[{"_1":2,"_3":4},"root",{"_5":1105},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Impressionism, in the galleries · Ochre Editions","description","Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/impressionism","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/impressionism.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Impressionism, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558",15,"https://www.ochreeditions.com/art/sheet-of-studies-and-sketches-cma-128808",14,"https://www.ochreeditions.com/art/by-the-seashore-met-437430",13,"https://www.ochreeditions.com/art/the-place-du-havre-paris-aic-81551",12,"https://www.ochreeditions.com/art/the-red-kerchief-cma-135382",11,"https://www.ochreeditions.com/art/the-houses-of-parliament-sunset-nga-46523",10,"https://www.ochreeditions.com/art/edouard-blau-nga-46556",9,"https://www.ochreeditions.com/art/jalais-hill-pontoise-met-437299",8,"https://www.ochreeditions.com/art/esterel-village-cma-142356",7,"https://www.ochreeditions.com/art/yellow-dancers-in-the-wings-aic-18951",6,"https://www.ochreeditions.com/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",5,"https://www.ochreeditions.com/art/the-millinery-shop-aic-14572",4,"https://www.ochreeditions.com/art/after-the-bath-cma-101646",3,"https://www.ochreeditions.com/art/water-lilies-aic-16568",2,"https://www.ochreeditions.com/art/two-sisters-on-the-terrace-aic-14655",1,"https://www.ochreeditions.com/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~impressionism.77a7e1e210.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~impressionism.77a7e1e210.jpg","alt","Impressionism, a room in the galleries: three of its 53 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Impressionism: 53 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~impressionism.jpg","key","style/impressionism","style","Impressionism","intro","Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.","wing","Style galleries","floor","layout","long","hang",5597,"/galleries/style/impressionism","total",53,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6NTU5NywiaSI6bnVsbCwiZyI6IlctcDBDYTFFIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/impressionism?hang=5597&cursor=eyJvIjoxNiwiaCI6NTU5NywiaSI6bnVsbCwiZyI6IlctcDBDYTFFIn0&via=continue","label","Impressionism, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/1263/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":81},{"_154":166,"_123":167,"_44":168,"_140":169},"19th-century France","era/19-france","/galleries/era/19-france?hang=5597&via=continue",237,"More by Pierre-Auguste Renoir","artist/pierre-auguste-renoir","/galleries/artist/pierre-auguste-renoir?hang=5597&via=continue",{"_42":200,"_179":201},{"_42":194,"_179":195},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182],592,221,"Section 2, north wall",[185,186,187],627,220,1145,"Section 2, south wall",[190,191,192,193],660,1136,1523,1516,"Section 1, south wall",[196,197,198,199],497,31,664,71,"Section 1, north wall",[202,203,204],1191,37,61,{"_221":202,"_222":1060,"_20":1061,"_225":1062,"_227":-5,"_228":1063,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":416,"_239":240,"_241":1064,"_243":1065,"_245":1066,"_247":1067,"_249":1068,"_251":1069,"_253":423,"_255":1070,"_257":258,"_259":1071,"_154":-5,"_262":1072,"_111":1073,"_264":1074,"_266":1075,"_268":1076,"_270":1077,"_272":1078,"_144":1079,"_275":1080},{"_221":203,"_222":1015,"_20":1016,"_225":1017,"_227":-5,"_228":1018,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":1019,"_243":1020,"_245":871,"_247":1021,"_249":1022,"_251":1023,"_253":254,"_255":1024,"_257":258,"_259":1025,"_154":1026,"_262":-5,"_111":1027,"_264":1028,"_266":1029,"_268":1030,"_270":1031,"_272":1032,"_144":1033,"_275":1034},{"_221":204,"_222":970,"_20":971,"_225":972,"_227":-5,"_228":973,"_230":575,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":974,"_243":975,"_245":976,"_247":977,"_249":978,"_251":979,"_253":254,"_255":980,"_257":258,"_259":981,"_154":-5,"_262":982,"_111":983,"_264":984,"_266":985,"_268":986,"_270":987,"_272":988,"_144":989,"_275":990},{"_221":196,"_222":911,"_20":912,"_225":913,"_227":-5,"_228":