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It is now at the National Gallery of Art in Washington, DC.","note","From above, we look across a yard strung with lines of white sheets, where several women peg out washing beside a tipped-up cart and a house stands among trees at the right. Beyond, faint grey touches suggest smokestacks and smoke along the horizon, placing the scene on the edge of a working town.","We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting. The scene is created entirely with thick, visible brushstrokes that creates a sense of texture on the canvas’s surface and makes many details difficult to make out. The forms of at least three women wearing skirts hang laundry out along the lines, and a person wearing trousers tends to a flat piece of green ground near the lower left corner. A few pieces of white cloth have been draped over the wooden fence that runs along the bottom edge of the canvas. A dove-gray cart with wooden carriage wheels rests, tipped forward, at the center of the laundry lines. To our right and just beyond the laundry lines, a two-story ivory and slate-blue house with a gray peaked roof sits behind a grove of emerald-green trees. The laundry field and the grassy plane beyond is painted with a pale celery green with long, horizontal strokes. Dabs of moss green and a white streak interrupt the field in the distance. Beyond that, touches of steel and silvery-gray paint suggest smokestacks and smoke in a town along the horizon, which comes about three-quarters of the way up this composition. A few patches of vivid blue sky peek through a screen of shell-pink and cream-white clouds above. The artist signed the work in brick-red paint in the lower left corner, “Berthe Morisot.”","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1614.jpg?dl=1","page_url","/art/hanging-the-laundry-out-to-dry-nga-66426","walk_url","/galleries/style/impressionism/hanging-the-laundry-out-to-dry-nga-66426","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":244,"_282":283},"w",55.6,"h",47.96767578125,"image_w","image_h",32.96767578125,{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1614/480.jpg","960","https://img.ochreeditions.com/a/1614/960.jpg","1920","https://img.ochreeditions.com/a/1614/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#5d7263","weight",0.0766,"#9a8666",0.1316,"#959c88",0.1872,"#b9b193",0.265,"#cac6ba",0.3396,"Berthe Morisot","berthe-morisot","bio","French, 1841–1895","nationality","French","birth_year",1841,"death_year",1895,"birth_place","Bourges","death_place","Paris","about_excerpt","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":387,"_222":388,"_326":389,"_328":329,"_330":390,"_332":391,"_334":337,"_336":337,"_338":392,"_140":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,115,0.76416015625,[372,373,374,375,376],{"_221":302,"_222":303,"_42":304,"_305":306},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_296":369,"_298":370,"_300":371},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_292":293,"_294":295},{"_225":364,"_125":365,"_286":366},{"_277":361,"_279":362,"_281":363,"_282":346},102.87841796875,130,87.87841796875,{"_288":225,"_123":367,"_154":368,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_312":385,"_314":386},{"_312":383,"_314":384},{"_312":381,"_314":382},{"_312":379,"_314":380},{"_312":377,"_314":378},"#757663",0.1138,"#3d342a",0.1894,"#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","the-millinery-shop-aic-14572","The Millinery Shop",{"_42":387,"_222":388,"_326":389,"_328":329,"_330":390,"_332":391,"_334":337,"_336":337,"_338":392,"_140":75},"1879-86","Oil on canvas","100 × 110.7 cm (39 3/8 × 43 9/16 in.); Framed: 132.1 × 142.3 × 9.6 cm (52 × 56 × 3 3/4 in.)",110,100,1.101254677525864,[432,433,434,435,436],{"_221":428,"_222":429,"_42":430,"_305":431},"Courtesy of the Art Institute of Chicago","1933.428","Edgar Degas painted this in 1879-86, aged about 45. It is now at the Art Institute of Chicago.",{"_118":425,"_426":427},"Impressionist painting of woman wearing