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It is now at The Met in New York.","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883",{"_295":428,"_297":429,"_299":430},"https://img.ochreeditions.com/m/1145.jpg?dl=1","/art/by-the-seashore-met-437430","/galleries/style/impressionism/by-the-seashore-met-437430",{"_291":375,"_293":376},{"_224":423,"_125":424,"_285":425},{"_276":420,"_278":421,"_280":422,"_282":405},87.80505,107.1,72.80505,{"_287":224,"_123":426,"_154":427,"_140":81},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/1145/480.jpg","https://img.ochreeditions.com/a/1145/960.jpg","https://img.ochreeditions.com/a/1145/1920.jpg",{"_314":444,"_316":445},{"_314":442,"_316":443},{"_314":440,"_316":441},{"_314":438,"_316":439},{"_314":436,"_316":437},"#797246",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":75},"ca. 1868","Drawings","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",23,33.1,0.6935817805383023,[486,487,488,489,490],{"_220":380,"_221":381,"_42":382,"_307":383},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_295":483,"_297":484,"_299":485},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_291":292,"_293":294},{"_224":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":479,"_282":462},46.957556935817806,57.1,22.95755693581781,{"_287":224,"_123":170,"_154":169,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_314":499,"_316":500},{"_314":497,"_316":498},{"_314":495,"_316":496},{"_314":493,"_316":494},{"_314":491,"_316":492},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":555,"_221":556,"_328":557,"_330":331,"_332":558,"_334":559,"_336":-5,"_338":-5,"_339":560,"_140":85},"1882","Painting","oil on canvas","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",100,60,1.6766270978305362,[540,541,542,543,544],{"_220":536,"_221":537,"_42":538,"_307":539},"Courtesy National Gallery of Art, Washington","1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_295":533,"_297":534,"_299":535},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_291":375,"_293":376},{"_224":528,"_125":529,"_285":530},{"_276":525,"_278":526,"_280":508,"_282":527},115,74.6435546875,59.6435546875,{"_287":224,"_123":531,"_154":532,"_140":85},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":553,"_316":554},{"_314":551,"_316":552},{"_314":549,"_316":550},{"_314":547,"_316":548},{"_314":545,"_316":546},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":609,"_221":610,"_328":611,"_330":331,"_332":612,"_334":613,"_336":614,"_338":337,"_339":615,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[594,595,596,597,598],{"_220":536,"_221":537,"_42":538,"_307":539},"1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_295":591,"_297":592,"_299":593},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_291":375,"_293":376},{"_224":586,"_125":587,"_285":588},{"_276":583,"_278":584,"_280":567,"_282":585},47.2,39.10283203125,24.102832031250003,{"_287":224,"_123":589,"_154":590,"_140":95},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg",{"_314":607,"_316":608},{"_314":605,"_316":606},{"_314":603,"_316":604},{"_314":601,"_316":602},{"_314":599,"_316":600},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","rabbit-warren-at-pontoise-snow-aic-20530","Rabbit Warren at Pontoise, Snow",{"_42":609,"_221":610,"_328":611,"_330":331,"_332":612,"_334":613,"_336":614,"_338":337,"_339":615,"_140":95},"1879","59.2 × 72.3 cm (23 5/16 × 28 7/16 in.); Framed: 85.8 × 99.1 × 12.7 cm (33 3/4 × 39 × 5 in.)",72,59,1.2288795686039544,[653,654,655,656,657],{"_220":649,"_221":650,"_42":651,"_307":652},"Courtesy of the Art Institute of Chicago","1964.200","Camille Pissarro painted this in 1879, aged 49. It is now at the Art Institute of Chicago.",{"_118":647,"_302":648},"A work made of oil on canvas.",{"_295":644,"_297":645,"_299":646},"https://img.ochreeditions.com/m/76.jpg?dl=1","/art/rabbit-warren-at-pontoise-snow-aic-20530","/galleries/style/impressionism/rabbit-warren-at-pontoise-snow-aic-20530",{"_291":375,"_293":376},{"_224":641,"_125":642,"_285":643},{"_276":638,"_278":639,"_280":621,"_282":640},87,73.58995611896637,58.58995611896636,{"_287":224,"_123":589,"_154":590,"_140":95},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/76/480.jpg","https://img.ochreeditions.com/a/76/960.jpg","https://img.ochreeditions.com/a/76/1920.jpg","Along with Impressionist painters Claude Monet and Alfred Sisley, Pissarro pursued the theme of snow throughout his career, producing nearly 100 “snow” paintings.