914,"_230":575,"_232":915,"_234":235,"_125":-5,"_28":347,"_237":348,"_239":916,"_241":917,"_243":871,"_245":918,"_247":919,"_249":920,"_251":921,"_253":356,"_255":922,"_257":258,"_259":923,"_154":924,"_262":-5,"_111":925,"_264":926,"_266":927,"_268":928,"_270":929,"_272":930,"_144":931,"_275":932},{"_221":197,"_222":865,"_20":866,"_225":867,"_227":-5,"_228":868,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":869,"_243":870,"_245":871,"_247":872,"_249":873,"_251":874,"_253":254,"_255":875,"_257":258,"_259":876,"_154":877,"_262":-5,"_111":878,"_264":879,"_266":880,"_268":881,"_270":882,"_272":883,"_144":884,"_275":885},{"_221":198,"_222":818,"_20":819,"_225":820,"_227":-5,"_228":821,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":726,"_237":727,"_239":822,"_241":823,"_243":53,"_245":824,"_247":825,"_249":826,"_251":827,"_253":356,"_255":828,"_257":258,"_259":829,"_154":830,"_262":-5,"_111":831,"_264":832,"_266":833,"_268":834,"_270":835,"_272":836,"_144":837,"_275":838},{"_221":199,"_222":774,"_20":775,"_225":776,"_227":-5,"_228":777,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":778,"_243":779,"_245":468,"_247":780,"_249":781,"_251":782,"_253":254,"_255":783,"_257":258,"_259":784,"_154":785,"_262":-5,"_111":786,"_264":787,"_266":788,"_268":789,"_270":790,"_272":791,"_144":792,"_275":793},{"_221":190,"_222":722,"_20":723,"_225":724,"_227":-5,"_228":725,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":726,"_237":727,"_239":728,"_241":729,"_243":730,"_245":731,"_247":732,"_249":733,"_251":734,"_253":356,"_255":735,"_257":258,"_259":736,"_154":737,"_262":-5,"_111":738,"_264":739,"_266":740,"_268":741,"_270":742,"_272":743,"_144":744,"_275":745},{"_221":191,"_222":678,"_20":679,"_225":680,"_227":-5,"_228":681,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":416,"_239":240,"_241":682,"_243":683,"_245":684,"_247":685,"_249":686,"_251":687,"_253":423,"_255":688,"_257":258,"_259":689,"_154":-5,"_262":-5,"_111":690,"_264":691,"_266":692,"_268":693,"_270":694,"_272":695,"_144":696,"_275":697},{"_221":192,"_222":628,"_20":629,"_225":630,"_227":-5,"_228":631,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":576,"_241":632,"_243":633,"_245":634,"_247":635,"_249":636,"_251":637,"_253":583,"_255":638,"_257":258,"_259":639,"_154":-5,"_262":-5,"_111":640,"_264":641,"_266":642,"_268":643,"_270":644,"_272":645,"_144":646,"_275":647},{"_221":193,"_222":571,"_20":572,"_225":573,"_227":-5,"_228":574,"_230":575,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":576,"_241":577,"_243":578,"_245":579,"_247":580,"_249":581,"_251":582,"_253":583,"_255":584,"_257":258,"_259":585,"_154":-5,"_262":586,"_111":587,"_264":588,"_266":589,"_268":590,"_270":591,"_272":592,"_144":593,"_275":594},{"_221":185,"_222":517,"_20":518,"_225":519,"_227":-5,"_228":520,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":521,"_241":522,"_243":523,"_245":244,"_247":524,"_249":525,"_251":526,"_253":356,"_255":527,"_257":258,"_259":528,"_154":529,"_262":-5,"_111":530,"_264":531,"_266":532,"_268":533,"_270":534,"_272":535,"_144":536,"_275":537},{"_221":186,"_222":463,"_20":464,"_225":465,"_227":-5,"_228":466,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":467,"_243":468,"_245":469,"_247":470,"_249":471,"_251":472,"_253":254,"_255":473,"_257":258,"_259":474,"_154":-5,"_262":475,"_111":476,"_264":477,"_266":478,"_268":479,"_270":480,"_272":481,"_144":482,"_275":483},{"_221":187,"_222":412,"_20":413,"_225":414,"_227":-5,"_228":415,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":416,"_239":240,"_241":417,"_243":418,"_245":419,"_247":420,"_249":421,"_251":422,"_253":423,"_255":424,"_257":258,"_259":425,"_154":-5,"_262":426,"_111":427,"_264":428,"_266":429,"_268":430,"_270":431,"_272":432,"_144":433,"_275":434},{"_221":181,"_222":343,"_20":344,"_225":345,"_227":-5,"_228":346,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":347,"_237":348,"_239":349,"_241":350,"_243":351,"_245":352,"_247":353,"_249":354,"_251":355,"_253":356,"_255":357,"_257":258,"_259":358,"_154":359,"_262":-5,"_111":360,"_264":361,"_266":362,"_268":363,"_270":364,"_272":365,"_144":366,"_275":367},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":261,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)","artist",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"unrecorded","date","1879","century",19,"place","france","movement","impressionism","painting","classification","Painting","medium","Oil