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He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. Here, three dancers stretch together in the wings, unaware of the viewer’s presence.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#68777a","weight",0.0605,"#b6731b",0.12,"#987d61",0.1403,"#675234",0.3205,"#865931",0.3587,"Edgar Degas","edgar-degas","bio","French, 1834–1917","nationality","French","birth_year",1834,"death_year",1917,"birth_place","Paris","death_place","about_excerpt","Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":401,"_337":402,"_338":403,"_140":81},"1864","painting","Painting","oil on fabric","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,81.3,0.7958823529411765,[381,382,383,384,385],{"_219":303,"_220":304,"_42":305,"_306":307},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. 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It is now at the Art Institute of Chicago.",{"_118":490,"_301":491},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_290":375,"_292":376},{"_223":482,"_125":483,"_284":484},{"_275":479,"_277":480,"_279":462,"_281":481},95,74.89486453699959,59.8948645369996,{"_286":223,"_123":485,"_154":486,"_140":97},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":509,"_315":510},{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},{"_313":501,"_315":502},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":401,"_337":402,"_338":403,"_140":81},"c. 1890","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[547,548,549,550,551],{"_219":303,"_220":304,"_42":305,"_306":307},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":546,"_301":302},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_294":543,"_296":544,"_298":545},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_290":375,"_292":376},{"_223":540,"_125":541,"_284":542},{"_275":428,"_277":538,"_279":522,"_281":539},39.69,24.69,{"_286":223,"_123":373,"_154":374,"_140":81},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.",{"_313":560,"_315":561},{"_313":558,"_315":559},{"_313":556,"_315":557},{"_313":554,"_315":555},{"_313":552,"_315":553},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[593,594,595,596,597],{"_219":492,"_220":493,"_42":494,"_306":495},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":592,"_301":491},"Impressionist painting of woman wearing green dress trying on hats.",{"_294":589,"_296":590,"_298":591},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_290":375,"_292":376},{"_223":586,"_125":587,"_284":588},{"_275":583,"_277":584,"_279":567,"_281":585},125,114.8860683589846,99.8860683589846,{"_286":223,"_123":169,"_154":168,"_140":75},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_313":606,"_315":607},{"_313":604,"_315":605},{"_313":602,"_315":603},{"_313":600,"_315":601},{"_313":598,"_315":599},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":75},"c. 1880–83","monotype","Platemark: 21.3 x 16 cm (8 3/8 x 6 5/16 in.); Sheet: 25.5 x 17.8 cm (10 1/16 x 7 in.)",21.3,0.7573529411764706,[638,639,640,641,642],{"_219":303,"_220":304,"_42":305,"_306":307},"1967.167","Edgar Degas made this in about 1880–83, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":637,"_301":302},"Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for \"La Famille Cardinal\" by Ludovic Halévy, by Edgar Degas, c. 1880–83",{"_294":634,"_296":635,"_298":636},"https://img.ochreeditions.com/m/664.jpg?dl=1","/art/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203","/galleries/style/impressionism/conversation-ludovic-halevy-and-madame-cardinal-the-conversa-cma-143203",{"_290":291,"_292":293},{"_223":631,"_125":632,"_284":633},{"_275":629,"_277":428,"_279":630,"_281":430},42.93382352941177,18.933823529411764,{"_286":223,"_123":169,"_154":168,"_140":75},{"_286":125,"_123":434,"_154":435,"_140":436},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/664/480.jpg","https://img.ochreeditions.com/a/664/960.jpg","https://img.ochreeditions.com/a/664/1920.jpg","This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother.",{"_313":651,"_315":652},{"_313":649,"_315":650},{"_313":647,"_315":648},{"_313":645,"_315":646},{"_313":643,"_315":644},"#a89f88",0.1693,"#3c3c34",0.1764,"#d3c7ac",0.181,"#605e50",0.2161,"#827d6b",0.2572,"a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":706,"_220":707,"_327":708,"_329":330,"_331":709,"_333":710,"_335":711,"_337":336,"_338":712,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[691,692,693,694,695],{"_219":687,"_220":688,"_42":689,"_306":690},"Courtesy National Gallery of Art, Washington","1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_294":684,"_296":685,"_298":686},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_290":375,"_292":376},{"_223":679,"_125":680,"_284":681},{"_275":676,"_277":677,"_279":659,"_281":678},47.2,39.10283203125,24.102832031250003,{"_286":223,"_123":682,"_154":683,"_140":95},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":704,"_315":705},{"_313":702,"_315":703},{"_313":700,"_315":701},{"_313":698,"_315":699},{"_313":696,"_315":697},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","by-the-seashore-met-437430","By