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on canvas","dimensions","Unframed: 66 x 81.3 cm (26 x 32 in.)","width_cm",81.3,"height_cm",66,"aspect",1.2477064220183487,"palette",[308,309,310,311,312],"museum",{"_219":303,"_220":304,"_42":305,"_306":307},"credit","Courtesy of the Cleveland Museum of Art","accession","2020.113","licence","CC0","story","Camille Pissarro painted this in 1902, aged 72. It is now at the Cleveland Museum of Art.",{"_118":300,"_301":302},"note","Fishmarket, by Camille Pissarro, 1902","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/451.jpg?dl=1","page_url","/art/fishmarket-cma-74228","walk_url","/galleries/style/impressionism/fishmarket-cma-74228","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",96.3,"h",80.15955882352941,"image_w","image_h",65.15955882352941,{"_286":223,"_123":169,"_154":168,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":81},"facet","style/painting-20","More paintings of the 20th century",75,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/451/480.jpg","960","https://img.ochreeditions.com/a/451/960.jpg","1920","https://img.ochreeditions.com/a/451/1920.jpg","This impressive view of a bustling fish market belongs to a series of paintings that Pissarro made during the summer of 1902 depicting the harbor at Dieppe.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#594c45","weight",0.0901,"#ae9e8d",0.1703,"#7b695d",0.1841,"#997f6c",0.1887,"#babfbc",0.3668,"Camille Pissarro","camille-pissarro","bio","French, 1830–1903","nationality","French","birth_year",1830,"death_year",1903,"birth_place","Charlotte Amalie, Saint Thomas","death_place","Paris","about_excerpt","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","hanging-the-laundry-out-to-dry-nga-66426","Hanging the Laundry out to Dry",{"_42":400,"_220":401,"_327":402,"_329":330,"_331":403,"_333":404,"_335":405,"_337":338,"_339":406,"_140":97},"1875",19,"overall: 33 × 40.6 cm (13 × 16 in.) framed: 49.85 × 57.47 × 9.21 cm (19 5/8 × 22 5/8 × 3 5/8 in.)",40.6,33,1.2315093205051113,[385,386,387,388,389],{"_219":381,"_220":382,"_42":383,"_306":384},"Courtesy National Gallery of Art, Washington","1985.64.28","Berthe Morisot painted this in 1875, aged 34. It is now at the National Gallery of Art in Washington, DC.","From above, we look across a yard strung with lines of white sheets, where several women peg out washing beside a tipped-up cart and a house stands among trees at the right. Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. The artist signed the work in brick-red paint in the lower left corner, “Berthe Morisot.”",{"_294":378,"_296":379,"_298":380},"https://img.ochreeditions.com/m/1614.jpg?dl=1","/art/hanging-the-laundry-out-to-dry-nga-66426","/galleries/style/impressionism/hanging-the-laundry-out-to-dry-nga-66426",{"_290":291,"_292":293},{"_223":367,"_125":368,"_284":369},{"_275":364,"_277":365,"_279":347,"_280":366},55.6,47.96767578125,32.96767578125,{"_286":223,"_123":376,"_154":377,"_140":97},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"era/19-france","19th-century France",237,"style/painting-19","More paintings of the 19th century",432,"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1614/480.jpg","https://img.ochreeditions.com/a/1614/960.jpg","https://img.ochreeditions.com/a/1614/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":398,"_315":399},{"_313":396,"_315":397},{"_313":394,"_315":395},{"_313":392,"_315":393},{"_313":390,"_315":391},"#5d7263",0.0766,"#9a8666",0.1316,"#959c88",0.1872,"#b9b193",0.265,"#cac6ba",0.3396,"Berthe Morisot","berthe-morisot","French, 1841–1895",1841,1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":95},"1893","Oil on canvas","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",73,60,1.2263553899163209,[443,444,445,446,447],{"_219":439,"_220":440,"_42":441,"_306":442},"Courtesy of the Art Institute of Chicago","1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.","A