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The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_295":431,"_297":432,"_299":433},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_291":429,"_293":430},{"_224":423,"_125":424,"_285":425},{"_276":420,"_278":421,"_280":422,"_282":404},46.957556935817806,57.1,22.95755693581781,{"_287":224,"_123":170,"_153":169,"_139":75},{"_287":125,"_123":426,"_153":427,"_139":428},{"_287":285,"_123":166,"_153":165,"_139":168},"style/drawing-19","More drawings of the 19th century",92,"white","snow","https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":451,"_316":452},{"_314":449,"_316":450},{"_314":447,"_316":448},{"_314":445,"_316":446},{"_314":443,"_316":444},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"fishmarket-cma-74228","Fishmarket",{"_42":513,"_221":514,"_328":515,"_330":331,"_332":516,"_334":517,"_336":518,"_338":337,"_339":519,"_139":95},"1902",20,"oil on canvas","Unframed: 66 x 81.3 cm (26 x 32 in.)",81.3,1.2477064220183487,[498,499,500,501,502],{"_220":494,"_221":495,"_42":496,"_307":497},"Courtesy of the Cleveland Museum of Art","2020.113","Camille Pissarro painted this in 1902, aged 72. It is now at the Cleveland Museum of Art.",{"_118":492,"_302":493},"Fishmarket, by Camille Pissarro, 1902",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/451.jpg?dl=1","/art/fishmarket-cma-74228","/galleries/style/impressionism/fishmarket-cma-74228",{"_291":292,"_293":294},{"_224":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":460,"_282":478},96.3,80.15955882352941,65.15955882352941,{"_287":224,"_123":487,"_153":488,"_139":95},{"_287":125,"_123":484,"_153":485,"_139":486},{"_287":285,"_123":482,"_153":483,"_139":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/451/480.jpg","https://img.ochreeditions.com/a/451/960.jpg","https://img.ochreeditions.com/a/451/1920.jpg","This impressive view of a bustling fish market belongs to a series of paintings that Pissarro made during the summer of 1902 depicting the harbor at Dieppe.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},"#594c45",0.0901,"#ae9e8d",0.1703,"#7b695d",0.1841,"#997f6c",0.1887,"#babfbc",0.3668,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","two-sisters-on-the-terrace-aic-14655","Two Sisters (On the Terrace)",{"_42":387,"_221":388,"_328":389,"_330":331,"_332":390,"_334":391,"_336":392,"_338":393,"_339":394,"_139":81},"1881","100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 9.6 cm (46 7/8 × 39 3/8 × 3 3/4 in.)",80,100,0.8058792480409274,[551,552,553,554,555],{"_220":304,"_221":305,"_42":306,"_307":308},"1933.455","Pierre-Auguste Renoir painted this in 1881, aged 40. It is now at the Art Institute of Chicago.",{"_118":550,"_302":303},"Impressionist painting of two girls on balcony, bright flower hat, knitting basket.",{"_295":547,"_297":548,"_299":549},"https://img.ochreeditions.com/m/37.jpg?dl=1","/art/two-sisters-on-the-terrace-aic-14655","/galleries/style/impressionism/two-sisters-on-the-terrace-aic-14655",{"_291":292,"_293":294},{"_224":544,"_125":545,"_285":546},{"_276":541,"_278":542,"_280":543,"_282":526},95.58792480409274,115,80.58792480409274,{"_287":224,"_123":367,"_153":368,"_139":81},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/37/480.jpg","https://img.ochreeditions.com/a/37/960.jpg","https://img.ochreeditions.com/a/37/1920.jpg","Despite the title, the young women in this painting were not actually sisters. The older girl in the center gazes absently beyond her younger companion, whose red cheeks suggest that she just dashed into the picture. These casual expressions make this “sisterly” moment feel genuine.",{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},{"_314":556,"_316":557},"#97524b",0.0598,"#323951",0.1271,"#838569",0.2323,"#a1a39f",0.268,"#626967",0.3128,"before-the-ballet-nga-1158","Before the Ballet",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_139":75},"1890/1892","overall: 40 x 