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His home flanked the pool, or “watering place,” featured on the left of this canvas, which had once been the water gardens of King Louis XIV's country retreat.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#968e68","weight",0.1003,"#556758",0.1028,"#879189",0.1247,"#c2baa5",0.2767,"#9fb8be",0.3955,"Alfred Sisley","alfred-sisley","bio","British","nationality","birth_year","death_year",1899,"birth_place","death_place","about_excerpt","the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":390,"_221":391,"_328":392,"_330":393,"_331":394,"_332":395,"_334":396,"_335":397,"_336":398,"_140":97},"1890","oil on canvas","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[375,376,377,378,379],{"_220":371,"_221":372,"_42":373,"_307":374},"Courtesy National Gallery of Art, Washington","1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. 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It does not cause the same tension of spirit as when I face a model.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","fishmarket-cma-74228","Fishmarket",{"_42":515,"_221":516,"_328":517,"_330":393,"_331":518,"_332":519,"_334":520,"_335":397,"_336":521,"_140":95},"1902",20,"Unframed: 66 x 81.3 cm (26 x 32 in.)",81.3,66,1.2477064220183487,[500,501,502,503,504],{"_220":435,"_221":436,"_42":437,"_307":438},"2020.113","Camille Pissarro painted this in 1902, aged 72. It is now at the Cleveland Museum of Art.",{"_118":499,"_302":434},"Fishmarket, by Camille Pissarro, 1902",{"_295":496,"_297":497,"_299":498},"https://img.ochreeditions.com/m/451.jpg?dl=1","/art/fishmarket-cma-74228","/galleries/style/impressionism/fishmarket-cma-74228",{"_291":292,"_293":294},{"_224":486,"_125":487,"_285":488},{"_276":483,"_278":484,"_280":467,"_281":485},96.3,80.15955882352941,65.15955882352941,{"_287":224,"_123":494,"_154":495,"_140":95},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":489,"_154":490,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/451/480.jpg","https://img.ochreeditions.com/a/451/960.jpg","https://img.ochreeditions.com/a/451/1920.jpg","This impressive view of a bustling fish market belongs to a series of paintings that Pissarro made during the summer of 1902 depicting the harbor at Dieppe.",{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},"#594c45",0.0901,"#ae9e8d",0.1703,"#7b695d",0.1841,"#997f6c",0.1887,"#babfbc",0.3668,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","before-the-ballet-nga-1158","Before the Ballet",{"_42":569,"_221":570,"_328":571,"_330":393,"_331":572,"_332":573,"_334":397,"_335":397,"_336":574,"_140":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,40,2.303712035995501,[554,555,556,557,558],{"_220":371,"_221":372,"_42":373,"_307":374},"1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_295":551,"_297":552,"_299":553},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_291":292,"_293":294},{"_224":546,"_125":547,"_285":548},{"_276":543,"_278":544,"_280":527,"_281":545},103.9,53.589892578124996,38.589892578124996,{"_287":224,"_123":549,"_154":550,"_140":75},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg",{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","water-lilies-agapanthus-cma-136510","Water Lilies (Agapanthus)",{"_42":624,"_221":625,"_328":626,"_330":393,"_331":627,"_332":628,"_334":-5,"_335":-5,"_336":629,"_140":85},"c. 1915–26","Framed: 204.9 x 430.3 x 6 cm (80 11/16 x 169 7/16 x 2 3/8 in.); Unframed: 201.3 x 425.6 cm (79 1/4 x 167 9/16 in.)",425.6,201.3,2.150537634408602,[609,610,611,612,613],{"_220":435,"_221":436,"_42":437,"_307":438},"1960.81","Claude Monet painted this in about 1915–26, aged about 75. It is now at the Cleveland Museum of Art.",{"_118":608,"_302":434},"Water Lilies (Agapanthus), by Claude Monet, c. 1915–26",{"_295":605,"_297":606,"_299":607},"https://img.ochreeditions.com/m/638.jpg?dl=1","/art/water-lilies-agapanthus-cma-136510","/galleries/style/impressionism/water-lilies-agapanthus-cma-136510",{"_291":292,"_293":294},{"_224":600,"_125":601,"_285":602},{"_276":596,"_278":597,"_280":598,"_281":599},255,126.60000000000001,240,111.60000000000001,{"_287":224,"_123":603,"_154":604,"_140":85},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":489,"_154":490,"_140":81},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/638/480.jpg","https://img.ochreeditions.com/a/638/960.jpg","https://img.ochreeditions.com/a/638/1920.jpg","A