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The clothes are the latest fashion. The retractable umbrella was just invented.",{"_315":390,"_317":391},{"_315":388,"_317":389},{"_315":386,"_317":387},{"_315":384,"_317":385},{"_315":382,"_317":383},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"landscape-at-chailly-aic-44017","Landscape at Chailly",{"_42":440,"_222":441,"_329":442,"_331":332,"_333":334,"_335":443,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1865","81 × 100.3 cm (31 7/8 × 39 1/2 in.); Framed: 108.6 × 128.3 cm (42 3/4 × 50 1/2 in.)",81,1.240434577231932,[426,427,428,429,430],{"_221":305,"_222":306,"_42":307,"_308":309},"1973.64","Frédéric Bazille painted this in 1865, aged 24. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":423,"_298":424,"_300":425},"https://img.ochreeditions.com/m/146.jpg?dl=1","/art/landscape-at-chailly-aic-44017","/galleries/style/impressionism/landscape-at-chailly-aic-44017",{"_292":293,"_294":295},{"_225":418,"_125":419,"_286":420},{"_277":280,"_279":416,"_281":246,"_283":417},95.61690784463062,80.61690784463062,{"_288":225,"_123":421,"_154":422,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/146/480.jpg","https://img.ochreeditions.com/a/146/960.jpg","https://img.ochreeditions.com/a/146/1920.jpg",{"_315":438,"_317":439},{"_315":436,"_317":437},{"_315":434,"_317":435},{"_315":433,"_317":320},{"_315":431,"_317":432},"#c2c2ad",0.0447,"#8d9999","#6b97b4",0.1967,"#5c5b40",0.2736,"#343832",0.3579,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1870,"henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)",{"_42":492,"_222":493,"_329":494,"_331":332,"_333":495,"_335":496,"_337":497,"_339":497,"_341":498,"_140":75},"1875–76","99.8 × 119.9 cm (39 1/4 × 47 3/16 in.); Framed: 118.2 × 137.8 × 8.9 cm (46 1/2 × 54 1/4 × 3 1/2 in.)",119,99,1.1954061251664447,[477,478,479,480,481],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.429","Edgar Degas painted this in 1875–76, aged about 41. It is now at the Art Institute of Chicago.",{"_118":476,"_303":304},"Impressionist painting of seated man, girl with brown, black hues.",{"_296":473,"_298":474,"_300":475},"https://img.ochreeditions.com/m/32.jpg?dl=1","/art/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","/galleries/style/impressionism/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574",{"_292":293,"_294":295},{"_225":468,"_125":469,"_286":470},{"_277":465,"_279":466,"_281":449,"_283":467},134,114.54775828460039,99.54775828460039,{"_288":225,"_123":471,"_154":472,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/32/480.jpg","https://img.ochreeditions.com/a/32/960.jpg","https://img.ochreeditions.com/a/32/1920.jpg","Perhaps the most subtle portrait painter in the Impressionist group, Edgar Degas painted this double portrait in the mid-1970s.",{"_315":490,"_317":491},{"_315":488,"_317":489},{"_315":486,"_317":487},{"_315":484,"_317":485},{"_315":482,"_317":483},"#ddc87f",0.0849,"#ae996c",0.156,"#79684c",0.2058,"#493928",0.2332,"#1d1b16",0.3201,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","vetheuil-aic-16579","Vétheuil",{"_42":552,"_222":553,"_329":554,"_331":332,"_333":555,"_335":556,"_337":-5,"_339":-5,"_341":557,"_140":85},"1901",20,"90 × 93 cm (36 7/16 × 36 5/8 in.); Framed: 102.3 × 105.1 × 7 cm (40 1/4 × 41 3/8 × 2 3/4 in.)",93,90,1.0353287536800786,[537,538,539,540,541],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.1161","Claude Monet painted this in 1901, aged 61. It is now at the Art Institute of Chicago.",{"_118":536,"_303":304},{"_296":533,"_298":534,"_300":535},"https://img.ochreeditions.com/m/63.jpg?dl=1","/art/vetheuil-aic-16579","/galleries/style/impressionism/vetheuil-aic-16579",{"_292":293,"_294":295},{"_225":523,"_125":524,"_286":525},{"_277":520,"_279":521,"_281":505,"_283":522},108,104.82654028436018,89.82654028436018,{"_288":225,"_123":531,"_154":532,"_140":85},{"_288":125,"_123":528,"_154":529,"_140":530},{"_288":286,"_123":526,"_154":527,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/63/480.jpg","https://img.ochreeditions.com/a/63/960.jpg","https://img.ochreeditions.com/a/63/1920.jpg","In