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It is now at the National Gallery of Art in Washington, DC.","note","From above, we look across a yard strung with lines of white sheets, where several women peg out washing beside a tipped-up cart and a house stands among trees at the right. Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. 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It is now at the Art Institute of Chicago.",{"_118":374,"_375":376},"Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.",{"_296":371,"_298":372,"_300":373},"https://img.ochreeditions.com/m/62.jpg?dl=1","/art/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","/galleries/style/impressionism/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571",{"_292":293,"_294":295},{"_225":366,"_125":367,"_286":368},{"_277":363,"_279":364,"_281":346,"_282":365},95,75.02947244326555,60.02947244326554,{"_288":225,"_123":369,"_154":370,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/62/480.jpg","https://img.ochreeditions.com/a/62/960.jpg","https://img.ochreeditions.com/a/62/1920.jpg","The Impressionists frequently paid tribute to the modern aspects of Paris, depicting scenes of grand boulevards and modern constructions. Monet made 12 paintings of the Gare Saint-Lazare.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":394,"_314":395},{"_312":392,"_314":393},{"_312":390,"_314":391},{"_312":388,"_314":389},{"_312":386,"_314":387},"#aab0b2",0.1465,"#51646e",0.1833,"#79888a",0.2025,"#5b695c",0.2311,"#364246",0.2366,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[441,442,443,444,445],{"_221":377,"_222":378,"_42":379,"_305":380},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_296":438,"_298":439,"_300":440},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_292":436,"_294":437},{"_225":428,"_125":429,"_286":430},{"_277":425,"_279":426,"_281":409,"_282":427},94,59.050107372942016,35.050107372942016,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":431,"_154":432,"_140":433},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"ca. 1868","drawing","Drawings","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",23,33.1,0.6935817805383023,[503,504,505,506,507],{"_221":499,"_222":500,"_42":501,"_305":502},"Courtesy of The Metropolitan Museum of Art","19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_296":496,"_298":497,"_300":498},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_292":436,"_294":437},{"_225":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":489,"_282":471},46.957556935817806,57.1,22.95755693581781,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":516,"_314":517},{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"after-the-bath-cma-101646","After the Bath",{"_42":581,"_222":582,"_326":583,"_328":584,"_330":585,"_332":400,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1901",20,"united-states","Drawing","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",100,66,1.480191554201132,[566,567,568,569,570],{"_221":562,"_222":563,"_42":564,"_305":565},"Courtesy of the Cleveland Museum of Art","1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":560,"_375":561},"After the Bath, by Mary Cassatt, 1901",{"_296":557,"_298":558,"_300":559},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_292":436,"_294":437},{"_225":547,"_125":548,"_286":549},{"_277":544,"_279":545,"_281":527,"_282":546},124,91.55882352941177,67.55882352941177,{"_288":225,"_123":555,"_154":556,"_140":89},{"_288":125,"_123":552,"_154":553,"_140":554},{"_288":286,"_123":550,"_154":551,"_140":544},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":579,"_314":580},{"_312":577,"_314":578},{"_312":575,"_314":576},{"_312":573,"_314":574},{"_312":571,"_314":572},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)",{"_42":634,"_222":635,"_326":636,"_328":329,"_330":331,"_332":637,"_334":638,"_336":639,"_338":640,"_140":81},"1879","131.2 × 99.2 cm (51 1/2 × 39 1/16 in.); Framed: 160.1 × 129 × 10.2 cm (63 × 50 3/4 × 4 in.)",99,131,0.7480035492457853,[619,620,621,622,623],{"_221":377,"_222":378,"_42":379,"_305":380},"1922.440","Pierre-Auguste Renoir painted this in 1879, aged 