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It is now at The Met in New York.","The Holy Family with the Young Saint John the Baptist, by Andrea del Sarto, ca. 1528",{"_293":425,"_295":426,"_297":427},"https://img.ochreeditions.com/m/1152.jpg?dl=1","/art/the-holy-family-with-the-young-saint-john-the-baptist-met-437609","/galleries/style/italian-renaissance/the-holy-family-with-the-young-saint-john-the-baptist-met-437609",{"_289":290,"_291":292},{"_224":414,"_125":415,"_283":416},{"_274":411,"_276":412,"_278":413,"_280":397},115.90715392561984,150.9,100.90715392561984,{"_285":224,"_123":423,"_154":424,"_140":97},{"_285":125,"_123":420,"_154":421,"_140":422},{"_285":283,"_123":417,"_154":418,"_140":419},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/1152/480.jpg","https://img.ochreeditions.com/a/1152/960.jpg","https://img.ochreeditions.com/a/1152/1920.jpg",{"_309":441,"_311":442},{"_309":439,"_311":440},{"_309":437,"_311":438},{"_309":435,"_311":436},{"_309":433,"_311":434},"#853324",0.0563,"#2c2c0e",0.1452,"#836552",0.1999,"#1d1c19",0.2975,"#493329",0.3011,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","ornamental-panel-inscribed-victoria-augusta-nga-6084","Ornamental Panel Inscribed \"Victoria Augusta\"",{"_42":509,"_221":510,"_323":511,"_325":326,"_327":512,"_329":513,"_331":-5,"_333":-5,"_334":-5,"_140":101},"c. 1516","print","Print","engraving","sheet: 26.3 x 13.1 cm (10 3/8 x 5 3/16 in.)",13.1,26.3,0.5166015625,[494,495,496,497,498],{"_220":490,"_221":491,"_42":492,"_302":493},"Courtesy National Gallery of Art, Washington","1943.3.2908","Giovanni Antonio da Brescia made this in about 1516, aged 46. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.",{"_293":487,"_295":488,"_297":489},"https://img.ochreeditions.com/m/1346.jpg?dl=1","/art/ornamental-panel-inscribed-victoria-augusta-nga-6084","/galleries/style/italian-renaissance/ornamental-panel-inscribed-victoria-augusta-nga-6084",{"_289":485,"_291":486},{"_224":477,"_125":478,"_283":479},{"_274":474,"_276":475,"_278":476,"_280":459},37.58662109375,50.3,13.58662109375,{"_285":224,"_123":483,"_154":484,"_140":89},{"_285":125,"_123":480,"_154":481,"_140":482},{"_285":283,"_123":417,"_154":418,"_140":419},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","black","snow","https://img.ochreeditions.com/a/1346/480.jpg","https://img.ochreeditions.com/a/1346/960.jpg","https://img.ochreeditions.com/a/1346/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":507,"_311":508},{"_309":505,"_311":506},{"_309":503,"_311":504},{"_309":501,"_311":502},{"_309":499,"_311":500},"#d9d0bd",0.072,"#b4aa9b",0.081,"#968d81",0.2216,"#80786e",0.2959,"#6c655e",0.3295,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"portrait-of-a-young-woman-met-436910","Portrait of a Young Woman",{"_42":560,"_221":561,"_323":562,"_325":326,"_327":563,"_329":564,"_331":448,"_333":448,"_334":-5,"_140":103},"ca. 1490–1500","23 1/8 x 15 3/4 in. (58.7 x 40 cm)",40,58.7,0.7005941617153191,[545,546,547,548,549],{"_220":299,"_221":300,"_42":301,"_302":303},"43.86.5","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) painted this in about 1490–1500, aged about 34. It is now at The Met in New York.","Portrait of a Young Woman, by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), ca. 1490–1500",{"_293":542,"_295":543,"_297":544},"https://img.ochreeditions.com/m/1120.jpg?dl=1","/art/portrait-of-a-young-woman-met-436910","/galleries/style/italian-renaissance/portrait-of-a-young-woman-met-436910",{"_289":290,"_291":292},{"_224":537,"_125":538,"_283":539},{"_274":534,"_276":535,"_278":536,"_280":520},56.124877292689234,73.7,41.124877292689234,{"_285":224,"_123":540,"_154":541,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)'s contemporaries","https://img.ochreeditions.com/a/1120/480.jpg","https://img.ochreeditions.com/a/1120/960.jpg","https://img.ochreeditions.com/a/1120/1920.jpg",{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},"#9a8469",0.1172,"#607b86",0.1207,"#674c31",0.1701,"#353120",0.2646,"#14120e",0.3274,"Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo)","lorenzo-di-credi-lorenzo-d-andrea-d-oderigo","Italian, 