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In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","watering-place-at-marly-aic-37741","Watering Place at Marly",{"_42":506,"_222":507,"_325":508,"_327":508,"_329":-5,"_331":509,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1875","39.5 × 56.2 cm (15 7/16 × 22 1/8 in.); Framed: 63.9 × 80.7 × 9.6 cm (25 1/8 × 31 3/4 × 3 3/4 in.)",56,39,1.428224788896438,[491,492,493,494,495],{"_221":301,"_222":302,"_42":303,"_304":305},"1971.875","Alfred Sisley painted this in 1875. It is now at the Art Institute of Chicago.",{"_118":490,"_377":437},{"_295":487,"_297":488,"_299":489},"https://img.ochreeditions.com/m/139.jpg?dl=1","/art/watering-place-at-marly-aic-37741","/galleries/style/impressionism/watering-place-at-marly-aic-37741",{"_291":292,"_293":294},{"_225":482,"_125":483,"_285":484},{"_276":479,"_278":480,"_280":464,"_281":481},71,54.20951410125722,39.20951410125722,{"_287":225,"_123":485,"_154":486,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-alfred-sisley","Alfred Sisley's contemporaries","https://img.ochreeditions.com/a/139/480.jpg","https://img.ochreeditions.com/a/139/960.jpg","https://img.ochreeditions.com/a/139/1920.jpg","In 1875 Alfred Sisley moved to the French village of Marly-le-Roi. His home flanked the pool, or “watering place,” featured on the left of this canvas, which had once been the water gardens of King Louis XIV's country retreat.",{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},"#968e68",0.1003,"#556758",0.1028,"#879189",0.1247,"#c2baa5",0.2767,"#9fb8be",0.3955,"Alfred Sisley","alfred-sisley","British",1899,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":557,"_222":558,"_325":559,"_327":328,"_329":560,"_331":561,"_333":404,"_334":404,"_335":562,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,1.101254677525864,[542,543,544,545,546],{"_221":301,"_222":302,"_42":303,"_304":305},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":541,"_377":437},"Impressionist painting of woman wearing green dress trying on hats.",{"_295":538,"_297":539,"_299":540},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_291":292,"_293":294},{"_225":533,"_125":534,"_285":535},{"_276":530,"_278":531,"_280":515,"_281":532},125,114.8860683589846,99.8860683589846,{"_287":225,"_123":536,"_154":537,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_311":555,"_313":556},{"_311":553,"_313":554},{"_311":551,"_313":552},{"_311":549,"_313":550},{"_311":547,"_313":548},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":330,"_331":455,"_333":456,"_334":457,"_335":458,"_140":81},"1864","oil on fabric","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,0.7958823529411765,[593,594,595,596,597],{"_221":379,"_222":380,"_42":381,"_304":382},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. It is now at the Cleveland Museum of Art.",{"_118":592,"_377":378},"Romaine Lacaux, by Pierre-Auguste Renoir, 1864",{"_295":589,"_297":590,"_299":591},"https://img.ochreeditions.com/m/549.jpg?dl=1","/art/romaine-lacaux-cma-121188","/galleries/style/impressionism/romaine-lacaux-cma-121188",{"_291":292,"_293":294},{"_225":586,"_125":587,"_285":588},{"_276":584,"_278":360,"_280":585,"_281":343},79.70523529411764,64.70523529411764,{"_287":225,"_123":431,"_154":432,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/549/480.jpg","https://img.ochreeditions.com/a/549/960.jpg","https://img.ochreeditions.com/a/549/1920.jpg","This painting may be Renoir's earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.",{"_311":606,"_313":607},{"_311":604,"_313":605},{"_311":602,"_313":603},{"_311":600,"_313":601},{"_311":598,"_313":599},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"fruits-of-the-midi-aic-16629","Fruits of the Midi",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":330,"_331":455,"_333":456,"_334":457,"_335":458,"_140":81},"51 × 65 cm (20 1/16 × 25 5/8 in.); Framed: 70.2 × 85.1 × 8.9 cm (27 5/8 × 33 1/2 × 3 1/2 in.)",51,1.2967322413367355,[633,634,635,636,637],{"_221":301,"_222":302,"_42":303,"_304":305},"1933.1176","Pomegranates, peppers and other fruits and vegetables of the south are spread across a white tablecloth in glowing reds, yellows and purples. Renoir painted the still life in 1881, a year in which he travelled to Algeria and Italy and was increasingly drawn to the light and colour of the