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It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_293":434,"_295":435,"_297":436},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_289":432,"_291":433},{"_224":424,"_125":425,"_284":426},{"_275":421,"_277":422,"_279":406,"_280":423},135,116.953125,101.953125,{"_286":224,"_123":430,"_154":431,"_140":89},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1823,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":510,"_221":511,"_323":512,"_325":395,"_327":513,"_329":514,"_331":515,"_332":516,"_333":517,"_140":91},"c. 1822/1823",19,"overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[496,497,498,499,500],{"_220":373,"_221":374,"_42":375,"_302":376},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_293":493,"_295":494,"_297":495},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_289":432,"_291":433},{"_224":482,"_125":483,"_284":484},{"_275":479,"_277":480,"_279":481,"_280":464},116.6768798828125,143.5,101.6768798828125,{"_286":224,"_123":491,"_154":492,"_140":91},{"_286":125,"_123":488,"_154":489,"_140":490},{"_286":284,"_123":485,"_154":486,"_140":487},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":503,"_311":502},{"_309":501,"_311":502},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":569,"_221":570,"_323":571,"_325":326,"_327":572,"_329":573,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1827","Oil on canvas","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[554,555,556,557,558],{"_220":299,"_221":300,"_42":301,"_302":303},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":551,"_552":553},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_293":548,"_295":549,"_297":550},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_289":432,"_291":433},{"_224":543,"_125":544,"_284":545},{"_275":540,"_277":541,"_279":542,"_280":525},115.83991565971941,142,100.83991565971941,{"_286":224,"_123":546,"_154":547,"_140":89},{"_286":125,"_123":488,"_154":489,"_140":490},{"_286":284,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","source","Text from the Art Institute of Chicago.",{"_309":567,"_311":568},{"_309":565,"_311":566},{"_309":563,"_311":564},{"_309":561,"_311":562},{"_309":559,"_311":560},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":627,"_221":628,"_323":629,"_325":326,"_327":630,"_329":631,"_331":632,"_332":516,"_333":633,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[612,613,614,615,616],{"_220":608,"_221":609,"_42":610,"_302":611},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":605,"_295":606,"_297":607},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":432,"_291":433},{"_224":600,"_125":601,"_284":602},{"_275":597,"_277":598,"_279":599,"_280":581},135.62100077780656,162.6,120.62100077780657,{"_286":224,"_123":603,"_154":604,"_140":97},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":625,"_311":626},{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},{"_309":617,"_311":618},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":510,"_221":511,"_323":512,"_325":395,"_327":513,"_329":514,"_331":515,"_332":516,"_333":517,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[670,671,672,673,674],{"_220":666,"_221":667,"_42":668,"_302":669},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":664,"_552":665},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":661,"_295":662,"_297":663},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":432,"_291":433},{"_224":658,"_125":659,"_284":660},{"_275":655,"_277":656,"_279":657,"_280":367},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":491,"_154":492,"_140":91},{"_286":125,"_123":488,"_154":489,"_140":490},{"_286":284,"_123":485,"_154":486,"_140":487},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":683,"_311":684},{"_309":681,"_311":682},{"_309":679,"_311":680},{"_309":677,"_311":678},{"_309":675,"_311":676},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":731,"_221":732,"_323":733,"_325":395,"_327":572,"_329":734,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[716,717,718,719,720],{"_220":373,"_221":374,"_42":375,"_302":376},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_293":713,"_295":714,"_297":715},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_289":432,"_291":433},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":690,"_280":707},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":711,"_154":712,"_140":89},{"_286":125,"_123":488,"_154":489,"_140":490},{"_286":284,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_309":729,"_311":730},{"_309":727,"_311":728},{"_309":725,"_311":726},{"_309":723,"_311":724},{"_309":721,"_311":722},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1860,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":510,"_221":511,"_323":512,"_325":395,"_327":513,"_329":514,"_331":515,"_332":516,"_333":517,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[767,768,769,770,771],{"_220":666,"_221":667,"_42":668,"_302":669},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":766,"_552":665},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_293":763,"_295":764,"_297":765},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_289":432,"_291":433},{"_224":760,"_125":761,"_284":762},{"_275":756,"_277":757,"_279":758,"_280":759},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":491,"_154":492,"_140":91},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_309":780,"_311":781},{"_309":778,"_311":779},{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":627,"_221":628,"_323":629,"_325":326,"_327":630,"_329":631,"_331":632,"_332":516,"_333":633,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",84,0.837890625,[811,812,813,814,815],{"_220":373,"_221":374,"_42":375,"_302":376},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_293":808,"_295":809,"_297":810},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_289":432,"_291":433},{"_224":805,"_125":806,"_284":807},{"_275":802,"_277":803,"_279":804,"_280":787},85.3828125,99,70.3828125,{"_286":224,"_123":603,"_154":604,"_140":97},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},{"_309":818,"_311":819},{"_309":816,"_311":817},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"weymouth-bay-met-682931","Weymouth