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(92.1 x 72.4 cm)","width_cm",72.4,"height_cm",92.1,"aspect",0.7905,"palette",[307,308,309,310,311],"museum",{"_221":302,"_222":303,"_42":304,"_305":306},"credit","Courtesy of The Metropolitan Museum of Art","accession","29.100.125","licence","CC0","story","Pierre-Auguste Renoir painted this in 1883, aged 42. It is now at The Met in New York.","note","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1145.jpg?dl=1","page_url","/art/by-the-seashore-met-437430","walk_url","/galleries/style/impressionism/by-the-seashore-met-437430","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",87.80505,"h",107.1,"image_w",72.80505,"image_h",{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1145/480.jpg","960","https://img.ochreeditions.com/a/1145/960.jpg","1920","https://img.ochreeditions.com/a/1145/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#797246","weight",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,"Pierre-Auguste Renoir","pierre-auguste-renoir","bio","French, 1841–1919","nationality","French","birth_year",1841,"death_year",1919,"birth_place","Limoges","death_place","Cagnes-sur-Mer","about_excerpt","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","esterel-village-cma-142356","Estérel Village",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":408,"_338":409,"_140":75},"c. 1890","print","Print","color monotype","Sheet: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.); Image: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.)",39.9,29.9,1.3286440015631107,[388,389,390,391,392],{"_221":384,"_222":385,"_42":386,"_305":387},"Courtesy of the Cleveland Museum of Art","1966.177","Edgar Degas made this in about 1890, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":381,"_382":383},"Estérel Village, by Edgar Degas, c. 1890",{"_296":378,"_298":379,"_300":380},"https://img.ochreeditions.com/m/660.jpg?dl=1","/art/esterel-village-cma-142356","/galleries/style/impressionism/esterel-village-cma-142356",{"_292":376,"_294":377},{"_225":368,"_125":369,"_286":370},{"_277":365,"_279":366,"_281":348,"_283":367},63.9,54.03061764705882,30.030617647058822,{"_288":225,"_123":374,"_154":375,"_140":75},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/660/480.jpg","https://img.ochreeditions.com/a/660/960.jpg","https://img.ochreeditions.com/a/660/1920.jpg","This landscape is one of many monotypes that Edgar Degas produced throughout his career. The work belongs to a series Degas made while visiting a friend in the French countryside. Its blurriness resembles the view he saw out the window of trains and carriages during his travels.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":401,"_314":402},{"_312":399,"_314":400},{"_312":397,"_314":398},{"_312":395,"_314":396},{"_312":393,"_314":394},"#855c46",0.1351,"#b37358",0.1686,"#9e6f53",0.2201,"#bb8766",0.2347,"#cfae8b",0.2415,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":464,"_222":465,"_326":466,"_328":329,"_330":331,"_332":467,"_334":468,"_336":408,"_338":469,"_140":97},"1890","Painting","oil on canvas","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[449,450,451,452,453],{"_221":445,"_222":446,"_42":447,"_305":448},"Courtesy National Gallery of Art, Washington","1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”",{"_296":442,"_298":443,"_300":444},"https://img.ochreeditions.com/m/1518.jpg?dl=1","/art/the-artist-s-daughter-with-a-parakeet-nga-46525","/galleries/style/impressionism/the-artist-s-daughter-with-a-parakeet-nga-46525",{"_292":293,"_294":295},{"_225":437,"_125":438,"_286":439},{"_277":434,"_279":435,"_281":436,"_283":418},66.60234374999999,80.6,51.602343749999996,{"_288":225,"_123":440,"_154":441,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1518/480.jpg","https://img.ochreeditions.com/a/1518/960.jpg","https://img.ochreeditions.com/a/1518/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":462,"_314":463},{"_312":460,"_314":461},{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":454,"_314":455},"#a99067",0.1675,"#c5946a",0.1872,"#d4b58c",0.1897,"#9e9a80",0.2113,"#819086",0.2443,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":408,"_338":409,"_140":75},"1874–76","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,73,0.8066455167807647,[507,508,509,510,511],{"_221":503,"_222":504,"_42":505,"_305":506},"Courtesy of the Art Institute of