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(172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[429,430,431,432,433],{"_220":299,"_221":300,"_42":301,"_302":303},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":426,"_295":427,"_297":428},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":415,"_125":416,"_283":417},{"_274":411,"_276":412,"_278":413,"_280":414},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":424,"_154":425,"_140":99},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},{"_309":434,"_311":435},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":504,"_221":505,"_323":506,"_325":326,"_327":507,"_329":508,"_331":509,"_333":334,"_335":-5,"_140":101},"c. 1475","Painting","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[489,490,491,492,493],{"_220":485,"_221":486,"_42":487,"_302":488},"Courtesy National Gallery of Art, Washington","1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_293":482,"_295":483,"_297":484},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_289":290,"_291":292},{"_224":477,"_125":478,"_283":479},{"_274":474,"_276":475,"_278":458,"_280":476},237.9,104.90009765625,89.90009765625,{"_285":224,"_123":480,"_154":481,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","Madonna and Child with Saint Jerome and Saint Bernardino of Siena",{"_42":557,"_221":558,"_323":559,"_325":326,"_327":560,"_329":561,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1480/1485","tempera on panel","overall: 70.3 × 50 cm (27 11/16 × 19 11/16 in.) framed: 88.9 × 68.58 × 11.43 cm (35 × 27 × 4 1/2 in.)",50,70.3,0.657470703125,[542,543,544,545,546],{"_220":485,"_221":486,"_42":487,"_302":488},"1942.9.3","Benvenuto di Giovanni painted this in about 1480/1485, aged about 44. It is now at the National Gallery of Art in Washington, DC.","Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485",{"_293":539,"_295":540,"_297":541},"https://img.ochreeditions.com/m/1320.jpg?dl=1","/art/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","/galleries/style/italian-renaissance/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140",{"_289":290,"_291":292},{"_224":534,"_125":535,"_283":536},{"_274":531,"_276":532,"_278":533,"_280":517},61.2201904296875,85.3,46.2201904296875,{"_285":224,"_123":537,"_154":538,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-benvenuto-di-giovanni","Benvenuto di Giovanni's contemporaries","https://img.ochreeditions.com/a/1320/480.jpg","https://img.ochreeditions.com/a/1320/960.jpg","https://img.ochreeditions.com/a/1320/1920.jpg",{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},"#fcfaf7",0.0699,"#a76642",0.0882,"#7d6345",0.1894,"#2c3021",0.2139,"#c6a16c",0.4386,"Benvenuto di Giovanni","benvenuto-di-giovanni","Sienese, 1436 - before 1517",1436,1517,"man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":616,"_221":617,"_323":618,"_325":326,"_327":619,"_329":620,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[602,603,604,605,606],{"_220":485,"_221":486,"_42":487,"_302":488},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_293":599,"_295":600,"_297":601},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_289":597,"_291":598},{"_224":589,"_125":590,"_283":591},{"_274":585,"_276":586,"_278":587,"_280":588},46.2736368184092,49,22.273636818409205,25,{"_285":224,"_123":595,"_154":596,"_140":89},{"_285":125,"_123":592,"_154":593,"_140":594},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","black","snow","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_309":614,"_311":615},{"_309":612,"_311":613},{"_309":610,"_311":611},{"_309":609,"_311":548},{"_309":607,"_311":608},"#d4ccb9",0.0652,"#78726c","#938b81",0.1214,"#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries",{"_42":673,"_221":674,"_323":675,"_325":326,"_327":676,"_329":677,"_331":334,"_333":389,"_335":-5,"_140":103},"ca. 1532–35","drawing","Drawings","Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache","Sheet: 17 x 15 3/4 in. (43.2 x 40 cm)",40,43.2,0.8836846213895394,[658,659,660,661,662],{"_220":299,"_221":300,"_42":301,"_302":303},"2011.36","Perino del Vaga (Pietro Buonaccorsi) painted this in about 1532–35, aged about 25. It is now at The Met in New York.","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35",{"_293":655,"_295":656,"_297":657},"https://img.ochreeditions.com/m/1055.jpg?dl=1","/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","/galleries/style/italian-renaissance/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",{"_289":597,"_291":598},{"_224":647,"_125":648,"_283":649},{"_274":644,"_276":645,"_278":646,"_280":630},62.1751756440281,67.2,38.1751756440281,{"_285":224,"_123":653,"_154":654,"_140":89},{"_285":125,"_123":650,"_154":651,"_140":652},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-perino-del-vaga-pietro-buonaccorsi","Perino del Vaga (Pietro Buonaccorsi)'s contemporaries","https://img.ochreeditions.com/a/1055/480.jpg","https://img.ochreeditions.com/a/1055/960.jpg","https://img.ochreeditions.com/a/1055/1920.jpg",{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},"#cbb59c",0.0965,"#988167",0.1757,"#544a3e",0.2135,"#7d6b55",0.2421,"#685a49",0.2722,"Perino del Vaga (Pietro Buonaccorsi)","perino-del-vaga-pietro-buonaccorsi","Italian, 1501–1547",1501,1547,"a-hunting-scene-met-437283","A Hunting Scene",{"_42":725,"_221":726,"_323":727,"_325":326,"_327":728,"_329":729,"_331":334,"_333":334,"_335":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[710,711,712,713,714],{"_220":299,"_221":300,"_42":301,"_302":303},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_293":707,"_295":708,"_297":709},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_289":290,"_291":292},{"_224":702,"_125":703,"_283":704},{"_274":699,"_276":700,"_278":684,"_280":701},184.5,91.19025,76.19025,{"_285":224,"_123":705,"_154":706,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"the-adoration-of-the-shepherds-met-436966","The Adoration of the