1456–1536",1456,1536,"the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":615,"_221":616,"_323":617,"_325":326,"_327":618,"_329":619,"_331":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1510–20","Prints","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[600,601,602,603,604],{"_220":299,"_221":300,"_42":301,"_302":303},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_293":597,"_295":598,"_297":599},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_289":485,"_291":486},{"_224":590,"_125":591,"_283":592},{"_274":587,"_276":588,"_278":572,"_280":589},67.7,53.59459819052688,29.594598190526877,{"_285":224,"_123":595,"_154":596,"_140":89},{"_285":125,"_123":593,"_154":594,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-15","More prints of the 15th century","artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486",0.2184,"#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1475,1534,"christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":666,"_221":667,"_323":668,"_325":326,"_327":669,"_329":670,"_331":671,"_333":671,"_334":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[651,652,653,654,655],{"_220":299,"_221":300,"_42":301,"_302":303},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_293":648,"_295":649,"_297":650},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_289":290,"_291":292},{"_224":643,"_125":644,"_283":645},{"_274":640,"_276":641,"_278":642,"_280":626},45.62467599792639,57.5,30.62467599792639,{"_285":224,"_123":646,"_154":647,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_309":664,"_311":665},{"_309":662,"_311":663},{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","allegory-nga-35082","Allegory",{"_42":721,"_221":722,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_140":103},"c. 1515-1525","Painting","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[706,707,708,709,710],{"_220":490,"_221":491,"_42":492,"_302":493},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":703,"_295":704,"_297":705},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":698,"_125":699,"_283":700},{"_274":695,"_276":696,"_278":697,"_280":680},54.105224609375,58,39.105224609375,{"_285":224,"_123":701,"_154":702,"_140":89},{"_285":125,"_123":420,"_154":421,"_140":422},{"_285":283,"_123":417,"_154":418,"_140":419},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},{"_309":711,"_311":712},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)",{"_42":776,"_221":777,"_323":778,"_325":326,"_327":779,"_329":780,"_331":781,"_333":782,"_334":783,"_140":99},"1480–85","drawing","Drawings","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[761,762,763,764,765],{"_220":299,"_221":300,"_42":301,"_302":303},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_289":485,"_291":486},{"_224":751,"_125":752,"_283":753},{"_274":747,"_276":748,"_278":749,"_280":750},45.128841607565015,49,21.128841607565015,25,{"_285":224,"_123":756,"_154":757,"_140":99},{"_285":125,"_123":754,"_154":755,"_140":91},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},"#958066",0.0535,"#f3e5cf",0.0741,"#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","a-hunting-scene-met-437283","A Hunting Scene",{"_42":831,"_221":832,"_323":833,"_325":326,"_327":834,"_329":835,"_331":448,"_333":448,"_334":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[816,817,818,819,820],{"_220":299,"_221":300,"_42":301,"_302":303},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_293":813,"_295":814,"_297":815},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_289":290,"_291":292},{"_224":808,"_125":809,"_283":810},{"_274":805,"_276":806,"_278":790,"_280":807},184.5,91.19025,76.19025,{"_285":224,"_123":811,"_154":812,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":882,"_221":883,"_323":326,"_325":326,"_327":-5,"_329":884,"_331":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[867,868,869,870,871],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":864,"_295":865,"_297":866},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":290,"_291":292},{"_224":859,"_125":860,"_283":861},{"_274":857,"_276":519,"_278":858,"_280":750},32.4375,17.4375,{"_285":224,"_123":862,"_154":863,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":880,"_311":881},{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",1498,"a-bear-walking-met-459184","A