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(46.4 × 52.1 cm)","width_cm",52.1,"height_cm",46.4,"aspect",1.1235955056179776,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy of The Metropolitan Museum of Art","accession","1975.1.31","licence","CC0","story","Giovanni di Paolo painted this in 1445, aged 47. It is now at The Met in New York.","note","Two moments share one small panel. 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(34.3 x 25.4 cm)",25.4,34.3,0.75475,[368,369,370,371,372],{"_220":300,"_221":301,"_42":302,"_303":304},"14.40.642","Botticelli (Alessandro di Mariano Filipepi) painted this in the early 1490s, aged about 46. 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It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_294":426,"_296":427,"_298":428},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_290":291,"_292":293},{"_224":415,"_125":416,"_284":417},{"_275":412,"_277":413,"_279":396,"_280":414},96,61.531494140625,46.531494140625,{"_286":224,"_123":424,"_154":425,"_140":77},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":418,"_154":419,"_140":420},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},{"_310":438,"_312":439},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":494,"_221":495,"_324":496,"_326":327,"_328":497,"_330":498,"_332":499,"_334":333,"_335":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[479,480,481,482,483],{"_220":300,"_221":301,"_42":302,"_303":304},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_294":476,"_296":477,"_298":478},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_290":291,"_292":293},{"_224":471,"_125":472,"_284":473},{"_275":468,"_277":469,"_279":453,"_280":470},44.8,37.715050000000005,22.71505,{"_286":224,"_123":474,"_154":475,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_310":492,"_312":493},{"_310":490,"_312":491},{"_310":488,"_312":489},{"_310":486,"_312":487},{"_310":484,"_312":485},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":548,"_221":549,"_324":550,"_326":327,"_328":195,"_330":551,"_332":-5,"_334":-5,"_335":552,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[533,534,535,536,537],{"_220":429,"_221":430,"_42":431,"_303":432},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_294":530,"_296":531,"_298":532},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_290":291,"_292":293},{"_224":525,"_125":526,"_284":527},{"_275":522,"_277":523,"_279":506,"_280":524},147,145.1953125,130.1953125,{"_286":224,"_123":528,"_154":529,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_310":546,"_312":547},{"_310":544,"_312":545},{"_310":542,"_312":543},{"_310":540,"_312":541},{"_310":538,"_312":539},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":600,"_221":601,"_324":602,"_326":327,"_328":603,"_330":604,"_332":605,"_334":388,"_335":-5,"_140":101},"c. 1540","oil on panel","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[585,586,587,588,589],{"_220":429,"_221":430,"_42":431,"_303":432},"1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_294":582,"_296":583,"_298":584},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_290":291,"_292":293},{"_224":577,"_125":578,"_284":579},{"_275":574,"_277":575,"_279":576,"_280":560},91.033935546875,114.5,76.033935546875,{"_286":224,"_123":580,"_154":581,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg",{"_310":598,"_312":599},{"_310":596,"_312":597},{"_310":594,"_312":595},{"_310":592,"_312":593},{"_310":590,"_312":591},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","a-bear-walking-met-459184","A Bear Walking",{"_42":661,"_221":662,"_324":663,"_326":327,"_328":664,"_330":665,"_332":666,"_334":667,"_335":668,"_140":99},"ca. 1482–85","drawing","Drawings","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[646,647,648,649,650],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_294":643,"_296":644,"_298":645},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_290":641,"_292":642},{"_224":634,"_125":635,"_284":636},{"_275":630,"_277":631,"_279":632,"_280":633},49,43.29429429429429,25,19.294294294294293,{"_286":224,"_123":639,"_154":640,"_140":99},{"_286":125,"_123":637,"_154":638,"_140":91},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","black","snow","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_310":659,"_312":660},{"_310":657,"_312":658},{"_310":655,"_312":656},{"_310":653,"_312":654},{"_310":651,"_312":652},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","the-holy-family-nga-41590","The Holy Family",{"_42":716,"_221":717,"_324":718,"_326":327,"_328":719,"_330":387,"_332":-5,"_334":-5,"_335":-5,"_140":103},"probably c. 1500","oil on panel transferred to hardboard","overall: 37.3 x 45.6 cm (14 11/16 x 17 15/16 in.) framed: 55.9 x 64.8 x 