88.9 cm (15 3/4 x 35 in.) framed: 59.7 x 109.8 x 8.2 cm (23 1/2 x 43 1/4 x 3 1/4 in.)",88.9,40,2.303712035995501,[601,602,603,604,605],{"_220":597,"_221":598,"_42":599,"_307":600},"Courtesy National Gallery of Art, Washington","1942.9.19","Edgar Degas painted this in 1890/1892, aged about 56. It is now at the National Gallery of Art in Washington, DC.","Two dancers in robin’s-egg-blue tutus sit on a bench in the foreground, one bending low to reach her foot, the other pulling on her pink tights, while across a broad expanse of floor four more practise with legs raised high.","In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting. The scene and dancers are loosely painted so many features are indistinct. All the women have light skin and dark brown hair. Each pale, robins’ egg-blue costume has a low-cut, tightly fitting, sleeveless bodice and a full skirt. Dabs of off white, teal, and blue suggest flowers lining the deep U of the neckline at the front and down the back of each bodice. Closest to us and nearly brushing the edges of the lower right corner of the canvas, one dancer sits on the end of a wooden bench and leans down between her legs, her feet widely planted. She rests her torso on an elbow folded onto one knee as she reaches for her left foot, farther from us, with her other hand. Her hair is pulled up and her face, looking downward, is deep in shadow. Sitting behind her on the bench, to our left, a second dancer lifts her right leg, toe pointing, as she pulls on her pale pink tights. Her other leg stretches straight, pointed toe brushing the floor, in front of her. This woman’s hair hangs loose around her shoulders. The pair is brightly lit from a source to our right, and an arched area of electric blue and mustard yellow behind them is difficult to interpret. The floor, which takes up about two-thirds of the composition, is painted with dabs of teal blue, pale fuchsia pink, and caramel brown. It leads us back to the upper left corner of the painting where four more four ballerinas stand in a line. The pair to our left stands with their backs to us, facing the wall with their right legs raised to shoulder height, toes pointed. The pair to our right faces us. They also stand with their right legs raised, creating a wide angle with their standing legs. All four ballerinas bend their arms gently at the elbow, and some tip their heads toward the raised legs. The rightmost dancer is illuminated by a pair of French doors at the back corner, at the top center of the painting. The wall behind the bench is streaked with mint green over honey brown, and the wall at the back of the room is leather brown. The visible, soft brushstrokes give the image a blurred, ethereal appearance in the dimmed studio. The artist signed the painting in the lower left corner, “Degas.”",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/1335.jpg?dl=1","/art/before-the-ballet-nga-1158","/galleries/style/impressionism/before-the-ballet-nga-1158",{"_291":292,"_293":294},{"_224":591,"_125":592,"_285":593},{"_276":588,"_278":589,"_280":571,"_282":590},103.9,53.589892578124996,38.589892578124996,{"_287":224,"_123":170,"_153":169,"_139":75},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/1335/480.jpg","https://img.ochreeditions.com/a/1335/960.jpg","https://img.ochreeditions.com/a/1335/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":614,"_316":615},{"_314":612,"_316":613},{"_314":610,"_316":611},{"_314":608,"_316":609},{"_314":606,"_316":607},"#857e66",0.0737,"#535e4f",0.1133,"#423113",0.125,"#605339",0.2455,"#423a2d",0.4425,"dancers-cma-95271","Dancers",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_139":75},"c. 1896","Drawing","pastel with charcoal on tracing paper mounted on paper and backed with gray board","Sheet: 55.7 x 41.4 cm (21 15/16 x 16 5/16 in.)",41.4,55.7,0.7458823529411764,[649,650,651,652,653],{"_220":494,"_221":495,"_42":496,"_307":497},"1916.1043","Edgar Degas