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Degas pushes him off-centre and lets the eye drift through the room instead, to dancers stretching, resting or simply waiting their turn.","The Dance Class, by Edgar Degas, 1874",{"_296":425,"_298":426,"_300":427},"https://img.ochreeditions.com/m/1193.jpg?dl=1","/art/the-dance-class-met-438817","/galleries/style/impressionism/the-dance-class-met-438817",{"_292":293,"_294":295},{"_225":422,"_125":423,"_286":424},{"_277":419,"_279":420,"_281":421,"_282":403},92.44625,98.5,77.44625,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1193/480.jpg","https://img.ochreeditions.com/a/1193/960.jpg","https://img.ochreeditions.com/a/1193/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":445,"_317":446},{"_315":443,"_317":444},{"_315":441,"_317":442},{"_315":439,"_317":440},{"_315":437,"_317":438},"#1c150f",0.1165,"#88826b",0.1253,"#43392a",0.1626,"#5b654e",0.2595,"#64573f",0.3361,"fishmarket-cma-74228","Fishmarket",{"_42":508,"_222":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":513,"_339":338,"_340":514,"_140":95},"1902",20,"oil on canvas","Unframed: 66 x 81.3 cm (26 x 32 in.)",81.3,66,1.2477064220183487,[493,494,495,496,497],{"_221":489,"_222":490,"_42":491,"_308":492},"Courtesy of the Cleveland Museum of Art","2020.113","Camille Pissarro painted this in 1902, aged 72. It is now at the Cleveland Museum of Art.",{"_118":487,"_303":488},"Fishmarket, by Camille Pissarro, 1902",{"_296":484,"_298":485,"_300":486},"https://img.ochreeditions.com/m/451.jpg?dl=1","/art/fishmarket-cma-74228","/galleries/style/impressionism/fishmarket-cma-74228",{"_292":293,"_294":295},{"_225":474,"_125":475,"_286":476},{"_277":471,"_279":472,"_281":454,"_282":473},96.3,80.15955882352941,65.15955882352941,{"_288":225,"_123":482,"_154":483,"_140":95},{"_288":125,"_123":479,"_154":480,"_140":481},{"_288":286,"_123":477,"_154":478,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/451/480.jpg","https://img.ochreeditions.com/a/451/960.jpg","https://img.ochreeditions.com/a/451/1920.jpg","This impressive view of a bustling fish market belongs to a series of paintings that Pissarro made during the summer of 1902 depicting the harbor at Dieppe.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},{"_315":498,"_317":499},"#594c45",0.0901,"#ae9e8d",0.1703,"#7b695d",0.1841,"#997f6c",0.1887,"#babfbc",0.3668,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","fruits-of-the-midi-aic-16629","Fruits of the Midi",{"_42":562,"_222":563,"_329":564,"_331":332,"_333":565,"_335":566,"_337":567,"_339":568,"_340":569,"_140":81},"1881","51 × 65 cm (20 1/16 × 25 5/8 in.); Framed: 70.2 × 85.1 × 8.9 cm (27 5/8 × 33 1/2 × 3 1/2 in.)",65,51,1.2967322413367355,[547,548,549,550,551],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.1176","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.","Pomegranates, peppers and other fruits and vegetables of the south are spread across a white tablecloth in glowing reds, yellows and purples. Renoir painted the still life in 1881, a year in which he travelled to Algeria and Italy and was increasingly drawn to the light and colour of the Mediterranean.","A work made of oil on canvas.",{"_296":544,"_298":545,"_300":546},"https://img.ochreeditions.com/m/64.jpg?dl=1","/art/fruits-of-the-midi-aic-16629","/galleries/style/impressionism/fruits-of-the-midi-aic-16629",{"_292":293,"_294":295},{"_225":539,"_125":540,"_286":541},{"_277":536,"_279":537,"_281":520,"_282":538},80,65.12599974609623,50.125999746096234,{"_288":225,"_123":542,"_154":543,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/64/480.jpg","https://img.ochreeditions.com/a/64/960.jpg","https://img.ochreeditions.com/a/64/1920.jpg",{"_315":560,"_317":561},{"_315":558,"_317":559},{"_315":556,"_317":557},{"_315":554,"_317":555},{"_315":552,"_317":553},"#665952",0.1049,"#ae6543",0.1094,"#9a8f4f",0.1221,"#ced8d0",0.2385,"#798e82",0.4251,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":75},"1858","drawing","Drawing","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[609,610,611,612,613],{"_221":489,"_222":490,"_42":491,"_308":492},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":608,"_303":488},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_296":605,"_298":606,"_300":607},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_292":603,"_294":604},{"_225":597,"_125":598,"_286":599},{"_277":594,"_279":595,"_281":596,"_282":579},47.64941176470588,54.4,23.64941176470588,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":600,"_154":601,"_140":602},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"white","snow","https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_315":622,"_317":623},{"_315":620,"_317":621},{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"hanging-the-laundry-out-to-dry-nga-66426","Hanging