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Genius of Castiglione","artist",{"_42":303,"_201":304,"_305":306,"_307":308,"_309":310,"_311":312,"_313":314,"_315":316,"_317":318,"_130":88},"unrecorded","date","ca. 1645–47 (published 1648)","century",17,"place","italy","movement","italian-baroque","print","classification","Prints","medium","Etching","dimensions","14 x 9 5/8 in. (35.5 x 24.5 cm)","width_cm",24.5,"height_cm",35.5,"aspect",0.7039194915254238,"palette",[286,287,288,289,290],"museum",{"_200":281,"_201":282,"_42":283,"_284":285},"credit","Courtesy of The Metropolitan Museum of Art","accession","17.50.17-36","licence","CC0","story","Giovanni Benedetto Castiglione made this in about 1645–47 (published 1648), aged about 31. It is now at The Met in New York.","note","A genius, the guiding spirit of the artist, presides over a crowd of objects and creatures, among them musical instruments, birds, rabbits and putti, in this etching that Castiglione published in 1648.","The Genius of Castiglione, by Giovanni Benedetto Castiglione, ca. 1645–47 (published 1648)","images",{"_275":276,"_277":278,"_279":280},"download_url","https://img.ochreeditions.com/m/997.jpg?dl=1","page_url","/art/the-genius-of-castiglione-met-335668","walk_url","/galleries/style/italian-baroque/the-genius-of-castiglione-met-335668","frame",{"_271":272,"_273":274},{"_204":263,"_116":264,"_265":266},"size",{"_256":257,"_258":259,"_260":261,"_262":225},"w",48.98914194915254,"h",59.5,"image_w",24.989141949152543,"image_h",{"_267":204,"_114":143,"_144":145,"_130":88},{"_267":116,"_114":268,"_144":269,"_130":270},"era",{"_267":265,"_114":155,"_144":154,"_130":157},"facet","style/print-17","More prints of the 17th century",55,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/997/480.jpg","960","https://img.ochreeditions.com/a/997/960.jpg","1920","https://img.ochreeditions.com/a/997/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_291":301,"_293":302},{"_291":299,"_293":300},{"_291":297,"_293":298},{"_291":295,"_293":296},{"_291":292,"_293":294},"hex","#e3d7c4","weight",0.1058,"#797062",0.1509,"#c7b9a5",0.2127,"#948979",0.2553,"#aea18f",0.2753,"Giovanni Benedetto Castiglione","giovanni-benedetto-castiglione","bio","Italian, 1609–1664","nationality","Italian","birth_year",1609,"death_year",1664,"birth_place","Genoa","death_place","Mantua","about_excerpt","Castiglione, nicknamed Il Grechetto, trained in his native Genoa and worked in Rome before becoming court painter to the Gonzaga in Mantua.","the-immaculate-conception-met-437423","The Immaculate Conception",{"_42":375,"_201":376,"_305":377,"_307":308,"_309":378,"_311":379,"_313":380,"_315":380,"_317":381,"_130":84},"1627","painting","Paintings","Oil on canvas","105 1/2 x 73 in. (268 x 185.4 cm)",185.4,268,0.6977431488447071,[360,361,362,363,364],{"_200":281,"_201":282,"_42":283,"_284":285},"59.32","Guido Reni painted this in 1627, aged 52. It is now at The Met in New York.","The Virgin stands on a crescent moon in a golden sky, her hands joined and her gaze lifted, while angels gather around her. The Immaculate Conception, the belief that Mary was conceived free of original sin, was especially cherished in Spain and widely celebrated in the art of the Counter-Reformation.","The