drew this in about 1896, aged about 57. It is now at the Cleveland Museum of Art.",{"_118":648,"_302":493},"Dancers, by Edgar Degas, c. 1896",{"_295":645,"_297":646,"_299":647},"https://img.ochreeditions.com/m/463.jpg?dl=1","/art/dancers-cma-95271","/galleries/style/impressionism/dancers-cma-95271",{"_291":429,"_293":430},{"_224":642,"_125":643,"_285":644},{"_276":639,"_278":640,"_280":641,"_282":624},65.54564705882353,79.7,41.54564705882353,{"_287":224,"_123":170,"_153":169,"_139":75},{"_287":125,"_123":426,"_153":427,"_139":428},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/463/480.jpg","https://img.ochreeditions.com/a/463/960.jpg","https://img.ochreeditions.com/a/463/1920.jpg","Degas depicted the ballet in more than 1,000 paintings, prints, pastels, and sculptures. He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. Here, three dancers stretch together in the wings, unaware of the viewer’s presence.",{"_314":662,"_316":663},{"_314":660,"_316":661},{"_314":658,"_316":659},{"_314":656,"_316":657},{"_314":654,"_316":655},"#68777a",0.0605,"#b6731b",0.12,"#987d61",0.1403,"#675234",0.3205,"#865931",0.3587,"acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)",{"_42":387,"_221":388,"_328":389,"_330":331,"_332":390,"_334":391,"_336":392,"_338":393,"_339":394,"_139":81},"1879","131.2 × 99.2 cm (51 1/2 × 39 1/16 in.); Framed: 160.1 × 129 × 10.2 cm (63 × 50 3/4 × 4 in.)",99,131,0.7480035492457853,[695,696,697,698,699],{"_220":304,"_221":305,"_42":306,"_307":308},"1922.440","Pierre-Auguste Renoir painted this in 1879, aged 38. It is now at the Art Institute of Chicago.",{"_118":694,"_302":303},"Two girls in acrobatic uniforms stand in an arena, one holds oranges.",{"_295":691,"_297":692,"_299":693},"https://img.ochreeditions.com/m/221.jpg?dl=1","/art/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558","/galleries/style/impressionism/acrobats-at-the-cirque-fernando-francisca-and-angelina-warte-aic-81558",{"_291":292,"_293":294},{"_224":688,"_125":689,"_285":690},{"_276":685,"_278":686,"_280":687,"_282":670},112.98846495119787,146,97.98846495119787,{"_287":224,"_123":367,"_153":368,"_139":81},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/221/480.jpg","https://img.ochreeditions.com/a/221/960.jpg","https://img.ochreeditions.com/a/221/1920.jpg","The two girls in this painting by Pierre-Auguste Renoir are Francisca and Angelina Wartenberg, acrobats who performed in the famed Cirque Fernando in Paris. They are depicted clutching oranges tossed to them from the crowd as gifts.",{"_314":708,"_316":709},{"_314":706,"_316":707},{"_314":704,"_316":705},{"_314":702,"_316":703},{"_314":700,"_316":701},"#9e8972",0.0781,"#4d4b41",0.0921,"#cac7ba",0.2471,"#bbaf7e",0.2682,"#ad9856",0.3145,"the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)",{"_42":387,"_221":388,"_328":389,"_330":331,"_332":390,"_334":391,"_336":392,"_338":393,"_339":394,"_139":81},"1888","Paintings","63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)",129.9,161.9,0.8089736700698549,[741,742,743,744,745],{"_220":434,"_221":435,"_42":436,"_307":437},"1998.325.3","Pierre-Auguste Renoir painted this in 1888, aged 47. It is now at The Met in New York.","The three daughters of the poet Catulle Mendès and the composer Augusta Holmès gather around a piano, one seated at the keyboard, one holding a violin and the youngest leaning in.","The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), by Pierre-Auguste Renoir, 1888",{"_295":738,"_297":739,"_299":740},"https://img.ochreeditions.com/m/1178.jpg?dl=1","/art/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014","/galleries/style/impressionism/the-daughters-of-catulle-mendes-huguette-1871-1964-claudine-met-438014",{"_291":292,"_293":294},{"_224":735,"_125":736,"_285":737},{"_276":732,"_278":733,"_280":734,"_282":717},145.9728371843095,176.9,130.9728371843095,{"_287":224,"_123":367,"_153":368,"_139":81},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/1178/480.jpg","https://img.ochreeditions.com/a/1178/960.jpg","https://img.ochreeditions.com/a/1178/1920.jpg",{"_314":753,"_316":754},{"_314":751,"_316":752},{"_314":749,"_316":750},{"_314":748,"_316":319},{"_314":746,"_316":747},"#c7bfbc",0.1415,"#40352a","#928d8b",0.165,"#555552",0.1665,"#6b4f2c",0.3665,"alexander-and-bucephalus-nga-101776","Alexander