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After his death his brother gave a large group of these late canvases to the newly founded Metropolitan Museum.","October in the Marshes, by John Frederick Kensett, 1872",{"_300":438,"_302":439,"_304":440},"https://img.ochreeditions.com/m/842.jpg?dl=1","/art/october-in-the-marshes-met-11317","/galleries/style/hudson-river-school/october-in-the-marshes-met-11317",{"_296":381,"_298":382},{"_228":435,"_125":436,"_290":437},{"_280":432,"_282":433,"_284":416,"_286":434},92.5,61.49300857013983,46.49300857013983,{"_292":228,"_123":379,"_154":380,"_140":93},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/842/480.jpg","https://img.ochreeditions.com/a/842/960.jpg","https://img.ochreeditions.com/a/842/1920.jpg",{"_319":454,"_321":455},{"_319":452,"_321":453},{"_319":450,"_321":451},{"_319":448,"_321":449},{"_319":446,"_321":447},"#23160f",0.1386,"#6c4b20",0.1423,"#422715",0.1509,"#9c987f",0.2126,"#bfb69a",0.3556,"the-valley-of-wyoming-met-10586","The Valley of Wyoming",{"_42":502,"_225":503,"_333":504,"_335":336,"_337":505,"_339":506,"_341":507,"_342":508,"_343":-5,"_140":101},"1865","48 1/2 x 84 in. (123.2 x 213.4 cm)",213.4,123.2,1.7312414733969987,[487,488,489,490,491],{"_224":386,"_225":387,"_42":388,"_312":313},"66.113","Jasper Francis Cropsey painted this in 1865, aged 42. It is now at The Met in New York.","The Valley of Wyoming, by Jasper Francis Cropsey, 1865",{"_300":484,"_302":485,"_304":486},"https://img.ochreeditions.com/m/818.jpg?dl=1","/art/the-valley-of-wyoming-met-10586","/galleries/style/hudson-river-school/the-valley-of-wyoming-met-10586",{"_296":381,"_298":382},{"_228":479,"_125":480,"_290":481},{"_280":476,"_282":477,"_284":461,"_286":478},228.4,138.26414499605988,123.26414499605988,{"_292":228,"_123":482,"_154":483,"_140":89},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jasper-francis-cropsey","Jasper Francis Cropsey's contemporaries","https://img.ochreeditions.com/a/818/480.jpg","https://img.ochreeditions.com/a/818/960.jpg","https://img.ochreeditions.com/a/818/1920.jpg",{"_319":500,"_321":501},{"_319":498,"_321":499},{"_319":496,"_321":497},{"_319":494,"_321":495},{"_319":492,"_321":493},"#504823",0.1254,"#a4a392",0.1508,"#878262",0.1807,"#837036",0.1862,"#cfc8b5",0.3569,"Jasper Francis Cropsey","jasper-francis-cropsey","American, 1823–1900",1823,1900,"Rossville, New York","Hastings-on-Hudson, New York","mountains-in-colorado-si-saam-1967-136-6","Mountains in Colorado",{"_42":404,"_225":405,"_333":406,"_335":336,"_337":407,"_339":408,"_341":409,"_342":313,"_343":410,"_140":93},"1870","oil on paper mounted on paperboard","10 1/4 x 14 in. (25.9 x 35.7 cm)",35.7,25.9,1.4814814814814814,[544,545,546,547,548],{"_224":309,"_225":310,"_42":311,"_312":543},"Courtesy of the Smithsonian American Art Museum","1967.136.6","John Frederick Kensett painted this in 1870, aged 54. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":541,"_307":542},"Mountains in Colorado, by John Frederick Kensett, 1870",{"_300":538,"_302":539,"_304":540},"https://img.ochreeditions.com/m/1928.jpg?dl=1","/art/mountains-in-colorado-si-saam-1967-136-6","/galleries/style/hudson-river-school/mountains-in-colorado-si-saam-1967-136-6",{"_296":381,"_298":382},{"_228":535,"_125":536,"_290":537},{"_280":532,"_282":533,"_284":515,"_286":534},50.7,39.097500000000004,24.097500000000004,{"_292":228,"_123":379,"_154":380,"_140":93},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1928/480.jpg","https://img.ochreeditions.com/a/1928/960.jpg","https://img.ochreeditions.com/a/1928/1920.jpg","John