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Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":461,"_316":462},{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Paris","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","watering-place-at-marly-aic-37741","Watering Place at Marly",{"_42":518,"_221":519,"_328":520,"_330":520,"_332":-5,"_334":521,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1875","39.5 × 56.2 cm (15 7/16 × 22 1/8 in.); Framed: 63.9 × 80.7 × 9.6 cm (25 1/8 × 31 3/4 × 3 3/4 in.)",56,39,1.428224788896438,[503,504,505,506,507],{"_220":304,"_221":305,"_42":306,"_307":308},"1971.875","Alfred Sisley painted this in 1875. It is now at the Art Institute of Chicago.",{"_118":502,"_302":303},"A work made of oil on canvas.",{"_295":499,"_297":500,"_299":501},"https://img.ochreeditions.com/m/139.jpg?dl=1","/art/watering-place-at-marly-aic-37741","/galleries/style/impressionism/watering-place-at-marly-aic-37741",{"_291":292,"_293":294},{"_224":494,"_125":495,"_285":496},{"_276":491,"_278":492,"_280":475,"_282":493},71,54.20951410125722,39.20951410125722,{"_287":224,"_123":497,"_154":498,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alfred-sisley","Alfred Sisley's contemporaries","https://img.ochreeditions.com/a/139/480.jpg","https://img.ochreeditions.com/a/139/960.jpg","https://img.ochreeditions.com/a/139/1920.jpg","In 1875 Alfred Sisley moved to the French village of Marly-le-Roi. His home flanked the pool, or “watering place,” featured on the left of this canvas, which had once been the water gardens of King Louis XIV's country retreat.",{"_314":516,"_316":517},{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},"#968e68",0.1003,"#556758",0.1028,"#879189",0.1247,"#c2baa5",0.2767,"#9fb8be",0.3955,"Alfred Sisley","alfred-sisley","British",1899,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"c. 1890","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[553,554,555,556,557],{"_220":444,"_221":445,"_42":446,"_307":447},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":552,"_302":443},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_295":549,"_297":550,"_299":551},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_291":292,"_293":294},{"_224":546,"_125":547,"_285":548},{"_276":426,"_278":544,"_280":528,"_282":545},39.69,24.69,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.",{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":395,"_221":396,"_328":397,"_330":331,"_332":398,"_334":399,"_336":-5,"_338":-5,"_340":400,"_140":85},"1894","oil on canvas","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[604,605,606,607,608],{"_220":600,"_221":601,"_42":602,"_307":603},"Courtesy National Gallery of Art, Washington","1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_295":597,"_297":598,"_299":599},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_291":292,"_293":294},{"_224":594,"_125":595,"_285":596},{"_276":591,"_278":592,"_280":593,"_282":575},79.73752441406249,115.1,64.73752441406249,{"_287":224,"_123":375,"_154":376,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},{"_314":609,"_316":610},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"two-sisters-on-the-terrace-aic-14655","Two Sisters (On the Terrace)",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"1881","100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)",80,100,0.8058792480409274,[650,651,652,653,654],{"_220":304,"_221":305,"_42":306,"_307":308},"1933.455","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.",{"_118":649,"_302":303},"Impressionist painting of two girls on balcony, bright flower hat, knitting