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It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. 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Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. The artist signed the work in brick-red paint in the lower left corner, “Berthe Morisot.”",{"_296":493,"_298":494,"_300":495},"https://img.ochreeditions.com/m/1614.jpg?dl=1","/art/hanging-the-laundry-out-to-dry-nga-66426","/galleries/style/impressionism/hanging-the-laundry-out-to-dry-nga-66426",{"_292":437,"_294":438},{"_225":490,"_125":491,"_286":492},{"_276":487,"_278":488,"_280":470,"_282":489},55.6,47.96767578125,32.96767578125,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1614/480.jpg","https://img.ochreeditions.com/a/1614/960.jpg","https://img.ochreeditions.com/a/1614/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":513,"_314":514},{"_312":511,"_314":512},{"_312":509,"_314":510},{"_312":507,"_314":508},{"_312":505,"_314":506},"#5d7263",0.0766,"#9a8666",0.1316,"#959c88",0.1872,"#b9b193",0.265,"#cac6ba",0.3396,"before-the-ballet-nga-1158","Before the Ballet",{"_42":397,"_222":398,"_326":399,"_328":329,"_330":400,"_332":401,"_334":337,"_336":337,"_338":402,"_140":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,2.303712035995501,[544,545,546,547,548],{"_221":496,"_222":497,"_42":498,"_305":499},"1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_296":541,"_298":542,"_300":543},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_292":437,"_294":438},{"_225":538,"_125":539,"_286":540},{"_276":535,"_278":536,"_280":520,"_282":537},103.9,53.589892578124996,38.589892578124996,{"_288":225,"_123":373,"_154":374,"_140":75},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg",{"_312":557,"_314":558},{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},{"_312":549,"_314":550},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"the-beach-at-sainte-adresse-aic-14598","The Beach at Sainte-Adresse",{"_42":609,"_222":610,"_326":611,"_328":329,"_330":612,"_332":613,"_334":-5,"_336":-5,"_338":614,"_140":85},"1867","75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)",102,75,1.35291774546903,[594,595,596,597,598],{"_221":378,"_222":379,"_42":380,"_305":381},"1933.439","Claude Monet painted this in 1867, aged 27. It is now at the Art Institute of Chicago.",{"_118":591,"_592":593},"Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.",{"_296":588,"_298":589,"_300":590},"https://img.ochreeditions.com/m/35.jpg?dl=1","/art/the-beach-at-sainte-adresse-aic-14598","/galleries/style/impressionism/the-beach-at-sainte-adresse-aic-14598",{"_292":437,"_294":438},{"_225":583,"_125":584,"_286":585},{"_276":580,"_278":581,"_280":564,"_282":582},117,90.3926100397468,75.3926100397468,{"_288":225,"_123":586,"_154":587,"_140":85},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/35/480.jpg","https://img.ochreeditions.com/a/35/960.jpg","https://img.ochreeditions.com/a/35/1920.jpg","In 1867 Monet stayed with his aunt in Sainte-Adresse, a suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors but likely revised it in his studio.","source","Text from the Art Institute of Chicago.",{"_312":607,"_314":608},{"_312":605,"_314":606},{"_312":603,"_314":604},{"_312":601,"_314":602},{"_312":599,"_314":600},"#2b466a",0.0116,"#77736a",0.0545,"#4f4c48",0.0711,"#aaaba8",0.3816,"#879194",0.4812,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":97},"1890","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[645,646,647,648,649],{"_221":496,"_222":497,"_42":498,"_305":499},"1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”",{"_296":642,"_298":643,"_300":644},"https://img.ochreeditions.com/m/1518.jpg?dl=1","/art/the-artist-s-daughter-with-a-parakeet-nga-46525","/galleries/style/impressionism/the-artist-s-daughter-with-a-parakeet-nga-46525",{"_292":437,"_294":438},{"_225":639,"_125":640,"_286":641},{"_276":636,"_278":637,"_280":638,"_282":621},66.60234374999999,80.6,51.602343749999996,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1518/480.jpg","https://img.ochreeditions.com/a/1518/960.jpg","https://img.ochreeditions.com/a/1518/1920.jpg",{"_312":657