7.6 cm (22 x 25 1/2 x 3 in.)",45.6,37.3,1.2333634447455586,[701,702,703,704,705],{"_220":429,"_221":430,"_42":431,"_303":432},"1952.2.8","Giorgione painted this (probably c. 1500), aged 23. It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_294":698,"_296":699,"_298":700},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_290":291,"_292":293},{"_224":693,"_125":694,"_284":695},{"_275":690,"_277":691,"_279":675,"_280":692},60.6,51.9720703125,36.9720703125,{"_286":224,"_123":696,"_154":697,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg",{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},{"_310":708,"_312":709},{"_310":706,"_312":707},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,"saint-apollonia-nga-12103","Saint Apollonia",{"_42":494,"_221":495,"_324":496,"_326":327,"_328":497,"_330":498,"_332":499,"_334":333,"_335":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.6 x 11.3 cm (11 1/4 x 4 7/16 in.) framed: 31.4 x 14 x 7.8 cm (12 3/8 x 5 1/2 x 3 1/16 in.)",11.3,28.6,0.447509765625,[750,751,752,753,754],{"_220":429,"_221":430,"_42":431,"_303":432},"1943.4.5","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.",{"_294":747,"_296":748,"_298":749},"https://img.ochreeditions.com/m/1361.jpg?dl=1","/art/saint-apollonia-nga-12103","/galleries/style/italian-renaissance/saint-apollonia-nga-12103",{"_290":291,"_292":293},{"_224":744,"_125":745,"_284":746},{"_275":741,"_277":742,"_279":743,"_280":727},27.798779296875,43.6,12.798779296875,{"_286":224,"_123":474,"_154":475,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1361/480.jpg","https://img.ochreeditions.com/a/1361/960.jpg","https://img.ochreeditions.com/a/1361/1920.jpg",{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},"#29201b",0.1021,"#c8a36e",0.1624,"#5b3427",0.2037,"#825e40",0.2204,"#a27d55",0.3114,"the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":811,"_221":812,"_324":813,"_326":327,"_328":814,"_330":815,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1490/1493","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[796,797,798,799,800],{"_220":429,"_221":430,"_42":431,"_303":432},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_294":793,"_296":794,"_298":795},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_290":291,"_292":293},{"_224":788,"_125":789,"_284":790},{"_275":785,"_277":786,"_279":787,"_280":771},45.162988281249994,62.3,30.162988281249998,{"_286":224,"_123":791,"_154":792,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},{"_310":803,"_312":804},{"_310":801,"_312":802},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"madonna-and-child-nga-12111","Madonna and Child",{"_42":864,"_221":865,"_324":866,"_326":327,"_328":867,"_330":868,"_332":-5,"_334":-5,"_335":869,"_140":99},"1413","tempera on panel","painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.)",52.8,113.5,0.462646484375,[849,850,851,852,853],{"_220":429,"_221":430,"_42":431,"_303":432},"1943.4.13","Lorenzo Monaco painted this in 1413, aged 43. It is now at the National Gallery of Art in Washington, DC.","The Virgin, in a midnight-blue robe scattered with golden stars, supports the Christ Child as he stands on her knee, one hand holding her sky-blue scarf and the other a scroll with the words “EGO S…”, the beginning of a Latin declaration, “I am…”.","A woman sits and supports a baby standing on her lap, both against a gold background in this arched, vertical painting. The woman and baby’s light skin is shaded with faint green, and they have pale pink cheeks. The woman’s body faces us. She tips her head toward the baby who stands on her knee, to our right. The woman looks at us with light brown eyes under curving brows. She has a long, straight nose, and her small pink lips are closed. Her blond hair is mostly covered by a midnight-blue robe that drapes over her shoulders, across her lap, and pools on the floor. The robe is lined with goldenrod yellow, edged with bright gold, and has gold starburst-like designs on the shoulder we can see and top of the head. The dress she wears underneath has more gold stars creating a pattern across the pearl-white fabric. A sky-blue scarf wraps over her head and loops across her shoulders. The baby holds one end of the scarf, and his other elbow rests on the woman’s shoulder. She props him up with both hands. He has a cap of blond curls and chubby cheeks with delicate features. His geranium-red garment falls over a pale blue skirt that reaches his bare feet. In the hand near the woman’s shoulder, he holds a scroll with the letters “EGO S.” The floor beneath them is mint green and has gold writing across the front, reading, “AVE.G ANN O.D M.CCCC.XIII.” The woman and baby’s disc-like gold halos blend into the gold background, which is