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Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"ca. 1868","drawing","Drawings","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",23,33.1,0.6935817805383023,[492,493,494,495,496],{"_220":371,"_221":372,"_42":373,"_303":374},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_294":489,"_296":490,"_298":491},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_290":487,"_292":488},{"_224":479,"_125":480,"_284":481},{"_275":476,"_277":477,"_279":478,"_281":461},46.957556935817806,57.1,22.95755693581781,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":482,"_154":483,"_140":484},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"1865","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[543,544,545,546,547],{"_220":371,"_221":372,"_42":373,"_303":374},"29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_294":540,"_296":541,"_298":542},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_290":291,"_292":293},{"_224":537,"_125":538,"_284":539},{"_275":534,"_277":535,"_279":518,"_281":536},107.7,90.4578,75.4578,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg",{"_310":556,"_312":557},{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","Arrival of the Normandy Train, Gare Saint-Lazare",{"_42":605,"_221":606,"_324":607,"_326":327,"_328":608,"_330":609,"_332":-5,"_334":-5,"_336":610,"_140":85},"1877","60.3 × 80.2 cm (23 3/4 × 31 1/2 in.); Framed: 80.7 × 100.4 × 10.2 cm (31 3/4 × 39 1/2 × 4 in.)",60,1.3326787117046348,[590,591,592,593,594],{"_220":300,"_221":301,"_42":302,"_303":304},"1933.1158","Claude Monet painted this in 1877, aged 37. It is now at the Art Institute of Chicago.",{"_118":588,"_431":589},"Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.",{"_294":585,"_296":586,"_298":587},"https://img.ochreeditions.com/m/62.jpg?dl=1","/art/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","/galleries/style/impressionism/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571",{"_290":291,"_292":293},{"_224":580,"_125":581,"_284":582},{"_275":278,"_277":578,"_279":245,"_281":579},75.02947244326555,60.02947244326554,{"_286":224,"_123":583,"_154":584,"_140":85},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/62/480.jpg","https://img.ochreeditions.com/a/62/960.jpg","https://img.ochreeditions.com/a/62/1920.jpg","The Impressionists frequently paid tribute to the modern aspects of Paris, depicting scenes of grand boulevards and modern constructions. Monet made 12 paintings of the Gare Saint-Lazare.","Text from the Art Institute of Chicago.",{"_310":603,"_312":604},{"_310":601,"_312":602},{"_310":599,"_312":600},{"_310":597,"_312":598},{"_310":595,"_312":596},"#aab0b2",0.1465,"#51646e",0.1833,"#79888a",0.2025,"#5b695c",0.2311,"#364246",0.2366,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":605,"_221":606,"_324":607,"_326":327,"_328":608,"_330":609,"_332":-5,"_334":-5,"_336":610,"_140":85},"1894","oil on canvas","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[647,648,649,650,651],{"_220":643,"_221":644,"_42":645,"_303":646},"Courtesy National Gallery of Art, Washington","1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_294":640,"_296":641,"_298":642},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_290":291,"_292":293},{"_224":637,"_125":638,"_284":639},{"_275":634,"_277":635,"_279":636,"_281":618},79.73752441406249,115.1,64.73752441406249,{"_286":224,"_123":583,"_154":584,"_140":85},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":660,"_312":661},{"_310":658,"_312":659},{"_310":656,"_312":657},{"_310":654,"_312":655},{"_310":652,"_312":653},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[697,698,699,700,701],{"_220":300,"_221":301,"_42":302,"_303":304},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_294":694,"_296":695,"_298":696},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_290":487,"_292":488},{"_224":688,"_125":689,"_284":690},{"_275":685,"_277":686,"_279":669,"_281":687},94,59.050107372942016,35.050107372942016,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":691,"_154":692,"_140":693},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century",40,"https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_310":710,"_312":711},{"_310":708,"_312":709},{"_310":706,"_312":707},{"_310":704,"_312":705},{"_310":702,"_312":703},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[743,744,745,746,747],{"_220":300,"_221":301,"_42":302,"_303":304},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":742,"_431":589},"Impressionist