on canvas","dimensions","131.2 × 99.2 cm (51 1/2 × 39 1/16 in.); Framed: 160.1 × 129 × 10.2 cm (63 × 50 3/4 × 4 in.)","width_cm",99,"height_cm",131,"aspect",0.7480035492457853,"palette",[310,311,312,313,314],"museum",{"_221":305,"_222":306,"_42":307,"_308":309},"credit","Courtesy of the Art Institute of Chicago","accession","1922.440","licence","CC0","story","Pierre-Auguste Renoir painted this in 1879, aged 38. It is now at the Art Institute of Chicago.",{"_118":302,"_303":304},"note","Two girls in acrobatic uniforms stand in an arena, one holds oranges.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/221.jpg?dl=1","page_url","/art/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","walk_url","/galleries/style/impressionism/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",112.98846495119787,"h",146,"image_w",97.98846495119787,"image_h",{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/221/480.jpg","960","https://img.ochreeditions.com/a/221/960.jpg","1920","https://img.ochreeditions.com/a/221/1920.jpg","The two girls in this painting by Pierre-Auguste Renoir are Francisca and Angelina Wartenberg, acrobats who performed in the famed Cirque Fernando in Paris. They are depicted clutching oranges tossed to them from the crowd as gifts.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#9e8972","weight",0.0781,"#4d4b41",0.0921,"#cac7ba",0.2471,"#bbaf7e",0.2682,"#ad9856",0.3145,"Pierre-Auguste Renoir","pierre-auguste-renoir","bio","French, 1841–1919","nationality","French","birth_year",1841,"death_year",1919,"birth_place","Limoges","death_place","Cagnes-sur-Mer","about_excerpt","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":405,"_222":406,"_329":407,"_331":332,"_333":408,"_335":409,"_337":410,"_339":410,"_341":411,"_140":75},"1858","drawing","Drawing","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[390,391,392,393,394],{"_221":386,"_222":387,"_42":388,"_308":389},"Courtesy of the Cleveland Museum of Art","1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":384,"_303":385},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_296":381,"_298":382,"_300":383},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_292":379,"_294":380},{"_225":371,"_125":372,"_286":373},{"_277":368,"_279":369,"_281":370,"_283":352},47.64941176470588,54.4,23.64941176470588,{"_288":225,"_123":377,"_154":378,"_140":75},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/edgar-degas","More by Edgar Degas","white","snow","https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":403,"_317":404},{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},{"_315":395,"_317":396},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","by-the-seashore-met-437430","By the Seashore",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"1883","Paintings","36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)",72.4,92.1,0.7905,[448,449,450,451,452],{"_221":444,"_222":445,"_42":446,"_308":447},"Courtesy of The Metropolitan Museum of Art","29.100.125","Pierre-Auguste Renoir painted this in 1883, aged 42. It is now at The Met in New York.","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883",{"_296":441,"_298":442,"_300":443},"https://img.ochreeditions.com/m/1145.jpg?dl=1","/art/by-the-seashore-met-437430","/galleries/style/impressionism/by-the-seashore-met-437430",{"_292":293,"_294":295},{"_225":438,"_125":439,"_286":440},{"_277":435,"_279":436,"_281":437,"_283":419},87.80505,107.1,72.80505,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1145/480.jpg","https://img.ochreeditions.com/a/1145/960.jpg","https://img.ochreeditions.com/a/1145/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":461,"_317":462},{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},"#797246",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,"the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":510,"_222":511,"_329":512,"_331":332,"_333":513,"_335":514,"_337":515,"_339":410,"_341":516,"_140":95},"1893","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",73,60,1.2263553899163209,[495,496,497,498,499],{"_221":305,"_222":306,"_42":307,"_308":309},"1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.","A