Bear Walking",{"_42":776,"_221":777,"_323":778,"_325":326,"_327":779,"_329":780,"_331":781,"_333":782,"_334":783,"_140":99},"ca. 1482–85","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[915,916,917,918,919],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_293":912,"_295":913,"_297":914},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_289":485,"_291":486},{"_224":909,"_125":910,"_283":911},{"_274":748,"_276":907,"_278":750,"_280":908},43.29429429429429,19.294294294294293,{"_285":224,"_123":756,"_154":757,"_140":99},{"_285":125,"_123":754,"_154":755,"_140":91},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_309":928,"_311":929},{"_309":926,"_311":927},{"_309":924,"_311":925},{"_309":922,"_311":923},{"_309":920,"_311":921},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"saint-margaret-nga-12102","Saint Margaret",{"_42":977,"_221":978,"_323":979,"_325":326,"_327":980,"_329":981,"_331":982,"_333":389,"_334":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[962,963,964,965,966],{"_220":490,"_221":491,"_42":492,"_302":493},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_293":959,"_295":960,"_297":961},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_289":290,"_291":292},{"_224":954,"_125":955,"_283":956},{"_274":951,"_276":952,"_278":953,"_280":937},27.05126953125,43.5,12.05126953125,{"_285":224,"_123":957,"_154":958,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_309":975,"_311":976},{"_309":973,"_311":974},{"_309":971,"_311":972},{"_309":969,"_311":970},{"_309":967,"_311":968},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":1028,"_221":1029,"_323":1030,"_325":326,"_327":1031,"_329":446,"_331":1032,"_333":448,"_334":-5,"_140":103},"ca. 1449","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[1014,1015,1016,1017,1018],{"_220":299,"_221":300,"_42":301,"_302":303},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_293":1011,"_295":1012,"_297":1013},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_289":290,"_291":292},{"_224":1006,"_125":1007,"_283":1008},{"_274":1003,"_276":1004,"_278":989,"_280":1005},107.7,105.74339768339769,90.74339768339769,{"_285":224,"_123":1009,"_154":1010,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_309":1026,"_311":1027},{"_309":1024,"_311":1025},{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1019,"_311":769},"#a69f8f","#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,"San Giovanni Valdarno","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":1081,"_221":1082,"_323":1083,"_325":326,"_327":1084,"_329":1085,"_331":-5,"_333":-5,"_334":1086,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[1066,1067,1068,1069,1070],{"_220":490,"_221":491,"_42":492,"_302":493},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_293":1063,"_295":1064,"_297":1065},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_289":290,"_291":292},{"_224":1058,"_125":1059,"_283":1060},{"_274":1055,"_276":1056,"_278":1039,"_280":1057},147,145.1953125,130.1953125,{"_285":224,"_123":1061,"_154":1062,"_140":89},{"_285":125,"_123":420,"_154":421,"_140":422},{"_285":283,"_123":417,"_154":418,"_140":419},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":1135,"_221":1136,"_323":1137,"_325":326,"_327":1138,"_329":1139,"_331":1140,"_333":1141,"_334":1142,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[1120,1121,1122,1123,1124],{"_220":299,"_221":300,"_42":301,"_302":303},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_293":1117,"_295":1118,"_297":1119},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_289":290,"_291":292},{"_224":1112,"_125":1113,"_283":1114},{"_274":1108,"_276":1109,"_278":1110,"_280":1111},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_285":224,"_123":1115,"_154":1116,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.",{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","8131e2e583639c052b001bf17f869f89dd8aee07","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]