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at Pourville","artist",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":85},"unrecorded","date","1882","century",19,"place","france","movement","impressionism","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)","width_cm",100,"height_cm",60,"aspect",1.6766270978305362,"palette",[310,311,312,313,314],"museum",{"_224":305,"_225":306,"_42":307,"_308":309},"credit","Courtesy National Gallery of Art, Washington","accession","1985.64.27","licence","CC0","story","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","note","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”","images",{"_299":300,"_301":302,"_303":304},"download_url","https://img.ochreeditions.com/m/1613.jpg?dl=1","page_url","/art/cliffs-at-pourville-nga-66425","walk_url","/galleries/style/impressionism/cliffs-at-pourville-nga-66425","frame",{"_295":296,"_297":298},{"_228":287,"_125":288,"_289":290},"size",{"_280":281,"_282":283,"_284":247,"_285":286},"w",115,"h",74.6435546875,"image_w","image_h",59.6435546875,{"_291":228,"_123":171,"_154":170,"_140":85},{"_291":125,"_123":292,"_154":293,"_140":294},"era",{"_291":289,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1613/480.jpg","960","https://img.ochreeditions.com/a/1613/960.jpg","1920","https://img.ochreeditions.com/a/1613/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#3f6031","weight",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"Claude Monet","claude-monet","bio","French, 1840–1926","nationality","French","birth_year",1840,"death_year",1926,"birth_place","death_place","about_excerpt","Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","before-the-ballet-nga-1158","Before the Ballet",{"_42":388,"_225":389,"_329":390,"_331":332,"_333":391,"_335":392,"_337":393,"_338":393,"_339":394,"_140":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,40,2.303712035995501,[373,374,375,376,377],{"_224":305,"_225":306,"_42":307,"_308":309},"1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_299":370,"_301":371,"_303":372},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_295":296,"_297":298},{"_228":365,"_125":366,"_289":367},{"_280":362,"_282":363,"_284":346,"_285":364},103.9,53.589892578124996,38.589892578124996,{"_291":228,"_123":368,"_154":369,"_140":75},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg",{"_315":386,"_317":387},{"_315":384,"_317":385},{"_315":382,"_317":383},{"_315":380,"_317":381},{"_315":378,"_317":379},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":85},"1894","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[425,426,427,428,429],{"_224":305,"_225":306,"_42":307,"_308":309},"1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_299":422,"_301":423,"_303":424},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_295":296,"_297":298},{"_228":419,"_125":420,"_289":421},{"_280":416,"_282":417,"_284":418,"_285":401},79.73752441406249,115.1,64.73752441406249,{"_291":228,"_123":171,"_154":170,"_140":85},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg",{"_315":438,"_317":439},{"_315":436,"_317":437},{"_315":434,"_317":435},{"_315":432,"_317":433},{"_315":430,"_317":431},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"after-the-bath-cma-101646","After the Bath",{"_42":506,"_225":507,"_329":508,"_331":509,"_333":510,"_335":336,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1901",20,"united-states","drawing","Drawing","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",66,1.480191554201132,[491,492,493,494,495],{"_224":487,"_225":488,"_42":489,"_308":490},"Courtesy of the Cleveland Museum of Art","1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":484,"_485":486},"After the Bath, by Mary Cassatt, 1901",{"_299":481,"_301":482,"_303":483},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_295":479,"_297":480},{"_228":469,"_125":470,"_289":471},{"_280":466,"_282":467,"_284":247,"_285":468},124,91.55882352941177,67.55882352941177,{"_291":228,"_123":477,"_154":478,"_140":89},{"_291":125,"_123":474,"_154":475,"_140":476},{"_291":289,"_123":472,"_154":473,"_140":466},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","white","snow","https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},{"_315":498,"_317":499},{"_315":496,"_317":497},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"vetheuil-aic-16579","Vétheuil",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":85},"Oil on canvas","90 × 93 cm (36 7/16 × 36 5/8 in.); Framed: 102.3 × 105.1 × 7 cm (40 1/4 × 41 3/8 × 2 3/4 