Shepherds",{"_42":775,"_221":776,"_323":777,"_325":326,"_327":778,"_329":779,"_331":780,"_333":781,"_335":-5,"_140":101},"shortly after 1450","Tempera on canvas, transferred from wood","Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)",55.6,1.3584577978464745,[761,762,763,764,765],{"_220":299,"_221":300,"_42":301,"_302":303},"32.130.2","Andrea Mantegna painted this (shortly after 1450), aged about 20. It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_289":290,"_291":292},{"_224":753,"_125":754,"_283":755},{"_274":750,"_276":751,"_278":736,"_280":752},70.6,55.928765021733575,40.928765021733575,{"_285":224,"_123":756,"_154":757,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":770,"_311":668},{"_309":768,"_311":769},{"_309":766,"_311":767},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36","#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","allegory-nga-35082","Allegory",{"_42":830,"_221":831,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1515-1525","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[815,816,817,818,819],{"_220":485,"_221":486,"_42":487,"_302":488},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":812,"_295":813,"_297":814},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":807,"_125":808,"_283":809},{"_274":804,"_276":805,"_278":806,"_280":789},54.105224609375,58,39.105224609375,{"_285":224,"_123":810,"_154":811,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":828,"_311":829},{"_309":826,"_311":827},{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":880,"_221":881,"_323":882,"_325":326,"_327":883,"_329":884,"_331":-5,"_333":-5,"_335":885,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[865,866,867,868,869],{"_220":485,"_221":486,"_42":487,"_302":488},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_293":862,"_295":863,"_297":864},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_289":290,"_291":292},{"_224":857,"_125":858,"_283":859},{"_274":854,"_276":855,"_278":838,"_280":856},147,145.1953125,130.1953125,{"_285":224,"_123":860,"_154":861,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":933,"_221":934,"_323":935,"_325":326,"_327":936,"_329":677,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[918,919,920,921,922],{"_220":485,"_221":486,"_42":487,"_302":488},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_293":915,"_295":916,"_297":917},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_289":290,"_291":292},{"_224":910,"_125":911,"_283":912},{"_274":907,"_276":908,"_278":909,"_280":893},62.301611328125006,69.7,47.301611328125006,{"_285":224,"_123":913,"_154":914,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,"a-flying-angel-nga-56625","A Flying Angel",{"_42":985,"_221":986,"_323":987,"_325":326,"_327":988,"_329":989,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1580/1590","Drawing","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[970,971,972,973,974],{"_220":485,"_221":486,"_42":487,"_302":488},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_293":967,"_295":968,"_297":969},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_289":597,"_291":598},{"_224":962,"_125":963,"_283":964},{"_274":959,"_276":960,"_278":961,"_280":945},42.07490234375,51.4,18.07490234375,{"_285":224,"_123":965,"_154":966,"_140":89},{"_285":125,"_123":650,"_154":651,"_140":652},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_309":983,"_311":984},{"_309":981,"_311":982},{"_309":979,"_311":980},{"_309":977,"_311":978},{"_309":975,"_311":976},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85",0.1633,"#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":1035,"_221":1036,"_323":1037,"_325":326,"_327":1038,"_329":1039,"_331":334,"_333":334,"_335":-5,"_140":103},"ca. 1490–1500","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",58.7,0.7005941617153191,[1020,1021,1022,1023,1024],{"_220":299,"_221":300,"_42":301,"_302":303},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_293":1017,"_295":1018,"_297":1019},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_289":290,"_291":292},{"_224":1012,"_125":1013,"_283":1014},{"_274":1009,"_276":1010,"_278":1011,"_280":995},56.124877292689234,73.7,41.124877292689234,{"_285":224,"_123":1015,"_154":1016,"_140":89},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},{"_309":1029,"_311":1030},{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"saint-margaret-nga-12102","Saint Margaret",{"_42":1086,"_221":1087,"_323":1088,"_325":326,"_327":1089,"_329":1090,"_331":1091,"_333":1092,"_335":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[1071,1072,1073,1074,1075],{"_220":485,"_221":486,"_42":487,"_302":488},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_293":1068,"_295":1069,"_297":1070},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_289":290,"_291":292},{"_224":1063,"_125":1064,"_283":1065},{"_274":1061,"_276":342,"_278":1062,"_280":1047},27.05126953125,12.05126953125,{"_285":224,"_123":1066,"_154":1067,"_140":99},{"_285":125,"_123":421,"_154":422,"_140":423},{"_285":283,"_123":418,"_154":419,"_140":420},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_309":1084,"_311":1085},{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","the-musicians-met-435844","The Musicians",{"_42":1140,"_221":1141,"_323":1142,"_325":326,"_327":884,"_329":1143,"_331":1144,"_333":1145,"_335":-5,"_140":101},"1597","Oil on canvas","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[1125,1126,1127,1128,1129],{"_220":299,"_221":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":1122,"_295":1123,"_297":1124},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":290,"_291":292},{"_224":1117,"_125":1118,"_283":1119},{"_274":1114,"_276":1115,"_278":1099,"_280":1116},133.4,106.908,91.908,{"_285":224,"_123":1120,"_154":1121,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1610,"Milan or Caravaggio","Porto Ercole",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","157f250c4bddd3039cb5523b5f4e5ae36b0b5cf3","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