Frederick Kensett painted peaceful views in muted colors to express a sense of quiet reflection. American artists in the nineteenth century often painted the mountains of the American West rising dramatically from the Great Plains.","Text from the Smithsonian American Art Museum.","Washington, DC",{"_319":557,"_321":558},{"_319":555,"_321":556},{"_319":553,"_321":554},{"_319":551,"_321":552},{"_319":549,"_321":550},"#433522",0.0763,"#7b6236",0.1588,"#604a27",0.1802,"#b08e63",0.1824,"#c6af8e",0.4023,"the-parthenon-met-10482","The Parthenon",{"_42":606,"_225":607,"_333":608,"_335":336,"_337":609,"_339":506,"_341":610,"_342":313,"_343":611,"_140":89},"1871","44 1/2 x 72 5/8 in. (113 x 184.5 cm)",184.5,113,1.617572156196944,[591,592,593,594,595],{"_224":386,"_225":387,"_42":388,"_312":313},"15.30.67","Frederic Edwin Church painted this in 1871, aged 45. It is now at The Met in New York.","The Parthenon rises on the Acropolis, its broken colonnade and the marble fragments scattered around it set down with careful precision.","The Parthenon, by Frederic Edwin Church, 1871",{"_300":588,"_302":589,"_304":590},"https://img.ochreeditions.com/m/813.jpg?dl=1","/art/the-parthenon-met-10482","/galleries/style/hudson-river-school/the-parthenon-met-10482",{"_296":381,"_298":382},{"_228":583,"_125":584,"_290":585},{"_280":580,"_282":581,"_284":564,"_286":582},199.5,129.05982681710836,114.05982681710836,{"_292":228,"_123":586,"_154":587,"_140":89},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/frederic-edwin-church","More by Frederic Edwin Church","https://img.ochreeditions.com/a/813/480.jpg","https://img.ochreeditions.com/a/813/960.jpg","https://img.ochreeditions.com/a/813/1920.jpg",{"_319":604,"_321":605},{"_319":602,"_321":603},{"_319":600,"_321":601},{"_319":598,"_321":599},{"_319":596,"_321":597},"#be8c4c",0.1121,"#986f3d",0.1281,"#4c3622",0.1398,"#6a4e2e",0.277,"#63736c",0.343,"Frederic Edwin Church","frederic-edwin-church","American, 1826–1900",1826,"Hartford, Connecticut","Church studied with Thomas Cole in the Catskills and became the most celebrated American landscape painter of the mid-nineteenth century.","landing-at-sabbath-day-point-nga-50852","Landing at Sabbath Day Point",{"_42":404,"_225":405,"_333":406,"_335":336,"_337":407,"_339":408,"_341":409,"_342":313,"_343":410,"_140":93},"c. 1853","oil on canvas","overall: 25.4 x 39.9 cm (10 x 15 11/16 in.) framed: 38.1 x 52.1 x 6.4 cm (15 x 20 1/2 x 2 1/2 in.)",39.9,25.4,1.5759907656791075,[647,648,649,650,651],{"_224":644,"_225":645,"_42":646,"_312":543},"Courtesy National Gallery of Art, Washington","1968.7.1","John Frederick Kensett painted this in about 1853, aged 37. It is now at the National Gallery of Art in Washington, DC.","A large weathered rock with greenery and red flowers anchors the right foreground, while a wooden dock juts into the calm water of Lake George and a figure in red sits with his back to us, looking towards a pale green hill under a soft, cloudy sky.","The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.",{"_300":641,"_302":642,"_304":643},"https://img.ochreeditions.com/m/1538.jpg?dl=1","/art/landing-at-sabbath-day-point-nga-50852","/galleries/style/hudson-river-school/landing-at-sabbath-day-point-nga-50852",{"_296":381,"_298":382},{"_228":638,"_125":639,"_290":640},{"_280":635,"_282":636,"_284":618,"_286":637},54.9,40.317407226562494,25.317407226562498,{"_292":228,"_123":379,"_154":380,"_140":93},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1538/480.jpg","https://img.ochreeditions.com/a/1538/960.jpg","https://img.ochreeditions.com/a/1538/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_319":660,"_321":661},{"_319":658,"_321":659},{"_319":656,"_321":657},{"_319":654,"_321":655},{"_319":652,"_321":653},"#6c5932",0.1418,"#513521",0.1434,"#c0a777",0.2133,"#9a8357",0.2438,"#ecd3a3",0.2577,"view-of-florence-cma-136911","View