,"_314":658},{"_312":655,"_314":656},{"_312":653,"_314":654},{"_312":652,"_314":510},{"_312":650,"_314":651},"#a99067",0.1675,"#c5946a","#d4b58c",0.1897,"#9e9a80",0.2113,"#819086",0.2443,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":707,"_222":708,"_326":709,"_328":329,"_330":710,"_332":711,"_334":-5,"_336":-5,"_338":-5,"_140":103},"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[692,693,694,695,696],{"_221":378,"_222":379,"_42":380,"_305":381},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":691,"_592":593},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_296":688,"_298":689,"_300":690},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/impressionism/paris-street-rainy-day-aic-20684",{"_292":437,"_294":438},{"_225":683,"_125":684,"_286":685},{"_276":679,"_278":680,"_280":681,"_282":682},255,201.3622709522379,240,186.3622709522379,{"_288":225,"_123":686,"_154":687,"_140":89},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_312":705,"_314":706},{"_312":703,"_314":704},{"_312":701,"_314":702},{"_312":699,"_314":700},{"_312":697,"_314":698},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":397,"_222":398,"_326":399,"_328":329,"_330":400,"_332":401,"_334":337,"_336":337,"_338":402,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[743,744,745,746,747],{"_221":378,"_222":379,"_42":380,"_305":381},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":742,"_592":593},"Impressionist painting of woman wearing green dress trying on hats.",{"_296":739,"_298":740,"_300":741},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_292":437,"_294":438},{"_225":736,"_125":737,"_286":738},{"_276":733,"_278":734,"_280":717,"_282":735},125,114.8860683589846,99.8860683589846,{"_288":225,"_123":373,"_154":374,"_140":75},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_312":756,"_314":757},{"_312":754,"_314":755},{"_312":752,"_314":753},{"_312":750,"_314":751},{"_312":748,"_314":749},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":803,"_222":804,"_326":805,"_328":329,"_330":331,"_332":806,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",80,63,1.2460680423870607,[788,789,790,791,792],{"_221":378,"_222":379,"_42":380,"_305":381},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_296":785,"_298":786,"_300":787},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_292":437,"_294":438},{"_225":780,"_125":781,"_286":782},{"_276":777,"_278":778,"_280":763,"_282":779},95,79.20195148151464,64.20195148151464,{"_288":225,"_123":783,"_154":784,"_140":89},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_312":801,"_314":802},{"_312":799,"_314":800},{"_312":797,"_314":798},{"_312":795,"_314":796},{"_312":793,"_314":794},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":397,"_222":398,"_326":399,"_328":329,"_330":400,"_332":401,"_334":337,"_336":337,"_338":402,"_140":75},"ca. 1868","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",23,33.1,0.6935817805383023,[838,839,840,841,842],{"_221":302,"_222":303,"_42":304,"_305":306},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_296":835,"_298":836,"_300":837},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_292":293,"_294":295},{"_225":832,"_125":833,"_286":834},{"_276":829,"_278":830,"_280":831,"_282":814},46.957556935817806,57.1,22.95755693581781,{"_288":225,"_123":373,"_154":374,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_312":851,"_314":852},{"_312":849,"_314":850},{"_312":847,"_314":848},{"_312":845,"_314":846},{"_312":843,"_314":844},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":457,"_222":458,"_326":459,"_328":329,"_330":331,"_332":460,"_334":461,"_336":462,"_338":463,"_140":81},"c. 1890","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[890,891,892,893,894],{"_221":886,"_222":887,"_42":888,"_305":889},"Courtesy of the Cleveland Museum of