Chicago","1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":501,"_382":502},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_296":498,"_298":499,"_300":500},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/impressionism/yellow-dancers-in-the-wings-aic-18951",{"_292":293,"_294":295},{"_225":495,"_125":496,"_286":497},{"_277":492,"_279":493,"_281":494,"_283":476},73.88512272499582,88,58.885122724995824,{"_288":225,"_123":374,"_154":375,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":520,"_314":521},{"_312":518,"_314":519},{"_312":516,"_314":517},{"_312":514,"_314":515},{"_312":512,"_314":513},"#3a3d2c",0.1253,"#7f6a3b",0.1605,"#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"the-red-kerchief-cma-135382","The Red Kerchief",{"_42":571,"_222":572,"_326":573,"_328":329,"_330":574,"_332":575,"_334":-5,"_336":-5,"_338":576,"_140":85},"c. 1868–73","oil on fabric","Framed: 128.3 x 105.7 x 14.6 cm (50 1/2 x 41 5/8 x 5 3/4 in.); Unframed: 99 x 79.8 cm (39 x 31 7/16 in.)",79.8,99,0.8035294117647059,[556,557,558,559,560],{"_221":384,"_222":385,"_42":386,"_305":387},"1958.39","Claude Monet painted this in about 1868–73, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":555,"_382":383},"The Red Kerchief, by Claude Monet, c. 1868–73",{"_296":552,"_298":553,"_300":554},"https://img.ochreeditions.com/m/627.jpg?dl=1","/art/the-red-kerchief-cma-135382","/galleries/style/impressionism/the-red-kerchief-cma-135382",{"_292":293,"_294":295},{"_225":547,"_125":548,"_286":549},{"_277":544,"_279":545,"_281":546,"_283":529},94.5494117647059,114,79.5494117647059,{"_288":225,"_123":550,"_154":551,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/627/480.jpg","https://img.ochreeditions.com/a/627/960.jpg","https://img.ochreeditions.com/a/627/1920.jpg","This painting depicts Monet's first wife, Camille, outside on a snowy day passing by the French doors of their home at Argenteuil.",{"_312":569,"_314":570},{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},"#782e25",0.0101,"#a7afb1",0.0316,"#717778",0.2252,"#5a5952",0.2785,"#3d3d3c",0.4546,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","A Woman Seated at a Bench on the Avenue du Bois",{"_42":464,"_222":465,"_326":466,"_328":329,"_330":331,"_332":467,"_334":468,"_336":408,"_338":469,"_140":97},"1885","drawing","Drawings","Watercolor over traces of graphite","sheet: 7 7/8 x 11 in. (20 x 28 cm)",28,20,1.0849473326537546,[613,614,615,616,617],{"_221":302,"_222":303,"_42":304,"_305":306},"48.10.8","Berthe Morisot painted this in 1885, aged 44. It is now at The Met in New York.","A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885",{"_296":610,"_298":611,"_300":612},"https://img.ochreeditions.com/m/1032.jpg?dl=1","/art/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","/galleries/style/impressionism/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864",{"_292":376,"_294":377},{"_225":604,"_125":605,"_286":606},{"_277":600,"_279":601,"_281":602,"_283":603},49,47.04259317256499,25,23.042593172564988,{"_288":225,"_123":440,"_154":441,"_140":97},{"_288":125,"_123":607,"_154":608,"_140":609},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/1032/480.jpg","https://img.ochreeditions.com/a/1032/960.jpg","https://img.ochreeditions.com/a/1032/1920.jpg",{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},{"_312":620,"_314":621},{"_312":618,"_314":619},"#8ea28f",0.0813,"#bcc491",0.0834,"#8696a2",0.0988,"#bfc3c0",0.2513,"#e5dcc9",0.4852,"a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":408,"_338":409,"_140":75},"1865","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[658,659,660,661,662],{"_221":302,"_222":303,"_42":304,"_305":306},"29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_296":655,"_298":656,"_300":657},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_292":293,"_294":295},{"_225":652,"_125":653,"_286":654},{"_277":649,"_279":650,"_281":633,"_283":651},107.7,90.4578,75.4578,{"_288":225,"_123":374,"_154":375,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg",{"_312":671,"_314":672},{"_312":669,"_314":670},{"_312":667,"_314":668},{"_312":665,"_314":666},{"_312":663,"_314":664},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"after-the-bath-cma-101646","After the Bath",{"_42":729,"_222":730,"_326":731,"_328":732,"_330":733,"_332":575,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1901","united-states","Drawing","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",100,66,1.480191554201132,[714,715,716,717,718],{"_221":384,"_222":385,"_42":386,"_305":387},"1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":713,"_382":383},"After the Bath, by Mary Cassatt, 