work made of oil on canvas.",{"_294":436,"_296":437,"_298":438},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/impressionism/the-place-du-havre-paris-aic-81551",{"_290":291,"_292":293},{"_223":433,"_125":434,"_284":435},{"_275":430,"_277":431,"_279":413,"_280":432},88,74.52597477064221,59.52597477064221,{"_286":223,"_123":169,"_154":168,"_140":95},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":456,"_315":457},{"_313":454,"_315":455},{"_313":452,"_315":453},{"_313":450,"_315":451},{"_313":448,"_315":449},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"a-creek-in-st-thomas-virgin-islands-nga-66427","A Creek in St. Thomas (Virgin Islands)",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":95},"1856","oil on academy board","overall: 24.5 x 32.2 cm (9 5/8 x 12 11/16 in.) framed: 37.5 x 45.7 x 4.8 cm (14 3/4 x 18 x 1 7/8 in.)",32.2,24.5,1.3359425962165687,[489,490,491,492,493],{"_219":381,"_220":382,"_42":383,"_306":384},"1985.64.29","Camille Pissarro painted this in 1856, aged 26. It is now at the National Gallery of Art in Washington, DC.","A wide creek winds between a grove of palms and tree-covered boulders, with mauve-pink mountains on the far shore and a low sun laying a yellow streak across the still water. A man in a white loincloth walks the bank with a long stick.","A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”",{"_294":486,"_296":487,"_298":488},"https://img.ochreeditions.com/m/1615.jpg?dl=1","/art/a-creek-in-st-thomas-virgin-islands-nga-66427","/galleries/style/impressionism/a-creek-in-st-thomas-virgin-islands-nga-66427",{"_290":291,"_292":293},{"_223":483,"_125":484,"_284":485},{"_275":480,"_277":481,"_279":464,"_280":482},47.2,39.10283203125,24.102832031250003,{"_286":223,"_123":169,"_154":168,"_140":95},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1615/480.jpg","https://img.ochreeditions.com/a/1615/960.jpg","https://img.ochreeditions.com/a/1615/1920.jpg",{"_313":502,"_315":503},{"_313":500,"_315":501},{"_313":498,"_315":499},{"_313":496,"_315":497},{"_313":494,"_315":495},"#442e22",0.108,"#6a4e36",0.1287,"#b7a385",0.1759,"#917c68",0.2616,"#adb199",0.3258,"yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":551,"_220":552,"_327":553,"_329":330,"_331":554,"_333":555,"_335":338,"_337":338,"_339":556,"_140":75},"1874–76","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,0.8066455167807647,[536,537,538,539,540],{"_219":439,"_220":440,"_42":441,"_306":442},"1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":534,"_301":535},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_294":531,"_296":532,"_298":533},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/impressionism/yellow-dancers-in-the-wings-aic-18951",{"_290":291,"_292":293},{"_223":526,"_125":527,"_284":528},{"_275":524,"_277":430,"_279":525,"_280":413},73.88512272499582,58.885122724995824,{"_286":223,"_123":529,"_154":530,"_140":75},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.","Text from the Art Institute of Chicago.",{"_313":549,"_315":550},{"_313":547,"_315":548},{"_313":545,"_315":546},{"_313":543,"_315":544},{"_313":541,"_315":542},"#3a3d2c",0.1253,"#7f6a3b",0.1605,"#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","stacks-of-wheat-end-of-summer-aic-64818","Stacks of Wheat (End of Summer)",{"_42":603,"_220":604,"_327":605,"_329":330,"_331":606,"_333":607,"_335":-5,"_337":-5,"_339":608,"_140":85},"1890–91","60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)",100,1.6922320550639134,[588,589,590,591,592],{"_219":439,"_220":440,"_42":441,"_306":442},"1985.1103","Claude Monet painted this in 1890–91, aged about 50. It is now at the Art Institute of Chicago.","Two domed stacks of wheat stand in a field near Monet’s home at Giverny, casting long shadows in the low light of early morning or