the Laundry out to Dry",{"_42":676,"_222":677,"_329":678,"_331":332,"_333":565,"_335":679,"_337":680,"_339":338,"_340":681,"_140":97},"1875","overall: 33 × 40.6 cm (13 × 16 in.) framed: 49.85 × 57.47 × 9.21 cm (19 5/8 × 22 5/8 × 3 5/8 in.)",40.6,33,1.2315093205051113,[661,662,663,664,665],{"_221":657,"_222":658,"_42":659,"_308":660},"Courtesy National Gallery of Art, Washington","1985.64.28","Berthe Morisot painted this in 1875, aged 34. It is now at the National Gallery of Art in Washington, DC.","From above, we look across a yard strung with lines of white sheets, where several women peg out washing beside a tipped-up cart and a house stands among trees at the right. Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. The artist signed the work in brick-red paint in the lower left corner, “Berthe Morisot.”",{"_296":654,"_298":655,"_300":656},"https://img.ochreeditions.com/m/1614.jpg?dl=1","/art/hanging-the-laundry-out-to-dry-nga-66426","/galleries/style/impressionism/hanging-the-laundry-out-to-dry-nga-66426",{"_292":293,"_294":295},{"_225":649,"_125":650,"_286":651},{"_277":646,"_279":647,"_281":629,"_282":648},55.6,47.96767578125,32.96767578125,{"_288":225,"_123":652,"_154":653,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1614/480.jpg","https://img.ochreeditions.com/a/1614/960.jpg","https://img.ochreeditions.com/a/1614/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":674,"_317":675},{"_315":672,"_317":673},{"_315":670,"_317":671},{"_315":668,"_317":669},{"_315":666,"_317":667},"#5d7263",0.0766,"#9a8666",0.1316,"#959c88",0.1872,"#b9b193",0.265,"#cac6ba",0.3396,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","jalais-hill-pontoise-met-437299","Jalais Hill, Pontoise",{"_42":508,"_222":509,"_329":510,"_331":332,"_333":511,"_335":512,"_337":513,"_339":338,"_340":514,"_140":95},"1867","34 1/4 x 45 1/4 in. (87 x 114.9 cm)",114.9,87,1.3109735122119024,[711,712,713,714,715],{"_221":428,"_222":429,"_42":430,"_308":431},"51.30.2","Camille Pissarro painted this in 1867, aged 37. It is now at The Met in New York.","Jalais Hill, Pontoise, by Camille Pissarro, 1867",{"_296":708,"_298":709,"_300":710},"https://img.ochreeditions.com/m/1136.jpg?dl=1","/art/jalais-hill-pontoise-met-437299","/galleries/style/impressionism/jalais-hill-pontoise-met-437299",{"_292":293,"_294":295},{"_225":705,"_125":706,"_286":707},{"_277":702,"_279":703,"_281":687,"_282":704},129.9,102.64479139333508,87.64479139333508,{"_288":225,"_123":482,"_154":483,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1136/480.jpg","https://img.ochreeditions.com/a/1136/960.jpg","https://img.ochreeditions.com/a/1136/1920.jpg",{"_315":724,"_317":725},{"_315":722,"_317":723},{"_315":720,"_317":721},{"_315":718,"_317":719},{"_315":716,"_317":717},"#9c9678",0.0794,"#7a723f",0.1767,"#4b5030",0.2172,"#262f23",0.2423,"#c4d5d4",0.2844,"henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":75},"1875–76","99.8 × 119.9 cm (39 1/4 × 47 3/16 in.); Framed: 118.2 × 137.8 × 8.9 cm (46 1/2 × 54 1/4 × 3 1/2 in.)",119,99,1.1954061251664447,[757,758,759,760,761],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.429","Edgar Degas painted this in 1875–76, aged about 41. It is now at the Art Institute of Chicago.",{"_118":756,"_303":304},"Impressionist painting of seated man, girl with brown, black hues.",{"_296":753,"_298":754,"_300":755},"https://img.ochreeditions.com/m/32.jpg?dl=1","/art/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574","/galleries/style/impressionism/henri-degas-and-his-niece-lucie-degas-the-artist-s-uncle-and-aic-14574",{"_292":293,"_294":295},{"_225":750,"_125":751,"_286":752},{"_277":747,"_279":748,"_281":731,"_282":749},134,114.54775828460039,99.54775828460039,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/32/480.jpg","https://img.ochreeditions.com/a/32/960.jpg","https://img.ochreeditions.com/a/32/1920.jpg","Perhaps the most subtle portrait painter in the