Bay",{"_42":879,"_221":880,"_323":881,"_325":395,"_327":882,"_329":883,"_331":884,"_332":516,"_333":885,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[864,865,866,867,868],{"_220":608,"_221":609,"_42":610,"_302":611},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":861,"_295":862,"_297":863},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":290,"_291":292},{"_224":853,"_125":854,"_284":855},{"_275":849,"_277":850,"_279":851,"_280":852},49,43.859539602028875,25,19.85953960202887,{"_286":224,"_123":859,"_154":860,"_140":97},{"_286":125,"_123":856,"_154":857,"_140":858},{"_286":284,"_123":485,"_154":486,"_140":487},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_309":877,"_311":878},{"_309":875,"_311":876},{"_309":873,"_311":874},{"_309":871,"_311":872},{"_309":869,"_311":870},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":937,"_221":938,"_323":939,"_325":395,"_327":940,"_329":941,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",24.9,1.4789038712483689,[922,923,924,925,926],{"_220":666,"_221":667,"_42":668,"_302":669},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":921,"_552":665},"Bray Church Yard, by John Varley, 1807",{"_293":918,"_295":919,"_297":920},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":290,"_291":292},{"_224":911,"_125":912,"_284":913},{"_275":359,"_277":909,"_279":343,"_280":910},48.95091176470588,24.950911764705882,{"_286":224,"_123":916,"_154":917,"_140":89},{"_286":125,"_123":914,"_154":915,"_140":691},{"_286":284,"_123":485,"_154":486,"_140":487},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":989,"_221":990,"_323":991,"_325":326,"_327":992,"_329":993,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[974,975,976,977,978],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":971,"_295":972,"_297":973},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":432,"_291":433},{"_224":966,"_125":967,"_284":968},{"_275":963,"_277":964,"_279":948,"_280":965},53,38.1345982804625,23.134598280462495,{"_286":224,"_123":969,"_154":970,"_140":89},{"_286":125,"_123":488,"_154":489,"_140":490},{"_286":284,"_123":485,"_154":486,"_140":487},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_309":987,"_311":988},{"_309":985,"_311":986},{"_309":983,"_311":984},{"_309":981,"_311":982},{"_309":979,"_311":980},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":510,"_221":511,"_323":512,"_325":395,"_327":513,"_329":514,"_331":515,"_332":516,"_333":517,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1024,1025,1026,1027,1028],{"_220":608,"_221":609,"_42":610,"_302":611},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_293":1021,"_295":1022,"_297":1023},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_289":432,"_291":433},{"_224":1018,"_125":1019,"_284":1020},{"_275":1015,"_277":1016,"_279":1017,"_280":1000},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":491,"_154":492,"_140":91},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},{"_309":1029,"_311":1030},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"noon-nga-119642","Noon",{"_42":879,"_221":880,"_323":881,"_325":395,"_327":882,"_329":883,"_331":884,"_332":516,"_333":885,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1069,1070,1071,1072,1073],{"_220":373,"_221":374,"_42":375,"_302":376},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":1066,"_295":1067,"_297":1068},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":290,"_291":292},{"_224":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1044,"_280":1062},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":859,"_154":860,"_140":97},{"_286":125,"_123":856,"_154":857,"_140":858},{"_286":284,"_123":485,"_154":486,"_140":487},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":1130,"_221":1131,"_323":1132,"_325":395,"_327":1133,"_329":992,"_331":1134,"_332":516,"_333":1135,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1115,1116,1117,1118,1119],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":1112,"_295":1113,"_297":1114},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_289":432,"_291":433},{"_224":1107,"_125":1108,"_284":1109},{"_275":1104,"_277":1105,"_279":1106,"_280":1090},76.14076281287247,88,61.14076281287247,{"_286":224,"_123":1110,"_154":1111,"_140":95},{"_286":125,"_123":427,"_154":428,"_140":429},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},{"_309":1124,"_311":1125},{"_309":1122,"_311":1123},{"_309":1120,"_311":1121},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.",{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","72ece0f57a0516a4ee4484848aab7824c0205b06","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]