Immaculate Conception, by Guido Reni, 1627",{"_275":357,"_277":358,"_279":359},"https://img.ochreeditions.com/m/1144.jpg?dl=1","/art/the-immaculate-conception-met-437423","/galleries/style/italian-baroque/the-immaculate-conception-met-437423",{"_271":355,"_273":356},{"_204":347,"_116":348,"_265":349},{"_256":343,"_258":344,"_260":345,"_262":346},182.45835572272972,255,167.45835572272972,240,{"_267":204,"_114":353,"_144":354,"_130":84},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"style/painting-17","More paintings of the 17th century",168,"artist/guido-reni","More by Guido Reni","natural","ivory","https://img.ochreeditions.com/a/1144/480.jpg","https://img.ochreeditions.com/a/1144/960.jpg","https://img.ochreeditions.com/a/1144/1920.jpg",{"_291":373,"_293":374},{"_291":371,"_293":372},{"_291":369,"_293":370},{"_291":367,"_293":368},{"_291":365,"_293":366},"#2a3558",0.082,"#ab9895",0.1264,"#606578",0.1864,"#7b5849",0.196,"#ae824e",0.4092,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","samson-captured-by-the-philistines-met-436603","Samson Captured by the Philistines",{"_42":428,"_201":429,"_305":430,"_307":308,"_309":431,"_311":432,"_313":433,"_315":380,"_317":-5,"_130":92},"1619","75 1/4 x 93 1/4 in. (191.1 x 236.9 cm)",236.9,191.1,1.2350843060959793,[413,414,415,416,417],{"_200":281,"_201":282,"_42":283,"_284":285},"1984.459.2","Guercino (Giovanni Francesco Barbieri) painted this in 1619, aged 28. It is now at The Met in New York.","Samson Captured by the Philistines, by Guercino (Giovanni Francesco Barbieri), 1619",{"_275":410,"_277":411,"_279":412},"https://img.ochreeditions.com/m/1100.jpg?dl=1","/art/samson-captured-by-the-philistines-met-436603","/galleries/style/italian-baroque/samson-captured-by-the-philistines-met-436603",{"_271":355,"_273":356},{"_204":405,"_116":406,"_265":407},{"_256":402,"_258":403,"_260":387,"_262":404},251.9,206.80876870569702,191.80876870569702,{"_267":204,"_114":408,"_144":409,"_130":80},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-guercino-giovanni-francesco-barbieri","Guercino (Giovanni Francesco Barbieri)'s contemporaries","https://img.ochreeditions.com/a/1100/480.jpg","https://img.ochreeditions.com/a/1100/960.jpg","https://img.ochreeditions.com/a/1100/1920.jpg",{"_291":426,"_293":427},{"_291":424,"_293":425},{"_291":422,"_293":423},{"_291":420,"_293":421},{"_291":418,"_293":419},"#a67f51",0.0703,"#3f3127",0.1094,"#6b4821",0.1388,"#442711",0.2407,"#29180c",0.4408,"Guercino (Giovanni Francesco Barbieri)","guercino-giovanni-francesco-barbieri","Italian, 1591–1666",1591,1666,"Cento","title-page-for-ornamenti-di-fregi-e-fogliani-nga-30492","Title Page for \"Ornamenti di fregi e fogliani\"",{"_42":485,"_201":486,"_305":487,"_307":308,"_309":488,"_311":312,"_313":-5,"_315":-5,"_317":489,"_130":88},"probably 1648","Print","etching",2.72521623419827,[470,471,472,473,474],{"_200":466,"_201":467,"_42":468,"_284":469},"Courtesy National Gallery of Art, Washington","1944.5.146","Stefano della Bella made this (probably 1648), aged 38. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of mythical sea creatures in a marine landscape. The central figures are depicted as mythical beings, possibly mermen, with human torsos and fish-like tails, partially submerged in water. One figure prominently holds a large seashell with text written on it. Around them are various other marine creatures and features such as a distant rocky shore, birds flying in the sky, and waves creating a dynamic setting. The drawing is detailed in line work.",{"_275":463,"_277":464,"_279":465},"https://img.ochreeditions.com/m/1459.jpg?dl=1","/art/title-page-for-ornamenti-di-fregi-e-fogliani-nga-30492","/galleries/style/italian-baroque/title-page-for-ornamenti-di-fregi-e-fogliani-nga-30492",{"_271":272,"_273":274},{"_204":458,"_116":459,"_265":460},{"_256":454,"_258":455,"_260":456,"_262":457},84,46.0166015625,60,22.0166015625,{"_267":204,"_114":461,"_144":462,"_130":88},{"_267":116,"_114":268,"_144":269,"_130":270},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/stefano-della-bella","More by Stefano della Bella","https://img.ochreeditions.com/a/1459/480.jpg","https://img.ochreeditions.com/a/1459/960.jpg","https://img.ochreeditions.com/a/1459/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_291":483,"_293":484},{"_291":481,"_293":482},{"_291":479,"_293":480},{"_291":477,"_293":478},{"_291":475,"_293":476},"#776b5e",0.0482,"#938677",0.1338,"#a89b8a",0.1372,"#bcae9c",0.2534,"#c9baa6",0.4274,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664",1610,"Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","lodovico-widmann-nga-32678","Lodovico Widmann",{"_42":538,"_201":539,"_305":540,"_307":308,"_309":541,"_311":542,"_313":-5,"_315":-5,"_317":-5,"_130":94},"probably 1637","Painting","oil on canvas","overall: 206.1 x 137.5 cm (81 1/8 x 54 1/8 in.) framed: 232.4 x 164.1 cm (91 1/2 x 64 5/8 in.)",137.5,206.1,0.66455078125,[523,524,525,526,527],{"_200":466,"_201":467,"_42":468,"_284":469},"1946.6.1","Tiberio Tinelli painted this (probably 1637), aged 51. It is now at the National Gallery of Art in Washington, DC.","Lodovico Widmann, by Tiberio Tinelli, probably 1637",{"_275":520,"_277":521,"_279":522},"https://img.ochreeditions.com/m/1474.jpg?dl=1","/art/lodovico-widmann-nga-32678","/galleries/style/italian-baroque/lodovico-widmann-nga-32678",{"_271":355,"_273":356},{"_204":515,"_116":516,"_265":517},{"_256":512,"_258":513,"_260":514,"_262":498},151.963916015625,221.1,136.963916015625,{"_267":204,"_114":518,"_144":519,"_130":80},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-tiberio-tinelli","Tiberio Tinelli's contemporaries","https://img.ochreeditions.com/a/1474/480.jpg","https://img.ochreeditions.com/a/1474/960.jpg","https://img.ochreeditions.com/a/1474/1920.jpg",{"_291":536,"_293":537},{"_291":534,"_293":535},{"_291":532,"_293":533},{"_291":530,"_293":531},{"_291":528,"_293":529},"#707365",0.0956,"#967e5f",0.1462,"#66523b",0.1752,"#4b3729",0.2485,"#31221f",0.3345,"Tiberio Tinelli","tiberio-tinelli","Venetian, 1586–1638",1586,1638,"the-holy-family-nga-52524","The Holy Family",{"_42":583,"_201":584,"_305":585,"_307":308,"_309":586,"_311":587,"_313":-5,"_315":-5,"_317":-5,"_130":92},1.3438320209973753,[569,570,571,572,573],{"_200":466,"_201":467,"_42":468,"_284":469},"1971.37.13","Simone Cantarini made this. It is now at the National Gallery of Art in Washington, DC.","The image shows an etching of four individuals, two adults, and two children. The