evening.","Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.",{"_294":585,"_296":586,"_298":587},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/impressionism/stacks-of-wheat-end-of-summer-aic-64818",{"_290":291,"_292":293},{"_223":580,"_125":581,"_284":582},{"_275":577,"_277":578,"_279":562,"_280":579},115,74.09355026147588,59.09355026147589,{"_286":223,"_123":583,"_154":584,"_140":85},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg",{"_313":601,"_315":602},{"_313":599,"_315":600},{"_313":597,"_315":598},{"_313":595,"_315":596},{"_313":593,"_315":594},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","in-the-omnibus-cma-121035","In the Omnibus",{"_42":664,"_220":665,"_327":666,"_329":667,"_331":668,"_333":607,"_335":-5,"_337":-5,"_339":-5,"_140":101},"print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[649,650,651,652,653],{"_219":303,"_220":304,"_42":305,"_306":307},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":648,"_301":302},"In the Omnibus, by Mary Cassatt, 1890–91",{"_294":645,"_296":646,"_298":647},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_290":643,"_292":644},{"_223":635,"_125":636,"_284":637},{"_275":632,"_277":633,"_279":634,"_280":617},51.07323529411765,60.6,27.073235294117648,{"_286":223,"_123":641,"_154":642,"_140":89},{"_286":125,"_123":638,"_154":639,"_140":640},{"_286":284,"_123":370,"_154":371,"_140":372},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","white","snow","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_313":662,"_315":663},{"_313":660,"_315":661},{"_313":658,"_315":659},{"_313":656,"_315":657},{"_313":654,"_315":655},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":603,"_220":604,"_327":605,"_329":330,"_331":606,"_333":607,"_335":-5,"_337":-5,"_339":608,"_140":85},"1882","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",1.6766270978305362,[696,697,698,699,700],{"_219":381,"_220":382,"_42":383,"_306":384},"1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_294":693,"_296":694,"_298":695},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_290":291,"_292":293},{"_223":690,"_125":691,"_284":692},{"_275":577,"_277":688,"_279":562,"_280":689},74.6435546875,59.6435546875,{"_286":223,"_123":583,"_154":584,"_140":85},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg",{"_313":709,"_315":710},{"_313":707,"_315":708},{"_313":705,"_315":706},{"_313":703,"_315":704},{"_313":701,"_315":702},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"sheet-of-studies-and-sketches-cma-128808","Sheet of Studies and Sketches",{"_42":551,"_220":552,"_327":553,"_329":330,"_331":554,"_333":555,"_335":338,"_337":338,"_339":556,"_140":75},"1858","drawing","Drawing","graphite, pen and dark brown ink, and watercolor on thick ivory wove paper","Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)",23.5,30.4,0.7779411764705882,[748,749,750,751,752],{"_219":303,"_220":304,"_42":305,"_306":307},"1951.430","Edgar Degas painted this in 1858, aged 24. It is now at the Cleveland Museum of Art.",{"_118":747,"_301":302},"Sheet of Studies and Sketches, by Edgar Degas, 1858",{"_294":744,"_296":745,"_298":746},"https://img.ochreeditions.com/m/592.jpg?dl=1","/art/sheet-of-studies-and-sketches-cma-128808","/galleries/style/impressionism/sheet-of-studies-and-sketches-cma-128808",{"_290":643,"_292":644},{"_223":738,"_125":739,"_284":740},{"_275":735,"_277":736,"_279":737,"_280":720},47.64941176470588,54.4,23.64941176470588,{"_286":223,"_123":529,"_154":530,"_140":75},{"_286":125,"_123":741,"_154":742,"_140":743},{"_286":284,"_123":370,"_154":371,"_140":372},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/592/480.jpg","https://img.ochreeditions.com/a/592/960.jpg","https://img.ochreeditions.com/a/592/1920.jpg","Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past.",{"_313":761,"_315":762},{"_313":759,"_315":760},{"_313":757,"_315":758},{"_313":755,"_315":756},{"_313":753,"_315":754},"#f0eade",0.0725,"#594c3f",0.1047,"#7e6c56",0.1341,"#a79882",0.1609,"#cdc0ad",0.5278,"woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":400,"_220":401,"_327":402,"_329":330,"_331":403,"_333":404,"_335":405,"_337":338,"_339":406,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",80,1.3356737780178234,[793,794,795,796,797],{"_219":439,"_220":440,"_42":441,"_306":442},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":792,"_301":535},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_294":789,"_296":790,"_298":791},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_290":291,"_292":293},{"_223":786,"_125":787,"_284":788},{"_275":783,"_277":784,"_279":768,"_280":785},95,74.89486453699959,59.8948645369996,{"_286":223,"_123":376,"_154":377,"_140":97},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_313":806,"_315":807},{"_313":804,"_315":805},{"_313":802,"_315":803},{"_313":800,"_315":801},{"_313":798,"_315":799},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"the-millinery-shop-aic-14572","The Millinery Shop",{"_42":551,"_220":552,"_327":553,"_329":330,"_331":554,"_333":555,"_335":338,"_337":338,"_339":556,"_140":75},"1879-86","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,1.101254677525864,[838,839,840,841,842],{"_219":439,"_220":440,"_42":441,"_306":442},"1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":837,"_301":535},"Impressionist painting of woman wearing green dress trying on hats.",{"_294":834,"_296":835,"_298":836},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_290":291,"_292":293},{"_223":831,"_125":832,"_284":833},{"_275":828,"_277":829,"_279":813,"_280":830},125,114.8860683589846,99.8860683589846,{"_286":223,"_123":529,"_154":530,"_140":75},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.",{"_313":851,"_315":852},{"_313":849,"_315":850},{"_313":847,"_315":848},{"_313":845,"_315":846},{"_313":843,"_315":844},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":905,"_220":906,"_327":907,"_329":330,"_331":403,"_333":908,"_335":909,"_337":910,"_339":911,"_140":81},"1888","Paintings","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[891,892,893,894,895],{"_219":887,"_220":888,"_42":889,"_306":890},"Courtesy of The Metropolitan Museum of Art","1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_294":884,"_296":885,"_298":886},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/impressionism/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_290":291,"_292":293},{"_223":879,"_125":880,"_284":881},{"_275":876,"_277":877,"_279":878,"_280":860},145.9728371843095,176.9,130.9728371843095,{"_286":223,"_123":882,"_154":883,"_140":81},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":903,"_315":904},{"_313":901,"_315":902},{"_313":899,"_315":900},{"_313":898,"_315":544},{"_313":896,"_315":897},"#c7bfbc",0.1415,"#40352a","#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","dancers-cma-95271","Dancers",{"_42":551,"_220":552,"_327":553,"_329":330,"_331":554,"_333":555,"_335":338,"_337":338,"_339":556,"_140":75},"c. 1896","pastel with charcoal on tracing paper mounted on paper and backed with gray board","Sheet: 55.7 x 41.4 cm (21 15/16 x 16 5/16 in.)",41.4,55.7,0.7458823529411764,[944,945,946,947,948],{"_219":303,"_220":304,"_42":305,"_306":307},"1916.1043","Edgar Degas drew this in about 1896, aged about 57. It is now at the Cleveland Museum of Art.",{"_118":943,"_301":302},"Dancers, by Edgar Degas, c. 1896",{"_294":940,"_296":941,"_298":942},"https://img.ochreeditions.com/m/463.jpg?dl=1","/art/dancers-cma-95271","/galleries/style/impressionism/dancers-cma-95271",{"_290":643,"_292":644},{"_223":937,"_125":938,"_284":939},{"_275":934,"_277":935,"_279":936,"_280":919},65.54564705882353,79.7,41.54564705882353,{"_286":223,"_123":529,"_154":530,"_140":75},{"_286":125,"_123":741,"_154":742,"_140":743},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/463/480.jpg","https://img.ochreeditions.com/a/463/960.jpg","https://img.ochreeditions.com/a/463/1920.jpg","Degas depicted the ballet in more than 