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(186.7 x 306.7 cm)",306.7,186.7,1.6685639229422067,[368,369,370,371,372],{"_220":300,"_221":301,"_42":302,"_303":304},"07.123","Albert Bierstadt painted this in 1863, aged 33. 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Back in New York in 1847 he became a leading figure of the second generation of the Hudson River School.","gathering-storm-si-hmsg-66-503","Gathering Storm",{"_42":383,"_221":384,"_324":385,"_326":327,"_328":386,"_329":387,"_331":388,"_333":304,"_334":-5,"_140":101},"(c. 1857-1858)","Oil on paper mounted on paperboard","6 7/8 x 9 3/4 in. (17.4 x 24.7 cm)",24.7,17.4,1.428494623655914,[478,479,480,481,482],{"_220":474,"_221":475,"_42":476,"_303":477},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.503","Albert Bierstadt painted this ((c. 1857-1858)), aged about 27. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.",{"_294":471,"_296":472,"_298":473},"https://img.ochreeditions.com/m/1826.jpg?dl=1","/art/gathering-storm-si-hmsg-66-503","/galleries/style/hudson-river-school/gathering-storm-si-hmsg-66-503",{"_290":291,"_292":293},{"_224":468,"_125":469,"_284":470},{"_275":464,"_277":465,"_279":466,"_280":467},40,32.50094091080166,25,17.500940910801656,{"_286":224,"_123":363,"_154":364,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1826/480.jpg","https://img.ochreeditions.com/a/1826/960.jpg","https://img.ochreeditions.com/a/1826/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_310":491,"_312":492},{"_310":489,"_312":490},{"_310":487,"_312":488},{"_310":485,"_312":486},{"_310":483,"_312":484},"#88909c",0.0774,"#252e1b",0.0819,"#38373c",0.2149,"#161718",0.3028,"#565557",0.323,"twilight-in-the-wilderness-cma-141639","Twilight in the Wilderness",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":185,"_329":330,"_331":332,"_333":304,"_334":335,"_140":89},"1860","oil on canvas","Unframed: 101.6 x 162.6 cm (40 x 64 in.); Framed: 124 x 185 x 13 cm (48 13/16 x 72 13/16 x 5 1/8 in.)",162.6,101.6,1.6015073009891663,[532,533,534,535,536],{"_220":528,"_221":529,"_42":530,"_303":531},"Courtesy of the Cleveland Museum of Art","1965.233","Frederic Edwin Church painted this in 1860, aged 34. It is now at the Cleveland Museum of Art.",{"_118":525,"_526":527},"Twilight in the Wilderness, by Frederic Edwin Church, 1860",{"_294":522,"_296":523,"_298":524},"https://img.ochreeditions.com/m/658.jpg?dl=1","/art/twilight-in-the-wilderness-cma-141639","/galleries/style/hudson-river-school/twilight-in-the-wilderness-cma-141639",{"_290":291,"_292":293},{"_224":519,"_125":520,"_284":521},{"_275":516,"_277":517,"_279":499,"_280":518},177.6,116.52935294117647,101.52935294117647,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/658/480.jpg","https://img.ochreeditions.com/a/658/960.jpg","https://img.ochreeditions.com/a/658/1920.jpg","In his New York studio, Church painted this spectacular view of a blazing sunset over wilderness near Mount Katahdin in Maine, which he had sketched during a visit nearly two years earlier.