38. It is now at the Art Institute of Chicago.",{"_118":618,"_375":376},"Two girls in acrobatic uniforms stand in an arena, one holds oranges.",{"_296":615,"_298":616,"_300":617},"https://img.ochreeditions.com/m/221.jpg?dl=1","/art/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","/galleries/style/impressionism/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558",{"_292":293,"_294":295},{"_225":610,"_125":611,"_286":612},{"_277":607,"_279":608,"_281":609,"_282":592},112.98846495119787,146,97.98846495119787,{"_288":225,"_123":613,"_154":614,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/221/480.jpg","https://img.ochreeditions.com/a/221/960.jpg","https://img.ochreeditions.com/a/221/1920.jpg","The two girls in this painting by Pierre-Auguste Renoir are Francisca and Angelina Wartenberg, acrobats who performed in the famed Cirque Fernando in Paris. They are depicted clutching oranges tossed to them from the crowd as gifts.",{"_312":632,"_314":633},{"_312":630,"_314":631},{"_312":628,"_314":629},{"_312":626,"_314":627},{"_312":624,"_314":625},"#9e8972",0.0781,"#4d4b41",0.0921,"#cac7ba",0.2471,"#bbaf7e",0.2682,"#ad9856",0.3145,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":396,"_222":397,"_326":398,"_328":329,"_330":399,"_332":400,"_334":-5,"_336":-5,"_338":401,"_140":85},"1894","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[671,672,673,674,675],{"_221":302,"_222":303,"_42":304,"_305":306},"1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_296":668,"_298":669,"_300":670},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_292":293,"_294":295},{"_225":665,"_125":666,"_286":667},{"_277":662,"_279":663,"_281":664,"_282":647},79.73752441406249,115.1,64.73752441406249,{"_288":225,"_123":369,"_154":370,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg",{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"head-of-a-young-girl-nga-35083","Head of a Young Girl",{"_42":634,"_222":635,"_326":636,"_328":329,"_330":331,"_332":637,"_334":638,"_336":639,"_338":640,"_140":81},"c. 1890","overall: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.) framed: 67.6 x 58.7 x 6.9 cm (26 5/8 x 23 1/8 x 2 11/16 in.)",33.3,42.6,0.765625,[716,717,718,719,720],{"_221":302,"_222":303,"_42":304,"_305":306},"1948.18.1","Pierre-Auguste Renoir painted this in about 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","A young woman with glossy brown hair gathered into a bun is seen in profile, her cheeks rosy and her lips slightly parted, one arm resting on a table. Behind her, the background breaks into swirling forms of orange, red and blue-grey, perhaps a patterned hanging, treated as pure colour.","This painting shows a young woman's upper body from the torso up. She is seated and facing the right, with her face seen in profile and one arm bent in front of her, seeming to rest on a brown table or surface. She has pale skin, round, rosy cheeks, a small nose, and pink lips that are slightly parted. Her brown hair is styled into a smooth, glossy bun at the nape of her neck. She is wearing a white garment with thin straps over her shoulders. The background features a yellow section on the bottom half, and on the top half is a colorful, abstract pattern with large, soft, swirling forms in shades of orange and red on a blue-gray background with hints of green.",{"_296":713,"_298":714,"_300":715},"https://img.ochreeditions.com/m/1493.jpg?dl=1","/art/head-of-a-young-girl-nga-35083","/galleries/style/impressionism/head-of-a-young-girl-nga-35083",{"_292":293,"_294":295},{"_225":710,"_125":711,"_286":712},{"_277":707,"_279":708,"_281":709,"_282":692},47.615625,57.6,32.615625,{"_288":225,"_123":613,"_154":614,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1493/480.jpg","https://img.ochreeditions.com/a/1493/960.jpg","https://img.ochreeditions.com/a/1493/1920.jpg",{"_312":729,"_314":730},{"_312":727,"_314":728},{"_312":725,"_314":726},{"_312":723,"_314":724},{"_312":721,"_314":722},"#49352a",0.1406,"#c0a17f",0.1598,"#72553b",0.2159,"#9b663c",0.2277,"#957959",0.256,"a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"1865","Paintings","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[762,763,764,765,766],{"_221":499,"_222":500,"_42":501,"_305":502},"29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_296":759,"_298":760,"_300":761},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_292":293,"_294":295},{"_225":756,"_125":757,"_286":758},{"_277":753,"_279":754,"_281":737,"_282":755},107.7,90.4578,75.4578,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg",{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},{"_312":767,"_314":768},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"water-lilies-agapanthus-cma-136510","Water