green dress trying on hats.",{"_296":422,"_298":423,"_300":424},"https://img.ochreeditions.com/m/31.jpg?dl=1","/art/the-millinery-shop-aic-14572","/galleries/style/impressionism/the-millinery-shop-aic-14572",{"_292":293,"_294":295},{"_225":419,"_125":420,"_286":421},{"_277":416,"_279":417,"_281":399,"_282":418},125,114.8860683589846,99.8860683589846,{"_288":225,"_123":367,"_154":368,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/31/480.jpg","https://img.ochreeditions.com/a/31/960.jpg","https://img.ochreeditions.com/a/31/1920.jpg","When this work was painted, millinery work (hat making) was considered a prestigious trade, elevating the women who succeeded in the business.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":445,"_314":446},{"_312":443,"_314":444},{"_312":441,"_314":442},{"_312":439,"_314":440},{"_312":437,"_314":438},"#b18e60",0.0655,"#3c4138",0.1934,"#717148",0.2029,"#865224",0.2279,"#583b26",0.3103,"roses-in-a-vase-cma-120286","Roses in a Vase",{"_42":502,"_222":503,"_326":504,"_328":329,"_330":331,"_332":505,"_334":506,"_336":507,"_338":508,"_140":81},"c. 1890","oil on fabric","Unframed: 25.5 x 34 cm (10 1/16 x 13 3/8 in.)",34,25.5,1.377075739165654,[487,488,489,490,491],{"_221":483,"_222":484,"_42":485,"_305":486},"Courtesy of the Cleveland Museum of Art","1941.14","Pierre-Auguste Renoir painted this in about 1890, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":481,"_426":482},"Roses in a Vase, by Pierre-Auguste Renoir, c. 1890",{"_296":478,"_298":479,"_300":480},"https://img.ochreeditions.com/m/546.jpg?dl=1","/art/roses-in-a-vase-cma-120286","/galleries/style/impressionism/roses-in-a-vase-cma-120286",{"_292":293,"_294":295},{"_225":473,"_125":474,"_286":475},{"_277":470,"_279":471,"_281":453,"_282":472},49,39.69,24.69,{"_288":225,"_123":476,"_154":477,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/546/480.jpg","https://img.ochreeditions.com/a/546/960.jpg","https://img.ochreeditions.com/a/546/1920.jpg","The palette Renoir used to depict the seven roses in this still life ranges from various shades of red to warm whites, light yellows, and pinks. The artist declared, \"'Painting flowers lets my brain rest. It does not cause the same tension of spirit as when I face a model.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":500,"_314":501},{"_312":498,"_314":499},{"_312":496,"_314":497},{"_312":494,"_314":495},{"_312":492,"_314":493},"#816c43",0.1104,"#452a20",0.1216,"#292d22",0.1647,"#664629",0.2255,"#504b2d",0.3778,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","mill-of-pont-maupuit-aic-16502","Mill of Pont Maupuit",{"_42":555,"_222":556,"_326":557,"_328":329,"_330":331,"_332":558,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1900","63.5 × 80 cm (25 × 31 1/2 in.); Framed: 98.8 × 114.7 × 8 cm (38 7/8 × 45 1/8 × 3 1/8 in.)",80,63,1.2460680423870607,[540,541,542,543,544],{"_221":428,"_222":429,"_42":430,"_305":431},"1933.1123","Jean Baptiste Armand Guillaumin painted this in about 1900, aged about 54. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":537,"_298":538,"_300":539},"https://img.ochreeditions.com/m/58.jpg?dl=1","/art/mill-of-pont-maupuit-aic-16502","/galleries/style/impressionism/mill-of-pont-maupuit-aic-16502",{"_292":293,"_294":295},{"_225":532,"_125":533,"_286":534},{"_277":529,"_279":530,"_281":514,"_282":531},95,79.20195148151464,64.20195148151464,{"_288":225,"_123":535,"_154":536,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-armand-guillaumin","Jean Baptiste Armand Guillaumin's contemporaries","https://img.ochreeditions.com/a/58/480.jpg","https://img.ochreeditions.com/a/58/960.jpg","https://img.ochreeditions.com/a/58/1920.jpg",{"_312":553,"_314":554},{"_312":551,"_314":552},{"_312":549,"_314":550},{"_312":547,"_314":548},{"_312":545,"_314":546},"#7a5f4c",0.1471,"#7c7e76",0.1768,"#a5a592",0.1814,"#48413d",0.2344,"#585b57",0.2603,"Jean Baptiste Armand Guillaumin","jean-baptiste-armand-guillaumin","French, 1841–1927",1927,"edouard-blau-nga-46556","Edouard