of Florence",{"_42":715,"_225":716,"_333":717,"_335":336,"_337":718,"_339":719,"_341":720,"_342":721,"_343":722,"_140":99},"1837","Framed: 125.4 x 186.7 x 9.2 cm (49 3/8 x 73 1/2 x 3 5/8 in.); Unframed: 99.5 x 160.4 cm (39 3/16 x 63 1/8 in.)",160.4,99.5,1.6244624940277115,[701,702,703,704,705],{"_224":697,"_225":698,"_42":699,"_312":700},"Courtesy of the Cleveland Museum of Art","1961.39","Thomas Cole painted this in 1837, aged 36. It is now at the Cleveland Museum of Art.",{"_118":695,"_307":696},"View of Florence, by Thomas Cole, 1837",{"_300":692,"_302":693,"_304":694},"https://img.ochreeditions.com/m/641.jpg?dl=1","/art/view-of-florence-cma-136911","/galleries/style/hudson-river-school/view-of-florence-cma-136911",{"_296":381,"_298":382},{"_228":687,"_125":688,"_290":689},{"_280":684,"_282":685,"_284":667,"_286":686},175.4,113.74035294117647,98.74035294117647,{"_292":228,"_123":690,"_154":691,"_140":99},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/641/480.jpg","https://img.ochreeditions.com/a/641/960.jpg","https://img.ochreeditions.com/a/641/1920.jpg","Cole visited Italy in 1831 and made a small pencil sketch of this vista of Florence shortly before sunset. In his New York studio six years later, he transformed the drawing into this large oil painting, adding picturesque humans and goats to the foreground.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_319":713,"_321":714},{"_319":711,"_321":712},{"_319":709,"_321":710},{"_319":708,"_321":497},{"_319":706,"_321":707},"#392816",0.1571,"#cbb19d","#765133",0.1855,"#4e3817",0.1863,"#a19e98",0.2904,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,1848,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","near-ariccia-italy-si-saam-2020-20-106","Near Ariccia, Italy",{"_42":772,"_225":773,"_333":774,"_335":-5,"_337":505,"_339":775,"_341":-5,"_342":-5,"_343":-5,"_140":103},"1868","(framed): 17 3/8 × 20 3/8 × 2 3/4 in. (44.1 × 51.8 × 7 cm) 6 3/4 × 9 1/2 in. (17.1 × 24.1 cm)",51.8,44.1,1.4450867052023122,[757,758,759,760,761],{"_224":309,"_225":310,"_42":311,"_312":543},"2020.20.106","Sanford Robinson Gifford painted this in 1868, aged 45. It is now at the Smithsonian American Art Museum in Washington, DC.","Near Ariccia, Italy, by Sanford Robinson Gifford, 1868",{"_300":754,"_302":755,"_304":756},"https://img.ochreeditions.com/m/1999.jpg?dl=1","/art/near-ariccia-italy-si-saam-2020-20-106","/galleries/style/hudson-river-school/near-ariccia-italy-si-saam-2020-20-106",{"_296":381,"_298":382},{"_228":746,"_125":747,"_290":748},{"_280":743,"_282":744,"_284":728,"_286":745},66.8,50.8456,35.8456,{"_292":228,"_123":752,"_154":753,"_140":89},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":749,"_154":750,"_140":751},"era/19","The 19th century",731,"artist/contemporaries-of-sanford-robinson-gifford","Sanford Robinson Gifford's contemporaries","https://img.ochreeditions.com/a/1999/480.jpg","https://img.ochreeditions.com/a/1999/960.jpg","https://img.ochreeditions.com/a/1999/1920.jpg",{"_319":770,"_321":771},{"_319":768,"_321":769},{"_319":766,"_321":767},{"_319":764,"_321":765},{"_319":762,"_321":763},"#714825",0.1602,"#1e0f08",0.1772,"#4b2b13",0.1893,"#341c0e",0.2056,"#9c7e5a",0.2677,"Sanford Robinson Gifford","sanford-robinson-gifford","born Greenfield, NY 1823-died New