Lilies (Agapanthus)",{"_42":396,"_222":397,"_326":398,"_328":329,"_330":399,"_332":400,"_334":-5,"_336":-5,"_338":401,"_140":85},"c. 1915–26","Framed: 204.9 x 430.3 x 6 cm (80 11/16 x 169 7/16 x 2 3/8 in.); Unframed: 201.3 x 425.6 cm (79 1/4 x 167 9/16 in.)",425.6,201.3,2.150537634408602,[814,815,816,817,818],{"_221":562,"_222":563,"_42":564,"_305":565},"1960.81","Claude Monet painted this in about 1915–26, aged about 75. It is now at the Cleveland Museum of Art.",{"_118":813,"_375":561},"Water Lilies (Agapanthus), by Claude Monet, c. 1915–26",{"_296":810,"_298":811,"_300":812},"https://img.ochreeditions.com/m/638.jpg?dl=1","/art/water-lilies-agapanthus-cma-136510","/galleries/style/impressionism/water-lilies-agapanthus-cma-136510",{"_292":293,"_294":295},{"_225":802,"_125":803,"_286":804},{"_277":798,"_279":799,"_281":800,"_282":801},255,126.60000000000001,240,111.60000000000001,{"_288":225,"_123":369,"_154":370,"_140":85},{"_288":125,"_123":807,"_154":808,"_140":809},{"_288":286,"_123":805,"_154":806,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/638/480.jpg","https://img.ochreeditions.com/a/638/960.jpg","https://img.ochreeditions.com/a/638/1920.jpg","A skilled horticulturalist as well as an artist, Claude Monet spent the last 30 years of his life painting the private garden he designed and helped cultivate at his home in Giverny in northern France. The resultant canvases are notable for their varied motifs, formats, and sizes.",{"_312":827,"_314":828},{"_312":825,"_314":826},{"_312":823,"_314":824},{"_312":821,"_314":822},{"_312":819,"_314":820},"#9a9794",0.0927,"#7e7790",0.1813,"#57644a",0.2104,"#6b6974",0.2224,"#616158",0.2932,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":873,"_222":874,"_326":875,"_328":329,"_330":331,"_332":876,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",63,1.2460680423870607,[858,859,860,861,862],{"_221":377,"_222":378,"_42":379,"_305":380},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":855,"_298":856,"_300":857},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_292":293,"_294":295},{"_225":850,"_125":851,"_286":852},{"_277":363,"_279":848,"_281":346,"_282":849},79.20195148151464,64.20195148151464,{"_288":225,"_123":853,"_154":854,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_312":871,"_314":872},{"_312":869,"_314":870},{"_312":867,"_314":868},{"_312":865,"_314":866},{"_312":863,"_314":864},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"landscape-met-359362","Landscape",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"1892","print","Prints","Monotype in oil colors, heightened with pastel","sheet: 10 x 13 3/8 in. (25.4 x 34 cm)",34,25.4,1.3359806629834254,[911,912,913,914,915],{"_221":499,"_222":500,"_42":501,"_305":502},"1972.636","Edgar Degas painted this in 1892, aged 58. It is now at The Met in New York.","Landscape, by Edgar Degas, 1892",{"_296":908,"_298":909,"_300":910},"https://img.ochreeditions.com/m/1047.jpg?dl=1","/art/landscape-met-359362","/galleries/style/impressionism/landscape-met-359362",{"_292":436,"_294":437},{"_225":902,"_125":903,"_286":904},{"_277":197,"_279":900,"_281":885,"_282":901},49.44947014732489,25.449470147324888,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":905,"_154":906,"_140":907},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/1047/480.jpg","https://img.ochreeditions.com/a/1047/960.jpg","https://img.ochreeditions.com/a/1047/1920.jpg",{"_312":924,"_314":925},{"_312":922,"_314":923},{"_312":920,"_314":921},{"_312":918,"_314":919},{"_312":916,"_314":917},"#908d74",0.125,"#aebb91",0.1305,"#cab389",0.1686,"#e4dbc2",0.2816,"#bcbda7",0.2943,"alfred-sisley-aic-14650","Alfred