work made of oil on canvas.",{"_296":492,"_298":493,"_300":494},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/impressionism/the-place-du-havre-paris-aic-81551",{"_292":293,"_294":295},{"_225":487,"_125":488,"_286":489},{"_277":484,"_279":485,"_281":468,"_283":486},88,74.52597477064221,59.52597477064221,{"_288":225,"_123":490,"_154":491,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg",{"_315":508,"_317":509},{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","the-red-kerchief-cma-135382","The Red Kerchief",{"_42":565,"_222":566,"_329":567,"_331":332,"_333":568,"_335":569,"_337":-5,"_339":-5,"_341":570,"_140":85},"c. 1868–73","oil on fabric","Framed: 128.3 x 105.7 x 14.6 cm (50 1/2 x 41 5/8 x 5 3/4 in.); Unframed: 99 x 79.8 cm (39 x 31 7/16 in.)",79.8,0.8035294117647059,[550,551,552,553,554],{"_221":386,"_222":387,"_42":388,"_308":389},"1958.39","Claude Monet painted this in about 1868–73, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":549,"_303":385},"The Red Kerchief, by Claude Monet, c. 1868–73",{"_296":546,"_298":547,"_300":548},"https://img.ochreeditions.com/m/627.jpg?dl=1","/art/the-red-kerchief-cma-135382","/galleries/style/impressionism/the-red-kerchief-cma-135382",{"_292":293,"_294":295},{"_225":541,"_125":542,"_286":543},{"_277":538,"_279":539,"_281":540,"_283":244},94.5494117647059,114,79.5494117647059,{"_288":225,"_123":544,"_154":545,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/627/480.jpg","https://img.ochreeditions.com/a/627/960.jpg","https://img.ochreeditions.com/a/627/1920.jpg","This painting depicts Monet's first wife, Camille, outside on a snowy day passing by the French doors of their home at Argenteuil.",{"_315":563,"_317":564},{"_315":561,"_317":562},{"_315":559,"_317":560},{"_315":557,"_317":558},{"_315":555,"_317":556},"#782e25",0.0101,"#a7afb1",0.0316,"#717778",0.2252,"#5a5952",0.2785,"#3d3d3c",0.4546,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","the-houses-of-parliament-sunset-nga-46523","The Houses of Parliament, Sunset",{"_42":565,"_222":566,"_329":567,"_331":332,"_333":568,"_335":569,"_337":-5,"_339":-5,"_341":570,"_140":85},"1903",20,"oil on canvas","overall: 81.3 x 92.5 cm (32 x 36 7/16 in.) framed: 107 x 117.5 x 8.8 cm (42 1/8 x 46 1/4 x 3 7/16 in.)",92.5,81.3,1.1321171918186843,[613,614,615,616,617],{"_221":609,"_222":610,"_42":611,"_308":612},"Courtesy National Gallery of Art, Washington","1963.10.48","Claude Monet painted this in 1903, aged 63. It is now at the National Gallery of Art in Washington, DC.","The towers of the Houses of Parliament dissolve into blue silhouette against a sky of pink, apricot and lavender, their reflection broken into short horizontal strokes on the Thames, where a single small boat drifts near the centre.","A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting. Along the horizon, the buildings stretch from our right, almost fully across the canvas, and are painted with vertical brushstrokes in cool shades of blue. The sky behind the towers seems hazy with intermingling, pastel-colored clouds. The buildings are reflected in the river, which fills the bottom third of the painting. The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”",{"_296":606,"_298":607,"_300":608},"https://img.ochreeditions.com/m/1516.jpg?dl=1","/art/the-houses-of-parliament-sunset-nga-46523","/galleries/style/impressionism/the-houses-of-parliament-sunset-nga-46523",{"_292":293,"_294":295},{"_225":598,"_125":599,"_286":600},{"_277":595,"_279":596,"_281":578,"_283":597},107.5,96.705322265625,81.705322265625,{"_288":225,"_123":544,"_154":545,"_140":85},{"_288":125,"_123":603,"_154":604,"_140":605},{"_288":286,"_123":601,"_154":602,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"https://img.ochreeditions.com/a/1516/480.jpg","https://img.ochreeditions.com/a/1516/960.jpg","https://img.ochreeditions.com/a/1516/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":626,"_317":627},{"_315":624,"_317":625},{"_315":622,"_317":623},{"_315":620,"_317":621},{"_315":618,"_317":619},"#bba296",0.1484,"#728d9a",0.1585,"#9d9f9f",0.2093,"#c2b69d",0.2383,"#557b94",0.2455,"edouard-blau-nga-46556","Edouard