1901",{"_296":710,"_298":711,"_300":712},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_292":376,"_294":377},{"_225":700,"_125":701,"_286":702},{"_277":697,"_279":698,"_281":681,"_283":699},124,91.55882352941177,67.55882352941177,{"_288":225,"_123":708,"_154":709,"_140":89},{"_288":125,"_123":705,"_154":706,"_140":707},{"_288":286,"_123":703,"_154":704,"_140":697},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.",{"_312":727,"_314":728},{"_312":725,"_314":726},{"_312":723,"_314":724},{"_312":721,"_314":722},{"_312":719,"_314":720},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"self-portrait-cma-163547","Self-Portrait",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":408,"_338":409,"_140":75},"1857","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,23,0.5829411764705882,[765,766,767,768,769],{"_221":384,"_222":385,"_42":386,"_305":387},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":764,"_382":383},"Self-Portrait, by Edgar Degas, 1857",{"_296":761,"_298":762,"_300":763},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_292":376,"_294":377},{"_225":758,"_125":759,"_286":760},{"_277":756,"_279":600,"_281":757,"_283":602},38.5735294117647,14.573529411764705,{"_288":225,"_123":374,"_154":375,"_140":75},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_312":778,"_314":779},{"_312":776,"_314":777},{"_312":774,"_314":775},{"_312":772,"_314":773},{"_312":770,"_314":771},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"fruits-of-the-midi-aic-16629","Fruits of the Midi",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":81},"1881","51 × 65 cm (20 1/16 × 25 5/8 in.); Framed: 70.2 × 85.1 × 8.9 cm (27 5/8 × 33 1/2 × 3 1/2 in.)",65,51,1.2967322413367355,[810,811,812,813,814],{"_221":503,"_222":504,"_42":505,"_305":506},"1933.1176","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.","Pomegranates, peppers and other fruits and vegetables of the south are spread across a white tablecloth in glowing reds, yellows and purples. Renoir painted the still life in 1881, a year in which he travelled to Algeria and Italy and was increasingly drawn to the light and colour of the Mediterranean.","A work made of oil on canvas.",{"_296":807,"_298":808,"_300":809},"https://img.ochreeditions.com/m/64.jpg?dl=1","/art/fruits-of-the-midi-aic-16629","/galleries/style/impressionism/fruits-of-the-midi-aic-16629",{"_292":293,"_294":295},{"_225":804,"_125":805,"_286":806},{"_277":801,"_279":802,"_281":785,"_283":803},80,65.12599974609623,50.125999746096234,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/64/480.jpg","https://img.ochreeditions.com/a/64/960.jpg","https://img.ochreeditions.com/a/64/1920.jpg",{"_312":823,"_314":824},{"_312":821,"_314":822},{"_312":819,"_314":820},{"_312":817,"_314":818},{"_312":815,"_314":816},"#665952",0.1049,"#ae6543",0.1094,"#9a8f4f",0.1221,"#ced8d0",0.2385,"#798e82",0.4251,"water-lilies-aic-16568","Water Lilies",{"_42":571,"_222":572,"_326":573,"_328":329,"_330":574,"_332":575,"_334":-5,"_336":-5,"_338":576,"_140":85},"1906","89.9 × 94.1 cm (35 3/8 × 37 1/16 in.); Framed: 103.2 × 107 × 5.8 cm (40 5/8 × 42 1/8 × 2 1/4 in.)",94,89,1.0411347517730496,[860,861,862,863,864],{"_221":503,"_222":504,"_42":505,"_305":506},"1933.1157","Claude Monet painted this in 1906, aged 66. It is now at the Art Institute of Chicago.","There is no shoreline and no sky here, only the surface of Monet’s lily pond at Giverny seen up close, with thickly painted pink and white blossoms floating on water that holds reflections of the light above, while a band of shadow falls across the top.","Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.",{"_296":857,"_298":858,"_300":859},"https://img.ochreeditions.com/m/61.jpg?dl=1","/art/water-lilies-aic-16568","/galleries/style/impressionism/water-lilies-aic-16568",{"_292":293,"_294":295},{"_225":849,"_125":850,"_286":851},{"_277":846,"_279":847,"_281":830,"_283":848},109,105.28610354223434,90.28610354223434,{"_288":225,"_123":550,"_154":551,"_140":85},{"_288":125,"_123":854,"_154":855,"_140":856},{"_288":286,"_123":852,"_154":853,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/61/480.jpg","https://img.ochreeditions.com/a/61/960.jpg","https://img.ochreeditions.com/a/61/1920.jpg",{"_312":873,"_314":874},{"_312":871,"_314":872},{"_312":869,"_314":870},{"_312":867,"_314":868},{"_312":865,"_314":866},"#5f816d",0.1089,"#687d84",0.1834,"#547d9a",0.228,"#426567",0.2346,"#47627c",0.2451,"two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[905,906,907,908,909],{"_221":302