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In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":399,"_223":400,"_327":401,"_329":330,"_331":402,"_333":403,"_335":404,"_336":405,"_337":406,"_140":81},"1892",19,"Paintings","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[384,385,386,387,388],{"_222":380,"_223":381,"_42":382,"_306":383},"Courtesy of The Metropolitan Museum of Art","1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_297":377,"_299":378,"_301":379},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_293":294,"_295":296},{"_226":366,"_125":367,"_287":368},{"_278":363,"_280":364,"_282":365,"_283":347},102.37169999999999,126.8,87.37169999999999,{"_289":226,"_123":375,"_154":376,"_140":81},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century",432,"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":397,"_315":398},{"_313":395,"_315":396},{"_313":393,"_315":394},{"_313":391,"_315":392},{"_313":389,"_315":390},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":338,"_140":85},"1882","oil on canvas","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",100,60,1.6766270978305362,[443,444,445,446,447],{"_222":439,"_223":440,"_42":441,"_306":442},"Courtesy National Gallery of Art, Washington","1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_297":436,"_299":437,"_301":438},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_293":294,"_295":296},{"_226":433,"_125":434,"_287":435},{"_278":430,"_280":431,"_282":413,"_283":432},115,74.6435546875,59.6435546875,{"_289":226,"_123":169,"_154":168,"_140":85},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},{"_313":448,"_315":449},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"1877","watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,1.9971408148677627,[496,497,498,499,500],{"_222":303,"_223":304,"_42":305,"_306":307},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_297":493,"_299":494,"_301":495},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_293":491,"_295":492},{"_226":483,"_125":484,"_287":485},{"_278":245,"_280":481,"_282":466,"_283":482},59.050107372942016,35.050107372942016,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":486,"_154":487,"_140":488},{"_289":287,"_123":369,"_154":370,"_140":371},"style/watercolour-19","More watercolours of the 19th century",40,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_313":509,"_315":510},{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","in-the-omnibus-cma-121035","In the Omnibus",{"_42":579,"_223":580,"_327":581,"_329":582,"_331":583,"_333":334,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1890–91","print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[564,565,566,567,568],{"_222":560,"_223":561,"_42":562,"_306":563},"Courtesy of the Cleveland Museum of Art","1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":557,"_558":559},"In the Omnibus, by Mary Cassatt, 1890–91",{"_297":554,"_299":555,"_301":556},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_293":491,"_295":492},{"_226":546,"_125":547,"_287":548},{"_278":543,"_280":544,"_282":545,"_283":527},51.07323529411765,60.6,27.073235294117648,{"_289":226,"_123":552,"_154":553,"_140":89},{"_289":125,"_123":549,"_154":550,"_140":551},{"_289":287,"_123":369,"_154":370,"_140":371},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":577,"_315":578},{"_313":575,"_315":576},{"_313":573,"_315":574},{"_313":571,"_315":572},{"_313":569,"_315":570},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"ca. 1868","drawing","Drawings","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",23,33.1,0.6935817805383023,[620,621,622,623,624],{"_222":380,"_223":381,"_42":382,"_306":383},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_297":617,"_299":618,"_301":619},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_293":491,"_295":492},{"_226":611,"_125":612,"_287":613},{"_278":608,"_280":609,"_282":610,"_283":593},46.957556935817806,57.1,22.95755693581781,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":614,"_154":615,"_140":616},{"_289":287,"_123":369,"_154":370,"_140":371},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_313":633,"_315":634},{"_313":631,"_315":632},{"_313":629,"_315":630},{"_313":627,"_315":628},{"_313":625,"_315":626},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"the-beach-at-sainte-adresse-aic-14598","The Beach at Sainte-Adresse",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":338,"_140":85},"1867","75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)",102,1.35291774546903,[666,667,668,669,670],{"_222":303,"_223":304,"_42":305,"_306":307},"1933.439","Claude Monet painted this in 1867, aged 27. It is now at the Art Institute of Chicago.",{"_118":664,"_558":665},"Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.",{"_297":661,"_299":662,"_301":663},"https://img.ochreeditions.com/m/35.jpg?dl=1","/art/the-beach-at-sainte-adresse-aic-14598","/galleries/style/impressionism/the-beach-at-sainte-adresse-aic-14598",{"_293":294,"_295":296},{"_226":658,"_125":659,"_287":660},{"_278":655,"_280":656,"_282":640,"_283":657},117,90.3926100397468,75.3926100397468,{"_289":226,"_123":169,"_154":168,"_140":85},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/35/480.jpg","https://img.ochreeditions.com/a/35/960.jpg","https://img.ochreeditions.com/a/35/1920.jpg","In 