and Bucephalus",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_139":75},"1861/1862","overall: 115 x 89 cm (45 1/4 x 35 1/16 in.) framed: 139.7 × 107.95 × 12.7 cm (55 × 42 1/2 × 5 in.)",89,0.76416015625,[784,785,786,787,788],{"_220":597,"_221":598,"_42":599,"_307":600},"1997.57.1","Edgar Degas painted this in 1861/1862, aged about 27. It is now at the National Gallery of Art in Washington, DC.","The young Alexander raises a hand to the head of the chestnut horse Bucephalus, which no one else at the Macedonian court could master; according to Plutarch, he succeeded by turning the animal towards the sun so that it could not see its own shadow.","Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”",{"_295":781,"_297":782,"_299":783},"https://img.ochreeditions.com/m/1638.jpg?dl=1","/art/alexander-and-bucephalus-nga-101776","/galleries/style/impressionism/alexander-and-bucephalus-nga-101776",{"_291":292,"_293":294},{"_224":778,"_125":779,"_285":780},{"_276":775,"_278":776,"_280":777,"_282":542},102.87841796875,130,87.87841796875,{"_287":224,"_123":170,"_153":169,"_139":75},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/1638/480.jpg","https://img.ochreeditions.com/a/1638/960.jpg","https://img.ochreeditions.com/a/1638/1920.jpg",{"_314":797,"_316":798},{"_314":795,"_316":796},{"_314":793,"_316":794},{"_314":791,"_316":792},{"_314":789,"_316":790},"#757663",0.1138,"#3d342a",0.1894,"#654730",0.2149,"#a96f31",0.2254,"#92724c",0.2565,"in-the-omnibus-cma-121035","In the Omnibus",{"_42":853,"_221":854,"_328":855,"_330":856,"_332":857,"_334":858,"_336":-5,"_338":-5,"_339":-5,"_139":101},"1890–91","print","Print","color drypoint and aquatint","Platemark: 36.6 x 26.8 cm (14 7/16 x 10 9/16 in.)",26.8,36.6,0.7397058823529412,[838,839,840,841,842],{"_220":494,"_221":495,"_42":496,"_307":497},"1941.71","Mary Cassatt made this in 1890–91, aged about 46. It is now at the Cleveland Museum of Art.",{"_118":837,"_302":493},"In the Omnibus, by Mary Cassatt, 1890–91",{"_295":834,"_297":835,"_299":836},"https://img.ochreeditions.com/m/548.jpg?dl=1","/art/in-the-omnibus-cma-121035","/galleries/style/impressionism/in-the-omnibus-cma-121035",{"_291":429,"_293":430},{"_224":826,"_125":827,"_285":828},{"_276":823,"_278":824,"_280":825,"_282":808},51.07323529411765,60.6,27.073235294117648,{"_287":224,"_123":832,"_153":833,"_139":89},{"_287":125,"_123":829,"_153":830,"_139":831},{"_287":285,"_123":166,"_153":165,"_139":168},"style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-mary-cassatt","Mary Cassatt's contemporaries","https://img.ochreeditions.com/a/548/480.jpg","https://img.ochreeditions.com/a/548/960.jpg","https://img.ochreeditions.com/a/548/1920.jpg","This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter.",{"_314":851,"_316":852},{"_314":849,"_316":850},{"_314":847,"_316":848},{"_314":845,"_316":846},{"_314":843,"_316":844},"#5e625e",0.0705,"#ad8d6e",0.1104,"#908677",0.2048,"#c2b19d",0.241,"#dad0c2",0.3733,"Mary Cassatt","mary-cassatt","American, 1844–1926","American",1844,1926,"cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":904,"_221":905,"_328":906,"_330":331,"_332":907,"_334":858,"_336":-5,"_338":-5,"_339":908,"_139":85},"1882","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",60,1.6766270978305362,[889,890,891,892,893],{"_220":597,"_221":598,"_42":599,"_307":600},"1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_295":886,"_297":887,"_299":888},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_291":292,"_293":294},{"_224":881,"_125":882,"_285":883},{"_276":542,"_278":879,"_280":526,"_282":880},74.6435546875,59.6435546875,{"_287":224,"_123":884,"_153":885,"_139":85},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg",{"_314":902,"_316":903},{"_314":900,"_316":901},{"_314":898,"_316":899},{"_314":896,"_316":897},{"_314":894,"_316":895},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"Claude