skilled horticulturalist as well as an artist, Claude Monet spent the last 30 years of his life painting the private garden he designed and helped cultivate at his home in Giverny in northern France. The resultant canvases are notable for their varied motifs, formats, and sizes.",{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},"#9a9794",0.0927,"#7e7790",0.1813,"#57644a",0.2104,"#6b6974",0.2224,"#616158",0.2932,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","stacks-of-wheat-end-of-summer-aic-64818","Stacks of Wheat (End of Summer)",{"_42":624,"_221":625,"_328":626,"_330":393,"_331":627,"_332":628,"_334":-5,"_335":-5,"_336":629,"_140":85},"1890–91","60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)",100,60,1.6922320550639134,[660,661,662,663,664],{"_220":304,"_221":305,"_42":306,"_307":308},"1985.1103","Claude Monet painted this in 1890–91, aged about 50. It is now at the Art Institute of Chicago.","Two domed stacks of wheat stand in a field near Monet’s home at Giverny, casting long shadows in the low light of early morning or evening.","Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.",{"_295":657,"_297":658,"_299":659},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/impressionism/stacks-of-wheat-end-of-summer-aic-64818",{"_291":292,"_293":294},{"_224":654,"_125":655,"_285":656},{"_276":651,"_278":652,"_280":635,"_281":653},115,74.09355026147588,59.09355026147589,{"_287":224,"_123":603,"_154":604,"_140":85},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg",{"_314":673,"_316":674},{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"esterel-village-cma-142356","Estérel Village",{"_42":569,"_221":570,"_328":571,"_330":393,"_331":572,"_332":573,"_334":397,"_335":397,"_336":574,"_140":75},"print","Print","color monotype","Sheet: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.); Image: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.)",39.9,29.9,1.3286440015631107,[713,714,715,716,717],{"_220":435,"_221":436,"_42":437,"_307":438},"1966.177","Edgar Degas made this in about 1890, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":712,"_302":434},"Estérel Village, by Edgar Degas, c. 1890",{"_295":709,"_297":710,"_299":711},"https://img.ochreeditions.com/m/660.jpg?dl=1","/art/esterel-village-cma-142356","/galleries/style/impressionism/esterel-village-cma-142356",{"_291":707,"_293":708},{"_224":701,"_125":702,"_285":703},{"_276":698,"_278":699,"_280":682,"_281":700},63.9,54.03061764705882,30.030617647058822,{"_287":224,"_123":549,"_154":550,"_140":75},{"_287":125,"_123":704,"_154":705,"_140":706},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"white","snow","https://img.ochreeditions.com/a/660/480.jpg","https://img.ochreeditions.com/a/660/960.jpg","https://img.ochreeditions.com/a/660/1920.jpg","This landscape is one of many monotypes that Edgar Degas produced throughout his career. The work belongs to a series Degas made while visiting a friend in the French countryside. Its blurriness resembles the view he saw out the window of trains and carriages during his travels.",{"_314":726,"_316":727},{"_314":724,"_316":725},{"_314":722,"_316":723},{"_314":720,"_316":721},{"_314":718,"_316":719},"#855c46",0.1351,"#b37358",0.1686,"#9e6f53",0.2201,"#bb8766",0.2347,"#cfae8b",0.2415,"a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":515,"_221":516,"_328":517,"_330":393,"_331":518,"_332":519,"_334":520,"_335":397,"_336":521,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[759,760,761,762,763],{"_220":371,"_221":372,"_42":373,"_307":374},"1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_295":756,"_297":757,"_299":758},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_291":292,"_293":294},{"_224":753,"_125":754,"_285":755},{"_276":750,"_278":751,"_280":734,"_281":752},47.2,39.10283203125,24.102832031250003,{"_287":224,"_123":494,"_154":495,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg",{"_314":772,"_316":773},{"_314":770,"_316":771},{"_314":768,"_316":769},{"_314":766,"_316":767},{"_314":764,"_316":765},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":569,"_221":570,"_328":571,"_330":393,"_331":572,"_332":573,"_334":397,"_335":397,"_336":574,