basket.",{"_295":646,"_297":647,"_299":648},"https://img.ochreeditions.com/m/37.jpg?dl=1","/art/two-sisters-on-the-terrace-aic-14655","/galleries/style/impressionism/two-sisters-on-the-terrace-aic-14655",{"_291":292,"_293":294},{"_224":643,"_125":644,"_285":645},{"_276":640,"_278":641,"_280":642,"_282":625},95.58792480409274,115,80.58792480409274,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/37/480.jpg","https://img.ochreeditions.com/a/37/960.jpg","https://img.ochreeditions.com/a/37/1920.jpg","Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine.",{"_314":663,"_316":664},{"_314":661,"_316":662},{"_314":659,"_316":660},{"_314":657,"_316":658},{"_314":655,"_316":656},"#97524b",0.0598,"#323951",0.1271,"#838569",0.2323,"#a1a39f",0.268,"#626967",0.3128,"a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","A Woman Seated at a Bench on the Avenue du Bois",{"_42":720,"_221":721,"_328":722,"_330":331,"_332":333,"_334":723,"_336":724,"_338":468,"_340":725,"_140":97},"1885","drawing","Drawings","Watercolor over traces of graphite","sheet: 7 7/8 x 11 in. (20 x 28 cm)",28,1.0849473326537546,[705,706,707,708,709],{"_220":701,"_221":702,"_42":703,"_307":704},"Courtesy of The Metropolitan Museum of Art","48.10.8","Berthe Morisot painted this in 1885, aged 44. It is now at The Met in New York.","A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885",{"_295":698,"_297":699,"_299":700},"https://img.ochreeditions.com/m/1032.jpg?dl=1","/art/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864","/galleries/style/impressionism/a-woman-seated-at-a-bench-on-the-avenue-du-bois-met-337864",{"_291":437,"_293":438},{"_224":690,"_125":691,"_285":692},{"_276":426,"_278":688,"_280":428,"_282":689},47.04259317256499,23.042593172564988,{"_287":224,"_123":696,"_154":697,"_140":97},{"_287":125,"_123":693,"_154":694,"_140":695},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1032/480.jpg","https://img.ochreeditions.com/a/1032/960.jpg","https://img.ochreeditions.com/a/1032/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":718,"_316":719},{"_314":716,"_316":717},{"_314":714,"_316":715},{"_314":712,"_316":713},{"_314":710,"_316":711},"#8ea28f",0.0813,"#bcc491",0.0834,"#8696a2",0.0988,"#bfc3c0",0.2513,"#e5dcc9",0.4852,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","head-of-a-young-girl-nga-35083","Head of a Young Girl",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"overall: 42.6 x 33.3 cm (16 3/4 x 13 1/8 in.) framed: 67.6 x 58.7 x 6.9 cm (26 5/8 x 23 1/8 x 2 11/16 in.)",33.3,42.6,0.765625,[755,756,757,758,759],{"_220":600,"_221":601,"_42":602,"_307":603},"1948.18.1","Pierre-Auguste Renoir painted this in about 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","A young woman with glossy brown hair gathered into a bun is seen in profile, her cheeks rosy and her lips slightly parted, one arm resting on a table. Behind her, the background breaks into swirling forms of orange, red and blue-grey, perhaps a patterned hanging, treated as pure colour.","This painting shows a young woman's upper body from the torso up. She is seated and facing the right, with her face seen in profile and one arm bent in front of her, seeming to rest on a brown table or surface. She has pale skin, round, rosy cheeks, a small nose, and pink lips that are slightly parted. Her brown hair is styled into a smooth, glossy bun at the nape of her neck. She is wearing a white garment with thin straps over her shoulders. The background features a yellow section on the bottom half, and on the top half is a colorful, abstract pattern with large, soft, swirling forms in shades of orange and red on a blue-gray background with hints of green.",{"_295":752,"_297":753,"_299":754},"https://img.ochreeditions.com/m/1493.jpg?dl=1","/art/head-of-a-young-girl-nga-35083","/galleries/style/impressionism/head-of-a-young-girl-nga-35083",{"_291":292,"_293":294},{"_224":749,"_125":750,"_285":751},{"_276":746,"_278":747,"_280":748,"_282":731},47.615625,57.6,32.615625,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1493/480.jpg","https://img.ochreeditions.com/a/1493/960.jpg","https://img.ochreeditions.com/a/1493/1920.jpg",{"_314":768,"_316":769},{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},{"_314":760,"_316":761},"#49352a",0.1406,"#c0a17f",0.1598,"#72553b",0.2159,"#9b663c",0.2277,"#957959",0.256,"the-dance-class-met-438817","The