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":665,"_316":666},{"_314":663,"_316":664},{"_314":661,"_316":662},{"_314":660,"_316":390},{"_314":658,"_316":659},"#5a6756",0.1151,"#78817a","#979d91",0.1926,"#98a9ad",0.2494,"#b3bebc",0.2939,"vetheuil-aic-16579","Vétheuil",{"_42":555,"_221":556,"_328":557,"_330":331,"_332":558,"_334":559,"_336":-5,"_338":-5,"_339":560,"_140":85},"1901",20,"90 × 93 cm (36 7/16 × 36 5/8 in.); Framed: 102.3 × 105.1 × 7 cm (40 1/4 × 41 3/8 × 2 3/4 in.)",93,90,1.0353287536800786,[703,704,705,706,707],{"_220":649,"_221":650,"_42":651,"_307":652},"1933.1161","Claude Monet painted this in 1901, aged 61. It is now at the Art Institute of Chicago.",{"_118":702,"_302":648},{"_295":699,"_297":700,"_299":701},"https://img.ochreeditions.com/m/63.jpg?dl=1","/art/vetheuil-aic-16579","/galleries/style/impressionism/vetheuil-aic-16579",{"_291":375,"_293":376},{"_224":691,"_125":692,"_285":693},{"_276":688,"_278":689,"_280":673,"_282":690},108,104.82654028436018,89.82654028436018,{"_287":224,"_123":531,"_154":532,"_140":85},{"_287":125,"_123":696,"_154":697,"_140":698},{"_287":285,"_123":694,"_154":695,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/63/480.jpg","https://img.ochreeditions.com/a/63/960.jpg","https://img.ochreeditions.com/a/63/1920.jpg","In the summer of 1901, Claude Monet rented a home across the Seine from Vétheuil and not far from his property at Giverny.",{"_314":716,"_316":717},{"_314":714,"_316":715},{"_314":712,"_316":713},{"_314":710,"_316":711},{"_314":708,"_316":709},"#c5937d",0.1076,"#af817a",0.1486,"#9d8082",0.157,"#a58f9d",0.2643,"#aea69e",0.3225,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":75},"1858","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[750,751,752,753,754],{"_220":304,"_221":305,"_42":306,"_307":308},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":749,"_302":303},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_295":746,"_297":747,"_299":748},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_291":292,"_293":294},{"_224":743,"_125":744,"_285":745},{"_276":740,"_278":741,"_280":742,"_282":725},47.64941176470588,54.4,23.64941176470588,{"_287":224,"_123":170,"_154":169,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":759,"_316":760},{"_314":757,"_316":758},{"_314":755,"_316":756},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":75},"1875–76","99.8 × 119.9 cm (39 1/4 × 47 3/16 in.); Framed: 118.2 × 137.8 × 8.9 cm (46 1/2 × 54 1/4 × 3 1/2 in.)",119,99,1.1954061251664447,[796,797,798,799,800],{"_220":649,"_221":650,"_42":651,"_307":652},"1933.429","Edgar Degas painted this in 1875–76, aged about 41. It is now at the Art Institute of Chicago.",{"_118":795,"_302":648},"Impressionist painting of seated man, girl with brown, black hues.",{"_295":792,"_297":793,"_299":794},"https://img.ochreeditions.com/m/32.jpg?dl=1","/art/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","/galleries/style/impressionism/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574",{"_291":375,"_293":376},{"_224":789,"_125":790,"_285":791},{"_276":786,"_278":787,"_280":770,"_282":788},134,114.54775828460039,99.54775828460039,{"_287":224,"_123":170,"_154":169,"_140":75},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/32/480.jpg","https://img.ochreeditions.com/a/32/960.jpg","https://img.ochreeditions.com/a/32/1920.jpg","Perhaps