in.)",93,90,1.0353287536800786,[553,554,555,556,557],{"_224":549,"_225":550,"_42":551,"_308":552},"Courtesy of the Art Institute of Chicago","1933.1161","Claude Monet painted this in 1901, aged 61. It is now at the Art Institute of Chicago.",{"_118":547,"_485":548},"A work made of oil on canvas.",{"_299":544,"_301":545,"_303":546},"https://img.ochreeditions.com/m/63.jpg?dl=1","/art/vetheuil-aic-16579","/galleries/style/impressionism/vetheuil-aic-16579",{"_295":296,"_297":298},{"_228":536,"_125":537,"_289":538},{"_280":533,"_282":534,"_284":516,"_285":535},108,104.82654028436018,89.82654028436018,{"_291":228,"_123":171,"_154":170,"_140":85},{"_291":125,"_123":541,"_154":542,"_140":543},{"_291":289,"_123":539,"_154":540,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/63/480.jpg","https://img.ochreeditions.com/a/63/960.jpg","https://img.ochreeditions.com/a/63/1920.jpg","In the summer of 1901, Claude Monet rented a home across the Seine from Vétheuil and not far from his property at Giverny.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":566,"_317":567},{"_315":564,"_317":565},{"_315":562,"_317":563},{"_315":560,"_317":561},{"_315":558,"_317":559},"#c5937d",0.1076,"#af817a",0.1486,"#9d8082",0.157,"#a58f9d",0.2643,"#aea69e",0.3225,"edouard-blau-nga-46556","Edouard Blau",{"_42":614,"_225":615,"_329":616,"_331":332,"_333":617,"_335":618,"_337":-5,"_338":-5,"_339":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[599,600,601,602,603],{"_224":305,"_225":306,"_42":307,"_308":309},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_299":596,"_301":597,"_303":598},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/impressionism/edouard-blau-nga-46556",{"_295":296,"_297":298},{"_228":591,"_125":592,"_289":593},{"_280":588,"_282":589,"_284":590,"_285":574},58.28857421875,74.5,43.28857421875,{"_291":228,"_123":594,"_154":595,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_315":612,"_317":613},{"_315":610,"_317":611},{"_315":608,"_317":609},{"_315":606,"_317":607},{"_315":604,"_317":605},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1841,1870,"two-sisters-on-the-terrace-aic-14655","Two Sisters (On the Terrace)",{"_42":665,"_225":666,"_329":667,"_331":332,"_333":617,"_335":668,"_337":669,"_338":670,"_339":671,"_140":81},"1881","100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)",80,0.8058792480409274,[650,651,652,653,654],{"_224":549,"_225":550,"_42":551,"_308":552},"1933.455","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.",{"_118":649,"_485":548},"Impressionist painting of two girls on balcony, bright flower hat, knitting basket.",{"_299":646,"_301":647,"_303":648},"https://img.ochreeditions.com/m/37.jpg?dl=1","/art/two-sisters-on-the-terrace-aic-14655","/galleries/style/impressionism/two-sisters-on-the-terrace-aic-14655",{"_295":296,"_297":298},{"_228":641,"_125":642,"_289":643},{"_280":639,"_282":281,"_284":640,"_285":247},95.58792480409274,80.58792480409274,{"_291":228,"_123":644,"_154":645,"_140":81},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/37/480.jpg","https://img.ochreeditions.com/a/37/960.jpg","https://img.ochreeditions.com/a/37/1920.jpg","Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine.",{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},{"_315":657,"_317":658},{"_315":655,"_317":656},"#97524b",0.0598,"#323951",0.1271,"#838569",0.2323,"#a1a39f",0.268,"#626967",0.3128,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","Arrival of the Normandy Train, Gare Saint-Lazare",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":85},"1877","60.3 × 80.2 cm (23 3/4 × 31 1/2 in.); Framed: 80.7 × 100.4 × 10.2 cm (31 3/4 × 39 1/2 × 4 in.)",1.3326787117046348,[701,702,703,704,705],{"_224":549,"_225":550,"_42":551,"_308":552},"1933.1158","Claude Monet painted this in 1877, aged 37. It is now at the Art Institute of Chicago.",{"_118":700,"_485":548},"Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.",{"_299":697,"_301":698,"_303":699},"https://img.ochreeditions.com/m/62.jpg?dl=1","/art/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","/galleries/style/impressionism/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571",{"_295":296,"_297":298},{"_228":694,"_125":695,"_289":696},{"_280":691,"_282":692,"_284":624,"_285":693},95,75.02947244326555,60.02947244326554,{"_291":228,"_123":171,"_154":170,"_140":85},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/62/480.jpg","https://img.ochreeditions.com/a/62/960.jpg","https://img.ochreeditions.com/a/62/1920.jpg","The Impressionists frequently paid tribute to the modern