1867 Monet stayed with his aunt in Sainte-Adresse, a suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors but likely revised it in his studio.","Text from the Art Institute of Chicago.",{"_313":679,"_315":680},{"_313":677,"_315":678},{"_313":675,"_315":676},{"_313":673,"_315":674},{"_313":671,"_315":672},"#2b466a",0.0116,"#77736a",0.0545,"#4f4c48",0.0711,"#aaaba8",0.3816,"#879194",0.4812,"after-the-bath-cma-101646","After the Bath",{"_42":579,"_223":580,"_327":581,"_329":582,"_331":583,"_333":334,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1901","united-states","Drawing","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",66,1.480191554201132,[719,720,721,722,723],{"_222":560,"_223":561,"_42":562,"_306":563},"1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":718,"_558":559},"After the Bath, by Mary Cassatt, 1901",{"_297":715,"_299":716,"_301":717},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_293":491,"_295":492},{"_226":707,"_125":708,"_287":709},{"_278":704,"_280":705,"_282":413,"_283":706},124,91.55882352941177,67.55882352941177,{"_289":226,"_123":552,"_154":553,"_140":89},{"_289":125,"_123":712,"_154":713,"_140":714},{"_289":287,"_123":710,"_154":711,"_140":704},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.",{"_313":732,"_315":733},{"_313":730,"_315":731},{"_313":728,"_315":729},{"_313":726,"_315":727},{"_313":724,"_315":725},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"1858","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[766,767,768,769,770],{"_222":560,"_223":561,"_42":562,"_306":563},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":765,"_558":559},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_297":762,"_299":763,"_301":764},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_293":491,"_295":492},{"_226":759,"_125":760,"_287":761},{"_278":756,"_280":757,"_282":758,"_283":741},47.64941176470588,54.4,23.64941176470588,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":614,"_154":615,"_140":616},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_313":779,"_315":780},{"_313":777,"_315":778},{"_313":775,"_315":776},{"_313":773,"_315":774},{"_313":771,"_315":772},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",0.76416015625,[809,810,811,812,813],{"_222":439,"_223":440,"_42":441,"_306":442},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_297":806,"_299":807,"_301":808},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_293":294,"_295":296},{"_226":803,"_125":804,"_287":805},{"_278":800,"_280":801,"_282":802,"_283":430},102.87841796875,130,87.87841796875,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_313":821,"_315":822},{"_313":819,"_315":820},{"_313":817,"_315":818},{"_313":816,"_315":392},{"_313":814,"_315":815},"#757663",0.1138,"#3d342a","#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":399,"_223":400,"_327":401,"_329":330,"_331":402,"_333":403,"_335":404,"_336":405,"_337":406,"_140":81},"1878","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[853,854,855,856,857],{"_222":380,"_223":381,"_42":382,"_306":383},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_297":850,"_299":851,"_301":852},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_293":294,"_295":296},{"_226":847,"_125":848,"_287":849},{"_278":844,"_280":845,"_282":828,"_283":846},205.2,169.72769999999997,154.72769999999997,{"_289":226,"_123":375,"_154":376,"_140":81},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_313":866,"_315":867},{"_313":864,"_315":865},{"_313":862,"_315":863},{"_313":860,"_315":861},{"_313":858,"_315":859},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"1875–76","99.8 × 119.9 cm (39 1/4 × 47 3/16 in.); Framed: 118.2 × 137.8 × 8.9 cm (46 1/2 × 54 1/4 × 3 1/2 in.)",119,99,1.1954061251664447,[899,900,901,902,903],{"_222":303,"_223":304,"_42":305,"_306":307},"1933.429","Edgar Degas painted this in 1875–76, aged about 41. It is now at the Art Institute of Chicago.",{"_118":898,"_558":665},"Impressionist painting of seated man, girl with brown, black hues.",{"_297":895,"_299":896,"_301":897},"https://img.ochreeditions.com/m/32.jpg?dl=1","/art/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","/galleries/style/impressionism/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574",{"_293":294,"_295":296},{"_226":892,"_125":893,"_287":894},{"_278":889,"_280":890,"_282":873,"_283":891},134,114.54775828460039,99.54775828460039,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/32/480.jpg","https://img.ochreeditions.com/a/32/960.jpg","https://img.ochreeditions.com/a/32/1920.jpg","Perhaps the most subtle portrait painter in the Impressionist group, Edgar Degas painted this double portrait in the