York City 1880",1880,"the-tetons-shown-from-the-plain-si-chndm-1917-17-65","The Tetons, Shown from the Plain",{"_42":331,"_225":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":-5,"_342":-5,"_343":344,"_140":95},"August 28, 1879","Graphite on paper","12.8 x 20 cm (5 1/16 x 7 7/8 in.)",20,12.8,1.9331896551724137,[807,808,809,810,811],{"_224":309,"_225":310,"_42":311,"_312":313},"1917-17-65","Thomas Moran drew this (August 28, 1879), aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":806,"_307":308},"THE TETONS, SHOWN FROM THE PLAIN",{"_300":803,"_302":804,"_304":805},"https://img.ochreeditions.com/m/1721.jpg?dl=1","/art/the-tetons-shown-from-the-plain-si-chndm-1917-17-65","/galleries/style/hudson-river-school/the-tetons-shown-from-the-plain-si-chndm-1917-17-65",{"_296":297,"_298":299},{"_228":800,"_125":801,"_290":802},{"_280":283,"_282":798,"_284":287,"_286":799},36.93199554069119,12.931995540691194,{"_292":228,"_123":171,"_154":170,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1721/480.jpg","https://img.ochreeditions.com/a/1721/960.jpg","https://img.ochreeditions.com/a/1721/1920.jpg","Recto: Horizontal view of Teton range seen from the plain.",{"_319":820,"_321":821},{"_319":818,"_321":819},{"_319":816,"_321":817},{"_319":814,"_321":815},{"_319":812,"_321":813},"#cba075",0.035,"#e3d6c2",0.1084,"#d8c0a1",0.116,"#d3ae86",0.3073,"#d8b794",0.4333,"century-plant-jamaica-si-chndm-1917-4-675-b","Century Plant, Jamaica",{"_42":606,"_225":607,"_333":608,"_335":336,"_337":609,"_339":506,"_341":610,"_342":313,"_343":611,"_140":89},"May–September 1865","Oil and graphite on paperboard","21.3 × 28.5 cm (8 3/8 × 11 1/4 in.)",28.5,21.3,1.3138387484957883,[854,855,856,857,858],{"_224":309,"_225":310,"_42":311,"_312":313},"1917-4-675-b","Frederic Edwin Church painted this (May–September 1865), aged 39. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":853,"_307":308},"CENTURY PLANT, JAMAICA",{"_300":850,"_302":851,"_304":852},"https://img.ochreeditions.com/m/1725.jpg?dl=1","/art/century-plant-jamaica-si-chndm-1917-4-675-b","/galleries/style/hudson-river-school/century-plant-jamaica-si-chndm-1917-4-675-b",{"_296":297,"_298":299},{"_228":847,"_125":848,"_290":849},{"_280":844,"_282":845,"_284":828,"_286":846},52.5,45.69215973621542,21.692159736215423,{"_292":228,"_123":586,"_154":587,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1725/480.jpg","https://img.ochreeditions.com/a/1725/960.jpg","https://img.ochreeditions.com/a/1725/1920.jpg","Botanical sketch of agave (century) plant in Jamaica among nearby green and brown foliage. Pointed leaves of the plant are rendered with greater attention and detail than the hastily painted background. Other plants visible in immediate foreground.",{"_319":867,"_321":868},{"_319":865,"_321":866},{"_319":863,"_321":864},{"_319":861,"_321":862},{"_319":859,"_321":860},"#c8c1b3",0.0708,"#685820",0.1059,"#624920",0.2337,"#2f2a16",0.2366,"#483a19",0.353,"eaton-s-neck-long-island-met-11307","Eaton's Neck, Long Island",{"_42":404,"_225":405,"_333":406,"_335":336,"_337":407,"_339":408,"_341":409,"_342":313,"_343":410,"_140":93},"18 x 36 in. (45.7 x 91.4 cm)",91.4,45.7,2.071376547705754,[897,898,899,900,901],{"_224":386,"_225":387,"_42":388,"_312":313},"74.29","A curving strip of sandy beach meets a broad expanse of calm water beneath a vast, pale sky. Kensett painted this spare, almost empty composition in 1872, the last summer of his life, which he spent on the Connecticut shore of Long Island Sound.","Eaton's Neck, Long Island, by John Frederick Kensett, 