the summer of 1901, Claude Monet rented a home across the Seine from Vétheuil and not far from his property at Giverny.",{"_315":550,"_317":551},{"_315":548,"_317":549},{"_315":546,"_317":547},{"_315":544,"_317":545},{"_315":542,"_317":543},"#c5937d",0.1076,"#af817a",0.1486,"#9d8082",0.157,"#a58f9d",0.2643,"#aea69e",0.3225,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","in-the-omnibus-cma-121035","In the Omnibus",{"_42":620,"_222":621,"_329":622,"_331":623,"_333":624,"_335":556,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1890–91","print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[605,606,607,608,609],{"_221":601,"_222":602,"_42":603,"_308":604},"Courtesy of the Cleveland Museum of Art","1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":599,"_303":600},"In the Omnibus, by Mary Cassatt, 1890–91",{"_296":596,"_298":597,"_300":598},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_292":594,"_294":595},{"_225":586,"_125":587,"_286":588},{"_277":583,"_279":584,"_281":585,"_283":567},51.07323529411765,60.6,27.073235294117648,{"_288":225,"_123":592,"_154":593,"_140":89},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","white","snow","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},{"_315":612,"_317":613},{"_315":610,"_317":611},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"after-the-bath-cma-101646","After the Bath",{"_42":620,"_222":621,"_329":622,"_331":623,"_333":624,"_335":556,"_337":-5,"_339":-5,"_341":-5,"_140":101},"united-states","drawing","Drawing","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",66,1.480191554201132,[663,664,665,666,667],{"_221":601,"_222":602,"_42":603,"_308":604},"1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":662,"_303":600},"After the Bath, by Mary Cassatt, 1901",{"_296":659,"_298":660,"_300":661},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_292":594,"_294":595},{"_225":651,"_125":652,"_286":653},{"_277":648,"_279":649,"_281":246,"_283":650},124,91.55882352941177,67.55882352941177,{"_288":225,"_123":592,"_154":593,"_140":89},{"_288":125,"_123":656,"_154":657,"_140":658},{"_288":286,"_123":654,"_154":655,"_140":648},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.",{"_315":676,"_317":677},{"_315":674,"_317":675},{"_315":672,"_317":673},{"_315":670,"_317":671},{"_315":668,"_317":669},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"the-beach-at-sainte-adresse-aic-14598","The Beach at Sainte-Adresse",{"_42":552,"_222":553,"_329":554,"_331":332,"_333":555,"_335":556,"_337":-5,"_339":-5,"_341":557,"_140":85},"1867","75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)",102,1.35291774546903,[708,709,710,711,712],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.439","Claude Monet painted this in 1867, aged 27. It is now at the Art Institute of Chicago.",{"_118":707,"_303":304},"Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.",{"_296":704,"_298":705,"_300":706},"https://img.ochreeditions.com/m/35.jpg?dl=1","/art/the-beach-at-sainte-adresse-aic-14598","/galleries/style/impressionism/the-beach-at-sainte-adresse-aic-14598",{"_292":293,"_294":295},{"_225":701,"_125":702,"_286":703},{"_277":698,"_279":699,"_281":683,"_283":700},117,90.3926100397468,75.3926100397468,{"_288":225,"_123":531,"_154":532,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/35/480.jpg","https://img.ochreeditions.com/a/35/960.jpg","https://img.ochreeditions.com/a/35/1920.jpg","In 1867 Monet stayed with his aunt in Sainte-Adresse, a suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors but likely revised it in his studio.",{"_315":721,"_317":722},{"_315":719,"_317":720},{"_315":717,"_317":718},{"_315":715,"_317":716},{"_315":713,"_317":714},"#2b466a",0.0116,"#77736a",0.0545,"#4f4c48",0.0711,"#aaaba8",0.3816,"#879194",0.4812,"romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"1864","oil on