mid-1970s.",{"_313":912,"_315":913},{"_313":910,"_315":911},{"_313":908,"_315":909},{"_313":906,"_315":907},{"_313":904,"_315":905},"#ddc87f",0.0849,"#ae996c",0.156,"#79684c",0.2058,"#493928",0.2332,"#1d1b16",0.3201,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":399,"_223":400,"_327":401,"_329":330,"_331":402,"_333":403,"_335":404,"_336":405,"_337":406,"_140":81},"1888","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[944,945,946,947,948],{"_222":380,"_223":381,"_42":382,"_306":383},"1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_297":941,"_299":942,"_301":943},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/impressionism/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_293":294,"_295":296},{"_226":938,"_125":939,"_287":940},{"_278":935,"_280":936,"_282":937,"_283":920},145.9728371843095,176.9,130.9728371843095,{"_289":226,"_123":375,"_154":376,"_140":81},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg",{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},"#c7bfbc",0.1415,"#40352a",0.1605,"#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1007,"_223":1008,"_327":1009,"_329":330,"_331":1010,"_333":1011,"_335":-5,"_336":-5,"_337":-5,"_140":103},"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[992,993,994,995,996],{"_222":303,"_223":304,"_42":305,"_306":307},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":991,"_558":665},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_297":988,"_299":989,"_301":990},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/impressionism/paris-street-rainy-day-aic-20684",{"_293":294,"_295":296},{"_226":983,"_125":984,"_287":985},{"_278":979,"_280":980,"_282":981,"_283":982},255,201.3622709522379,240,186.3622709522379,{"_289":226,"_123":986,"_154":987,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_313":1005,"_315":1006},{"_313":1003,"_315":1004},{"_313":1001,"_315":1002},{"_313":999,"_315":1000},{"_313":997,"_315":998},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"dancers-cma-95271","Dancers",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"c. 1896","pastel with charcoal on tracing paper mounted on paper and backed with gray board","Sheet: 55.7 x 41.4 cm (21 15/16 x 16 5/16 in.)",41.4,55.7,0.7458823529411764,[1044,1045,1046,1047,1048],{"_222":560,"_223":561,"_42":562,"_306":563},"1916.1043","Edgar Degas drew this in about 1896, aged about 57. It is now at the Cleveland Museum of Art.",{"_118":1043,"_558":559},"Dancers, by Edgar Degas, c. 1896",{"_297":1040,"_299":1041,"_301":1042},"https://img.ochreeditions.com/m/463.jpg?dl=1","/art/dancers-cma-95271","/galleries/style/impressionism/dancers-cma-95271",{"_293":491,"_295":492},{"_226":1037,"_125":1038,"_287":1039},{"_278":1034,"_280":1035,"_282":1036,"_283":1019},65.54564705882353,79.7,41.54564705882353,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":614,"_154":615,"_140":616},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/463/480.jpg","https://img.ochreeditions.com/a/463/960.jpg","https://img.ochreeditions.com/a/463/1920.jpg","Degas depicted the ballet in more than 1,000 paintings, prints, pastels, and sculptures. He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. Here, three dancers stretch together in the wings, unaware of the viewer’s presence.",{"_313":1057,"_315":1058},{"_313":1055,"_315":1056},{"_313":1053,"_315":1054},{"_313":1051,"_315":1052},{"_313":1049,"_315":1050},"#68777a",0.0605,"#b6731b",0.12,"#987d61",0.1403,"#675234",0.3205,"#865931",0.3587,"self-portrait-cma-163547","Self-Portrait",{"_42":511,"_223":512,"_327":513,"_329":330,"_331":514,"_333":515,"_335":516,"_336":516,"_337":517,"_140":75},"1857","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,0.5829411764705882,[1091,1092,1093,1094,1095],{"_222":560,"_223":561,"_42":562,"_306":563},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":1090,"_558":559},"Self-Portrait, by Edgar Degas, 1857",{"_297":1087,"_299":1088,"_301":1089},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_293":491,"_295":492},{"_226":1084,"_125":1085,"_287":1086},{"_278":1080,"_280":1081,"_282":1082,"_283":1083},38.5735294117647,49,14.573529411764705,25,{"_289":226,"_123":489,"_154":490,"_140":75},{"_289":125,"_123":549,"_154":550,"_140":551},{"_289":287,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_313":1104,"_315":1105},{"_313":1102,"_315":1103},{"_313":1100,"_315":1101},{"_313":1098,"_315":1099},{"_313":1096,"_315":1097},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,{"_1107":-5,"_1108":1109,"_1110":1111,"_1112":8,"_1113":1114,"_1115":8},"user","csrf","364498b70d1d0c523244710959f80623864c71c8","cartCount",0,"dropLive","legal",[1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127],"uploadsEnabled",{"_223":1150,"_20":1151},{"_223":1148,"_20":1149},{"_223":1146,"_20":1147},{"_223":1144,"_20":1145},{"_223":1142,"_20":1143},{"_223":1140,"_20":1141},{"_223":1138,"_20":1139},{"_223":1136,"_20":1137},{"_223":1134,"_20":1135},{"_223":1132,"_20":1133},{"_223":1130,"_20":1131},{"_223":1128,"_20":1129},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]