Mediterranean.",{"_295":630,"_297":631,"_299":632},"https://img.ochreeditions.com/m/64.jpg?dl=1","/art/fruits-of-the-midi-aic-16629","/galleries/style/impressionism/fruits-of-the-midi-aic-16629",{"_291":292,"_293":294},{"_225":627,"_125":628,"_285":629},{"_276":411,"_278":625,"_280":569,"_281":626},65.12599974609623,50.125999746096234,{"_287":225,"_123":431,"_154":432,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/64/480.jpg","https://img.ochreeditions.com/a/64/960.jpg","https://img.ochreeditions.com/a/64/1920.jpg",{"_311":646,"_313":647},{"_311":644,"_313":645},{"_311":642,"_313":643},{"_311":640,"_313":641},{"_311":638,"_313":639},"#665952",0.1049,"#ae6543",0.1094,"#9a8f4f",0.1221,"#ced8d0",0.2385,"#798e82",0.4251,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":557,"_222":558,"_325":559,"_327":328,"_329":560,"_331":561,"_333":404,"_334":404,"_335":562,"_140":75},"1877","watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[686,687,688,689,690],{"_221":301,"_222":302,"_42":303,"_304":305},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_295":683,"_297":684,"_299":685},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_291":681,"_293":682},{"_225":675,"_125":676,"_285":677},{"_276":672,"_278":673,"_280":656,"_281":674},94,59.050107372942016,35.050107372942016,{"_287":225,"_123":536,"_154":537,"_140":75},{"_287":125,"_123":678,"_154":679,"_140":680},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"white","snow","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_311":699,"_313":700},{"_311":697,"_313":698},{"_311":695,"_313":696},{"_311":693,"_313":694},{"_311":691,"_313":692},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"self-portrait-cma-163547","Self-Portrait",{"_42":557,"_222":558,"_325":559,"_327":328,"_329":560,"_331":561,"_333":404,"_334":404,"_335":562,"_140":75},"1857","print","Print","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,23,0.5829411764705882,[739,740,741,742,743],{"_221":379,"_222":380,"_42":381,"_304":382},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":738,"_377":378},"Self-Portrait, by Edgar Degas, 1857",{"_295":735,"_297":736,"_299":737},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_291":681,"_293":682},{"_225":729,"_125":730,"_285":731},{"_276":725,"_278":726,"_280":727,"_281":728},38.5735294117647,49,14.573529411764705,25,{"_287":225,"_123":536,"_154":537,"_140":75},{"_287":125,"_123":732,"_154":733,"_140":734},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_311":751,"_313":752},{"_311":749,"_313":750},{"_311":748,"_313":393},{"_311":746,"_313":747},{"_311":744,"_313":745},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd","#bfae99",0.247,"#48423d",0.362,"a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":557,"_222":558,"_325":559,"_327":328,"_329":560,"_331":561,"_333":404,"_334":404,"_335":562,"_140":75},"Paintings","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[788,789,790,791,792],{"_221":784,"_222":785,"_42":786,"_304":787},"Courtesy of The Metropolitan Museum of Art","29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_295":781,"_297":782,"_299":783},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_291":292,"_293":294},{"_225":778,"_125":779,"_285":780},{"_276":775,"_278":776,"_280":758,"_281":777},107.7,90.4578,75.4578,{"_287":225,"_123":536,"_154":537,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":801,"_313":802},{"_311":799,"_313":800},{"_311":797,"_313":798},{"_311":795,"_313":796},{"_311":793,"_313":794},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":330,"_331":455,"_333":456,"_334":457,"_335":458,"_140":81},"1888","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[833,834,835,836,837],{"_221":784,"_222":785,"_42":786,"_304":787},"1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_295":830,"_297":831,"_299":832},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/impressionism/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_291":292,"_293":294},{"_225":827,"_125":828,"_285":829},{"_276":824,"_278":825,"_280":826,"_281":809},145.9728371843095,176.9,130.9728371843095,{"_287":225,"_123":431,"_154":432,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg",{"_311":846,"_313":847},{"_311":844,"_313":845},{"_311":842,"_313":843},{"_311":840,"_313":841},{"_311":838,"_313":839},"#c7bfbc",0.1415,"#40352a",0.1605,"#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"in-the-omnibus-cma-121035","In the Omnibus",{"_42":897,"_222":898,"_325":899,"_327":900,"_329":901,"_331":902,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1890–91","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[882,883,884,885,886],{"_221":379,"_222":380,"_42":381,"_304":382},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":881,"_377":378},"In the Omnibus, by Mary Cassatt, 