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In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"1864","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,81.3,0.7958823529411765,[494,495,496,497,498],{"_220":304,"_221":305,"_42":306,"_307":308},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. It is now at the Cleveland Museum of Art.",{"_118":493,"_302":303},"Romaine Lacaux, by Pierre-Auguste Renoir, 1864",{"_295":490,"_297":491,"_299":492},"https://img.ochreeditions.com/m/549.jpg?dl=1","/art/romaine-lacaux-cma-121188","/galleries/style/impressionism/romaine-lacaux-cma-121188",{"_291":292,"_293":294},{"_224":487,"_125":488,"_285":489},{"_276":484,"_278":485,"_280":486,"_281":469},79.70523529411764,96.3,64.70523529411764,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/549/480.jpg","https://img.ochreeditions.com/a/549/960.jpg","https://img.ochreeditions.com/a/549/1920.jpg","This painting may be Renoir's earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.",{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},{"_314":501,"_316":502},{"_314":499,"_316":500},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":401,"_338":401,"_340":570,"_140":75},"1858","drawing","Drawing","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[550,551,552,553,554],{"_220":304,"_221":305,"_42":306,"_307":308},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":549,"_302":303},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_295":546,"_297":547,"_299":548},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_291":544,"_293":545},{"_224":536,"_125":537,"_285":538},{"_276":533,"_278":534,"_280":535,"_281":518},47.64941176470588,54.4,23.64941176470588,{"_287":224,"_123":542,"_154":543,"_140":75},{"_287":125,"_123":539,"_154":540,"_140":541},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":-5,"_338":-5,"_340":462,"_140":85},"1894","oil on canvas","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[607,608,609,610,611],{"_220":603,"_221":604,"_42":605,"_307":606},"Courtesy National Gallery of Art, Washington","1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_295":600,"_297":601,"_299":602},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_291":292,"_293":294},{"_224":597,"_125":598,"_285":599},{"_276":594,"_278":595,"_280":596,"_281":578},79.73752441406249,115.1,64.73752441406249,{"_287":224,"_123":435,"_154":436,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},{"_314":612,"_316":613},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"edouard-blau-nga-46556","Edouard Blau",{"_42":668,"_221":669,"_328":670,"_330":331,"_332":333,"_334":671,"_336":-5,"_338":-5,"_340":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[653,654,655,656,657],{"_220":603,"_221":604,"_42":605,"_307":606},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_295":650,"_297":651,"_299":652},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/impressionism/edouard-blau-nga-46556",{"_291":292,"_293":294},{"_224":645,"_125":646,"_285":647},{"_276":642,"_278":643,"_280":644,"_281":628},58.28857421875,74.5,43.28857421875,{"_287":224,"_123":648,"_154":649,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},{"_314":660,"_316":661},{"_314":658,"_316":659},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1870,"rabbit-warren-at-pontoise-snow-aic-20530","Rabbit Warren at Pontoise, Snow",{"_42":395,"_221":396,"_328":397,"_330":331,"_332":398,"_334":399,"_336":400,"_338":401,"_340":402,"_140":95},"1879","59.2 × 72.3 cm (23 5/16 × 28 7/16 in.); Framed: 85.8 × 99.1 × 12.7 cm (33 3/4 × 39 × 5 in.)",72,59,1.2288795686039544,[702,703,704,705,706],{"_220":376,"_221":377,"_42":378,"_307":379},"1964.200","Camille Pissarro painted this in 1879, aged 49. It is now at the Art Institute of Chicago.",{"_118":701,"_302":441},{"_295":698,"_297":699,"_299":700},"https://img.ochreeditions.com/m/76.jpg?dl=1","/art/rabbit-warren-at-pontoise-snow-aic-20530","/galleries/style/impressionism/rabbit-warren-at-pontoise-snow-aic-20530",{"_291":292,"_293":294},{"_224":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":677,"_281":694},87,73.58995611896637,58.58995611896636,{"_287":224,"_123":371,"_154":372,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/76/480.jpg","https://img.ochreeditions.com/a/76/960.jpg","https://img.ochreeditions.com/a/76/1920.jpg","Along with Impressionist painters Claude Monet and Alfred Sisley, Pissarro pursued the theme of snow throughout his career, producing nearly 100 “snow” paintings.",{"_314":715,"_316":716},{"_314":713,"_316":714},{"_314":711,"_316":712},{"_314":709,"_316":710},{"_314":707,"_316":708},"#5a6756",0.1151,"#78817a",0.149,"#979d91",0.1926,"#98a9ad",0.2494,"#b3bebc",0.2939,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":401,"_338":401,"_340":570,"_140":75},"c. 