Blau",{"_42":605,"_222":606,"_326":607,"_328":329,"_330":331,"_332":608,"_334":-5,"_336":-5,"_338":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[590,591,592,593,594],{"_221":302,"_222":303,"_42":304,"_305":306},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_296":587,"_298":588,"_300":589},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/impressionism/edouard-blau-nga-46556",{"_292":293,"_294":295},{"_225":582,"_125":583,"_286":584},{"_277":579,"_279":580,"_281":581,"_282":565},58.28857421875,74.5,43.28857421875,{"_288":225,"_123":585,"_154":586,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_312":603,"_314":604},{"_312":601,"_314":602},{"_312":599,"_314":600},{"_312":597,"_314":598},{"_312":595,"_314":596},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1870,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":502,"_222":503,"_326":504,"_328":329,"_330":331,"_332":505,"_334":506,"_336":507,"_338":508,"_140":81},"1888","Paintings","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[645,646,647,648,649],{"_221":641,"_222":642,"_42":643,"_305":644},"Courtesy of The Metropolitan Museum of Art","1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_296":638,"_298":639,"_300":640},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/impressionism/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_292":293,"_294":295},{"_225":635,"_125":636,"_286":637},{"_277":632,"_279":633,"_281":634,"_282":616},145.9728371843095,176.9,130.9728371843095,{"_288":225,"_123":476,"_154":477,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":658,"_314":659},{"_312":656,"_314":657},{"_312":654,"_314":655},{"_312":652,"_314":653},{"_312":650,"_314":651},"#c7bfbc",0.1415,"#40352a",0.1605,"#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","Arrival of the Normandy Train, Gare Saint-Lazare",{"_42":706,"_222":707,"_326":708,"_328":329,"_330":709,"_332":710,"_334":-5,"_336":-5,"_338":711,"_140":85},"1877","60.3 × 80.2 cm (23 3/4 × 31 1/2 in.); Framed: 80.7 × 100.4 × 10.2 cm (31 3/4 × 39 1/2 × 4 in.)",60,1.3326787117046348,[691,692,693,694,695],{"_221":428,"_222":429,"_42":430,"_305":431},"1933.1158","Claude Monet painted this in 1877, aged 37. It is now at the Art Institute of Chicago.",{"_118":690,"_426":427},"Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.",{"_296":687,"_298":688,"_300":689},"https://img.ochreeditions.com/m/62.jpg?dl=1","/art/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","/galleries/style/impressionism/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571",{"_292":293,"_294":295},{"_225":682,"_125":683,"_286":684},{"_277":529,"_279":680,"_281":514,"_282":681},75.02947244326555,60.02947244326554,{"_288":225,"_123":685,"_154":686,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/62/480.jpg","https://img.ochreeditions.com/a/62/960.jpg","https://img.ochreeditions.com/a/62/1920.jpg","The Impressionists frequently paid tribute to the modern aspects of Paris, depicting scenes of grand boulevards and modern constructions. Monet made 12 paintings of the Gare Saint-Lazare.",{"_312":704,"_314":705},{"_312":702,"_314":703},{"_312":700,"_314":701},{"_312":698,"_314":699},{"_312":696,"_314":697},"#aab0b2",0.1465,"#51646e",0.1833,"#79888a",0.2025,"#5b695c",0.2311,"#364246",0.2366,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","the-laundress-aic-59944","The Laundress",{"_42":502,"_222":503,"_326":504,"_328":329,"_330":331,"_332":505,"_334":506,"_336":507,"_338":508,"_140":81},"1877–79","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",56,0.6789700462025645,[738,739,740,741,742],{"_221":428,"_222":429,"_42":430,"_305":431},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_296":735,"_298":736,"_300":737},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/impressionism/the-laundress-aic-59944",{"_292":293,"_294":295},{"_225":732,"_125":733,"_286":734},{"_277":730,"_279":529,"_281":731,"_282":514},69.31760369620517,54.31760369620516,{"_288":225,"_123":476,"_154":477,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_312":750,"_314":751},{"_312":748,"_314":749},{"_312":746,"_314":747},{"_312":745,"_314":657},{"_312":743,"_314":744},"#86655b",0.0458,"#aab0a6","#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,"in-the-omnibus-cma-121035","In