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":545,"_312":546},{"_310":543,"_312":544},{"_310":541,"_312":542},{"_310":539,"_312":540},{"_310":537,"_312":538},"#baa658",0.05,"#474845",0.1082,"#844028",0.1168,"#4d2c21",0.2988,"#261d15",0.4262,"view-of-florence-cma-136911","View of Florence",{"_42":595,"_221":596,"_324":597,"_326":327,"_328":598,"_329":599,"_331":600,"_333":601,"_334":602,"_140":99},"1837","Framed: 125.4 x 186.7 x 9.2 cm (49 3/8 x 73 1/2 x 3 5/8 in.); Unframed: 99.5 x 160.4 cm (39 3/16 x 63 1/8 in.)",160.4,99.5,1.6244624940277115,[580,581,582,583,584],{"_220":528,"_221":529,"_42":530,"_303":531},"1961.39","Thomas Cole painted this in 1837, aged 36. It is now at the Cleveland Museum of Art.",{"_118":579,"_526":527},"View of Florence, by Thomas Cole, 1837",{"_294":576,"_296":577,"_298":578},"https://img.ochreeditions.com/m/641.jpg?dl=1","/art/view-of-florence-cma-136911","/galleries/style/hudson-river-school/view-of-florence-cma-136911",{"_290":291,"_292":293},{"_224":571,"_125":572,"_284":573},{"_275":568,"_277":569,"_279":552,"_280":570},175.4,113.74035294117647,98.74035294117647,{"_286":224,"_123":574,"_154":575,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-cole","More by Thomas Cole","https://img.ochreeditions.com/a/641/480.jpg","https://img.ochreeditions.com/a/641/960.jpg","https://img.ochreeditions.com/a/641/1920.jpg","Cole visited Italy in 1831 and made a small pencil sketch of this vista of Florence shortly before sunset. In his New York studio six years later, he transformed the drawing into this large oil painting, adding picturesque humans and goats to the foreground.",{"_310":593,"_312":594},{"_310":591,"_312":592},{"_310":589,"_312":590},{"_310":587,"_312":588},{"_310":585,"_312":586},"#392816",0.1571,"#cbb19d",0.1807,"#765133",0.1855,"#4e3817",0.1863,"#a19e98",0.2904,"Thomas Cole","thomas-cole","American, born England,1801–1848",1801,1848,"Lancashire","Catskill, New York","Cole emigrated from Lancashire to the United States as a teenager and, largely self-taught, made his name in 1825 with views of the Catskill Mountains that launched what became known as the Hudson River School.","near-meadow-creek-utah-si-chndm-1917-17-8","Near Meadow Creek, Utah",{"_42":661,"_221":662,"_324":663,"_326":327,"_328":664,"_329":665,"_331":-5,"_333":-5,"_334":666,"_140":95},"July 25, 1871","drawing","Drawing","Recto: Graphite, brush and black wash and white gouache on gray-green wove paper. Verso: Graphite on gray-green wove paper.","12.8 x 20 cm (5 1/16 x 7 7/8 in.)",20,12.8,1.5164363982848976,[646,647,648,649,650],{"_220":474,"_221":475,"_42":476,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1917-17-8","Thomas Moran painted this (July 25, 1871), aged 34. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":644,"_526":645},"NEAR MEADOW CREEK, UTAH",{"_294":641,"_296":642,"_298":643},"https://img.ochreeditions.com/m/1722.jpg?dl=1","/art/near-meadow-creek-utah-si-chndm-1917-17-8","/galleries/style/hudson-river-school/near-meadow-creek-utah-si-chndm-1917-17-8",{"_290":639,"_292":640},{"_224":631,"_125":632,"_284":633},{"_275":628,"_277":629,"_279":466,"_280":630},49,40.48601947847942,16.48601947847942,{"_286":224,"_123":637,"_154":638,"_140":95},{"_286":125,"_123":634,"_154":635,"_140":636},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/thomas-moran","More by Thomas Moran","black","snow","https://img.ochreeditions.com/a/1722/480.jpg","https://img.ochreeditions.com/a/1722/960.jpg","https://img.ochreeditions.com/a/1722/1920.jpg","Recto: Horizontal view of the valley floor with Meadow Creek, rushing through in cnetral foreground surrounded by hills and mountains in middle ground and distance.