Dance Class",{"_42":463,"_221":464,"_328":465,"_330":331,"_332":466,"_334":467,"_336":468,"_338":468,"_340":469,"_140":75},"1874","Paintings","32 7/8 x 30 3/8 in. (83.5 x 77.2 cm)",77.2,83.5,0.9275,[801,802,803,804,805],{"_220":701,"_221":702,"_42":703,"_307":704},"1987.47.1","Edgar Degas painted this in 1874, aged 40. It is now at The Met in New York.","Dancers stretch, wait and fidget while the veteran ballet master Jules Perrot, leaning on a tall staff, takes a class in a rehearsal room of the Paris Opéra. Degas pushes him off-centre and lets the eye drift through the room instead, to dancers stretching, resting or simply waiting their turn.","The Dance Class, by Edgar Degas, 1874",{"_295":798,"_297":799,"_299":800},"https://img.ochreeditions.com/m/1193.jpg?dl=1","/art/the-dance-class-met-438817","/galleries/style/impressionism/the-dance-class-met-438817",{"_291":292,"_293":294},{"_224":795,"_125":796,"_285":797},{"_276":792,"_278":793,"_280":794,"_282":777},92.44625,98.5,77.44625,{"_287":224,"_123":435,"_154":436,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1193/480.jpg","https://img.ochreeditions.com/a/1193/960.jpg","https://img.ochreeditions.com/a/1193/1920.jpg",{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},{"_314":808,"_316":809},{"_314":806,"_316":807},"#1c150f",0.1165,"#88826b",0.1253,"#43392a",0.1626,"#5b654e",0.2595,"#64573f",0.3361,"the-laundress-aic-59944","The Laundress",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",0.6789700462025645,[842,843,844,845,846],{"_220":304,"_221":305,"_42":306,"_307":308},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_295":839,"_297":840,"_299":841},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/impressionism/the-laundress-aic-59944",{"_291":292,"_293":294},{"_224":836,"_125":837,"_285":838},{"_276":833,"_278":834,"_280":835,"_282":624},69.31760369620517,95,54.31760369620516,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_314":855,"_316":856},{"_314":853,"_316":854},{"_314":851,"_316":852},{"_314":849,"_316":850},{"_314":847,"_316":848},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,"madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"1878","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[887,888,889,890,891],{"_220":701,"_221":702,"_42":703,"_307":704},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_295":884,"_297":885,"_299":886},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_291":292,"_293":294},{"_224":881,"_125":882,"_285":883},{"_276":878,"_278":879,"_280":862,"_282":880},205.2,169.72769999999997,154.72769999999997,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_314":900,"_316":901},{"_314":898,"_316":899},{"_314":896,"_316":897},{"_314":894,"_316":895},{"_314":892,"_316":893},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"rabbit-warren-at-pontoise-snow-aic-20530","Rabbit Warren at Pontoise, Snow",{"_42":948,"_221":949,"_328":950,"_330":331,"_332":951,"_334":952,"_336":953,"_338":468,"_340":954,"_140":95},"59.2 × 72.3 cm (23 5/16 × 28 7/16 in.); Framed: 85.8 × 99.1 × 12.7 cm (33 3/4 × 39 × 5 in.)",72,59,1.2288795686039544,[933,934,935,936,937],{"_220":304,"_221":305,"_42":306,"_307":308},"1964.200","Camille Pissarro painted this in 1879, aged 49. It is now at the Art Institute of