the Seashore",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":401,"_337":402,"_338":403,"_140":81},"1883","Paintings","36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)",72.4,92.1,0.7905,[749,750,751,752,753],{"_219":745,"_220":746,"_42":747,"_306":748},"Courtesy of The Metropolitan Museum of Art","29.100.125","Pierre-Auguste Renoir painted this in 1883, aged 42. It is now at The Met in New York.","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883",{"_294":742,"_296":743,"_298":744},"https://img.ochreeditions.com/m/1145.jpg?dl=1","/art/by-the-seashore-met-437430","/galleries/style/impressionism/by-the-seashore-met-437430",{"_290":375,"_292":376},{"_223":739,"_125":740,"_284":741},{"_275":736,"_277":737,"_279":738,"_281":720},87.80505,107.1,72.80505,{"_286":223,"_123":373,"_154":374,"_140":81},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1145/480.jpg","https://img.ochreeditions.com/a/1145/960.jpg","https://img.ochreeditions.com/a/1145/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":762,"_315":763},{"_313":760,"_315":761},{"_313":758,"_315":759},{"_313":756,"_315":757},{"_313":754,"_315":755},"#797246",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,"alfred-sisley-aic-14650","Alfred Sisley",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":401,"_337":402,"_338":403,"_140":81},"1876","66.2 × 54.8 cm (26 × 21 9/16 in.); Framed: 90.2 × 79.4 × 10.8 cm (35 1/2 × 31 1/4 × 4 1/4 in.)",54,66,0.8343702386998476,[793,794,795,796,797],{"_219":492,"_220":493,"_42":494,"_306":495},"1933.453","Pierre-Auguste Renoir painted this in 1876, aged 35. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":790,"_296":791,"_298":792},"https://img.ochreeditions.com/m/36.jpg?dl=1","/art/alfred-sisley-aic-14650","/galleries/style/impressionism/alfred-sisley-aic-14650",{"_290":375,"_292":376},{"_223":787,"_125":788,"_284":789},{"_275":784,"_277":785,"_279":786,"_281":770},70.06843575418995,81,55.06843575418994,{"_286":223,"_123":373,"_154":374,"_140":81},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/36/480.jpg","https://img.ochreeditions.com/a/36/960.jpg","https://img.ochreeditions.com/a/36/1920.jpg",{"_313":805,"_315":806},{"_313":804,"_315":559},{"_313":802,"_315":803},{"_313":800,"_315":801},{"_313":798,"_315":799},"#c0b3af",0.0563,"#816c44",0.0672,"#7f918a",0.1736,"#2f3c3e","#232533",0.4774,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":75},"1861/1862","oil on canvas","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,115,0.76416015625,[838,839,840,841,842],{"_219":687,"_220":688,"_42":689,"_306":690},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_294":835,"_296":836,"_298":837},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_290":375,"_292":376},{"_223":832,"_125":833,"_284":834},{"_275":829,"_277":830,"_279":831,"_281":814},102.87841796875,130,87.87841796875,{"_286":223,"_123":169,"_154":168,"_140":75},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_313":851,"_315":852},{"_313":849,"_315":850},{"_313":847,"_315":848},{"_313":845,"_315":846},{"_313":843,"_315":844},"#757663",0.1138,"#3d342a",0.1894,"#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"esterel-village-cma-142356","Estérel Village",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":75},"color monotype","Sheet: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.); Image: 29.9 x 39.9 cm (11 3/4 x 15 11/16 in.)",39.9,29.9,1.3286440015631107,[884,885,886,887,888],{"_219":303,"_220":304,"_42":305,"_306":307},"1966.177","Edgar Degas made this in about 1890, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":883,"_301":302},"Estérel Village, by Edgar Degas, c. 1890",{"_294":880,"_296":881,"_298":882},"https://img.ochreeditions.com/m/660.jpg?dl=1","/art/esterel-village-cma-142356","/galleries/style/impressionism/esterel-village-cma-142356",{"_290":291,"_292":293},{"_223":877,"_125":878,"_284":879},{"_275":874,"_277":875,"_279":858,"_281":876},63.9,54.03061764705882,30.030617647058822,{"_286":223,"_123":169,"_154":168,"_140":75},{"_286":125,"_123":434,"_154":435,"_140":436},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/660/480.jpg","https://img.ochreeditions.com/a/660/960.jpg","https://img.ochreeditions.com/a/660/1920.jpg","This landscape is one of many monotypes that Edgar Degas produced throughout his career. The work belongs to a series Degas made while visiting a friend in the French countryside. Its blurriness resembles the view he saw out the window of trains and carriages during his