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_310":659,"_312":660},{"_310":657,"_312":658},{"_310":655,"_312":656},{"_310":653,"_312":654},{"_310":651,"_312":652},"#746553",0.0688,"#96836c",0.1548,"#efe9dd",0.1749,"#b29e82",0.2273,"#ccb89a",0.3742,"Thomas Moran","thomas-moran","American, born England, 1837–1926",1837,1926,"Moran came to Philadelphia from England as a child, trained as a wood engraver and largely taught himself to paint, deeply influenced by Turner’s work, which he studied in London.","mountains-in-colorado-si-saam-1967-136-6","Mountains in Colorado",{"_42":436,"_221":437,"_324":438,"_326":327,"_328":439,"_329":440,"_331":441,"_333":304,"_334":442,"_140":93},"1870","oil on paper mounted on paperboard","10 1/4 x 14 in. (25.9 x 35.7 cm)",35.7,25.9,1.4814814814814814,[701,702,703,704,705],{"_220":474,"_221":475,"_42":476,"_303":477},"Courtesy of the Smithsonian American Art Museum","1967.136.6","John Frederick Kensett painted this in 1870, aged 54. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":699,"_526":700},"Mountains in Colorado, by John Frederick Kensett, 1870",{"_294":696,"_296":697,"_298":698},"https://img.ochreeditions.com/m/1928.jpg?dl=1","/art/mountains-in-colorado-si-saam-1967-136-6","/galleries/style/hudson-river-school/mountains-in-colorado-si-saam-1967-136-6",{"_290":291,"_292":293},{"_224":693,"_125":694,"_284":695},{"_275":690,"_277":691,"_279":673,"_280":692},50.7,39.097500000000004,24.097500000000004,{"_286":224,"_123":416,"_154":417,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1928/480.jpg","https://img.ochreeditions.com/a/1928/960.jpg","https://img.ochreeditions.com/a/1928/1920.jpg","John Frederick Kensett painted peaceful views in muted colors to express a sense of quiet reflection. American artists in the nineteenth century often painted the mountains of the American West rising dramatically from the Great Plains.","Text from the Smithsonian American Art Museum.",{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},{"_310":708,"_312":709},{"_310":706,"_312":707},"#433522",0.0763,"#7b6236",0.1588,"#604a27",0.1802,"#b08e63",0.1824,"#c6af8e",0.4023,"near-ariccia-italy-si-saam-2020-20-106","Near Ariccia, Italy",{"_42":765,"_221":766,"_324":767,"_326":-5,"_328":768,"_329":769,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1868","(framed): 17 3/8 × 20 3/8 × 2 3/4 in. (44.1 × 51.8 × 7 cm) 6 3/4 × 9 1/2 in. (17.1 × 24.1 cm)",51.8,44.1,1.4450867052023122,[750,751,752,753,754],{"_220":474,"_221":475,"_42":476,"_303":477},"2020.20.106","Sanford Robinson Gifford painted this in 1868, aged 45. It is now at the Smithsonian American Art Museum in Washington, DC.","Near Ariccia, Italy, by Sanford Robinson Gifford, 1868",{"_294":747,"_296":748,"_298":749},"https://img.ochreeditions.com/m/1999.jpg?dl=1","/art/near-ariccia-italy-si-saam-2020-20-106","/galleries/style/hudson-river-school/near-ariccia-italy-si-saam-2020-20-106",{"_290":291,"_292":293},{"_224":739,"_125":740,"_284":741},{"_275":736,"_277":737,"_279":721,"_280":738},66.8,50.8456,35.8456,{"_286":224,"_123":745,"_154":746,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":742,"_154":743,"_140":744},"era/19","The 19th century",731,"artist/contemporaries-of-sanford-robinson-gifford","Sanford Robinson Gifford's contemporaries","https://img.ochreeditions.com/a/1999/480.jpg","https://img.ochreeditions.com/a/1999/960.jpg","https://img.ochreeditions.com/a/1999/1920.jpg",{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},"#714825",0.1602,"#1e0f08",0.1772,"#4b2b13",0.1893,"#341c0e",0.2056,"#9c7e5a",0.2677,"Sanford Robinson Gifford","sanford-robinson-gifford","born Greenfield, NY 1823-died New York City 1880",1823,1880,"eaton-s-neck-long-island-met-11307","Eaton's Neck, Long Island",{"_42":436,"_221":437,"_324":438,"_326":327,"_328":439,"_329":440,"_331":441,"_333":304,"_334":442,"_140":93},"1872","18 x 36 in. (45.7 x 91.4 