visibly cracked in some areas. The panel comes to a pointed arch at the top.",{"_294":846,"_296":847,"_298":848},"https://img.ochreeditions.com/m/1362.jpg?dl=1","/art/madonna-and-child-nga-12111","/galleries/style/italian-renaissance/madonna-and-child-nga-12111",{"_290":291,"_292":293},{"_224":841,"_125":842,"_284":843},{"_275":838,"_277":839,"_279":840,"_280":823},67.5103759765625,128.5,52.5103759765625,{"_286":224,"_123":844,"_154":845,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1362/480.jpg","https://img.ochreeditions.com/a/1362/960.jpg","https://img.ochreeditions.com/a/1362/1920.jpg",{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},{"_310":856,"_312":857},{"_310":854,"_312":855},"#915c42",0.0738,"#f1ede7",0.0797,"#707862",0.1579,"#3d3d40",0.2419,"#d6aa6d",0.4467,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":333,"_335":336,"_140":97},"ca. 1455–60","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",43.2,75.9,0.4765,[900,901,902,903,904],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_294":897,"_296":898,"_298":899},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_290":291,"_292":293},{"_224":894,"_125":895,"_284":896},{"_275":891,"_277":892,"_279":893,"_280":876},51.16635,90.9,36.16635,{"_286":224,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_310":913,"_312":914},{"_310":911,"_312":912},{"_310":909,"_312":910},{"_310":907,"_312":908},{"_310":905,"_312":906},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"pieta-nga-41592","Pietà",{"_42":961,"_221":962,"_324":963,"_326":327,"_328":190,"_330":964,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1520s","overall: 175.8 × 98.5 cm, 116 kg (69 3/16 × 38 3/4 in., 255.734 lb.) framed: 206.06 × 129.06 × 7.62 cm (81 1/8 × 50 13/16 × 3 in.)",98.5,175.8,0.5576171875,[946,947,948,949,950],{"_220":429,"_221":430,"_42":431,"_303":432},"1952.2.10","Moretto da Brescia painted this in the 1520s, aged about 22. It is now at the National Gallery of Art in Washington, DC.","Two women and a man support the gray, lifeless body of a nearly nude man along a stone ledge in this vertical painting. The people have pale skin, except for the dead man at the center, Jesus, who has ash-white skin with dark shadows around his closed eyes. He has a long straight nose, and his lips are slightly parted. He has a brown beard, and his long, wavy hair falls away from his face. A white cloth wraps across his hips, and blood trickles from a gash over his right ribs and holes in his feet. A woman and man prop him up on either side, each holding Jesus by a limp arm, and each has a faint, gold halo encircling their heads. To our left, the woman holds her face close to his, her brows deeply furrowed and her mouth wide open, teeth showing. Her forehead, chin, and neck are covered by a white veil, worn under navy-blue cloak that covers her head and body. The cloak falls open over one arm and a bent knee to reveal her long-sleeved, lighter blue dress. On Jesus’s other side, a cleanshaven man with curly brown hair holds Jesus’s arm with both hands. The man’s eyes squint with tears as he tips his head toward Jesus. His pink lips are parted, and the corner of the mouth we can see is pulled down. He wears an emerald-green, long-sleeved tunic under a vivid red cloth that wraps around his right arm, waist, and left leg. The fourth and final person is a woman sitting on the ground, her arms wrapped tightly around Jesus’s crossed ankles. She sits with one foot tucked under her body and the other leg out straight. Waist-length, wavy, auburn-brown hair falls freely over her shoulders and across her face, but we can see her downturned, open mouth and nearly closed eyes. She wears a rose-pink dress, cinched at the waist. A brown cloth wraps around her waist and right leg. A cylindrical, lidded, white jar sits on the dirt ground nearby. The group is arranged in front a thigh-high stone ledge, except for the man in green and red, who steps into what is presumably the coffin. A rocky outcropping to our right has a cave-like opening with grasses and growth along the top. The landscape beyond has a dirt path winding between pine-green hills dotted with trees. Two slate-blue buildings perch atop one hill. White clouds float across the blue sky above.",{"_294":943,"_296":944,"_298":945},"https://img.ochreeditions.com/m/1500.jpg?dl=1","/art/pieta-nga-41592","/galleries/style/italian-renaissance/pieta-nga-41592",{"_290":291,"_292":293},{"_224":938,"_125":939,"_284":940},{"_275":935,"_277":936,"_279":937,"_280":921},113.0291015625,190.8,98.0291015625,{"_286":224,"_123":941,"_154":942,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":418,"_154":419,"_140":420},"artist/contemporaries-of-moretto-da-brescia","Moretto da Brescia's