painting of woman wearing green dress trying on hats.",{"_294":739,"_296":740,"_298":741},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_290":291,"_292":293},{"_224":736,"_125":737,"_284":738},{"_275":733,"_277":734,"_279":717,"_281":735},125,114.8860683589846,99.8860683589846,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},{"_310":748,"_312":749},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":81},"1879","131.2 × 99.2 cm (51 1/2 × 39 1/16 in.); Framed: 160.1 × 129 × 10.2 cm (63 × 50 3/4 × 4 in.)",99,131,0.7480035492457853,[789,790,791,792,793],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.440","Pierre-Auguste Renoir painted this in 1879, aged 38. It is now at the Art Institute of Chicago.",{"_118":788,"_431":589},"Two girls in acrobatic uniforms stand in an arena, one holds oranges.",{"_294":785,"_296":786,"_298":787},"https://img.ochreeditions.com/m/221.jpg?dl=1","/art/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","/galleries/style/impressionism/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558",{"_290":291,"_292":293},{"_224":782,"_125":783,"_284":784},{"_275":779,"_277":780,"_279":781,"_281":764},112.98846495119787,146,97.98846495119787,{"_286":224,"_123":170,"_154":169,"_140":81},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/221/480.jpg","https://img.ochreeditions.com/a/221/960.jpg","https://img.ochreeditions.com/a/221/1920.jpg","The two girls in this painting by Pierre-Auguste Renoir are Francisca and Angelina Wartenberg, acrobats who performed in the famed Cirque Fernando in Paris. They are depicted clutching oranges tossed to them from the crowd as gifts.",{"_310":802,"_312":803},{"_310":800,"_312":801},{"_310":798,"_312":799},{"_310":796,"_312":797},{"_310":794,"_312":795},"#9e8972",0.0781,"#4d4b41",0.0921,"#cac7ba",0.2471,"#bbaf7e",0.2682,"#ad9856",0.3145,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,115,0.76416015625,[834,835,836,837,838],{"_220":643,"_221":644,"_42":645,"_303":646},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_294":831,"_296":832,"_298":833},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_290":291,"_292":293},{"_224":828,"_125":829,"_284":830},{"_275":825,"_277":826,"_279":827,"_281":810},102.87841796875,130,87.87841796875,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_310":847,"_312":848},{"_310":845,"_312":846},{"_310":843,"_312":844},{"_310":841,"_312":842},{"_310":839,"_312":840},"#757663",0.1138,"#3d342a",0.1894,"#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"fishmarket-cma-74228","Fishmarket",{"_42":390,"_221":391,"_324":392,"_326":327,"_328":393,"_330":394,"_332":395,"_334":396,"_336":397,"_140":95},"1902",20,"Unframed: 66 x 81.3 cm (26 x 32 in.)",66,1.2477064220183487,[884,885,886,887,888],{"_220":433,"_221":434,"_42":435,"_303":436},"2020.113","Camille Pissarro painted this in 1902, aged 72. It is now at the Cleveland Museum of Art.",{"_118":883,"_431":432},"Fishmarket, by Camille Pissarro, 1902",{"_294":880,"_296":881,"_298":882},"https://img.ochreeditions.com/m/451.jpg?dl=1","/art/fishmarket-cma-74228","/galleries/style/impressionism/fishmarket-cma-74228",{"_290":291,"_292":293},{"_224":872,"_125":873,"_284":874},{"_275":422,"_277":870,"_279":405,"_281":871},80.15955882352941,65.15955882352941,{"_286":224,"_123":366,"_154":367,"_140":95},{"_286":125,"_123":877,"_154":878,"_140":879},{"_286":284,"_123":875,"_154":876,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/451/480.jpg","https://img.ochreeditions.com/a/451/960.jpg","https://img.ochreeditions.com/a/451/1920.jpg","This impressive view of a bustling fish market belongs to a series of paintings that Pissarro made during the summer of 1902 depicting the harbor at