cm)",91.4,45.7,2.071376547705754,[800,801,802,803,804],{"_220":300,"_221":301,"_42":302,"_303":304},"74.29","John Frederick Kensett painted this in 1872, aged 56. It is now at The Met in New York.","A curving strip of sandy beach meets a broad expanse of calm water beneath a vast, pale sky. Kensett painted this spare, almost empty composition in 1872, the last summer of his life, which he spent on the Connecticut shore of Long Island Sound.","Eaton's Neck, Long Island, by John Frederick Kensett, 1872",{"_294":797,"_296":798,"_298":799},"https://img.ochreeditions.com/m/840.jpg?dl=1","/art/eaton-s-neck-long-island-met-11307","/galleries/style/hudson-river-school/eaton-s-neck-long-island-met-11307",{"_290":291,"_292":293},{"_224":794,"_125":795,"_284":796},{"_275":791,"_277":792,"_279":775,"_280":793},106.4,59.125246132208154,44.125246132208154,{"_286":224,"_123":416,"_154":417,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/840/480.jpg","https://img.ochreeditions.com/a/840/960.jpg","https://img.ochreeditions.com/a/840/1920.jpg",{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},"#c8b799",0.0791,"#352819",0.0912,"#7b7251",0.1028,"#555745",0.1295,"#8e9588",0.5974,"the-parthenon-met-10482","The Parthenon",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":185,"_329":330,"_331":332,"_333":304,"_334":335,"_140":89},"1871","44 1/2 x 72 5/8 in. (113 x 184.5 cm)",184.5,113,1.617572156196944,[845,846,847,848,849],{"_220":300,"_221":301,"_42":302,"_303":304},"15.30.67","Frederic Edwin Church painted this in 1871, aged 45. It is now at The Met in New York.","The Parthenon rises on the Acropolis, its broken colonnade and the marble fragments scattered around it set down with careful precision.","The Parthenon, by Frederic Edwin Church, 1871",{"_294":842,"_296":843,"_298":844},"https://img.ochreeditions.com/m/813.jpg?dl=1","/art/the-parthenon-met-10482","/galleries/style/hudson-river-school/the-parthenon-met-10482",{"_290":291,"_292":293},{"_224":839,"_125":840,"_284":841},{"_275":836,"_277":837,"_279":820,"_280":838},199.5,129.05982681710836,114.05982681710836,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/813/480.jpg","https://img.ochreeditions.com/a/813/960.jpg","https://img.ochreeditions.com/a/813/1920.jpg",{"_310":858,"_312":859},{"_310":856,"_312":857},{"_310":854,"_312":855},{"_310":852,"_312":853},{"_310":850,"_312":851},"#be8c4c",0.1121,"#986f3d",0.1281,"#4c3622",0.1398,"#6a4e2e",0.277,"#63736c",0.343,"mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","Mt. Katahdin from South Turner Mountain, Maine",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":185,"_329":330,"_331":332,"_333":304,"_334":335,"_140":89},"1877–78","Oil and graphite on paperboard","30.7 × 50.8 cm (12 1/16 × 20 in.)",50.8,30.7,1.6397771817619147,[892,893,894,895,896],{"_220":474,"_221":475,"_42":476,"_303":304},"1917-4-630-a","Frederic Edwin Church painted this in 1877–78, aged 51. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":891,"_526":645},"MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE",{"_294":888,"_296":889,"_298":890},"https://img.ochreeditions.com/m/1724.jpg?dl=1","/art/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","/galleries/style/hudson-river-school/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a",{"_290":639,"_292":640},{"_224":885,"_125":886,"_284":887},{"_275":882,"_277":883,"_279":866,"_280":884},74.8,54.97981882234524,30.97981882234524,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":634,"_154":635,"_140":636},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1724/480.jpg","https://img.ochreeditions.com/a/1724/960.jpg","https://img.ochreeditions.com/a/1724/1920.jpg","Landscape