1872",{"_300":894,"_302":895,"_304":896},"https://img.ochreeditions.com/m/840.jpg?dl=1","/art/eaton-s-neck-long-island-met-11307","/galleries/style/hudson-river-school/eaton-s-neck-long-island-met-11307",{"_296":381,"_298":382},{"_228":891,"_125":892,"_290":893},{"_280":888,"_282":889,"_284":873,"_286":890},106.4,59.125246132208154,44.125246132208154,{"_292":228,"_123":379,"_154":380,"_140":93},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/840/480.jpg","https://img.ochreeditions.com/a/840/960.jpg","https://img.ochreeditions.com/a/840/1920.jpg",{"_319":910,"_321":911},{"_319":908,"_321":909},{"_319":906,"_321":907},{"_319":904,"_321":905},{"_319":902,"_321":903},"#c8b799",0.0791,"#352819",0.0912,"#7b7251",0.1028,"#555745",0.1295,"#8e9588",0.5974,"heart-of-the-andes-met-10481","Heart of the Andes",{"_42":606,"_225":607,"_333":608,"_335":336,"_337":609,"_339":506,"_341":610,"_342":313,"_343":611,"_140":89},"1859","66 1/8 x 120 3/16 in. (168 x 302.9cm)",305.3,168,1.8156264888041924,[943,944,945,946,947],{"_224":386,"_225":387,"_42":388,"_312":313},"09.95","Frederic Edwin Church painted this in 1859, aged 33. It is now at The Met in New York.","A vast panorama of South America unfolds from a shadowed jungle foreground, with a waterfall and a small wayside cross, across a sunlit plain to the snow-capped peak of Chimborazo far in the distance.","Heart of the Andes, by Frederic Edwin Church, 1859",{"_300":940,"_302":941,"_304":942},"https://img.ochreeditions.com/m/812.jpg?dl=1","/art/heart-of-the-andes-met-10481","/galleries/style/hudson-river-school/heart-of-the-andes-met-10481",{"_296":381,"_298":382},{"_228":937,"_125":938,"_290":939},{"_280":933,"_282":934,"_284":935,"_286":936},255,147.18577801102074,240,132.18577801102074,{"_292":228,"_123":586,"_154":587,"_140":89},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/812/480.jpg","https://img.ochreeditions.com/a/812/960.jpg","https://img.ochreeditions.com/a/812/1920.jpg",{"_319":956,"_321":957},{"_319":954,"_321":955},{"_319":952,"_321":953},{"_319":950,"_321":951},{"_319":948,"_321":949},"#978d81",0.1004,"#695638",0.1362,"#b7bcc0",0.2054,"#765c1f",0.2603,"#41320f",0.2977,"view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow",{"_42":715,"_225":716,"_333":717,"_335":336,"_337":718,"_339":719,"_341":720,"_342":721,"_343":722,"_140":99},"1836","51 1/2 x 76 in. (130.8 x 193 cm)",193,130.8,1.4635931211123308,[988,989,990,991,992],{"_224":386,"_225":387,"_42":388,"_312":313},"08.228","Thomas Cole painted this in 1836, aged 35. It is now at The Met in New York.","From the summit of Mount Holyoke, the Connecticut River loops in a great oxbow through cultivated fields, while at the left a storm passes over wild, shattered trees. Thomas Cole divides the canvas between wilderness and settlement, darkness and light, inviting reflection on what America was making of its landscape.","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836",{"_300":985,"_302":986,"_304":987},"https://img.ochreeditions.com/m/814.jpg?dl=1","/art/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","/galleries/style/hudson-river-school/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497",{"_296":381,"_298":382},{"_228":982,"_125":983,"_290":984},{"_280":979,"_282":980,"_284":963,"_286":981},208,146.86725,131.86725,{"_292":228,"_123":690,"_154":691,"_140":99},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/814/480.jpg","https://img.ochreeditions.com/a/814/960.jpg","https://img.ochreeditions.com/a/814/1920.jpg",{"_319":1001,"_321":1002},{"_319":999,"_321":1000},{"_319":997,"_321":998},{"_319":995,"_321":996},{"_319":993,"_321":994},"#807264",0.1367,"#6d592b",0.1378,"#534b3b",0.1623,"#a8a194",0.2685,"#383016",0.2947,"the-rocky-mountains-lander-s-peak-met-10154","The