1880–83","print","Print","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[753,754,755,756,757],{"_220":304,"_221":305,"_42":306,"_307":308},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":752,"_302":303},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_295":749,"_297":750,"_299":751},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_291":544,"_293":545},{"_224":743,"_125":744,"_285":745},{"_276":740,"_278":277,"_280":741,"_281":742},42.93382352941177,18.933823529411764,25,{"_287":224,"_123":542,"_154":543,"_140":75},{"_287":125,"_123":746,"_154":747,"_140":748},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},{"_314":760,"_316":761},{"_314":758,"_316":759},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"landscape-met-359362","Landscape",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":401,"_338":401,"_340":570,"_140":75},"1892","Prints","Monotype in oil colors, heightened with pastel","sheet: 10 x 13 3/8 in. (25.4 x 34 cm)",25.4,1.3359806629834254,[803,804,805,806,807],{"_220":799,"_221":800,"_42":801,"_307":802},"Courtesy of The Metropolitan Museum of Art","1972.636","Edgar Degas painted this in 1892, aged 58. It is now at The Met in New York.","Landscape, by Edgar Degas, 1892",{"_295":796,"_297":797,"_299":798},"https://img.ochreeditions.com/m/1047.jpg?dl=1","/art/landscape-met-359362","/galleries/style/impressionism/landscape-met-359362",{"_291":544,"_293":545},{"_224":793,"_125":794,"_285":795},{"_276":790,"_278":791,"_280":243,"_281":792},58,49.44947014732489,25.449470147324888,{"_287":224,"_123":542,"_154":543,"_140":75},{"_287":125,"_123":746,"_154":747,"_140":748},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1047/480.jpg","https://img.ochreeditions.com/a/1047/960.jpg","https://img.ochreeditions.com/a/1047/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},{"_314":808,"_316":809},"#908d74",0.125,"#aebb91",0.1305,"#cab389",0.1686,"#e4dbc2",0.2816,"#bcbda7",0.2943,"the-beach-at-sainte-adresse-aic-14598","The Beach at Sainte-Adresse",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":-5,"_338":-5,"_340":462,"_140":85},"1867","75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)",102,1.35291774546903,[848,849,850,851,852],{"_220":376,"_221":377,"_42":378,"_307":379},"1933.439","Claude Monet painted this in 1867, aged 27. It is now at the Art Institute of Chicago.",{"_118":847,"_302":441},"Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.",{"_295":844,"_297":845,"_299":846},"https://img.ochreeditions.com/m/35.jpg?dl=1","/art/the-beach-at-sainte-adresse-aic-14598","/galleries/style/impressionism/the-beach-at-sainte-adresse-aic-14598",{"_291":292,"_293":294},{"_224":841,"_125":842,"_285":843},{"_276":838,"_278":839,"_280":823,"_281":840},117,90.3926100397468,75.3926100397468,{"_287":224,"_123":435,"_154":436,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/35/480.jpg","https://img.ochreeditions.com/a/35/960.jpg","https://img.ochreeditions.com/a/35/1920.jpg","In 1867 Monet stayed with his aunt in Sainte-Adresse, a suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors but likely revised it in his studio.",{"_314":861,"_316":862},{"_314":859,"_316":860},{"_314":857,"_316":858},{"_314":855,"_316":856},{"_314":853,"_316":854},"#2b466a",0.0116,"#77736a",0.0545,"#4f4c48",0.0711,"#aaaba8",0.3816,"#879194",0.4812,"landscape-at-chailly-aic-44017","Landscape at Chailly",{"_42":668,"_221":669,"_328":670,"_330":331,"_332":333,"_334":671,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1865","81 × 100.3 cm (31 7/8 × 39 1/2 in.); Framed: 108.6 × 128.3 cm (42 3/4 × 50 1/2 in.)",100,81,1.240434577231932,[891,892,893,894,895],{"_220":376,"_221":377,"_42":378,"_307":379},"1973.64","Frédéric Bazille painted this in 1865, aged 24. It is now at the Art Institute of Chicago.",{"_295":888,"_297":889,"_299":890},"https://img.ochreeditions.com/m/146.jpg?dl=1","/art/landscape-at-chailly-aic-44017","/galleries/style/impressionism/landscape-at-chailly-aic-44017",{"_291":292,"_293":294},{"_224":885,"_125":886,"_285":887},{"_276":882,"_278":883,"_280":868,"_281":884},115,95.61690784463062,80.61690784463062,{"_287":224,"_123":648,"_154":649,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/146/480.jpg","https://img.ochreeditions.com/a/146/960.jpg","https://img.ochreeditions.com/a/146/1920.jpg",{"_314":904,"_316":905},{"_314":902,"_316":903},{"_314":900,"_316":901},{"_314":898,"_316":899},{"_314":896,"_316":897},"#c2c2ad",0.0447,"#8d9999",0.1271,"#6b97b4",0.1967,"#5c5b40",0.2736,"#343832",0.3579,"the-houses-of-parliament-sunset-nga-46523","The