the Omnibus",{"_42":807,"_222":808,"_326":809,"_328":810,"_330":811,"_332":710,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1890–91","print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[793,794,795,796,797],{"_221":483,"_222":484,"_42":485,"_305":486},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":792,"_426":482},"In the Omnibus, by Mary Cassatt, 1890–91",{"_296":789,"_298":790,"_300":791},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_292":787,"_294":788},{"_225":779,"_125":780,"_286":781},{"_277":776,"_279":777,"_281":778,"_282":761},51.07323529411765,60.6,27.073235294117648,{"_288":225,"_123":785,"_154":786,"_140":89},{"_288":125,"_123":782,"_154":783,"_140":784},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","white","snow","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_312":805,"_314":806},{"_312":803,"_314":804},{"_312":801,"_314":802},{"_312":800,"_314":493},{"_312":798,"_314":799},"#5e625e",0.0705,"#ad8d6e","#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,"before-the-ballet-nga-1158","Before the Ballet",{"_42":387,"_222":388,"_326":389,"_328":329,"_330":390,"_332":391,"_334":337,"_336":337,"_338":392,"_140":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,40,2.303712035995501,[842,843,844,845,846],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_296":839,"_298":840,"_300":841},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_292":293,"_294":295},{"_225":836,"_125":837,"_286":838},{"_277":833,"_279":834,"_281":817,"_282":835},103.9,53.589892578124996,38.589892578124996,{"_288":225,"_123":367,"_154":368,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg",{"_312":855,"_314":856},{"_312":853,"_314":854},{"_312":851,"_314":852},{"_312":849,"_314":850},{"_312":847,"_314":848},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"self-portrait-cma-163547","Self-Portrait",{"_42":387,"_222":388,"_326":389,"_328":329,"_330":390,"_332":391,"_334":337,"_336":337,"_338":392,"_140":75},"1857","etching and drypoint","Platemark: 23 x 14.5 cm (9 1/16 x 5 11/16 in.); Sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.)",14.5,23,0.5829411764705882,[889,890,891,892,893],{"_221":483,"_222":484,"_42":485,"_305":486},"2004.87","Edgar Degas made this in 1857, aged 23. It is now at the Cleveland Museum of Art.",{"_118":888,"_426":482},"Self-Portrait, by Edgar Degas, 1857",{"_296":885,"_298":886,"_300":887},"https://img.ochreeditions.com/m/765.jpg?dl=1","/art/self-portrait-cma-163547","/galleries/style/impressionism/self-portrait-cma-163547",{"_292":787,"_294":788},{"_225":882,"_125":883,"_286":884},{"_277":879,"_279":470,"_281":880,"_282":881},38.5735294117647,14.573529411764705,25,{"_288":225,"_123":367,"_154":368,"_140":75},{"_288":125,"_123":782,"_154":783,"_140":784},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/765/480.jpg","https://img.ochreeditions.com/a/765/960.jpg","https://img.ochreeditions.com/a/765/1920.jpg","In the 1850s Degas frequently used himself as a model, but he made only one printed self-portrait. Through successive stages of biting the plate and layers of crosshatching, Degas gradually built areas of dark tone.",{"_312":902,"_314":903},{"_312":900,"_314":901},{"_312":898,"_314":899},{"_312":896,"_314":897},{"_312":894,"_314":895},"#6b6257",0.087,"#958877",0.1199,"#f6e2cd",0.1841,"#bfae99",0.247,"#48423d",0.362,"yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":387,"_222":388,"_326":389,"_328":329,"_330":390,"_332":391,"_334":337,"_336":337,"_338":392,"_140":75},"1874–76","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,73,0.8066455167807647,[935,936,937,938,939],{"_221":428,"_222":429,"_42":430,"_305":431},"1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":934,"_426":427},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_296":931,"_298":932,"_300":933},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