Impressionist group, Edgar Degas painted this double portrait in the mid-1970s.",{"_315":770,"_317":771},{"_315":768,"_317":769},{"_315":766,"_317":767},{"_315":764,"_317":765},{"_315":762,"_317":763},"#ddc87f",0.0849,"#ae996c",0.156,"#79684c",0.2058,"#493928",0.2332,"#1d1b16",0.3201,"the-houses-of-parliament-sunset-nga-46523","The Houses of Parliament, Sunset",{"_42":818,"_222":819,"_329":820,"_331":332,"_333":821,"_335":822,"_337":-5,"_339":-5,"_340":823,"_140":85},"1903","overall: 81.3 x 92.5 cm (32 x 36 7/16 in.) framed: 107 x 117.5 x 8.8 cm (42 1/8 x 46 1/4 x 3 7/16 in.)",92.5,1.1321171918186843,[803,804,805,806,807],{"_221":657,"_222":658,"_42":659,"_308":660},"1963.10.48","Claude Monet painted this in 1903, aged 63. It is now at the National Gallery of Art in Washington, DC.","The towers of the Houses of Parliament dissolve into blue silhouette against a sky of pink, apricot and lavender, their reflection broken into short horizontal strokes on the Thames, where a single small boat drifts near the centre.","A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting. Along the horizon, the buildings stretch from our right, almost fully across the canvas, and are painted with vertical brushstrokes in cool shades of blue. The sky behind the towers seems hazy with intermingling, pastel-colored clouds. The buildings are reflected in the river, which fills the bottom third of the painting. The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”",{"_296":800,"_298":801,"_300":802},"https://img.ochreeditions.com/m/1516.jpg?dl=1","/art/the-houses-of-parliament-sunset-nga-46523","/galleries/style/impressionism/the-houses-of-parliament-sunset-nga-46523",{"_292":293,"_294":295},{"_225":795,"_125":796,"_286":797},{"_277":792,"_279":793,"_281":777,"_282":794},107.5,96.705322265625,81.705322265625,{"_288":225,"_123":798,"_154":799,"_140":85},{"_288":125,"_123":479,"_154":480,"_140":481},{"_288":286,"_123":477,"_154":478,"_140":81},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1516/480.jpg","https://img.ochreeditions.com/a/1516/960.jpg","https://img.ochreeditions.com/a/1516/1920.jpg",{"_315":816,"_317":817},{"_315":814,"_317":815},{"_315":812,"_317":813},{"_315":810,"_317":811},{"_315":808,"_317":809},"#bba296",0.1484,"#728d9a",0.1585,"#9d9f9f",0.2093,"#c2b69d",0.2383,"#557b94",0.2455,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","in-the-omnibus-cma-121035","In the Omnibus",{"_42":878,"_222":879,"_329":880,"_331":881,"_333":882,"_335":822,"_337":-5,"_339":-5,"_340":-5,"_140":101},"1890–91","print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[863,864,865,866,867],{"_221":489,"_222":490,"_42":491,"_308":492},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":862,"_303":488},"In the Omnibus, by Mary Cassatt, 1890–91",{"_296":859,"_298":860,"_300":861},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_292":603,"_294":604},{"_225":851,"_125":852,"_286":853},{"_277":848,"_279":849,"_281":850,"_282":833},51.07323529411765,60.6,27.073235294117648,{"_288":225,"_123":857,"_154":858,"_140":89},{"_288":125,"_123":854,"_154":855,"_140":856},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_315":876,"_317":877},{"_315":874,"_317":875},{"_315":872,"_317":873},{"_315":870,"_317":871},{"_315":868,"_317":869},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"landscape-met-359362","Landscape",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":75},"1892","Prints","Monotype in oil colors, heightened with pastel","sheet: 10 x 13 3/8 in. (25.4 x 34 cm)",34,25.4,1.3359806629834254,[914,915,916,917,918],{"_221":428,"_222":429,"_42":430,"_308":431},"1972.636","Edgar Degas painted this in 1892, aged 58. It is now at The Met in New York.","Landscape, by Edgar Degas, 