the most subtle portrait painter in the Impressionist group, Edgar Degas painted this double portrait in the mid-1970s.",{"_314":809,"_316":810},{"_314":807,"_316":808},{"_314":805,"_316":806},{"_314":803,"_316":804},{"_314":801,"_316":802},"#ddc87f",0.0849,"#ae996c",0.156,"#79684c",0.2058,"#493928",0.2332,"#1d1b16",0.3201,"after-the-bath-cma-101646","After the Bath",{"_42":864,"_221":865,"_328":866,"_330":867,"_332":868,"_334":559,"_336":-5,"_338":-5,"_339":-5,"_140":101},"united-states","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",66,1.480191554201132,[849,850,851,852,853],{"_220":304,"_221":305,"_42":306,"_307":308},"1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":848,"_302":303},"After the Bath, by Mary Cassatt, 1901",{"_295":845,"_297":846,"_299":847},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_291":292,"_293":294},{"_224":835,"_125":836,"_285":837},{"_276":832,"_278":833,"_280":508,"_282":834},124,91.55882352941177,67.55882352941177,{"_287":224,"_123":843,"_154":844,"_140":89},{"_287":125,"_123":840,"_154":841,"_140":842},{"_287":285,"_123":838,"_154":839,"_140":832},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.",{"_314":862,"_316":863},{"_314":860,"_316":861},{"_314":858,"_316":859},{"_314":856,"_316":857},{"_314":854,"_316":855},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"water-lilies-aic-16568","Water Lilies",{"_42":555,"_221":556,"_328":557,"_330":331,"_332":558,"_334":559,"_336":-5,"_338":-5,"_339":560,"_140":85},"1906","89.9 × 94.1 cm (35 3/8 × 37 1/16 in.); Framed: 103.2 × 107 × 5.8 cm (40 5/8 × 42 1/8 × 2 1/4 in.)",94,89,1.0411347517730496,[899,900,901,902,903],{"_220":649,"_221":650,"_42":651,"_307":652},"1933.1157","Claude Monet painted this in 1906, aged 66. It is now at the Art Institute of Chicago.","There is no shoreline and no sky here, only the surface of Monet’s lily pond at Giverny seen up close, with thickly painted pink and white blossoms floating on water that holds reflections of the light above, while a band of shadow falls across the top.","Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.",{"_295":896,"_297":897,"_299":898},"https://img.ochreeditions.com/m/61.jpg?dl=1","/art/water-lilies-aic-16568","/galleries/style/impressionism/water-lilies-aic-16568",{"_291":375,"_293":376},{"_224":893,"_125":894,"_285":895},{"_276":890,"_278":891,"_280":874,"_282":892},109,105.28610354223434,90.28610354223434,{"_287":224,"_123":531,"_154":532,"_140":85},{"_287":125,"_123":696,"_154":697,"_140":698},{"_287":285,"_123":694,"_154":695,"_140":81},"https://img.ochreeditions.com/a/61/480.jpg","https://img.ochreeditions.com/a/61/960.jpg","https://img.ochreeditions.com/a/61/1920.jpg",{"_314":912,"_316":913},{"_314":910,"_316":911},{"_314":908,"_316":909},{"_314":906,"_316":907},{"_314":904,"_316":905},"#5f816d",0.1089,"#687d84",0.1834,"#547d9a",0.228,"#426567",0.2346,"#47627c",0.2451,"esterel-village-cma-142356","Estérel Village",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":75},"c. 1890","print","Print","color monotype","Sheet: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.); Image: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.)",39.9,29.9,1.3286440015631107,[951,952,953,954,955],{"_220":304,"_221":305,"_42":306,"_307":308},"1966.177","Edgar Degas made this in about 1890, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":950,"_302":303},"Estérel Village, by Edgar Degas, c. 1890",{"_295":947,"_297":948,"_299":949},"https://img.ochreeditions.com/m/660.jpg?dl=1","/art/esterel-village-cma-142356","/galleries/style/impressionism/esterel-village-cma-142356",{"_291":292,"_293":294},{"_224":941,"_125":942,"_285":943},{"_276":938,"_278":939,"_280":922,"_282":940},63.9,54.03061764705882,30.030617647058822,{"_287":224,"_123":170,"_154":169,"_140":75},{"_287":125,"_123":944,"_154":945,"_140":946},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/660/480.jpg","https://img.ochreeditions.com/a/660/960.jpg","https://img.ochreeditions.com/a/660/1920.jpg","This