Blau",{"_42":674,"_222":675,"_329":676,"_331":332,"_333":334,"_335":677,"_337":-5,"_339":-5,"_341":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[659,660,661,662,663],{"_221":609,"_222":610,"_42":611,"_308":612},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_296":656,"_298":657,"_300":658},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/impressionism/edouard-blau-nga-46556",{"_292":293,"_294":295},{"_225":651,"_125":652,"_286":653},{"_277":648,"_279":649,"_281":650,"_283":634},58.28857421875,74.5,43.28857421875,{"_288":225,"_123":654,"_154":655,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_315":672,"_317":673},{"_315":670,"_317":671},{"_315":668,"_317":669},{"_315":666,"_317":667},{"_315":664,"_317":665},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1870,"jalais-hill-pontoise-met-437299","Jalais Hill, Pontoise",{"_42":510,"_222":511,"_329":512,"_331":332,"_333":513,"_335":514,"_337":515,"_339":410,"_341":516,"_140":95},"1867","34 1/4 x 45 1/4 in. (87 x 114.9 cm)",114.9,87,1.3109735122119024,[707,708,709,710,711],{"_221":444,"_222":445,"_42":446,"_308":447},"51.30.2","Camille Pissarro painted this in 1867, aged 37. It is now at The Met in New York.","Jalais Hill, Pontoise, by Camille Pissarro, 1867",{"_296":704,"_298":705,"_300":706},"https://img.ochreeditions.com/m/1136.jpg?dl=1","/art/jalais-hill-pontoise-met-437299","/galleries/style/impressionism/jalais-hill-pontoise-met-437299",{"_292":293,"_294":295},{"_225":701,"_125":702,"_286":703},{"_277":698,"_279":699,"_281":683,"_283":700},129.9,102.64479139333508,87.64479139333508,{"_288":225,"_123":490,"_154":491,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1136/480.jpg","https://img.ochreeditions.com/a/1136/960.jpg","https://img.ochreeditions.com/a/1136/1920.jpg",{"_315":720,"_317":721},{"_315":718,"_317":719},{"_315":716,"_317":717},{"_315":714,"_317":715},{"_315":712,"_317":713},"#9c9678",0.0794,"#7a723f",0.1767,"#4b5030",0.2172,"#262f23",0.2423,"#c4d5d4",0.2844,"esterel-village-cma-142356","Estérel Village",{"_42":405,"_222":406,"_329":407,"_331":332,"_333":408,"_335":409,"_337":410,"_339":410,"_341":411,"_140":75},"c. 1890","print","Print","color monotype","Sheet: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.); Image: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.)",39.9,29.9,1.3286440015631107,[759,760,761,762,763],{"_221":386,"_222":387,"_42":388,"_308":389},"1966.177","Edgar Degas made this in about 1890, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":758,"_303":385},"Estérel Village, by Edgar Degas, c. 1890",{"_296":755,"_298":756,"_300":757},"https://img.ochreeditions.com/m/660.jpg?dl=1","/art/esterel-village-cma-142356","/galleries/style/impressionism/esterel-village-cma-142356",{"_292":379,"_294":380},{"_225":749,"_125":750,"_286":751},{"_277":746,"_279":747,"_281":730,"_283":748},63.9,54.03061764705882,30.030617647058822,{"_288":225,"_123":377,"_154":378,"_140":75},{"_288":125,"_123":752,"_154":753,"_140":754},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/660/480.jpg","https://img.ochreeditions.com/a/660/960.jpg","https://img.ochreeditions.com/a/660/1920.jpg","This landscape is one of many monotypes that Edgar Degas produced throughout his career. The work belongs to a series Degas made while visiting a friend in the French countryside. Its blurriness resembles the view he saw out the window of trains and carriages during his