aspects of Paris, depicting scenes of grand boulevards and modern constructions. Monet made 12 paintings of the Gare Saint-Lazare.",{"_315":714,"_317":715},{"_315":712,"_317":713},{"_315":710,"_317":711},{"_315":708,"_317":709},{"_315":706,"_317":707},"#aab0b2",0.1465,"#51646e",0.1833,"#79888a",0.2025,"#5b695c",0.2311,"#364246",0.2366,"a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":388,"_225":389,"_329":390,"_331":332,"_333":391,"_335":392,"_337":393,"_338":393,"_339":394,"_140":75},"1865","Paintings","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[752,753,754,755,756],{"_224":748,"_225":749,"_42":750,"_308":751},"Courtesy of The Metropolitan Museum of Art","29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_299":745,"_301":746,"_303":747},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_295":296,"_297":298},{"_228":742,"_125":743,"_289":744},{"_280":739,"_282":740,"_284":722,"_285":741},107.7,90.4578,75.4578,{"_291":228,"_123":368,"_154":369,"_140":75},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":765,"_317":766},{"_315":763,"_317":764},{"_315":761,"_317":762},{"_315":759,"_317":760},{"_315":757,"_317":758},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":665,"_225":666,"_329":667,"_331":332,"_333":617,"_335":668,"_337":669,"_338":670,"_339":671,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[797,798,799,800,801],{"_224":748,"_225":749,"_42":750,"_308":751},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_299":794,"_301":795,"_303":796},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_295":296,"_297":298},{"_228":791,"_125":792,"_289":793},{"_280":788,"_282":789,"_284":790,"_285":773},102.37169999999999,126.8,87.37169999999999,{"_291":228,"_123":644,"_154":645,"_140":81},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_315":810,"_317":811},{"_315":808,"_317":809},{"_315":806,"_317":807},{"_315":804,"_317":805},{"_315":802,"_317":803},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":665,"_225":666,"_329":667,"_331":332,"_333":617,"_335":668,"_337":669,"_338":670,"_339":671,"_140":81},"c. 1890","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[844,845,846,847,848],{"_224":487,"_225":488,"_42":489,"_308":490},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":843,"_485":486},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_299":840,"_301":841,"_303":842},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_295":296,"_297":298},{"_228":837,"_125":838,"_289":839},{"_280":834,"_282":835,"_284":818,"_285":836},49,39.69,24.69,{"_291":228,"_123":644,"_154":645,"_140":81},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.",{"_315":857,"_317":858},{"_315":855,"_317":856},{"_315":853,"_317":854},{"_315":851,"_317":852},{"_315":849,"_317":850},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":388,"_225":389,"_329":390,"_331":332,"_333":391,"_335":392,"_337":393,"_338":393,"_339":394,"_140":75},"c. 1880–83","print","Print","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[895,896,897,898,899],{"_224":487,"_225":488,"_42":489,"_308":490},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":894,"_485":486},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_299":891,"_301":892,"_303":893},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_295":479,"_297":480},{"_228":885,"_125":886,"_289":887},{"_280":882,"_282":834,"_284":883,"_285":884},42.93382352941177,18.933823529411764,25,{"_291":228,"_123":368,"_154":369,"_140":75},{"_291":125,"_123":888,"_154":889,"_140":890},{"_291":289,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_315":908,"_317":909},{"_315":906,"_317":907},{"_315":904,"_317":905},{"_315":902,"_317":903},{"_315":900,"_317":901},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"the-houses-of-parliament-sunset-nga-46523","The Houses of Parliament, Sunset",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":85},"1903","overall: 81.3 x 92.5 cm (32 x 36 7/16 in.) framed: 107 x 117.5 x 8.8 cm (42 1/8 x 46 1/4 x 3 7/16 in.)",92.5,81.3,1.1321171918186843,[940,941,942,943,944],{"_224":305,"_225":306,"_42":307,"_308":309},"1963.10.48","Claude Monet painted this in 1903, aged 63. It is now at the National Gallery of Art in Washington, DC.","The towers of the Houses of Parliament dissolve into blue silhouette against a sky of pink, apricot and lavender, their reflection broken into short horizontal strokes on the Thames, where a single small boat drifts near the centre.","A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting. Along the horizon, the buildings