fabric","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,81.3,0.7958823529411765,[755,756,757,758,759],{"_221":601,"_222":602,"_42":603,"_308":604},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. It is now at the Cleveland Museum of Art.",{"_118":754,"_303":600},"Romaine Lacaux, by Pierre-Auguste Renoir, 1864",{"_296":751,"_298":752,"_300":753},"https://img.ochreeditions.com/m/549.jpg?dl=1","/art/romaine-lacaux-cma-121188","/galleries/style/impressionism/romaine-lacaux-cma-121188",{"_292":293,"_294":295},{"_225":748,"_125":749,"_286":750},{"_277":745,"_279":746,"_281":747,"_283":730},79.70523529411764,96.3,64.70523529411764,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/549/480.jpg","https://img.ochreeditions.com/a/549/960.jpg","https://img.ochreeditions.com/a/549/1920.jpg","This painting may be Renoir's earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.",{"_315":768,"_317":769},{"_315":766,"_317":767},{"_315":764,"_317":765},{"_315":762,"_317":763},{"_315":760,"_317":761},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"fruits-of-the-midi-aic-16629","Fruits of the Midi",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"51 × 65 cm (20 1/16 × 25 5/8 in.); Framed: 70.2 × 85.1 × 8.9 cm (27 5/8 × 33 1/2 × 3 1/2 in.)",51,1.2967322413367355,[795,796,797,798,799],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.1176","Pomegranates, peppers and other fruits and vegetables of the south are spread across a white tablecloth in glowing reds, yellows and purples. Renoir painted the still life in 1881, a year in which he travelled to Algeria and Italy and was increasingly drawn to the light and colour of the Mediterranean.",{"_296":792,"_298":793,"_300":794},"https://img.ochreeditions.com/m/64.jpg?dl=1","/art/fruits-of-the-midi-aic-16629","/galleries/style/impressionism/fruits-of-the-midi-aic-16629",{"_292":293,"_294":295},{"_225":789,"_125":790,"_286":791},{"_277":244,"_279":787,"_281":729,"_283":788},65.12599974609623,50.125999746096234,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/64/480.jpg","https://img.ochreeditions.com/a/64/960.jpg","https://img.ochreeditions.com/a/64/1920.jpg",{"_315":808,"_317":809},{"_315":806,"_317":807},{"_315":804,"_317":805},{"_315":802,"_317":803},{"_315":800,"_317":801},"#665952",0.1049,"#ae6543",0.1094,"#9a8f4f",0.1221,"#ced8d0",0.2385,"#798e82",0.4251,"cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":552,"_222":553,"_329":554,"_331":332,"_333":555,"_335":556,"_337":-5,"_339":-5,"_341":557,"_140":85},"1882","oil on canvas","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",60,1.6766270978305362,[844,845,846,847,848],{"_221":840,"_222":841,"_42":842,"_308":843},"Courtesy National Gallery of Art, Washington","1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_296":837,"_298":838,"_300":839},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_292":293,"_294":295},{"_225":834,"_125":835,"_286":836},{"_277":280,"_279":832,"_281":246,"_283":833},74.6435546875,59.6435546875,{"_288":225,"_123":531,"_154":532,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"edouard-blau-nga-46556","Edouard Blau",{"_42":440,"_222":441,"_329":442,"_331":332,"_333":334,"_335":443,"_337":-5,"_339":-5,"_341":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[888,889,890,891,892],{"_221":840,"_222":841,"_42":842,"_308":843},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_296":885,"_298":886,"_300":887},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/impressionism/edouard-blau-nga-46556",{"_292":293,"_294":295},{"_225":882,"_125":883,"_286":884},{"_277":879,"_279":880,"_281":881,"_283":865},58.28857421875,74.5,43.28857421875,{"_288":225,"_123":421,"_154":422,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_315":901,"_317":902},{"_315":899,"_317":900},{"_315":897,"_317":898},{"_315":895,"_317":896},{"_315":893,"_317":894},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":492,"_222":493,"_329":494,"_331":332,"_333":495,"_335":496,"_337":497,"_339":497,"_341":498,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