study showing a view of Mt. Katahdin in Maine from Turner Mountain to the east. Trees and a nearby rocky prominence are visible in the immediate foreground at right.",{"_310":905,"_312":906},{"_310":903,"_312":904},{"_310":901,"_312":902},{"_310":899,"_312":900},{"_310":897,"_312":898},"#e8dbcb",0.0998,"#c9ac88",0.1322,"#9e7e64",0.2115,"#806752",0.25,"#5c4936",0.3065,"view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow",{"_42":595,"_221":596,"_324":597,"_326":327,"_328":598,"_329":599,"_331":600,"_333":601,"_334":602,"_140":99},"1836","51 1/2 x 76 in. (130.8 x 193 cm)",193,130.8,1.4635931211123308,[937,938,939,940,941],{"_220":300,"_221":301,"_42":302,"_303":304},"08.228","Thomas Cole painted this in 1836, aged 35. It is now at The Met in New York.","From the summit of Mount Holyoke, the Connecticut River loops in a great oxbow through cultivated fields, while at the left a storm passes over wild, shattered trees. Thomas Cole divides the canvas between wilderness and settlement, darkness and light, inviting reflection on what America was making of its landscape.","View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836",{"_294":934,"_296":935,"_298":936},"https://img.ochreeditions.com/m/814.jpg?dl=1","/art/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497","/galleries/style/hudson-river-school/view-from-mount-holyoke-northampton-massachusetts-after-a-th-met-10497",{"_290":291,"_292":293},{"_224":931,"_125":932,"_284":933},{"_275":928,"_277":929,"_279":912,"_280":930},208,146.86725,131.86725,{"_286":224,"_123":574,"_154":575,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/814/480.jpg","https://img.ochreeditions.com/a/814/960.jpg","https://img.ochreeditions.com/a/814/1920.jpg",{"_310":950,"_312":951},{"_310":948,"_312":949},{"_310":946,"_312":947},{"_310":944,"_312":945},{"_310":942,"_312":943},"#807264",0.1367,"#6d592b",0.1378,"#534b3b",0.1623,"#a8a194",0.2685,"#383016",0.2947,"landing-at-sabbath-day-point-nga-50852","Landing at Sabbath Day Point",{"_42":436,"_221":437,"_324":438,"_326":327,"_328":439,"_329":440,"_331":441,"_333":304,"_334":442,"_140":93},"c. 1853","overall: 25.4 x 39.9 cm (10 x 15 11/16 in.) framed: 38.1 x 52.1 x 6.4 cm (15 x 20 1/2 x 2 1/2 in.)",39.9,25.4,1.5759907656791075,[986,987,988,989,990],{"_220":983,"_221":984,"_42":985,"_303":477},"Courtesy National Gallery of Art, Washington","1968.7.1","John Frederick Kensett painted this in about 1853, aged 37. It is now at the National Gallery of Art in Washington, DC.","A large weathered rock with greenery and red flowers anchors the right foreground, while a wooden dock juts into the calm water of Lake George and a figure in red sits with his back to us, looking towards a pale green hill under a soft, cloudy sky.","The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.",{"_294":980,"_296":981,"_298":982},"https://img.ochreeditions.com/m/1538.jpg?dl=1","/art/landing-at-sabbath-day-point-nga-50852","/galleries/style/hudson-river-school/landing-at-sabbath-day-point-nga-50852",{"_290":291,"_292":293},{"_224":977,"_125":978,"_284":979},{"_275":974,"_277":975,"_279":957,"_280":976},54.9,40.317407226562494,25.317407226562498,{"_286":224,"_123":416,"_154":417,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1538/480.jpg","https://img.ochreeditions.com/a/1538/960.jpg","https://img.ochreeditions.com/a/1538/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},"#6c5932",0.1418,"#513521",0.1434,"#c0a777",0.2133,"#9a8357",0.2438,"#ecd3a3",0.2577,"american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a","American