Chicago.",{"_118":932,"_302":303},{"_295":929,"_297":930,"_299":931},"https://img.ochreeditions.com/m/76.jpg?dl=1","/art/rabbit-warren-at-pontoise-snow-aic-20530","/galleries/style/impressionism/rabbit-warren-at-pontoise-snow-aic-20530",{"_291":292,"_293":294},{"_224":924,"_125":925,"_285":926},{"_276":921,"_278":922,"_280":906,"_282":923},87,73.58995611896637,58.58995611896636,{"_287":224,"_123":927,"_154":928,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/76/480.jpg","https://img.ochreeditions.com/a/76/960.jpg","https://img.ochreeditions.com/a/76/1920.jpg","Along with Impressionist painters Claude Monet and Alfred Sisley, Pissarro pursued the theme of snow throughout his career, producing nearly 100 “snow” paintings.",{"_314":946,"_316":947},{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},"#5a6756",0.1151,"#78817a",0.149,"#979d91",0.1926,"#98a9ad",0.2494,"#b3bebc",0.2939,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":720,"_221":721,"_328":722,"_330":331,"_332":333,"_334":723,"_336":724,"_338":468,"_340":725,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",60,1.3356737780178234,[984,985,986,987,988],{"_220":304,"_221":305,"_42":306,"_307":308},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":983,"_302":303},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_295":980,"_297":981,"_299":982},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_291":292,"_293":294},{"_224":977,"_125":978,"_285":979},{"_276":834,"_278":975,"_280":624,"_282":976},74.89486453699959,59.8948645369996,{"_287":224,"_123":696,"_154":697,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":463,"_221":464,"_328":465,"_330":331,"_332":466,"_334":467,"_336":468,"_338":468,"_340":469,"_140":75},"ca. 1868","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",33.1,0.6935817805383023,[1029,1030,1031,1032,1033],{"_220":701,"_221":702,"_42":703,"_307":704},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_295":1026,"_297":1027,"_299":1028},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_291":437,"_293":438},{"_224":1023,"_125":1024,"_285":1025},{"_276":1020,"_278":1021,"_280":1022,"_282":1005},46.957556935817806,57.1,22.95755693581781,{"_287":224,"_123":435,"_154":436,"_140":75},{"_287":125,"_123":693,"_154":694,"_140":695},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},{"_314":1036,"_316":1037},{"_314":1034,"_316":1035},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"alfred-sisley-aic-14650",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":81},"1876","66.2 × 54.8 cm (26 × 21 9/16 in.); Framed: 90.2 × 79.4 × 10.8 cm (35 1/2 × 31 1/4 × 4 1/4 in.)",54,66,0.8343702386998476,[1071,1072,1073,1074,1075],{"_220":304,"_221":305,"_42":306,"_307":308},"1933.453","Pierre-Auguste Renoir painted this in 1876, aged 35. It is now at the Art Institute of Chicago.",{"_295":1068,"_297":1069,"_299":1070},"https://img.ochreeditions.com/m/36.jpg?dl=1","/art/alfred-sisley-aic-14650","/galleries/style/impressionism/alfred-sisley-aic-14650",{"_291":292,"_293":294},{"_224":1065,"_125":1066,"_285":1067},{"_276":1062,"_278":1063,"_280":1064,"_282":1049},70.06843575418995,81,55.06843575418994,{"_287":224,"_123":170,"_154":169,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/36/480.jpg","https://img.ochreeditions.com/a/36/960.jpg","https://img.ochreeditions.com/a/36/1920.jpg",{"_314":1083,"_316":1084},{"_314":1082,"_316":565},{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},"#c0b3af",0.0563,"#816c44",0.0672,"#7f918a",0.1736,"#2f3c3e","#232533",0.4774,{"_1086":-5,"_1087":1088,"_1089":1090,"_1091":8,"_1092":1093,"_1094":8},"user","csrf","6e0534fd3a2686fe972a52efd3f52bca6bcfcd66","cartCount",0,"dropLive","legal",[1095,1096,1097,1098,1099,1100,1101,1102,1103,1104,1105,1106],"uploadsEnabled",{"_221":1129,"_20":1130},{"_221":1127,"_20":1128},{"_221":1125,"_20":1126},{"_221":1123,"_20":1124},{"_221":1121,"_20":1122},{"_221":1119,"_20":1120},{"_221":1117,"_20":1118},{"_221":1115,"_20":1116},{"_221":1113,"_20":1114},{"_221":1111,"_20":1112},{"_221":1109,"_20":1110},{"_221":1107,"_20":1108},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]