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[805,806,807,808,809],{"_220":435,"_221":436,"_42":437,"_307":438},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":804,"_302":434},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_295":801,"_297":802,"_299":803},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_291":707,"_293":708},{"_224":798,"_125":799,"_285":800},{"_276":795,"_278":422,"_280":796,"_281":797},42.93382352941177,18.933823529411764,25,{"_287":224,"_123":549,"_154":550,"_140":75},{"_287":125,"_123":704,"_154":705,"_140":706},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_314":818,"_316":819},{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"the-laundress-aic-59944","The Laundress",{"_42":454,"_221":455,"_328":456,"_330":393,"_331":394,"_332":457,"_334":458,"_335":459,"_336":460,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",80,0.6789700462025645,[847,848,849,850,851],{"_220":304,"_221":305,"_42":306,"_307":308},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_295":844,"_297":845,"_299":846},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/impressionism/the-laundress-aic-59944",{"_291":292,"_293":294},{"_224":841,"_125":842,"_285":843},{"_276":838,"_278":839,"_280":840,"_281":825},69.31760369620517,95,54.31760369620516,{"_287":224,"_123":428,"_154":429,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_314":860,"_316":861},{"_314":858,"_316":859},{"_314":856,"_316":857},{"_314":854,"_316":855},{"_314":852,"_316":853},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,"ballet-at-the-paris-opera-aic-61603","Ballet at the Paris Opéra",{"_42":569,"_221":570,"_328":571,"_330":393,"_331":572,"_332":573,"_334":397,"_335":397,"_336":574,"_140":75},"1877","watercolour","Drawing and Watercolor","Pastel over monotype on cream laid paper","Plate: 35.2 × 70.6 cm (13 7/8 × 27 13/16 in.); Sheet: 35.9 × 71.9 cm (14 3/16 × 28 5/16 in.)",70,35,1.9971408148677627,[897,898,899,900,901],{"_220":304,"_221":305,"_42":306,"_307":308},"1981.12","Edgar Degas painted this in 1877, aged 43. It is now at the Art Institute of Chicago.","Ballerinas in tutus fill the stage of the Paris Opéra, watched from the darkened house. Degas began with a monotype, inking a plate and printing a single impression, and then worked over it in pastel, so that the dark printed base gives depth to the brilliant touches of colour on top.","Color pastel drawing of ballerinas in tutus on stage, watched by audience.",{"_295":894,"_297":895,"_299":896},"https://img.ochreeditions.com/m/178.jpg?dl=1","/art/ballet-at-the-paris-opera-aic-61603","/galleries/style/impressionism/ballet-at-the-paris-opera-aic-61603",{"_291":707,"_293":708},{"_224":889,"_125":890,"_285":891},{"_276":886,"_278":887,"_280":870,"_281":888},94,59.050107372942016,35.050107372942016,{"_287":224,"_123":549,"_154":550,"_140":75},{"_287":125,"_123":892,"_154":893,"_140":528},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","https://img.ochreeditions.com/a/178/480.jpg","https://img.ochreeditions.com/a/178/960.jpg","https://img.ochreeditions.com/a/178/1920.jpg",{"_314":910,"_316":911},{"_314":908,"_316":909},{"_314":906,"_316":907},{"_314":904,"_316":905},{"_314":902,"_316":903},"#c1b4a6",0.1328,"#8f887e",0.1753,"#3d3a35",0.1758,"#545d56",0.2251,"#696856",0.291,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":569,"_221":570,"_328":571,"_330":393,"_331":572,"_332":573,"_334":397,"_335":397,"_336":574,"_140":75},"1858","drawing","Drawing","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[949,950,951,952,953],{"_220":435,"_221":436,"_42":437,"_307":438},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":948,"_302":434},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_295":945,"_297":946,"_299":947},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_291":707,"_293":708},{"_224":939,"_125":940,"_285":941},{"_276":936,"_278":937,"_280":938,"_281":921},47.64941176470588,54.4,23.64941176470588,{"_287":224,"_123":549,"_154":550,"_140":75},{"_287":125,"_123":942,"_154":943,"_140":944},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_314":962,"_316":963},{"_314":960,"_316":961},{"_314":958,"_316":959},{"_314":956,"_316":957},{"_314":954,"_316":955},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"hanging-the-laundry-out-to-dry-nga-66426","Hanging the Laundry out to Dry",{"_42":390,"_221":391,"_328":392,"_330":393,"_331":394,"_332":395,"_334":396,"_335":397,"_336":398,"_140":97},"overall: 33 × 40.6 cm (13 × 16 in.) framed: 49.85 × 57.47 × 9.21 cm (19 5/8 × 22 5/8 × 3 5/8 in.)",40.6,33,1.2315093205051113,[993,994,995,996,997],{"_220":371,"_221":372,"_42":373,"_307":374},"1985.64.28","Berthe Morisot painted this in 1875, aged 34. It is now at the National Gallery of Art in Washington, DC.","From above, we look across a yard strung with lines of white sheets, where several women peg out washing beside a tipped-up cart and a house stands among trees at the right. Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. The artist signed the work in brick-red paint in the lower left corner, “Berthe Morisot.”",{"_295":990,"_297":991,"_299":992},"https://img.ochreeditions.com/m/1614.jpg?dl=1","/art/hanging-the-laundry-out-to-dry-nga-66426","/galleries/style/impressionism/hanging-the-laundry-out-to-dry-nga-66426",{"_291":292,"_293":294},{"_224":987,"_125":988,"_285":989},{"_276":984,"_278":985,"_280":968,"_281":986},55.6,47.96767578125,32.96767578125,{"_287":224,"_123":366,"_154":367,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1614/480.jpg","https://img.ochreeditions.com/a/1614/960.jpg","https://img.ochreeditions.com/a/1614/1920.jpg",{"_314":1005,"_316":1006},{"_314":1003,"_316":1004},{"_314":1002,"_316":383},{"_314":1000,"_316":1001},{"_314":998,"_316":999},"#5d7263",0.0766,"#9a8666",0.1316,"#959c88","#b9b193",0.265,"#cac6ba",0.3396,"madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":454,"_221":455,"_328":456,"_330":393,"_331":394,"_332":457,"_334":458,"_335":459,"_336":460,"_140":81},"1878","Paintings","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[1043,1044,1045,1046,1047],{"_220":1039,"_221":1040,"_42":1041,"_307":1042},"Courtesy of The Metropolitan Museum of Art","07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_295":1036,"_297":1037,"_299":1038},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_291":292,"_293":294},{"_224":1033,"_125":1034,"_285":1035},{"_276":1030,"_278":1031,"_280":1013,"_281":1032},205.2,169.72769999999997,154.72769999999997,{"_287":224,"_123":428,"_154":429,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":1056,"_316":1057},{"_314":1054,"_316":1055},{"_314":1052,"_316":1053},{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},"#020201",0.1388,"#979681",0.1833,"#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,"rabbit-warren-at-pontoise-snow-aic-20530","Rabbit Warren at Pontoise, Snow",{"_42":515,"_221":516,"_328":517,"_330":393,"_331":518,"_332":519,"_334":520,"_335":397,"_336":521,"_140":95},"1879","59.2 × 72.3 cm (23 5/16 × 28 7/16 in.); Framed: 85.8 × 99.1 × 12.7 cm (33 3/4 × 39 × 5 in.)",72,59,1.2288795686039544,[1088,1089,1090,1091,1092],{"_220":304,"_221":305,"_42":306,"_307":308},"1964.200","Camille Pissarro painted this in 1879, aged 49. It is now at the Art Institute of Chicago.",{"_118":1087,"_302":303},{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/76.jpg?dl=1","/art/rabbit-warren-at-pontoise-snow-aic-20530","/galleries/style/impressionism/rabbit-warren-at-pontoise-snow-aic-20530",{"_291":292,"_293":294},{"_224":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1063,"_281":1080},87,73.58995611896637,58.58995611896636,{"_287":224,"_123":494,"_154":495,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/76/480.jpg","https://img.ochreeditions.com/a/76/960.jpg","https://img.ochreeditions.com/a/76/1920.jpg","Along with Impressionist painters Claude Monet and Alfred Sisley, Pissarro pursued the theme of snow throughout his career, producing nearly 100 “snow” paintings.",{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},"#5a6756",0.1151,"#78817a",0.149,"#979d91",0.1926,"#98a9ad",0.2494,"#b3bebc",0.2939,{"_1104":-5,"_1105":1106,"_1107":1108,"_1109":8,"_1110":1111,"_1112":8},"user","csrf","b5eb914a20d4d8dd9571ea3e6ead7340eb579037","cartCount",0,"dropLive","legal",[1113,1114,1115,1116,1117,1118,1119,1120,1121,1122,1123,1124],"uploadsEnabled",{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},{"_221":1139,"_20":1140},{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},{"_221":1129,"_20":1130},{"_221":1127,"_20":1128},{"_221":1125,"_20":1126},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]