"_315":828},{"_313":825,"_315":826},{"_313":823,"_315":824},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","madonna-and-child-met-436892","Madonna and Child",{"_42":888,"_221":889,"_327":890,"_329":328,"_330":457,"_331":891,"_333":892,"_334":781,"_335":-5,"_140":101},"ca. 1483–84","Tempera, oil, and gold on wood","32 x 23 1/2 in. (81.3 x 59.7 cm)",59.7,81.3,0.7439751230888831,[873,874,875,876,877],{"_220":493,"_221":494,"_42":495,"_306":307},"49.7.10","Filippino Lippi painted this in about 1483–84, aged about 26. It is now at The Met in New York.","Madonna and Child, by Filippino Lippi, ca. 1483–84",{"_294":870,"_296":871,"_298":872},"https://img.ochreeditions.com/m/1114.jpg?dl=1","/art/madonna-and-child-met-436892","/galleries/style/italian-renaissance/madonna-and-child-met-436892",{"_290":371,"_292":372},{"_224":865,"_125":866,"_284":867},{"_275":862,"_277":863,"_279":864,"_280":848},75.4851775071262,96.3,60.485177507126195,{"_286":224,"_123":868,"_154":869,"_140":89},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1114/480.jpg","https://img.ochreeditions.com/a/1114/960.jpg","https://img.ochreeditions.com/a/1114/1920.jpg",{"_313":886,"_315":887},{"_313":884,"_315":885},{"_313":882,"_315":883},{"_313":880,"_315":881},{"_313":878,"_315":879},"#632128",0.0996,"#071e49",0.1647,"#7b7466",0.1888,"#624b36",0.2197,"#343231",0.3272,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1504,"Prato","the-coronation-of-the-virgin-met-435853","The Coronation of the Virgin",{"_42":939,"_221":940,"_327":941,"_329":328,"_330":942,"_331":943,"_333":944,"_334":517,"_335":-5,"_140":101},"after 1595","46 3/8 x 55 5/8 in. (117.8 x 141.3 cm)",141.3,117.8,1.169248757673195,[924,925,926,927,928],{"_220":493,"_221":494,"_42":495,"_306":307},"1971.155","Annibale Carracci painted this (after 1595), aged about 35. It is now at The Met in New York.","The Coronation of the Virgin, by Annibale Carracci, after 1595",{"_294":921,"_296":922,"_298":923},"https://img.ochreeditions.com/m/1070.jpg?dl=1","/art/the-coronation-of-the-virgin-met-435853","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-met-435853",{"_290":371,"_292":372},{"_224":916,"_125":917,"_284":918},{"_275":913,"_277":914,"_279":898,"_280":915},156.3,135.84682500000002,120.84682500000001,{"_286":224,"_123":919,"_154":920,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1070/480.jpg","https://img.ochreeditions.com/a/1070/960.jpg","https://img.ochreeditions.com/a/1070/1920.jpg",{"_313":937,"_315":938},{"_313":935,"_315":936},{"_313":933,"_315":934},{"_313":931,"_315":932},{"_313":929,"_315":930},"#6c6252",0.0827,"#7c5937",0.1563,"#030202",0.1991,"#4c3a2c",0.2381,"#302a24",0.3238,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":994,"_221":995,"_327":996,"_329":328,"_330":997,"_331":998,"_333":999,"_334":728,"_335":-5,"_140":103},"1435–38","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[979,980,981,982,983],{"_220":493,"_221":494,"_42":495,"_306":307},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_294":976,"_296":977,"_298":978},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_290":291,"_292":293},{"_224":969,"_125":970,"_284":971},{"_275":966,"_277":967,"_279":968,"_280":952},46.8975,54,22.8975,{"_286":224,"_123":974,"_154":975,"_140":89},{"_286":125,"_123":972,"_154":973,"_140":91},{"_286":284,"_123":427,"_154":428,"_140":429},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_313":992,"_315":993},{"_313":990,"_315":991},{"_313":988,"_315":989},{"_313":986,"_315":987},{"_313":984,"_315":985},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":1048,"_221":1049,"_327":1050,"_329":328,"_330":1051,"_331":1052,"_333":729,"_334":729,"_335":1053,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[1033,1034,1035,1036,1037],{"_220":376,"_221":377,"_42":378,"_306":379},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_294":1030,"_296":1031,"_298":1032},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_290":371,"_292":372},{"_224":1025,"_125":1026,"_284":1027},{"_275":1022,"_277":1023,"_279":1006,"_280":1024},203,187.2109375,172.2109375,{"_286":224,"_123":1028,"_154":1029,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":1104,"_221":1105,"_327":1106,"_329":328,"_330":1107,"_331":1108,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[1089,1090,1091,1092,1093],{"_220":376,"_221":377,"_42":378,"_306":379},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_294":1086,"_296":1087,"_298":1088},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_290":291,"_292":293},{"_224":1079,"_125":1080,"_284":1081},{"_275":1077,"_277":807,"_279":1078,"_280":809},46.2736368184092,22.273636818409205,{"_286":224,"_123":1084,"_154":1085,"_140":89},{"_286":125,"_123":1082,"_154":1083,"_140":967},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century","artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_313":1102,"_315":1103},{"_313":1100,"_315":1101},{"_313":1098,"_315":1099},{"_313":1096,"_315":1097},{"_313":1094,"_315":1095},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81",0.1214,"#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"saint-jerome-nga-91442","Saint Jerome",{"_42":1155,"_221":1156,"_327":1157,"_329":328,"_330":1108,"_331":1158,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1565/1570","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[1141,1142,1143,1144,1145],{"_220":376,"_221":377,"_42":378,"_306":379},"1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_294":1138,"_296":1139,"_298":1140},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/italian-renaissance/saint-jerome-nga-91442",{"_290":291,"_292":293},{"_224":1133,"_125":1134,"_284":1135},{"_275":1130,"_277":1131,"_279":1132,"_280":1116},45.8095458984375,54.9,21.8095458984375,{"_286":224,"_123":1136,"_154":1137,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg",{"_313":1153,"_315":1154},{"_313":1152,"_315":769},{"_313":1150,"_315":1151},{"_313":1148,"_315":1149},{"_313":1146,"_315":1147},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad","#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1608,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","745ef9617a30f61136a92cb5efc28791420f99ff","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]