Plains with Mountain Range in the Distance",{"_42":661,"_221":662,"_324":663,"_326":327,"_328":664,"_329":665,"_331":-5,"_333":-5,"_334":666,"_140":95},"before 1872","Graphite, brush and watercolor on paper","19.1 x 12.3 cm (7 1/2 x 4 13/16 in.)",12.3,19.1,0.7217546131434122,[1032,1033,1034,1035,1036],{"_220":474,"_221":475,"_42":476,"_303":304},"1917-17-15-a","Thomas Moran painted this (before 1872), aged 35. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1031,"_526":645},"AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE",{"_294":1028,"_296":1029,"_298":1030},"https://img.ochreeditions.com/m/1720.jpg?dl=1","/art/american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a","/galleries/style/hudson-river-school/american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a",{"_290":639,"_292":640},{"_224":1025,"_125":1026,"_284":1027},{"_275":1023,"_277":628,"_279":1024,"_280":466},42.043865328585305,18.043865328585305,{"_286":224,"_123":637,"_154":638,"_140":95},{"_286":125,"_123":634,"_154":635,"_140":636},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1720/480.jpg","https://img.ochreeditions.com/a/1720/960.jpg","https://img.ochreeditions.com/a/1720/1920.jpg","Plains with mountain range in the distance.",{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},{"_310":1041,"_312":1042},{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},"#aba6a4",0.0394,"#c2b3a6",0.0914,"#d2b18c",0.2058,"#ebe5d7",0.3274,"#dbc9b3",0.336,"the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)",{"_42":595,"_221":596,"_324":597,"_326":327,"_328":598,"_329":599,"_331":600,"_333":601,"_334":602,"_140":99},"ca. 1846-1848","12 x 18 in. (30.4 x 45.8 cm.)",45.8,30.4,1.5007503751875937,[1078,1079,1080,1081,1082],{"_220":474,"_221":475,"_42":476,"_303":477},"1965.10","Thomas Cole painted this in about 1846-1848, aged about 45. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1077,"_526":700},"The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848",{"_294":1074,"_296":1075,"_298":1076},"https://img.ochreeditions.com/m/1921.jpg?dl=1","/art/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10","/galleries/style/hudson-river-school/the-pilgrim-of-the-cross-at-the-end-of-his-journey-study-for-si-saam-1965-10",{"_290":291,"_292":293},{"_224":1071,"_125":1072,"_284":1073},{"_275":1068,"_277":1069,"_279":1052,"_280":1070},60.8,45.51806666666667,30.518066666666666,{"_286":224,"_123":574,"_154":575,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1921/480.jpg","https://img.ochreeditions.com/a/1921/960.jpg","https://img.ochreeditions.com/a/1921/1920.jpg","Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world.",{"_310":1091,"_312":1092},{"_310":1089,"_312":1090},{"_310":1087,"_312":1088},{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},"#6d4119",0.1205,"#a27650",0.1231,"#391b0d",0.1362,"#ceaa7d",0.2366,"#1b0d0a",0.3836,{"_1094":-5,"_1095":1096,"_1097":1098,"_1099":8,"_1100":1101,"_1102":8},"user","csrf","66d8e4da95edc94891d65ed8a285493083f6c853","cartCount",0,"dropLive","legal",[1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114],"uploadsEnabled",{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},{"_221":1129,"_20":1130},{"_221":1127,"_20":1128},{"_221":1125,"_20":1126},{"_221":1123,"_20":1124},{"_221":1121,"_20":1122},{"_221":1119,"_20":1120},{"_221":1117,"_20":1118},{"_221":1115,"_20":1116},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