Monet","claude-monet","French, 1840–1926",1840,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":387,"_221":388,"_328":389,"_330":331,"_332":390,"_334":391,"_336":392,"_338":393,"_339":394,"_139":81},"1864","oil on fabric","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,0.7958823529411765,[939,940,941,942,943],{"_220":494,"_221":495,"_42":496,"_307":497},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. It is now at the Cleveland Museum of Art.",{"_118":938,"_302":493},"Romaine Lacaux, by Pierre-Auguste Renoir, 1864",{"_295":935,"_297":936,"_299":937},"https://img.ochreeditions.com/m/549.jpg?dl=1","/art/romaine-lacaux-cma-121188","/galleries/style/impressionism/romaine-lacaux-cma-121188",{"_291":292,"_293":294},{"_224":932,"_125":933,"_285":934},{"_276":930,"_278":476,"_280":931,"_282":460},79.70523529411764,64.70523529411764,{"_287":224,"_123":367,"_153":368,"_139":81},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/549/480.jpg","https://img.ochreeditions.com/a/549/960.jpg","https://img.ochreeditions.com/a/549/1920.jpg","This painting may be Renoir's earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.",{"_314":952,"_316":953},{"_314":950,"_316":951},{"_314":948,"_316":949},{"_314":946,"_316":947},{"_314":944,"_316":945},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"rouen-cathedral-west-facade-nga-46524","Rouen Cathedral, West Façade",{"_42":904,"_221":905,"_328":906,"_330":331,"_332":907,"_334":858,"_336":-5,"_338":-5,"_339":908,"_139":85},"1894","overall: 100.1 x 65.9 cm (39 3/8 x 25 15/16 in.) framed: 121.6 x 88.3 cm (47 7/8 x 34 3/4 in.)",65.9,100.1,0.646728515625,[984,985,986,987,988],{"_220":597,"_221":598,"_42":599,"_307":600},"1963.10.49","Claude Monet painted this in 1894, aged 54. It is now at the National Gallery of Art in Washington, DC.","The west front of Rouen Cathedral fills the canvas, its portal, gable, rose window and spires dissolving into a crust of blue, peach, lavender and brown paint.","We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”",{"_295":981,"_297":982,"_299":983},"https://img.ochreeditions.com/m/1517.jpg?dl=1","/art/rouen-cathedral-west-facade-nga-46524","/galleries/style/impressionism/rouen-cathedral-west-facade-nga-46524",{"_291":292,"_293":294},{"_224":978,"_125":979,"_285":980},{"_276":975,"_278":976,"_280":977,"_282":960},79.73752441406249,115.1,64.73752441406249,{"_287":224,"_123":884,"_153":885,"_139":85},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/1517/480.jpg","https://img.ochreeditions.com/a/1517/960.jpg","https://img.ochreeditions.com/a/1517/1920.jpg",{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},"#848998",0.1387,"#d4d2cf",0.1456,"#9d9494",0.1966,"#9ca4b8",0.2268,"#b6bdca",0.2923,"the-artist-s-daughter-with-a-parakeet-nga-46525","The Artist's Daughter with a Parakeet",{"_42":1046,"_221":1047,"_328":1048,"_330":331,"_332":390,"_334":1049,"_336":1050,"_338":337,"_339":1051,"_139":97},"1890","overall: 65.6 x 52.1 cm (25 13/16 x 20 1/2 in.) framed: 85.7 x 71.4 cm (33 3/4 x 28 1/8 in.)",52.1,65.6,0.78662109375,[1031,1032,1033,1034,1035],{"_220":597,"_221":598,"_42":599,"_307":600},"1963.10.50","Berthe Morisot painted this in 1890, aged 49. It is now at the National Gallery of Art in Washington, DC.","Julie Manet, the painter’s only child, sits in a coral-peach dress with her hands in her lap, looking calmly out at us, while an emerald-green parakeet perches in a wooden cage over her shoulder.","Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap. She has a round face and smooth, lightly flushed cheeks. She has brown eyes under arched brows, a delicate, snub nose, and