Sisley",{"_42":634,"_222":635,"_326":636,"_328":329,"_330":331,"_332":637,"_334":638,"_336":639,"_338":640,"_140":81},"1876","66.2 × 54.8 cm (26 × 21 9/16 in.); Framed: 90.2 × 79.4 × 10.8 cm (35 1/2 × 31 1/4 × 4 1/4 in.)",54,0.8343702386998476,[953,954,955,956,957],{"_221":377,"_222":378,"_42":379,"_305":380},"1933.453","Pierre-Auguste Renoir painted this in 1876, aged 35. It is now at the Art Institute of Chicago.",{"_296":950,"_298":951,"_300":952},"https://img.ochreeditions.com/m/36.jpg?dl=1","/art/alfred-sisley-aic-14650","/galleries/style/impressionism/alfred-sisley-aic-14650",{"_292":293,"_294":295},{"_225":947,"_125":948,"_286":949},{"_277":944,"_279":945,"_281":946,"_282":528},70.06843575418995,81,55.06843575418994,{"_288":225,"_123":613,"_154":614,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/36/480.jpg","https://img.ochreeditions.com/a/36/960.jpg","https://img.ochreeditions.com/a/36/1920.jpg",{"_312":966,"_314":967},{"_312":964,"_314":965},{"_312":962,"_314":963},{"_312":960,"_314":961},{"_312":958,"_314":959},"#c0b3af",0.0563,"#816c44",0.0672,"#7f918a",0.1736,"#2f3c3e",0.2255,"#232533",0.4774,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,1.101254677525864,[998,999,1000,1001,1002],{"_221":377,"_222":378,"_42":379,"_305":380},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":997,"_375":376},"Impressionist painting of woman wearing green dress trying on hats.",{"_296":994,"_298":995,"_300":996},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_292":293,"_294":295},{"_225":991,"_125":992,"_286":993},{"_277":988,"_279":989,"_281":973,"_282":990},125,114.8860683589846,99.8860683589846,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_312":1011,"_314":1012},{"_312":1009,"_314":1010},{"_312":1007,"_314":1008},{"_312":1005,"_314":1006},{"_312":1003,"_314":1004},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":456,"_222":457,"_326":458,"_328":329,"_330":459,"_332":460,"_334":337,"_336":337,"_338":461,"_140":75},"c. 1880–83","Print","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[1046,1047,1048,1049,1050],{"_221":562,"_222":563,"_42":564,"_305":565},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":1045,"_375":561},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_296":1042,"_298":1043,"_300":1044},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_292":436,"_294":437},{"_225":1039,"_125":1040,"_286":1041},{"_277":1035,"_279":1036,"_281":1037,"_282":1038},42.93382352941177,49,18.933823529411764,25,{"_288":225,"_123":434,"_154":435,"_140":75},{"_288":125,"_123":905,"_154":906,"_140":907},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_312":1059,"_314":1060},{"_312":1057,"_314":1058},{"_312":1055,"_314":1056},{"_312":1053,"_314":1054},{"_312":1051,"_314":1052},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"in-the-omnibus-cma-121035","In the Omnibus",{"_42":581,"_222":582,"_326":583,"_328":584,"_330":585,"_332":400,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1890–91","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[1093,1094,1095,1096,1097],{"_221":562,"_222":563,"_42":564,"_305":565},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":1092,"_375":561},"In the Omnibus, by Mary Cassatt, 1890–91",{"_296":1089,"_298":1090,"_300":1091},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_292":436,"_294":437},{"_225":1086,"_125":1087,"_286":1088},{"_277":1083,"_279":1084,"_281":1085,"_282":1068},51.07323529411765,60.6,27.073235294117648,{"_288":225,"_123":555,"_154":556,"_140":89},{"_288":125,"_123":905,"_154":906,"_140":907},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1098,"_314":1099},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,{"_1109":-5,"_1110":1111,"_1112":1113,"_1114":8,"_1115":1116,"_1117":8},"user","csrf","737f5f9b242d1071bd9fc609330ae3328d16e544","cartCount",0,"dropLive","legal",[1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129],"uploadsEnabled",{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},{"_222":1140,"_20":1141},{"_222":1138,"_20":1139},{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