1,000 paintings, prints, pastels, and sculptures. He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. Here, three dancers stretch together in the wings, unaware of the viewer’s presence.",{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},"#68777a",0.0605,"#b6731b",0.12,"#987d61",0.1403,"#675234",0.3205,"#865931",0.3587,"mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":1002,"_220":1003,"_327":1004,"_329":330,"_331":403,"_333":1005,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",63,1.2460680423870607,[987,988,989,990,991],{"_219":439,"_220":440,"_42":441,"_306":442},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.",{"_294":984,"_296":985,"_298":986},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_290":291,"_292":293},{"_223":979,"_125":980,"_284":981},{"_275":783,"_277":977,"_279":768,"_280":978},79.20195148151464,64.20195148151464,{"_286":223,"_123":982,"_154":983,"_140":89},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_313":1000,"_315":1001},{"_313":998,"_315":999},{"_313":996,"_315":997},{"_313":994,"_315":995},{"_313":992,"_315":993},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":905,"_220":906,"_327":907,"_329":330,"_331":403,"_333":908,"_335":909,"_337":910,"_339":911,"_140":81},"c. 1890","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[1038,1039,1040,1041,1042],{"_219":303,"_220":304,"_42":305,"_306":307},"1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":1037,"_301":302},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_294":1034,"_296":1035,"_298":1036},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_290":291,"_292":293},{"_223":1031,"_125":1032,"_284":1033},{"_275":1028,"_277":1029,"_279":1012,"_280":1030},49,39.69,24.69,{"_286":223,"_123":882,"_154":883,"_140":81},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.",{"_313":1050,"_315":1051},{"_313":1048,"_315":1049},{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1043,"_315":657},"#816c43","#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"by-the-seashore-met-437430","By the Seashore",{"_42":905,"_220":906,"_327":907,"_329":330,"_331":403,"_333":908,"_335":909,"_337":910,"_339":911,"_140":81},"1883","36 1/4 x 28 1/2 in. (92.1 x 72.4 cm)",72.4,92.1,0.7905,[1082,1083,1084,1085,1086],{"_219":887,"_220":888,"_42":889,"_306":890},"29.100.125","Pierre-Auguste Renoir painted this in 1883, aged 42. It is now at The Met in New York.","A young woman sits in a wicker chair by the sea, the water and cliffs behind her painted in loose, feathery strokes while her face and clothes are more carefully defined.","By the Seashore, by Pierre-Auguste Renoir, 1883",{"_294":1079,"_296":1080,"_298":1081},"https://img.ochreeditions.com/m/1145.jpg?dl=1","/art/by-the-seashore-met-437430","/galleries/style/impressionism/by-the-seashore-met-437430",{"_290":291,"_292":293},{"_223":1076,"_125":1077,"_284":1078},{"_275":1073,"_277":1074,"_279":1075,"_280":1058},87.80505,107.1,72.80505,{"_286":223,"_123":882,"_154":883,"_140":81},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1145/480.jpg","https://img.ochreeditions.com/a/1145/960.jpg","https://img.ochreeditions.com/a/1145/1920.jpg",{"_313":1095,"_315":1096},{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},"#797246",0.1225,"#43523e",0.1928,"#4f717b",0.2244,"#84867a",0.2288,"#1d2c33",0.2315,{"_1098":-5,"_1099":1100,"_1101":1102,"_1103":8,"_1104":1105,"_1106":8},"user","csrf","11b3586ec4d923fd8295d80cf21e70dce0c665f1","cartCount",0,"dropLive","legal",[1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117,1118],"uploadsEnabled",{"_220":1141,"_20":1142},{"_220":1139,"_20":1140},{"_220":1137,"_20":1138},{"_220":1135,"_20":1136},{"_220":1133,"_20":1134},{"_220":1131,"_20":1132},{"_220":1129,"_20":1130},{"_220":1127,"_20":1128},{"_220":1125,"_20":1126},{"_220":1123,"_20":1124},{"_220":1121,"_20":1122},{"_220":1119,"_20":1120},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]