Houses of Parliament, Sunset",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":-5,"_338":-5,"_340":462,"_140":85},"1903","overall: 81.3 x 92.5 cm (32 x 36 7/16 in.) framed: 107 x 117.5 x 8.8 cm (42 1/8 x 46 1/4 x 3 7/16 in.)",92.5,1.1321171918186843,[935,936,937,938,939],{"_220":603,"_221":604,"_42":605,"_307":606},"1963.10.48","Claude Monet painted this in 1903, aged 63. It is now at the National Gallery of Art in Washington, DC.","The towers of the Houses of Parliament dissolve into blue silhouette against a sky of pink, apricot and lavender, their reflection broken into short horizontal strokes on the Thames, where a single small boat drifts near the centre.","A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting. Along the horizon, the buildings stretch from our right, almost fully across the canvas, and are painted with vertical brushstrokes in cool shades of blue. The sky behind the towers seems hazy with intermingling, pastel-colored clouds. The buildings are reflected in the river, which fills the bottom third of the painting. The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”",{"_295":932,"_297":933,"_299":934},"https://img.ochreeditions.com/m/1516.jpg?dl=1","/art/the-houses-of-parliament-sunset-nga-46523","/galleries/style/impressionism/the-houses-of-parliament-sunset-nga-46523",{"_291":292,"_293":294},{"_224":929,"_125":930,"_285":931},{"_276":926,"_278":927,"_280":911,"_281":928},107.5,96.705322265625,81.705322265625,{"_287":224,"_123":435,"_154":436,"_140":85},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":430,"_154":431,"_140":81},"https://img.ochreeditions.com/a/1516/480.jpg","https://img.ochreeditions.com/a/1516/960.jpg","https://img.ochreeditions.com/a/1516/1920.jpg",{"_314":948,"_316":949},{"_314":946,"_316":947},{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},"#bba296",0.1484,"#728d9a",0.1585,"#9d9f9f",0.2093,"#c2b69d",0.2383,"#557b94",0.2455,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":565,"_221":566,"_328":567,"_330":331,"_332":568,"_334":569,"_336":401,"_338":401,"_340":570,"_140":75},"1877","watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,1.9971408148677627,[985,986,987,988,989],{"_220":376,"_221":377,"_42":378,"_307":379},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_295":982,"_297":983,"_299":984},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_291":544,"_293":545},{"_224":976,"_125":977,"_285":978},{"_276":973,"_278":974,"_280":958,"_281":975},94,59.050107372942016,35.050107372942016,{"_287":224,"_123":542,"_154":543,"_140":75},{"_287":125,"_123":979,"_154":980,"_140":981},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_314":998,"_316":999},{"_314":996,"_316":997},{"_314":994,"_316":995},{"_314":992,"_316":993},{"_314":990,"_316":991},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1048,"_221":1049,"_328":1050,"_330":331,"_332":1051,"_334":1052,"_336":-5,"_338":-5,"_340":-5,"_140":103},"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[1033,1034,1035,1036,1037],{"_220":376,"_221":377,"_42":378,"_307":379},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":1032,"_302":441},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_295":1029,"_297":1030,"_299":1031},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/impressionism/paris-street-rainy-day-aic-20684",{"_291":292,"_293":294},{"_224":1024,"_125":1025,"_285":1026},{"_276":1020,"_278":1021,"_280":1022,"_281":1023},255,201.3622709522379,240,186.3622709522379,{"_287":224,"_123":1027,"_154":1028,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":1100,"_221":1101,"_328":1102,"_330":331,"_332":333,"_334":1103,"_336":1104,"_338":401,"_340":1105,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",80,1.3356737780178234,[1085,1086,1087,1088,1089],{"_220":376,"_221":377,"_42":378,"_307":379},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":1084,"_302":441},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_295":1081,"_297":1082,"_299":1083},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_291":292,"_293":294},{"_224":1076,"_125":1077,"_285":1078},{"_276":1073,"_278":1074,"_280":1058,"_281":1075},95,74.89486453699959,59.8948645369996,{"_287":224,"_123":1079,"_154":1080,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.",{"_1107":-5,"_1108":1109,"_1110":1111,"_1112":8,"_1113":1114,"_1115":8},"user","csrf","b1ce6e18cbb6f9f53bd1a972d1779a9223ed27fe","cartCount",0,"dropLive","legal",[1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127],"uploadsEnabled",{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},{"_221":1128,"_20":1129},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]