travels.",{"_315":772,"_317":773},{"_315":770,"_317":771},{"_315":768,"_317":769},{"_315":766,"_317":767},{"_315":764,"_317":765},"#855c46",0.1351,"#b37358",0.1686,"#9e6f53",0.2201,"#bb8766",0.2347,"#cfae8b",0.2415,"yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":405,"_222":406,"_329":407,"_331":332,"_333":408,"_335":409,"_337":410,"_339":410,"_341":411,"_140":75},"1874–76","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,0.8066455167807647,[803,804,805,806,807],{"_221":305,"_222":306,"_42":307,"_308":309},"1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":802,"_303":304},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_296":799,"_298":800,"_300":801},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/impressionism/yellow-dancers-in-the-wings-aic-18951",{"_292":293,"_294":295},{"_225":796,"_125":797,"_286":798},{"_277":794,"_279":484,"_281":795,"_283":468},73.88512272499582,58.885122724995824,{"_288":225,"_123":377,"_154":378,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.",{"_315":816,"_317":817},{"_315":814,"_317":815},{"_315":812,"_317":813},{"_315":810,"_317":811},{"_315":808,"_317":809},"#3a3d2c",0.1253,"#7f6a3b",0.1605,"#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":405,"_222":406,"_329":407,"_331":332,"_333":408,"_335":409,"_337":410,"_339":410,"_341":411,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[850,851,852,853,854],{"_221":386,"_222":387,"_42":388,"_308":389},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":849,"_303":385},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_296":846,"_298":847,"_300":848},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_292":379,"_294":380},{"_225":843,"_125":844,"_286":845},{"_277":839,"_279":840,"_281":841,"_283":842},42.93382352941177,49,18.933823529411764,25,{"_288":225,"_123":377,"_154":378,"_140":75},{"_288":125,"_123":752,"_154":753,"_140":754},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_315":863,"_317":864},{"_315":861,"_317":862},{"_315":859,"_317":860},{"_315":857,"_317":858},{"_315":855,"_317":856},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":405,"_222":406,"_329":407,"_331":332,"_333":408,"_335":409,"_337":410,"_339":410,"_341":411,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[896,897,898,899,900],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":895,"_303":304},"Impressionist painting of woman wearing green dress trying on hats.",{"_296":892,"_298":893,"_300":894},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_292":293,"_294":295},{"_225":889,"_125":890,"_286":891},{"_277":886,"_279":887,"_281":870,"_283":888},125,114.8860683589846,99.8860683589846,{"_288":225,"_123":377,"_154":378,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_315":909,"_317":910},{"_315":907,"_317":908},{"_315":905,"_317":906},{"_315":903,"_317":904},{"_315":901,"_317":902},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"after-the-bath-cma-101646","After the Bath",{"_42":965,"_222":966,"_329":967,"_331":968,"_333":969,"_335":569,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1901","united-states","pastel","Sheet: 66 x 100 cm (26 x 39 3/8 in.)",66,1.480191554201132,[950,951,952,953,954],{"_221":386,"_222":387,"_42":388,"_308":389},"1920.379","Mary Cassatt drew this in 1901, aged 57. It is now at the Cleveland Museum of Art.",{"_118":949,"_303":385},"After the Bath, by Mary Cassatt, 1901",{"_296":946,"_298":947,"_300":948},"https://img.ochreeditions.com/m/497.jpg?dl=1","/art/after-the-bath-cma-101646","/galleries/style/impressionism/after-the-bath-cma-101646",{"_292":379,"_294":380},{"_225":936,"_125":937,"_286":938},{"_277":933,"_279":934,"_281":871,"_283":935},124,91.55882352941177,67.55882352941177,{"_288":225,"_123":944,"_154":945,"_140":89},{"_288":125,"_123":941,"_154":942,"_140":943},{"_288":286,"_123":939,"_154":940,"_140":933},"era/20-united-states","20th-century United States","style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/497/480.jpg","https://img.ochreeditions.com/a/497/960.jpg","https://img.ochreeditions.com/a/497/1920.jpg","Mary Cassatt began using pastel in the 1870s and continued to experiment with the medium throughout her career. This drawing depicts a mother and child, one of the artist's preferred subjects.",{"_315":963,"_317":964},{"_315":961,"_317":962},{"_315":959,"_317":960},{"_315":957,"_317":958},{"_315":955,"_317":956},"#be7c2c",0.0872,"#6f8648",0.1461,"#6a5b47",0.1999,"#dfded9",0.218,"#b4a084",0.3488,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"water-lilies-aic-16568","Water