/impressionism/yellow-dancers-in-the-wings-aic-18951",{"_292":293,"_294":295},{"_225":928,"_125":929,"_286":930},{"_277":925,"_279":926,"_281":927,"_282":910},73.88512272499582,88,58.885122724995824,{"_288":225,"_123":367,"_154":368,"_140":75},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.",{"_312":947,"_314":948},{"_312":945,"_314":946},{"_312":943,"_314":944},{"_312":942,"_314":653},{"_312":940,"_314":941},"#3a3d2c",0.1253,"#7f6a3b","#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":502,"_222":503,"_326":504,"_328":329,"_330":331,"_332":505,"_334":506,"_336":507,"_338":508,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[979,980,981,982,983],{"_221":641,"_222":642,"_42":643,"_305":644},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_296":976,"_298":977,"_300":978},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_292":293,"_294":295},{"_225":973,"_125":974,"_286":975},{"_277":970,"_279":971,"_281":972,"_282":955},102.37169999999999,126.8,87.37169999999999,{"_288":225,"_123":476,"_154":477,"_140":81},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_312":991,"_314":992},{"_312":989,"_314":990},{"_312":987,"_314":988},{"_312":986,"_314":380},{"_312":984,"_314":985},"#0e0c09",0.1038,"#948473","#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"stacks-of-wheat-end-of-summer-aic-64818","Stacks of Wheat (End of Summer)",{"_42":706,"_222":707,"_326":708,"_328":329,"_330":709,"_332":710,"_334":-5,"_336":-5,"_338":711,"_140":85},"60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)",1.6922320550639134,[1019,1020,1021,1022,1023],{"_221":428,"_222":429,"_42":430,"_305":431},"1985.1103","Claude Monet painted this in 1890–91, aged about 50. It is now at the Art Institute of Chicago.","Two domed stacks of wheat stand in a field near Monet’s home at Giverny, casting long shadows in the low light of early morning or evening.","Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.",{"_296":1016,"_298":1017,"_300":1018},"https://img.ochreeditions.com/m/183.jpg?dl=1","/art/stacks-of-wheat-end-of-summer-aic-64818","/galleries/style/impressionism/stacks-of-wheat-end-of-summer-aic-64818",{"_292":293,"_294":295},{"_225":1013,"_125":1014,"_286":1015},{"_277":346,"_279":1011,"_281":400,"_282":1012},74.09355026147588,59.09355026147589,{"_288":225,"_123":685,"_154":686,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/183/480.jpg","https://img.ochreeditions.com/a/183/960.jpg","https://img.ochreeditions.com/a/183/1920.jpg",{"_312":1032,"_314":1033},{"_312":1030,"_314":1031},{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},"#717b6f",0.1575,"#776356",0.1711,"#a49378",0.1896,"#7f7d84",0.2319,"#aeaea6",0.2499,"rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":706,"_222":707,"_326":708,"_328":329,"_330":709,"_332":710,"_334":-5,"_336":-5,"_338":711,"_140":85},"1894","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[1064,1065,1066,1067,1068],{"_221":302,"_222":303,"_42":304,"_305":306},"1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_296":1061,"_298":1062,"_300":1063},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_292":293,"_294":295},{"_225":1058,"_125":1059,"_286":1060},{"_277":1055,"_279":1056,"_281":1057,"_282":1040},79.73752441406249,115.1,64.73752441406249,{"_288":225,"_123":685,"_154":686,"_140":85},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg",{"_312":1077,"_314":1078},{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,{"_1080":-5,"_1081":1082,"_1083":1084,"_1085":8,"_1086":1087,"_1088":8},"user","csrf","a78b7388e41cae3070ac2a783c88b23b0678c25a","cartCount",0,"dropLive","legal",[1089,1090,1091,1092,1093,1094,1095,1096,1097,1098,1099,1100],"uploadsEnabled",{"_222":1123,"_20":1124},{"_222":1121,"_20":1122},{"_222":1119,"_20":1120},{"_222":1117,"_20":1118},{"_222":1115,"_20":1116},{"_222":1113,"_20":1114},{"_222":1111,"_20":1112},{"_222":1109,"_20":1110},{"_222":1107,"_20":1108},{"_222":1105,"_20":1106},{"_222":1103,"_20":1104},{"_222":1101,"_20":1102},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]