Art","1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":884,"_592":885},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_296":881,"_298":882,"_300":883},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_292":437,"_294":438},{"_225":878,"_125":879,"_286":880},{"_276":277,"_278":876,"_280":859,"_282":877},39.69,24.69,{"_288":225,"_123":435,"_154":436,"_140":81},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":902,"_314":903},{"_312":901,"_314":454},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629","#504b2d",0.3778,"the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":950,"_222":951,"_326":952,"_328":329,"_330":953,"_332":954,"_334":955,"_336":337,"_338":956,"_140":95},"1893","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",73,60,1.2263553899163209,[935,936,937,938,939],{"_221":378,"_222":379,"_42":380,"_305":381},"1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.",{"_296":932,"_298":933,"_300":934},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/impressionism/the-place-du-havre-paris-aic-81551",{"_292":437,"_294":438},{"_225":927,"_125":928,"_286":929},{"_276":924,"_278":925,"_280":909,"_282":926},88,74.52597477064221,59.52597477064221,{"_288":225,"_123":930,"_154":931,"_140":95},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg",{"_312":948,"_314":949},{"_312":946,"_314":947},{"_312":944,"_314":945},{"_312":942,"_314":943},{"_312":940,"_314":941},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":457,"_222":458,"_326":459,"_328":329,"_330":331,"_332":460,"_334":461,"_336":462,"_338":463,"_140":81},"1878","Paintings","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[988,989,990,991,992],{"_221":302,"_222":303,"_42":304,"_305":306},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_296":985,"_298":986,"_300":987},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_292":437,"_294":438},{"_225":982,"_125":983,"_286":984},{"_276":979,"_278":980,"_280":963,"_282":981},205.2,169.72769999999997,154.72769999999997,{"_288":225,"_123":435,"_154":436,"_140":81},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_312":1001,"_314":1002},{"_312":999,"_314":1000},{"_312":997,"_314":998},{"_312":995,"_314":996},{"_312":993,"_314":994},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":457,"_222":458,"_326":459,"_328":329,"_330":331,"_332":460,"_334":461,"_336":462,"_338":463,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[1033,1034,1035,1036,1037],{"_221":302,"_222":303,"_42":304,"_305":306},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_296":1030,"_298":1031,"_300":1032},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_292":437,"_294":438},{"_225":1027,"_125":1028,"_286":1029},{"_276":1024,"_278":1025,"_280":1026,"_282":1009},102.37169999999999,126.8,87.37169999999999,{"_288":225,"_123":435,"_154":436,"_140":81},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_312":1046,"_314":1047},{"_312":1044,"_314":1045},{"_312":1042,"_314":1043},{"_312":1040,"_314":1041},{"_312":1038,"_314":1039},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":397,"_222":398,"_326":399,"_328":329,"_330":400,"_332":401,"_334":337,"_336":337,"_338":402,"_140":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,115,0.76416015625,[1078,1079,1080,1081,1082],{"_221":496,"_222":497,"_42":498,"_305":499},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_296":1075,"_298":1076,"_300":1077},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_292":437,"_294":438},{"_225":1072,"_125":1073,"_286":1074},{"_276":1069,"_278":1070,"_280":1071,"_282":1054},102.87841796875,130,87.87841796875,{"_288":225,"_123":373,"_154":374,"_140":75},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_312":1090,"_314":1091},{"_312":1088,"_314":1089},{"_312":1086,"_314":1087},{"_312":1085,"_314":1041},{"_312":1083,"_314":1084},"#757663",0.1138,"#3d342a","#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,{"_1093":-5,"_1094":1095,"_1096":1097,"_1098":8,"_1099":1100,"_1101":8},"user","csrf","60dd9bbce568ee0ab450b95ff40e6302a5b7ad6d","cartCount",0,"dropLive","legal",[1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113],"uploadsEnabled",{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},{"_222":1128,"_20":1129},{"_222":1126,"_20":1127},{"_222":1124,"_20":1125},{"_222":1122,"_20":1123},{"_222":1120,"_20":1121},{"_222":1118,"_20":1119},{"_222":1116,"_20":1117},{"_222":1114,"_20":1115},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]