stretch from our right, almost fully across the canvas, and are painted with vertical brushstrokes in cool shades of blue. The sky behind the towers seems hazy with intermingling, pastel-colored clouds. The buildings are reflected in the river, which fills the bottom third of the painting. The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”",{"_299":937,"_301":938,"_303":939},"https://img.ochreeditions.com/m/1516.jpg?dl=1","/art/the-houses-of-parliament-sunset-nga-46523","/galleries/style/impressionism/the-houses-of-parliament-sunset-nga-46523",{"_295":296,"_297":298},{"_228":934,"_125":935,"_289":936},{"_280":931,"_282":932,"_284":915,"_285":933},107.5,96.705322265625,81.705322265625,{"_291":228,"_123":171,"_154":170,"_140":85},{"_291":125,"_123":541,"_154":542,"_140":543},{"_291":289,"_123":539,"_154":540,"_140":81},"https://img.ochreeditions.com/a/1516/480.jpg","https://img.ochreeditions.com/a/1516/960.jpg","https://img.ochreeditions.com/a/1516/1920.jpg",{"_315":953,"_317":385},{"_315":951,"_317":952},{"_315":949,"_317":950},{"_315":947,"_317":948},{"_315":945,"_317":946},"#bba296",0.1484,"#728d9a",0.1585,"#9d9f9f",0.2093,"#c2b69d",0.2383,"#557b94","the-millinery-shop-aic-14572","The Millinery Shop",{"_42":388,"_225":389,"_329":390,"_331":332,"_333":391,"_335":392,"_337":393,"_338":393,"_339":394,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,1.101254677525864,[984,985,986,987,988],{"_224":549,"_225":550,"_42":551,"_308":552},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":983,"_485":548},"Impressionist painting of woman wearing green dress trying on hats.",{"_299":980,"_301":981,"_303":982},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_295":296,"_297":298},{"_228":977,"_125":978,"_289":979},{"_280":974,"_282":975,"_284":959,"_285":976},125,114.8860683589846,99.8860683589846,{"_291":228,"_123":368,"_154":369,"_140":75},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_315":997,"_317":998},{"_315":995,"_317":996},{"_315":993,"_317":994},{"_315":991,"_317":992},{"_315":989,"_317":990},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1047,"_225":1048,"_329":1049,"_331":332,"_333":1050,"_335":1051,"_337":-5,"_338":-5,"_339":-5,"_140":103},"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[1032,1033,1034,1035,1036],{"_224":549,"_225":550,"_42":551,"_308":552},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":1031,"_485":548},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_299":1028,"_301":1029,"_303":1030},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/impressionism/paris-street-rainy-day-aic-20684",{"_295":296,"_297":298},{"_228":1023,"_125":1024,"_289":1025},{"_280":1019,"_282":1020,"_284":1021,"_285":1022},255,201.3622709522379,240,186.3622709522379,{"_291":228,"_123":1026,"_154":1027,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":294},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_315":1045,"_317":1046},{"_315":1043,"_317":1044},{"_315":1041,"_317":1042},{"_315":1039,"_317":1040},{"_315":1037,"_317":1038},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":388,"_225":389,"_329":390,"_331":332,"_333":391,"_335":392,"_337":393,"_338":393,"_339":394,"_140":75},"watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[1086,1087,1088,1089,1090],{"_224":549,"_225":550,"_42":551,"_308":552},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_299":1083,"_301":1084,"_303":1085},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_295":479,"_297":480},{"_228":1078,"_125":1079,"_289":1080},{"_280":1075,"_282":1076,"_284":1059,"_285":1077},94,59.050107372942016,35.050107372942016,{"_291":228,"_123":368,"_154":369,"_140":75},{"_291":125,"_123":1081,"_154":1082,"_140":347},{"_291":289,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_315":1099,"_317":1100},{"_315":1097,"_317":1098},{"_315":1095,"_317":1096},{"_315":1093,"_317":1094},{"_315":1091,"_317":1092},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,{"_1102":-5,"_1103":1104,"_1105":1106,"_1107":8,"_1108":1109,"_1110":8},"user","csrf","75646cdb3f2967779d7cc1e2fc01b5a55884dff3","cartCount",0,"dropLive","legal",[1111,1112,1113,1114,1115,1116,1117,1118,1119,1120,1121,1122],"uploadsEnabled",{"_225":1145,"_20":1146},{"_225":1143,"_20":1144},{"_225":1141,"_20":1142},{"_225":1139,"_20":1140},{"_225":1137,"_20":1138},{"_225":1135,"_20":1136},{"_225":1133,"_20":1134},{"_225":1131,"_20":1132},{"_225":1129,"_20":1130},{"_225":1127,"_20":1128},{"_225":1125,"_20":1126},{"_225":1123,"_20":1124},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]