landscape is one of many monotypes that Edgar Degas produced throughout his career. The work belongs to a series Degas made while visiting a friend in the French countryside. Its blurriness resembles the view he saw out the window of trains and carriages during his travels.",{"_314":964,"_316":965},{"_314":962,"_316":963},{"_314":960,"_316":961},{"_314":958,"_316":959},{"_314":956,"_316":957},"#855c46",0.1351,"#b37358",0.1686,"#9e6f53",0.2201,"#bb8766",0.2347,"#cfae8b",0.2415,"self-portrait-cma-163547","Self-Portrait",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_140":75},"1857","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,0.5829411764705882,[998,999,1000,1001,1002],{"_220":304,"_221":305,"_42":306,"_307":308},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":997,"_302":303},"Self-Portrait, by Edgar Degas, 1857",{"_295":994,"_297":995,"_299":996},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_291":292,"_293":294},{"_224":991,"_125":992,"_285":993},{"_276":987,"_278":988,"_280":989,"_282":990},38.5735294117647,49,14.573529411764705,25,{"_287":224,"_123":170,"_154":169,"_140":75},{"_287":125,"_123":944,"_154":945,"_140":946},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_314":1011,"_316":1012},{"_314":1009,"_316":1010},{"_314":1007,"_316":1008},{"_314":1005,"_316":1006},{"_314":1003,"_316":1004},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":555,"_221":556,"_328":557,"_330":331,"_332":558,"_334":559,"_336":-5,"_338":-5,"_339":560,"_140":85},"1894","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[1043,1044,1045,1046,1047],{"_220":536,"_221":537,"_42":538,"_307":539},"1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_295":1040,"_297":1041,"_299":1042},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_291":375,"_293":376},{"_224":1037,"_125":1038,"_285":1039},{"_276":1034,"_278":1035,"_280":1036,"_282":1019},79.73752441406249,115.1,64.73752441406249,{"_287":224,"_123":531,"_154":532,"_140":85},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg",{"_314":1056,"_316":1057},{"_314":1054,"_316":1055},{"_314":1052,"_316":1053},{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","A Woman Seated at a Bench on the Avenue du Bois",{"_42":1103,"_221":1104,"_328":1105,"_330":331,"_332":449,"_334":1106,"_336":1107,"_338":337,"_339":1108,"_140":97},"1885","Watercolor over traces of graphite","sheet: 7 7/8 x 11 in. (20 x 28 cm)",28,1.0849473326537546,[1088,1089,1090,1091,1092],{"_220":380,"_221":381,"_42":382,"_307":383},"48.10.8","Berthe Morisot painted this in 1885, aged 44. It is now at The Met in New York.","A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885",{"_295":1085,"_297":1086,"_299":1087},"https://img.ochreeditions.com/m/1032.jpg?dl=1","/art/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","/galleries/style/impressionism/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864",{"_291":292,"_293":294},{"_224":1080,"_125":1081,"_285":1082},{"_276":988,"_278":1078,"_280":990,"_282":1079},47.04259317256499,23.042593172564988,{"_287":224,"_123":1083,"_154":1084,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1032/480.jpg","https://img.ochreeditions.com/a/1032/960.jpg","https://img.ochreeditions.com/a/1032/1920.jpg",{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},"#8ea28f",0.0813,"#bcc491",0.0834,"#8696a2",0.0988,"#bfc3c0",0.2513,"#e5dcc9",0.4852,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.",{"_1110":-5,"_1111":1112,"_1113":1114,"_1115":8,"_1116":1117,"_1118":8},"user","csrf","31507f06cd7ee3bdfe2e27bf3d05eb09751152ed","cartCount",0,"dropLive","legal",[1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130],"uploadsEnabled",{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},{"_221":1139,"_20":1140},{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]