main adult is sitting with a child on each knee. This person is wearing a hooded cloak with soft facial features. The children have curly hair and are reaching towards each other. The second adult is seated behind them, wearing a loose robe and appears to be holding something, possibly a book. The background features trees, bushes, foliage, and a calm sky.",{"_275":566,"_277":567,"_279":568},"https://img.ochreeditions.com/m/1556.jpg?dl=1","/art/the-holy-family-nga-52524","/galleries/style/italian-baroque/the-holy-family-nga-52524",{"_271":272,"_273":274},{"_204":561,"_116":562,"_265":563},{"_256":454,"_258":559,"_260":456,"_262":560},68.6484375,44.6484375,{"_267":204,"_114":564,"_144":565,"_130":80},{"_267":116,"_114":268,"_144":269,"_130":270},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-simone-cantarini","Simone Cantarini's contemporaries","https://img.ochreeditions.com/a/1556/480.jpg","https://img.ochreeditions.com/a/1556/960.jpg","https://img.ochreeditions.com/a/1556/1920.jpg",{"_291":582,"_293":537},{"_291":580,"_293":581},{"_291":578,"_293":579},{"_291":576,"_293":577},{"_291":574,"_293":575},"#cbbeac",0.0658,"#918576",0.109,"#a09383",0.2041,"#baad9a",0.2866,"#aea08f","Simone Cantarini","simone-cantarini","Pesarese, 1612–1648",1612,1648,"judith-with-the-head-of-holofernes-met-437745","Judith with the Head of Holofernes",{"_42":633,"_201":634,"_305":635,"_307":308,"_309":636,"_311":637,"_313":-5,"_315":-5,"_317":-5,"_130":94},"ca. 1640","78 1/2 x 57 1/2 in. (199.4 x 146.1 cm)",146.1,199.4,0.7361633530360021,[619,620,621,622,623],{"_200":281,"_201":282,"_42":283,"_284":285},"59.40","Massimo Stanzione painted this in about 1640, aged about 50. It is now at The Met in New York.","Judith with the Head of Holofernes, by Massimo Stanzione, ca. 1640",{"_275":616,"_277":617,"_279":618},"https://img.ochreeditions.com/m/1158.jpg?dl=1","/art/judith-with-the-head-of-holofernes-met-437745","/galleries/style/italian-baroque/judith-with-the-head-of-holofernes-met-437745",{"_271":355,"_273":356},{"_204":611,"_116":612,"_265":613},{"_256":608,"_258":609,"_260":610,"_262":594},161.79097259537883,214.4,146.79097259537883,{"_267":204,"_114":614,"_144":615,"_130":80},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-massimo-stanzione","Massimo Stanzione's contemporaries","https://img.ochreeditions.com/a/1158/480.jpg","https://img.ochreeditions.com/a/1158/960.jpg","https://img.ochreeditions.com/a/1158/1920.jpg",{"_291":631,"_293":632},{"_291":629,"_293":630},{"_291":628,"_293":577},{"_291":626,"_293":627},{"_291":624,"_293":625},"#1d2b3c",0.0442,"#8a7a65",0.0785,"#aa7925","#4b341e",0.2281,"#221b14",0.5402,"Massimo Stanzione","massimo-stanzione","Italian, Neapolitan, 1585–1656",1585,1656,"charity-met-437422","Charity",{"_42":375,"_201":376,"_305":377,"_307":308,"_309":378,"_311":379,"_313":380,"_315":380,"_317":381,"_130":84},"ca. 1630","54 x 41 3/4 in. (137.2 x 106 cm)",106,137.2,0.7665233745298227,[668,669,670,671,672],{"_200":281,"_201":282,"_42":283,"_284":285},"1974.348","Guido Reni painted this in about 1630, aged about 50. It is now at The Met in New York.","A young woman nurses an infant while other children gather around her, the traditional personification of Charity, greatest of the