her rose-pink lips are closed. Her hair, which is painted with broad strokes of caramel brown and moss green, is parted on one side and pulled smoothly back, presumably tied behind her head. Tendrils fall over her shoulders. Her dress is gathered around her neck and tied with a bow at the back. The loose sleeves fall to just below her elbows, and the dress is belted around the waist. A curving swipe of canary-yellow paint could be a buckle at the front. The fabric of the dress is painted with long, visible strokes of shell and rose pink, butter yellow, and ivory white, and a few touches of sage green and periwinkle blue for shadows. She wears a ring on the middle finger of her right hand. The space around her is loosely painted with strokes of electric and cobalt blue, with unpainted canvas visible at some of the edges. To our left, over the girl's shoulder, a wooden bird cage holds an emerald-green parakeet. The bird is streaked with royal blue along its back, and the area around its hooked beak is apple red. The cage has a mint-green bow and ribbon along the top. The artist signed the painting in green on the lower right corner: “Berthe Morisot.”",{"_295":1028,"_297":1029,"_299":1030},"https://img.ochreeditions.com/m/1518.jpg?dl=1","/art/the-artist-s-daughter-with-a-parakeet-nga-46525","/galleries/style/impressionism/the-artist-s-daughter-with-a-parakeet-nga-46525",{"_291":292,"_293":294},{"_224":1023,"_125":1024,"_285":1025},{"_276":1020,"_278":1021,"_280":1022,"_282":1005},66.60234374999999,80.6,51.602343749999996,{"_287":224,"_123":1026,"_153":1027,"_139":97},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/1518/480.jpg","https://img.ochreeditions.com/a/1518/960.jpg","https://img.ochreeditions.com/a/1518/1920.jpg",{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},{"_314":1036,"_316":1037},"#a99067",0.1675,"#c5946a",0.1872,"#d4b58c",0.1897,"#9e9a80",0.2113,"#819086",0.2443,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","the-dance-class-met-438817","The Dance Class",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":337,"_339":340,"_139":75},"1874","32 7/8 x 30 3/8 in. (83.5 x 77.2 cm)",77.2,83.5,0.9275,[1082,1083,1084,1085,1086],{"_220":434,"_221":435,"_42":436,"_307":437},"1987.47.1","Edgar Degas painted this in 1874, aged 40. It is now at The Met in New York.","Dancers stretch, wait and fidget while the veteran ballet master Jules Perrot, leaning on a tall staff, takes a class in a rehearsal room of the Paris Opéra. Degas pushes him off-centre and lets the eye drift through the room instead, to dancers stretching, resting or simply waiting their turn.","The Dance Class, by Edgar Degas, 1874",{"_295":1079,"_297":1080,"_299":1081},"https://img.ochreeditions.com/m/1193.jpg?dl=1","/art/the-dance-class-met-438817","/galleries/style/impressionism/the-dance-class-met-438817",{"_291":292,"_293":294},{"_224":1076,"_125":1077,"_285":1078},{"_276":1073,"_278":1074,"_280":1075,"_282":1058},92.44625,98.5,77.44625,{"_287":224,"_123":170,"_153":169,"_139":75},{"_287":125,"_123":288,"_153":289,"_139":290},{"_287":285,"_123":166,"_153":165,"_139":168},"https://img.ochreeditions.com/a/1193/480.jpg","https://img.ochreeditions.com/a/1193/960.jpg","https://img.ochreeditions.com/a/1193/1920.jpg",{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},{"_314":1089,"_316":317},{"_314":1087,"_316":1088},"#1c150f",0.1165,"#88826b","#43392a",0.1626,"#5b654e",0.2595,"#64573f",0.3361,{"_1097":-5,"_1098":1099,"_1100":1101,"_1102":8,"_1103":1104,"_1105":8},"user","csrf","33f156b63964fc22bdf67880ba424233b880569d","cartCount",0,"dropLive","legal",[1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117],"uploadsEnabled",{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},{"_221":1128,"_20":1129},{"_221":1126,"_20":1127},{"_221":1124,"_20":1125},{"_221":1122,"_20":1123},{"_221":1120,"_20":1121},{"_221":1118,"_20":1119},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]