1892",{"_296":911,"_298":912,"_300":913},"https://img.ochreeditions.com/m/1047.jpg?dl=1","/art/landscape-met-359362","/galleries/style/impressionism/landscape-met-359362",{"_292":603,"_294":604},{"_225":908,"_125":909,"_286":910},{"_277":905,"_279":906,"_281":890,"_282":907},58,49.44947014732489,25.449470147324888,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":854,"_154":855,"_140":856},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1047/480.jpg","https://img.ochreeditions.com/a/1047/960.jpg","https://img.ochreeditions.com/a/1047/1920.jpg",{"_315":927,"_317":928},{"_315":925,"_317":926},{"_315":923,"_317":924},{"_315":921,"_317":922},{"_315":919,"_317":920},"#908d74",0.125,"#aebb91",0.1305,"#cab389",0.1686,"#e4dbc2",0.2816,"#bcbda7",0.2943,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[961,962,963,964,965],{"_221":489,"_222":490,"_42":491,"_308":492},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":960,"_303":488},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_296":957,"_298":958,"_300":959},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_292":603,"_294":604},{"_225":954,"_125":955,"_286":956},{"_277":950,"_279":951,"_281":952,"_282":953},42.93382352941177,49,18.933823529411764,25,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":854,"_154":855,"_140":856},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_315":974,"_317":975},{"_315":972,"_317":973},{"_315":970,"_317":971},{"_315":968,"_317":969},{"_315":966,"_317":967},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"before-the-ballet-nga-1158","Before the Ballet",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":338,"_340":341,"_140":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,40,2.303712035995501,[1006,1007,1008,1009,1010],{"_221":657,"_222":658,"_42":659,"_308":660},"1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_296":1003,"_298":1004,"_300":1005},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_292":293,"_294":295},{"_225":1000,"_125":1001,"_286":1002},{"_277":997,"_279":998,"_281":981,"_282":999},103.9,53.589892578124996,38.589892578124996,{"_288":225,"_123":171,"_154":170,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg",{"_315":1017,"_317":1018},{"_315":1016,"_317":817},{"_315":1015,"_317":920},{"_315":1013,"_317":1014},{"_315":1011,"_317":1012},"#857e66",0.0737,"#535e4f",0.1133,"#423113","#605339","#423a2d",0.4425,"stacks-of-wheat-end-of-summer-aic-64818","Stacks of Wheat (End of Summer)",{"_42":818,"_222":819,"_329":820,"_331":332,"_333":821,"_335":822,"_337":-5,"_339":-5,"_340":823,"_140":85},"60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)",60,1.6922320550639134,[1047,1048,1049,1050,1051],{"_221":305,"_222":306,"_42":307,"_308":309},"1985.1103","Claude Monet painted this in 1890–91, aged about 50. It is now at the Art Institute of Chicago.","Two domed stacks of wheat stand in a field near Monet’s home at Giverny, casting long shadows in the low light of early morning or evening.","Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.",{"_296":1044,"_298":1045,"_300":1046},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/impressionism/stacks-of-wheat-end-of-summer-aic-64818",{"_292":293,"_294":295},{"_225":1041,"_125":1042,"_286":1043},{"_277":1038,"_279":1039,"_281":246,"_282":1040},115,74.09355026147588,59.09355026147589,{"_288":225,"_123":798,"_154":799,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg",{"_315":1060,"_317":1061},{"_315":1058,"_317":1059},{"_315":1056,"_317":1057},{"_315":1054,"_317":1055},{"_315":1052,"_317":1053},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"the-laundress-aic-59944","The Laundress",{"_42":562,"_222":563,"_329":564,"_331":332,"_333":565,"_335":566,"_337":567,"_339":568,"_340":569,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",56,0.6789700462025645,[1089,1090,1091,1092,1093],{"_221":305,"_222":306,"_42":307,"_308":309},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_296":1086,"_298":1087,"_300":1088},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/impressionism/the-laundress-aic-59944",{"_292":293,"_294":295},{"_225":1083,"_125":1084,"_286":1085},{"_277":1080,"_279":1081,"_281":1082,"_282":536},69.31760369620517,95,54.31760369620516,{"_288":225,"_123":542,"_154":543,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_315":1102,"_317":1103},{"_315":1100,"_317":1101},{"_315":1098,"_317":1099},{"_315":1096,"_317":1097},{"_315":1094,"_317":1095},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,{"_1105":-5,"_1106":1107,"_1108":1109,"_1110":8,"_1111":1112,"_1113":8},"user","csrf","fe46a39a7d2060c8be805ae2613937d223a0fddc","cartCount",0,"dropLive","legal",[1114,1115,1116,1117,1118,1119,1120,1121,1122,1123,1124,1125],"uploadsEnabled",{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},{"_222":1140,"_20":1141},{"_222":1138,"_20":1139},{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},{"_222":1128,"_20":1129},{"_222":1126,"_20":1127},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]