three theological virtues.","Charity, by Guido Reni, ca. 1630",{"_275":665,"_277":666,"_279":667},"https://img.ochreeditions.com/m/1143.jpg?dl=1","/art/charity-met-437422","/galleries/style/italian-baroque/charity-met-437422",{"_271":355,"_273":356},{"_204":662,"_116":663,"_265":664},{"_256":659,"_258":660,"_260":661,"_262":644},120.16700698549167,152.2,105.16700698549167,{"_267":204,"_114":353,"_144":354,"_130":84},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"https://img.ochreeditions.com/a/1143/480.jpg","https://img.ochreeditions.com/a/1143/960.jpg","https://img.ochreeditions.com/a/1143/1920.jpg",{"_291":680,"_293":681},{"_291":678,"_293":679},{"_291":676,"_293":677},{"_291":674,"_293":675},{"_291":673,"_293":531},"#995030","#906c42",0.153,"#c0a375",0.1536,"#523921",0.179,"#1e1713",0.3682,"the-vocation-of-saint-aloysius-luigi-gonzaga-met-436604","The Vocation of Saint Aloysius (Luigi) Gonzaga",{"_42":428,"_201":429,"_305":430,"_307":308,"_309":431,"_311":432,"_313":433,"_315":380,"_317":-5,"_130":92},"ca. 1650","140 x 106 in. (355.6 x 269.2 cm)",269.2,355.6,0.7700161203653949,[710,711,712,713,714],{"_200":281,"_201":282,"_42":283,"_284":285},"1973.311.3","Guercino (Giovanni Francesco Barbieri) painted this in about 1650, aged about 54. It is now at The Met in New York.","The Vocation of Saint Aloysius (Luigi) Gonzaga, by Guercino (Giovanni Francesco Barbieri), ca. 1650",{"_275":707,"_277":708,"_279":709},"https://img.ochreeditions.com/m/1101.jpg?dl=1","/art/the-vocation-of-saint-aloysius-luigi-gonzaga-met-436604","/galleries/style/italian-baroque/the-vocation-of-saint-aloysius-luigi-gonzaga-met-436604",{"_271":355,"_273":356},{"_204":704,"_116":705,"_265":706},{"_256":702,"_258":344,"_260":703,"_262":346},199.8038688876948,184.8038688876948,{"_267":204,"_114":408,"_144":409,"_130":80},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"https://img.ochreeditions.com/a/1101/480.jpg","https://img.ochreeditions.com/a/1101/960.jpg","https://img.ochreeditions.com/a/1101/1920.jpg",{"_291":723,"_293":724},{"_291":721,"_293":722},{"_291":719,"_293":720},{"_291":717,"_293":718},{"_291":715,"_293":716},"#475a84",0.0351,"#373d49",0.0533,"#947a4b",0.1805,"#4f381e",0.3323,"#1a150d",0.3988,"saint-john-the-baptist-preaching-met-438824","Saint John the Baptist Preaching",{"_42":770,"_201":771,"_305":772,"_307":308,"_309":773,"_311":774,"_313":775,"_315":776,"_317":-5,"_130":94},"68 x 47 3/4 in. (172.7 x 121.3 cm)",121.3,172.7,0.7191245440333507,[755,756,757,758,759],{"_200":281,"_201":282,"_42":283,"_284":285},"2005.477","Mattia Preti (Il Cavalier Calabrese) painted this in about 1650, aged about 32. It is now at The Met in New York.","Saint John the Baptist Preaching, by Mattia Preti (Il Cavalier Calabrese), ca. 1650",{"_275":752,"_277":753,"_279":754},"https://img.ochreeditions.com/m/1198.jpg?dl=1","/art/saint-john-the-baptist-preaching-met-438824","/galleries/style/italian-baroque/saint-john-the-baptist-preaching-met-438824",{"_271":355,"_273":356},{"_204":747,"_116":748,"_265":749},{"_256":744,"_258":745,"_260":746,"_262":730},139.19280875455965,187.7,124.19280875455965,{"_267":204,"_114":750,"_144":751,"_130":80},{"_267":116,"_114":350,"_144":351,"_130":352},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-mattia-preti-il-cavalier-calabrese","Mattia