Dieppe.",{"_310":897,"_312":898},{"_310":895,"_312":896},{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},"#594c45",0.0901,"#ae9e8d",0.1703,"#7b695d",0.1841,"#997f6c",0.1887,"#babfbc",0.3668,"the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":946,"_221":947,"_324":948,"_326":327,"_328":329,"_330":949,"_332":950,"_334":396,"_336":951,"_140":97},"1890","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[931,932,933,934,935],{"_220":643,"_221":644,"_42":645,"_303":646},"1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”",{"_294":928,"_296":929,"_298":930},"https://img.ochreeditions.com/m/1518.jpg?dl=1","/art/the-artist-s-daughter-with-a-parakeet-nga-46525","/galleries/style/impressionism/the-artist-s-daughter-with-a-parakeet-nga-46525",{"_290":291,"_292":293},{"_224":923,"_125":924,"_284":925},{"_275":920,"_277":921,"_279":922,"_281":905},66.60234374999999,80.6,51.602343749999996,{"_286":224,"_123":926,"_154":927,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1518/480.jpg","https://img.ochreeditions.com/a/1518/960.jpg","https://img.ochreeditions.com/a/1518/1920.jpg",{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},{"_310":936,"_312":937},"#a99067",0.1675,"#c5946a",0.1872,"#d4b58c",0.1897,"#9e9a80",0.2113,"#819086",0.2443,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":390,"_221":391,"_324":392,"_326":327,"_328":393,"_330":394,"_332":395,"_334":396,"_336":397,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[983,984,985,986,987],{"_220":643,"_221":644,"_42":645,"_303":646},"1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_294":980,"_296":981,"_298":982},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_290":291,"_292":293},{"_224":977,"_125":978,"_284":979},{"_275":974,"_277":975,"_279":958,"_281":976},47.2,39.10283203125,24.102832031250003,{"_286":224,"_123":366,"_154":367,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg",{"_310":996,"_312":997},{"_310":994,"_312":995},{"_310":992,"_312":993},{"_310":990,"_312":991},{"_310":988,"_312":989},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"self-portrait-cma-163547","Self-Portrait",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"1857","print","Print","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,0.5829411764705882,[1035,1036,1037,1038,1039],{"_220":433,"_221":434,"_42":435,"_303":436},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":1034,"_431":432},"Self-Portrait, by Edgar Degas, 1857",{"_294":1031,"_296":1032,"_298":1033},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_290":487,"_292":488},{"_224":1025,"_125":1026,"_284":1027},{"_275":1021,"_277":1022,"_279":1023,"_281":1024},38.5735294117647,49,14.573529411764705,25,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":1028,"_154":1029,"_140":1030},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1044,"_312":894},{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd","#bfae99",0.247,"#48423d",0.362,"henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":511,"_332":396,"_334":396,"_336":512,"_140":75},"1875–76","99.8 × 119.9 cm (39 1/4 × 47 3/16 in.); Framed: 118.2 × 137.8 × 8.9 cm (46 1/2 × 54 1/4 × 3 1/2 in.)",119,1.1954061251664447,[1079,1080,1081,1082,1083],{"_220":300,"_221":301,"_42":302,"_303":304},"1933.429","Edgar Degas painted this in 1875–76, aged about 41. It is now at the Art Institute of Chicago.",{"_118":1078,"_431":589},"Impressionist painting of seated man, girl with brown, black hues.",{"_294":1075,"_296":1076,"_298":1077},"https://img.ochreeditions.com/m/32.jpg?dl=1","/art/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","/galleries/style/impressionism/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574",{"_290":291,"_292":293},{"_224":1072,"_125":1073,"_284":1074},{"_275":1069,"_277":1070,"_279":1054,"_281":1071},134,114.54775828460039,99.54775828460039,{"_286":224,"_123":485,"_154":486,"_140":75},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/32/480.jpg","https://img.ochreeditions.com/a/32/960.jpg","https://img.ochreeditions.com/a/32/1920.jpg","Perhaps the most subtle portrait painter in the Impressionist group, Edgar Degas painted this double portrait in the mid-1970s.",{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},{"_310":1088,"_312":1089},{"_310":1086,"_312":1087},{"_310":1084,"_312":1085},"#ddc87f",0.0849,"#ae996c",0.156,"#79684c",0.2058,"#493928",0.2332,"#1d1b16",0.3201,{"_1095":-5,"_1096":1097,"_1098":1099,"_1100":8,"_1101":1102,"_1103":8},"user","csrf","90030bac32d7866441773ba147f5288462c1d68b","cartCount",0,"dropLive","legal",[1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114,1115],"uploadsEnabled",{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},{"_221":1128,"_20":1129},{"_221":1126,"_20":1127},{"_221":1124,"_20":1125},{"_221":1122,"_20":1123},{"_221":1120,"_20":1121},{"_221":1118,"_20":1119},{"_221":1116,"_20":1117},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]