,"_222":303,"_42":304,"_305":306},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_296":902,"_298":903,"_300":904},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_292":293,"_294":295},{"_225":899,"_125":900,"_286":901},{"_277":896,"_279":897,"_281":898,"_283":881},102.37169999999999,126.8,87.37169999999999,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_312":918,"_314":919},{"_312":916,"_314":917},{"_312":914,"_314":915},{"_312":912,"_314":913},{"_312":910,"_314":911},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":81},"1878","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[950,951,952,953,954],{"_221":302,"_222":303,"_42":304,"_305":306},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_296":947,"_298":948,"_300":949},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_292":293,"_294":295},{"_225":944,"_125":945,"_286":946},{"_277":941,"_279":942,"_281":925,"_283":943},205.2,169.72769999999997,154.72769999999997,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_312":963,"_314":964},{"_312":961,"_314":962},{"_312":959,"_314":960},{"_312":957,"_314":958},{"_312":955,"_314":956},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"the-laundress-aic-59944","The Laundress",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",56,0.6789700462025645,[992,993,994,995,996],{"_221":503,"_222":504,"_42":505,"_305":506},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_296":989,"_298":990,"_300":991},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/impressionism/the-laundress-aic-59944",{"_292":293,"_294":295},{"_225":986,"_125":987,"_286":988},{"_277":983,"_279":984,"_281":985,"_283":801},69.31760369620517,95,54.31760369620516,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_312":1005,"_314":1006},{"_312":1003,"_314":1004},{"_312":1001,"_314":1002},{"_312":999,"_314":1000},{"_312":997,"_314":998},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":1050,"_222":1051,"_326":1052,"_328":329,"_330":331,"_332":1053,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",63,1.2460680423870607,[1035,1036,1037,1038,1039],{"_221":503,"_222":504,"_42":505,"_305":506},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_296":1032,"_298":1033,"_300":1034},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_292":293,"_294":295},{"_225":1027,"_125":1028,"_286":1029},{"_277":984,"_279":1025,"_281":801,"_283":1026},79.20195148151464,64.20195148151464,{"_288":225,"_123":1030,"_154":1031,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_312":1048,"_314":1049},{"_312":1046,"_314":1047},{"_312":1044,"_314":1045},{"_312":1042,"_314":1043},{"_312":1040,"_314":1041},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"jalais-hill-pontoise-met-437299","Jalais Hill, Pontoise",{"_42":1100,"_222":1101,"_326":1102,"_328":329,"_330":1103,"_332":1104,"_334":1105,"_336":408,"_338":1106,"_140":95},"1867","34 1/4 x 45 1/4 in. (87 x 114.9 cm)",114.9,87,1.3109735122119024,[1085,1086,1087,1088,1089],{"_221":302,"_222":303,"_42":304,"_305":306},"51.30.2","Camille Pissarro painted this in 1867, aged 37. It is now at The Met in New York.","Jalais Hill, Pontoise, by Camille Pissarro, 1867",{"_296":1082,"_298":1083,"_300":1084},"https://img.ochreeditions.com/m/1136.jpg?dl=1","/art/jalais-hill-pontoise-met-437299","/galleries/style/impressionism/jalais-hill-pontoise-met-437299",{"_292":293,"_294":295},{"_225":1077,"_125":1078,"_286":1079},{"_277":1074,"_279":1075,"_281":1059,"_283":1076},129.9,102.64479139333508,87.64479139333508,{"_288":225,"_123":1080,"_154":1081,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/1136/480.jpg","https://img.ochreeditions.com/a/1136/960.jpg","https://img.ochreeditions.com/a/1136/1920.jpg",{"_312":1098,"_314":1099},{"_312":1096,"_314":1097},{"_312":1094,"_314":1095},{"_312":1092,"_314":1093},{"_312":1090,"_314":1091},"#9c9678",0.0794,"#7a723f",0.1767,"#4b5030",0.2172,"#262f23",0.2423,"#c4d5d4",0.2844,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.",{"_1108":-5,"_1109":1110,"_1111":1112,"_1113":8,"_1114":1115,"_1116":8},"user","csrf","490a4f039992f9d9f179c18139f0873914128984","cartCount",0,"dropLive","legal",[1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128],"uploadsEnabled",{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},{"_222":1143,"_20":1144},{"_222":1141,"_20":1142},{"_222":1139,"_20":1140},{"_222":1137,"_20":1138},{"_222":1135,"_20":1136},{"_222":1133,"_20":1134},{"_222":1131,"_20":1132},{"_222":1129,"_20":1130},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