contemporaries","https://img.ochreeditions.com/a/1500/480.jpg","https://img.ochreeditions.com/a/1500/960.jpg","https://img.ochreeditions.com/a/1500/1920.jpg",{"_310":959,"_312":960},{"_310":957,"_312":958},{"_310":955,"_312":956},{"_310":953,"_312":954},{"_310":951,"_312":952},"#6f3f2d",0.104,"#8f9186",0.1464,"#7f6c53",0.1504,"#4c402e",0.254,"#2a2824",0.3452,"Moretto da Brescia","moretto-da-brescia","Italian, 1498–1554",1554,"madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","Madonna and Child with Saint Jerome and Saint Bernardino of Siena",{"_42":1011,"_221":1012,"_324":1013,"_326":327,"_328":1014,"_330":1015,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1480/1485","overall: 70.3 × 50 cm (27 11/16 × 19 11/16 in.) framed: 88.9 × 68.58 × 11.43 cm (35 × 27 × 4 1/2 in.)",50,70.3,0.657470703125,[996,997,998,999,1000],{"_220":429,"_221":430,"_42":431,"_303":432},"1942.9.3","Benvenuto di Giovanni painted this in about 1480/1485, aged about 44. It is now at the National Gallery of Art in Washington, DC.","Madonna and Child with Saint Jerome and Saint Bernardino of Siena, by Benvenuto di Giovanni, c. 1480/1485",{"_294":993,"_296":994,"_298":995},"https://img.ochreeditions.com/m/1320.jpg?dl=1","/art/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140","/galleries/style/italian-renaissance/madonna-and-child-with-saint-jerome-and-saint-bernardino-of-nga-1140",{"_290":291,"_292":293},{"_224":988,"_125":989,"_284":990},{"_275":985,"_277":986,"_279":987,"_280":971},61.2201904296875,85.3,46.2201904296875,{"_286":224,"_123":991,"_154":992,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benvenuto-di-giovanni","Benvenuto di Giovanni's contemporaries","https://img.ochreeditions.com/a/1320/480.jpg","https://img.ochreeditions.com/a/1320/960.jpg","https://img.ochreeditions.com/a/1320/1920.jpg",{"_310":1009,"_312":1010},{"_310":1007,"_312":1008},{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},{"_310":1001,"_312":1002},"#fcfaf7",0.0699,"#a76642",0.0882,"#7d6345",0.1894,"#2c3021",0.2139,"#c6a16c",0.4386,"Benvenuto di Giovanni","benvenuto-di-giovanni","Sienese, 1436 - before 1517",1436,1517,"latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":1068,"_221":1069,"_324":1070,"_326":327,"_328":1071,"_330":1072,"_332":-5,"_334":-5,"_335":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[1053,1054,1055,1056,1057],{"_220":429,"_221":430,"_42":431,"_303":432},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_294":1050,"_296":1051,"_298":1052},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_290":641,"_292":642},{"_224":1042,"_125":1043,"_284":1044},{"_275":1039,"_277":1040,"_279":1024,"_280":1041},62,51.00634765625,27.00634765625,{"_286":224,"_123":1048,"_154":1049,"_140":89},{"_286":125,"_123":1045,"_154":1046,"_140":1047},{"_286":284,"_123":418,"_154":419,"_140":420},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_310":1066,"_312":1067},{"_310":1064,"_312":1065},{"_310":1062,"_312":1063},{"_310":1060,"_312":1061},{"_310":1058,"_312":1059},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"portrait-of-a-young-man-met-435802","Portrait of a Young Man",{"_42":600,"_221":601,"_324":602,"_326":327,"_328":603,"_330":604,"_332":605,"_334":388,"_335":-5,"_140":101},"1530s","Oil on wood","37 5/8 x 29 1/2 in. (95.6 x 74.9 cm)",74.9,95.6,0.785300780266801,[1103,1104,1105,1106,1107],{"_220":300,"_221":301,"_42":302,"_303":304},"29.100.16","Agnolo Bronzino painted this in the 1530s, aged about 27. It is now at The Met in New York.","Portrait of a Young Man, by Agnolo Bronzino, 1530s",{"_294":1100,"_296":1101,"_298":1102},"https://img.ochreeditions.com/m/1065.jpg?dl=1","/art/portrait-of-a-young-man-met-435802","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435802",{"_290":291,"_292":293},{"_224":1097,"_125":1098,"_284":1099},{"_275":1094,"_277":1095,"_279":1096,"_280":1080},90.07475459350617,110.6,75.07475459350617,{"_286":224,"_123":580,"_154":581,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":418,"_154":419,"_140":420},"https://img.ochreeditions.com/a/1065/480.jpg","https://img.ochreeditions.com/a/1065/960.jpg","https://img.ochreeditions.com/a/1065/1920.jpg",{"_310":1115,"_312":1116},{"_310":1113,"_312":1114},{"_310":1112,"_312":760},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},"#79613e",0.0619,"#5a5741",0.1119,"#2c2420","#3e392c",0.2231,"#151413",0.3994,{"_1118":-5,"_1119":1120,"_1121":1122,"_1123":8,"_1124":1125,"_1126":8},"user","csrf","ea298e46c5ca66b28f5a0aaa5593f13fcc35cd03","cartCount",0,"dropLive","legal",[1127,1128,1129,1130,1131,1132,1133,1134,1135,1136,1137,1138],"uploadsEnabled",{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},{"_221":1139,"_20":1140},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]