Preti (Il Cavalier Calabrese)'s contemporaries","https://img.ochreeditions.com/a/1198/480.jpg","https://img.ochreeditions.com/a/1198/960.jpg","https://img.ochreeditions.com/a/1198/1920.jpg",{"_291":768,"_293":769},{"_291":766,"_293":767},{"_291":764,"_293":765},{"_291":762,"_293":763},{"_291":760,"_293":761},"#8f7350",0.054,"#78522f",0.1026,"#523e29",0.1525,"#312317",0.2354,"#19130d",0.4555,"Mattia Preti (Il Cavalier Calabrese)","mattia-preti-il-cavalier-calabrese","Italian, 1613–1699",1613,1699,"Taverna","Valletta","youth-playing-a-pipe-for-a-satyr-met-335663","Youth Playing a Pipe for a Satyr",{"_42":303,"_201":304,"_305":306,"_307":308,"_309":310,"_311":312,"_313":314,"_315":316,"_317":318,"_130":88},"1645–50","drawing","Drawings","Brush with colored oil paint; paper partly saturated with oil; lined","16 x 21-1/16 in. (40.6 x 53.5 cm)",53.5,40.6,1.3197613197613198,[812,813,814,815,816],{"_200":281,"_201":282,"_42":283,"_284":285},"62.126","Giovanni Benedetto Castiglione painted this in 1645–50, aged about 36. It is now at The Met in New York.","A youth plays a pipe for a satyr, one of the pastoral subjects from the classical world that Castiglione returned to again and again.","Youth Playing a Pipe for a Satyr, by Giovanni Benedetto Castiglione, 1645–50",{"_275":150,"_277":810,"_279":811},"https://img.ochreeditions.com/m/996.jpg?dl=1","/art/youth-playing-a-pipe-for-a-satyr-met-335663","/galleries/style/italian-baroque/youth-playing-a-pipe-for-a-satyr-met-335663",{"_271":272,"_273":274},{"_204":804,"_116":805,"_265":806},{"_256":801,"_258":802,"_260":785,"_262":803},77.5,64.5376329787234,40.5376329787234,{"_267":204,"_114":143,"_144":145,"_130":88},{"_267":116,"_114":807,"_144":808,"_130":809},{"_267":265,"_114":155,"_144":154,"_130":157},"style/drawing-17","More drawings of the 17th century",23,"https://img.ochreeditions.com/a/996/960.jpg","https://img.ochreeditions.com/a/996/1920.jpg",{"_291":824,"_293":825},{"_291":822,"_293":823},{"_291":820,"_293":821},{"_291":818,"_293":819},{"_291":817,"_293":761},"#f2edd3","#93886a",0.0729,"#926a4c",0.2119,"#c2aa87",0.2588,"#b18d66",0.4024,"the-holy-family-nga-52522",{"_42":583,"_201":584,"_305":585,"_307":308,"_309":586,"_311":587,"_313":-5,"_315":-5,"_317":-5,"_130":92},"etching on laid paper",1.4232105628908964,[850,851,852,853,854],{"_200":466,"_201":467,"_42":468,"_284":469},"1971.37.11","Simone Cantarini made this, aged about 18. It is now at the National Gallery of Art in Washington, DC.","The artwork depicts four human figures, two males and two females, seated. One woman holds a baby, while one man holds a young child. The figures have different hairstyles and clothing, sitting in a natural setting with trees and hills in the background. The scene is drawn in a sketch-like style, focusing on lines and