travels.",{"_313":897,"_315":898},{"_313":895,"_315":896},{"_313":893,"_315":894},{"_313":891,"_315":892},{"_313":889,"_315":890},"#855c46",0.1351,"#b37358",0.1686,"#9e6f53",0.2201,"#bb8766",0.2347,"#cfae8b",0.2415,"the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":706,"_220":707,"_327":708,"_329":330,"_331":709,"_333":710,"_335":711,"_337":336,"_338":712,"_140":95},"1893","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",73,1.2263553899163209,[927,928,929,930,931],{"_219":492,"_220":493,"_42":494,"_306":495},"1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.",{"_294":924,"_296":925,"_298":926},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/impressionism/the-place-du-havre-paris-aic-81551",{"_290":375,"_292":376},{"_223":921,"_125":922,"_284":923},{"_275":918,"_277":919,"_279":904,"_281":920},88,74.52597477064221,59.52597477064221,{"_286":223,"_123":682,"_154":683,"_140":95},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg",{"_313":940,"_315":941},{"_313":938,"_315":939},{"_313":936,"_315":937},{"_313":934,"_315":935},{"_313":932,"_315":933},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":336,"_338":339,"_140":75},"1865","29 x 36 1/2 in. (73.7 x 92.7 cm)",92.7,73.7,1.2285012285012284,[972,973,974,975,976],{"_219":745,"_220":746,"_42":747,"_306":748},"29.100.128","Edgar Degas painted this in 1865, aged 31. It is now at The Met in New York.","An enormous bouquet of late-summer flowers fills the centre of the canvas, and the woman, who might be expected to be the subject, sits pushed to the right edge, her hand raised to her mouth and her gaze turned away out of the picture.","A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865",{"_294":969,"_296":970,"_298":971},"https://img.ochreeditions.com/m/1085.jpg?dl=1","/art/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121","/galleries/style/impressionism/a-woman-seated-beside-a-vase-of-flowers-madame-paul-valpinco-met-436121",{"_290":375,"_292":376},{"_223":966,"_125":967,"_284":968},{"_275":963,"_277":964,"_279":947,"_281":965},107.7,90.4578,75.4578,{"_286":223,"_123":169,"_154":168,"_140":75},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1085/480.jpg","https://img.ochreeditions.com/a/1085/960.jpg","https://img.ochreeditions.com/a/1085/1920.jpg",{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},{"_313":979,"_315":980},{"_313":977,"_315":978},"#0a0909",0.149,"#715434",0.1857,"#52412b",0.1869,"#6a6655",0.2368,"#413c32",0.2416,"two-sisters-on-the-terrace-aic-14655","Two Sisters (On the Terrace)",{"_42":396,"_220":397,"_327":398,"_329":330,"_331":399,"_333":400,"_335":401,"_337":402,"_338":403,"_140":81},"1881","100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)",0.8058792480409274,[1015,1016,1017,1018,1019],{"_219":492,"_220":493,"_42":494,"_306":495},"1933.455","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.",{"_118":1014,"_301":491},"Impressionist painting of two girls on balcony, bright flower hat, knitting basket.",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/37.jpg?dl=1","/art/two-sisters-on-the-terrace-aic-14655","/galleries/style/impressionism/two-sisters-on-the-terrace-aic-14655",{"_290":375,"_292":376},{"_223":1008,"_125":1009,"_284":1010},{"_275":1006,"_277":814,"_279":1007,"_281":568},95.58792480409274,80.58792480409274,{"_286":223,"_123":373,"_154":374,"_140":81},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/37/480.jpg","https://img.ochreeditions.com/a/37/960.jpg","https://img.ochreeditions.com/a/37/1920.jpg","Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine.",{"_313":1028,"_315":1029},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},{"_313":1020,"_315":1021},"#97524b",0.0598,"#323951",0.1271,"#838569",0.2323,"#a1a39f",0.268,"#626967",0.3128,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":1073,"_220":1074,"_327":1075,"_329":330,"_331":399,"_333":1076,"_335":-5,"_337":-5,"_338":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",63,1.2460680423870607,[1058,1059,1060,1061,1062],{"_219":492,"_220":493,"_42":494,"_306":495},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_294":1055,"_296":1056,"_298":1057},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_290":375,"_292":376},{"_223":1050,"_125":1051,"_284":1052},{"_275":479,"_277":1048,"_279":462,"_281":1049},79.20195148151464,64.20195148151464,{"_286":223,"_123":1053,"_154":1054,"_140":89},{"_286":125,"_123":370,"_154":371,"_140":372},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},{"_313":1067,"_315":1068},{"_313":1065,"_315":1066},{"_313":1063,"_315":1064},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,{"_1078":-5,"_1079":1080,"_1081":1082,"_1083":8,"_1084":1085,"_1086":8},"user","csrf","37810f9c8862a1bfb682d1b2490eca23c6f74782","cartCount",0,"dropLive","legal",[1087,1088,1089,1090,1091,1092,1093,1094,1095,1096,1097,1098],"uploadsEnabled",{"_220":1121,"_20":1122},{"_220":1119,"_20":1120},{"_220":1117,"_20":1118},{"_220":1115,"_20":1116},{"_220":1113,"_20":1114},{"_220":1111,"_20":1112},{"_220":1109,"_20":1110},{"_220":1107,"_20":1108},{"_220":1105,"_20":1106},{"_220":1103,"_20":1104},{"_220":1101,"_20":1102},{"_220":1099,"_20":1100},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]