1890–91",{"_295":878,"_297":879,"_299":880},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_291":681,"_293":682},{"_225":873,"_125":874,"_285":875},{"_276":870,"_278":871,"_280":872,"_281":855},51.07323529411765,60.6,27.073235294117648,{"_287":225,"_123":876,"_154":877,"_140":89},{"_287":125,"_123":732,"_154":733,"_140":734},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_311":895,"_313":896},{"_311":893,"_313":894},{"_311":891,"_313":892},{"_311":889,"_313":890},{"_311":887,"_313":888},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,1926,"two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":330,"_331":455,"_333":456,"_334":457,"_335":458,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[933,934,935,936,937],{"_221":784,"_222":785,"_42":786,"_304":787},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_295":930,"_297":931,"_299":932},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_291":292,"_293":294},{"_225":927,"_125":928,"_285":929},{"_276":924,"_278":925,"_280":926,"_281":909},102.37169999999999,126.8,87.37169999999999,{"_287":225,"_123":431,"_154":432,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_311":946,"_313":947},{"_311":944,"_313":945},{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":398,"_222":399,"_325":400,"_327":328,"_329":401,"_331":402,"_333":403,"_334":404,"_335":405,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[984,985,986,987,988],{"_221":980,"_222":981,"_42":982,"_304":983},"Courtesy National Gallery of Art, Washington","1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_295":977,"_297":978,"_299":979},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_291":292,"_293":294},{"_225":974,"_125":975,"_285":976},{"_276":971,"_278":972,"_280":954,"_281":973},47.2,39.10283203125,24.102832031250003,{"_287":225,"_123":371,"_154":372,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":993,"_313":994},{"_311":991,"_313":992},{"_311":989,"_313":990},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"stacks-of-wheat-end-of-summer-aic-64818","Stacks of Wheat (End of Summer)",{"_42":1043,"_222":1044,"_325":1045,"_327":328,"_329":1046,"_331":902,"_333":-5,"_334":-5,"_335":1047,"_140":85},"60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)",60,1.6922320550639134,[1028,1029,1030,1031,1032],{"_221":301,"_222":302,"_42":303,"_304":305},"1985.1103","Claude Monet painted this in 1890–91, aged about 50. It is now at the Art Institute of Chicago.","Two domed stacks of wheat stand in a field near Monet’s home at Giverny, casting long shadows in the low light of early morning or evening.","Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.",{"_295":1025,"_297":1026,"_299":1027},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/impressionism/stacks-of-wheat-end-of-summer-aic-64818",{"_291":292,"_293":294},{"_225":1020,"_125":1021,"_285":1022},{"_276":277,"_278":1018,"_280":244,"_281":1019},74.09355026147588,59.09355026147589,{"_287":225,"_123":1023,"_154":1024,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg",{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},{"_311":1037,"_313":1038},{"_311":1035,"_313":1036},{"_311":1033,"_313":1034},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"Claude Monet","claude-monet","French, 1840–1926",1840,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","landscape-met-359362","Landscape",{"_42":557,"_222":558,"_325":559,"_327":328,"_329":560,"_331":561,"_333":404,"_334":404,"_335":562,"_140":75},"Prints","Monotype in oil colors, heightened with pastel","sheet: 10 x 13 3/8 in. (25.4 x 34 cm)",34,25.4,1.3359806629834254,[1078,1079,1080,1081,1082],{"_221":784,"_222":785,"_42":786,"_304":787},"1972.636","Edgar Degas painted this in 1892, aged 58. It is now at The Met in New York.","Landscape, by Edgar Degas, 1892",{"_295":1075,"_297":1076,"_299":1077},"https://img.ochreeditions.com/m/1047.jpg?dl=1","/art/landscape-met-359362","/galleries/style/impressionism/landscape-met-359362",{"_291":681,"_293":682},{"_225":1072,"_125":1073,"_285":1074},{"_276":1069,"_278":1070,"_280":1054,"_281":1071},58,49.44947014732489,25.449470147324888,{"_287":225,"_123":536,"_154":537,"_140":75},{"_287":125,"_123":732,"_154":733,"_140":734},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1047/480.jpg","https://img.ochreeditions.com/a/1047/960.jpg","https://img.ochreeditions.com/a/1047/1920.jpg",{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},"#908d74",0.125,"#aebb91",0.1305,"#cab389",0.1686,"#e4dbc2",0.2816,"#bcbda7",0.2943,{"_1094":-5,"_1095":1096,"_1097":1098,"_1099":8,"_1100":1101,"_1102":8},"user","csrf","0dec98b69e1657e73f1862dac0b3e7d5036bd87d","cartCount",0,"dropLive","legal",[1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114],"uploadsEnabled",{"_222":1137,"_20":1138},{"_222":1135,"_20":1136},{"_222":1133,"_20":1134},{"_222":1131,"_20":1132},{"_222":1129,"_20":1130},{"_222":1127,"_20":1128},{"_222":1125,"_20":1126},{"_222":1123,"_20":1124},{"_222":1121,"_20":1122},{"_222":1119,"_20":1120},{"_222":1117,"_20":1118},{"_222":1115,"_20":1116},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]