Lilies",{"_42":565,"_222":566,"_329":567,"_331":332,"_333":568,"_335":569,"_337":-5,"_339":-5,"_341":570,"_140":85},"1906","89.9 × 94.1 cm (35 3/8 × 37 1/16 in.); Framed: 103.2 × 107 × 5.8 cm (40 5/8 × 42 1/8 × 2 1/4 in.)",94,89,1.0411347517730496,[1000,1001,1002,1003,1004],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.1157","Claude Monet painted this in 1906, aged 66. It is now at the Art Institute of Chicago.","There is no shoreline and no sky here, only the surface of Monet’s lily pond at Giverny seen up close, with thickly painted pink and white blossoms floating on water that holds reflections of the light above, while a band of shadow falls across the top.","Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.",{"_296":997,"_298":998,"_300":999},"https://img.ochreeditions.com/m/61.jpg?dl=1","/art/water-lilies-aic-16568","/galleries/style/impressionism/water-lilies-aic-16568",{"_292":293,"_294":295},{"_225":994,"_125":995,"_286":996},{"_277":991,"_279":992,"_281":975,"_283":993},109,105.28610354223434,90.28610354223434,{"_288":225,"_123":544,"_154":545,"_140":85},{"_288":125,"_123":603,"_154":604,"_140":605},{"_288":286,"_123":601,"_154":602,"_140":81},"https://img.ochreeditions.com/a/61/480.jpg","https://img.ochreeditions.com/a/61/960.jpg","https://img.ochreeditions.com/a/61/1920.jpg",{"_315":1013,"_317":1014},{"_315":1011,"_317":1012},{"_315":1009,"_317":1010},{"_315":1007,"_317":1008},{"_315":1005,"_317":1006},"#5f816d",0.1089,"#687d84",0.1834,"#547d9a",0.228,"#426567",0.2346,"#47627c",0.2451,"two-sisters-on-the-terrace-aic-14655","Two Sisters (On the Terrace)",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"1881","100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)",80,0.8058792480409274,[1045,1046,1047,1048,1049],{"_221":305,"_222":306,"_42":307,"_308":309},"1933.455","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.",{"_118":1044,"_303":304},"Impressionist painting of two girls on balcony, bright flower hat, knitting basket.",{"_296":1041,"_298":1042,"_300":1043},"https://img.ochreeditions.com/m/37.jpg?dl=1","/art/two-sisters-on-the-terrace-aic-14655","/galleries/style/impressionism/two-sisters-on-the-terrace-aic-14655",{"_292":293,"_294":295},{"_225":1038,"_125":1039,"_286":1040},{"_277":1035,"_279":1036,"_281":1037,"_283":871},95.58792480409274,115,80.58792480409274,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/37/480.jpg","https://img.ochreeditions.com/a/37/960.jpg","https://img.ochreeditions.com/a/37/1920.jpg","Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine.",{"_315":1058,"_317":1059},{"_315":1056,"_317":1057},{"_315":1054,"_317":1055},{"_315":1052,"_317":1053},{"_315":1050,"_317":1051},"#97524b",0.0598,"#323951",0.1271,"#838569",0.2323,"#a1a39f",0.268,"#626967",0.3128,"madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":81},"1878","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[1090,1091,1092,1093,1094],{"_221":444,"_222":445,"_42":446,"_308":447},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_296":1087,"_298":1088,"_300":1089},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_292":293,"_294":295},{"_225":1084,"_125":1085,"_286":1086},{"_277":1081,"_279":1082,"_281":1065,"_283":1083},205.2,169.72769999999997,154.72769999999997,{"_288":225,"_123":171,"_154":170,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_315":1103,"_317":1104},{"_315":1101,"_317":1102},{"_315":1099,"_317":1100},{"_315":1097,"_317":1098},{"_315":1095,"_317":1096},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,{"_1106":-5,"_1107":1108,"_1109":1110,"_1111":8,"_1112":1113,"_1114":8},"user","csrf","9281cd5671a14f279cdde327a985a39ad6a8bea2","cartCount",0,"dropLive","legal",[1115,1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126],"uploadsEnabled",{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},{"_222":1145,"_20":1146},{"_222":1143,"_20":1144},{"_222":1141,"_20":1142},{"_222":1139,"_20":1140},{"_222":1137,"_20":1138},{"_222":1135,"_20":1136},{"_222":1133,"_20":1134},{"_222":1131,"_20":1132},{"_222":1129,"_20":1130},{"_222":1127,"_20":1128},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]