Rocky Mountains, Lander's Peak",{"_42":1048,"_225":1049,"_333":1050,"_335":336,"_337":1051,"_339":1052,"_341":1053,"_342":313,"_343":-5,"_140":101},"1863","73 1/2 x 120 3/4 in. (186.7 x 306.7 cm)",306.7,186.7,1.6685639229422067,[1033,1034,1035,1036,1037],{"_224":386,"_225":387,"_42":388,"_312":313},"07.123","Albert Bierstadt painted this in 1863, aged 33. It is now at The Met in New York.","The Rocky Mountains, Lander's Peak, by Albert Bierstadt, 1863",{"_300":1030,"_302":1031,"_304":1032},"https://img.ochreeditions.com/m/804.jpg?dl=1","/art/the-rocky-mountains-lander-s-peak-met-10154","/galleries/style/hudson-river-school/the-rocky-mountains-lander-s-peak-met-10154",{"_296":381,"_298":382},{"_228":1025,"_125":1026,"_290":1027},{"_280":933,"_282":1023,"_284":935,"_286":1024},158.83626344791392,143.83626344791392,{"_292":228,"_123":1028,"_154":1029,"_140":89},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-albert-bierstadt","Albert Bierstadt's contemporaries","https://img.ochreeditions.com/a/804/480.jpg","https://img.ochreeditions.com/a/804/960.jpg","https://img.ochreeditions.com/a/804/1920.jpg",{"_319":1046,"_321":1047},{"_319":1044,"_321":1045},{"_319":1042,"_321":1043},{"_319":1040,"_321":1041},{"_319":1038,"_321":1039},"#92bed5",0.0855,"#8b816f",0.0966,"#61532a",0.2233,"#373624",0.2566,"#c7d0d0",0.338,"Albert Bierstadt","albert-bierstadt","American, 1830–1902",1830,1902,"Solingen","the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)",{"_42":715,"_225":716,"_333":717,"_335":336,"_337":718,"_339":719,"_341":720,"_342":721,"_343":722,"_140":99},"ca. 1846-1848","12 x 18 in. (30.4 x 45.8 cm.)",45.8,30.4,1.5007503751875937,[1085,1086,1087,1088,1089],{"_224":309,"_225":310,"_42":311,"_312":543},"1965.10","Thomas Cole painted this in about 1846-1848, aged about 45. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1084,"_307":542},"The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848",{"_300":1081,"_302":1082,"_304":1083},"https://img.ochreeditions.com/m/1921.jpg?dl=1","/art/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","/galleries/style/hudson-river-school/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10",{"_296":381,"_298":382},{"_228":1078,"_125":1079,"_290":1080},{"_280":1075,"_282":1076,"_284":1059,"_286":1077},60.8,45.51806666666667,30.518066666666666,{"_292":228,"_123":690,"_154":691,"_140":99},{"_292":125,"_123":376,"_154":377,"_140":378},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1921/480.jpg","https://img.ochreeditions.com/a/1921/960.jpg","https://img.ochreeditions.com/a/1921/1920.jpg","Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world.",{"_319":1096,"_321":1097},{"_319":1095,"_321":866},{"_319":1094,"_321":951},{"_319":1092,"_321":1093},{"_319":1090,"_321":1091},"#6d4119",0.1205,"#a27650",0.1231,"#391b0d","#ceaa7d","#1b0d0a",0.3836,{"_1099":-5,"_1100":1101,"_1102":1103,"_1104":8,"_1105":1106,"_1107":8},"user","csrf","2827bc3870f7d2585c61b085fdff0bb08785fccf","cartCount",0,"dropLive","legal",[1108,1109,1110,1111,1112,1113,1114,1115,1116,1117,1118,1119],"uploadsEnabled",{"_225":1142,"_20":1143},{"_225":1140,"_20":1141},{"_225":1138,"_20":1139},{"_225":1136,"_20":1137},{"_225":1134,"_20":1135},{"_225":1132,"_20":1133},{"_225":1130,"_20":1131},{"_225":1128,"_20":1129},{"_225":1126,"_20":1127},{"_225":1124,"_20":1125},{"_225":1122,"_20":1123},{"_225":1120,"_20":1121},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]