[935,936,937,938,939],{"_221":601,"_222":602,"_42":603,"_308":604},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":934,"_303":600},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_296":931,"_298":932,"_300":933},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_292":594,"_294":595},{"_225":928,"_125":929,"_286":930},{"_277":924,"_279":925,"_281":926,"_283":927},42.93382352941177,49,18.933823529411764,25,{"_288":225,"_123":471,"_154":472,"_140":75},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_315":948,"_317":949},{"_315":946,"_317":947},{"_315":944,"_317":945},{"_315":942,"_317":943},{"_315":940,"_317":941},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":492,"_222":493,"_329":494,"_331":332,"_333":495,"_335":496,"_337":497,"_339":497,"_341":498,"_140":75},"1858","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[985,986,987,988,989],{"_221":601,"_222":602,"_42":603,"_308":604},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":984,"_303":600},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_296":981,"_298":982,"_300":983},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_292":594,"_294":595},{"_225":975,"_125":976,"_286":977},{"_277":972,"_279":973,"_281":974,"_283":957},47.64941176470588,54.4,23.64941176470588,{"_288":225,"_123":471,"_154":472,"_140":75},{"_288":125,"_123":978,"_154":979,"_140":980},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_315":998,"_317":999},{"_315":996,"_317":997},{"_315":994,"_317":995},{"_315":992,"_317":993},{"_315":990,"_317":991},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"self-portrait-cma-163547","Self-Portrait",{"_42":492,"_222":493,"_329":494,"_331":332,"_333":495,"_335":496,"_337":497,"_339":497,"_341":498,"_140":75},"1857","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,0.5829411764705882,[1030,1031,1032,1033,1034],{"_221":601,"_222":602,"_42":603,"_308":604},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":1029,"_303":600},"Self-Portrait, by Edgar Degas, 1857",{"_296":1026,"_298":1027,"_300":1028},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_292":594,"_294":595},{"_225":1023,"_125":1024,"_286":1025},{"_277":1021,"_279":925,"_281":1022,"_283":927},38.5735294117647,14.573529411764705,{"_288":225,"_123":471,"_154":472,"_140":75},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_315":1043,"_317":1044},{"_315":1041,"_317":1042},{"_315":1039,"_317":1040},{"_315":1037,"_317":1038},{"_315":1035,"_317":1036},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":1091,"_222":1092,"_329":1093,"_331":332,"_333":334,"_335":1094,"_337":1095,"_339":497,"_341":1096,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",1.3356737780178234,[1076,1077,1078,1079,1080],{"_221":305,"_222":306,"_42":307,"_308":309},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":1075,"_303":304},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_296":1072,"_298":1073,"_300":1074},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_292":293,"_294":295},{"_225":1067,"_125":1068,"_286":1069},{"_277":1064,"_279":1065,"_281":244,"_283":1066},95,74.89486453699959,59.8948645369996,{"_288":225,"_123":1070,"_154":1071,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_315":1089,"_317":1090},{"_315":1087,"_317":1088},{"_315":1085,"_317":1086},{"_315":1083,"_317":1084},{"_315":1081,"_317":1082},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.",{"_1098":-5,"_1099":1100,"_1101":1102,"_1103":8,"_1104":1105,"_1106":8},"user","csrf","4a090526b9d8066e3bb433cf738be6432f928857","cartCount",0,"dropLive","legal",[1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117,1118],"uploadsEnabled",{"_222":1141,"_20":1142},{"_222":1139,"_20":1140},{"_222":1137,"_20":1138},{"_222":1135,"_20":1136},{"_222":1133,"_20":1134},{"_222":1131,"_20":1132},{"_222":1129,"_20":1130},{"_222":1127,"_20":1128},{"_222":1125,"_20":1126},{"_222":1123,"_20":1124},{"_222":1121,"_20":1122},{"_222":1119,"_20":1120},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]