expressions.",{"_275":847,"_277":848,"_279":849},"https://img.ochreeditions.com/m/1555.jpg?dl=1","/art/the-holy-family-nga-52522","/galleries/style/italian-baroque/the-holy-family-nga-52522",{"_271":272,"_273":274},{"_204":844,"_116":845,"_265":846},{"_256":454,"_258":842,"_260":456,"_262":843},66.158203125,42.158203125,{"_267":204,"_114":564,"_144":565,"_130":80},{"_267":116,"_114":268,"_144":269,"_130":270},{"_267":265,"_114":155,"_144":154,"_130":157},"https://img.ochreeditions.com/a/1555/480.jpg","https://img.ochreeditions.com/a/1555/960.jpg","https://img.ochreeditions.com/a/1555/1920.jpg",{"_291":863,"_293":864},{"_291":861,"_293":862},{"_291":859,"_293":860},{"_291":857,"_293":858},{"_291":855,"_293":856},"#8b8174",0.1024,"#c9bfaf",0.1955,"#9e9486",0.2201,"#bbb1a1",0.2278,"#ada394",0.2542,"youth-sitting-on-a-wall-in-conversation-with-two-men-nga-56180","Youth Sitting on a Wall in Conversation with Two Men",{"_42":914,"_201":915,"_305":916,"_307":308,"_309":917,"_311":918,"_313":-5,"_315":-5,"_317":-5,"_130":94},"c. 1656/1657","Drawing","pen and brown ink and black chalk with gray wash on laid paper","Overall (approximate): 14.8 x 9.6 cm (5 13/16 x 3 3/4 in.) support: 26.8 x 18.7 cm (10 9/16 x 7 3/8 in.)",9.6,14.8,0.6640625,[899,900,901,902,903],{"_200":466,"_201":467,"_42":468,"_284":469},"1976.73.1","Salvator Rosa drew this in about 1656/1657, aged about 41. It is now at the National Gallery of Art in Washington, DC.","The image shows a drawing of three figures. The central figure is seated, leaning slightly forward with one arm outstretched towards the standing figures. They have short, slightly messy hair, traditional clothing, and muscular limbs. The standing figures on the right are partially obscured but appear to interact with the seated figure. One of them is extending their arm towards the seated figure. The individuals wear layered clothing, with one wearing a head covering. The background is simple, emphasizing the interaction between the figures. The drawing style is classical or historical, using ink and wash for texture and depth.",{"_275":896,"_277":897,"_279":898},"https://img.ochreeditions.com/m/1581.jpg?dl=1","/art/youth-sitting-on-a-wall-in-conversation-with-two-men-nga-56180","/galleries/style/italian-baroque/youth-sitting-on-a-wall-in-conversation-with-two-men-nga-56180",{"_271":272,"_273":274},{"_204":891,"_116":892,"_265":893},{"_256":887,"_258":888,"_260":889,"_262":890},40.6015625,49,16.6015625,25,{"_267":204,"_114":894,"_144":895,"_130":80},{"_267":116,"_114":807,"_144":808,"_130":809},{"_267":265,"_114":155,"_144":154,"_130":157},"artist/contemporaries-of-salvator-rosa","Salvator Rosa's contemporaries","https://img.ochreeditions.com/a/1581/480.jpg","https://img.ochreeditions.com/a/1581/960.jpg","https://img.ochreeditions.com/a/1581/1920.jpg",{"_291":912,"_293":913},{"_291":910,"_293":911},{"_291":908,"_293":909},{"_291":906,"_293":907},{"_291":904,"_293":905},"#5e4c3d",0.0859,"#816952",0.1801,"#9f8668",0.2139,"#d3c0a4",0.224,"#bfa687",0.2961,"Salvator Rosa","salvator-rosa","Neapolitan, 1615–1673",1615,1673,{"_920":-5,"_921":922,"_923":924,"_925":8,"_926":927,"_928":8},"user","csrf","a9c3ee78a3af9045e7033b883d84963f08f4fc4d","cartCount",0,"dropLive","legal",[929,930,931,932,933,934,935,936,937,938,939,940],"uploadsEnabled",{"_201":963,"_20":964},{"_201":961,"_20":962},{"_201":959,"_20":960},{"_201":957,"_20":958},{"_201":955,"_20":956},{"_201":953,"_20":954},{"_201":951,"_20":952},{"_201":949,"_20":950},{"_201":947,"_20":948},{"_201":945,"_20":946},{"_201":943,"_20":944},{"_201":941,"_20":942},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]