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Tomb by Moonlight, with Silius Italicus Declaiming","artist",{"_42":321,"_219":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":332,"_334":335,"_140":99},"unrecorded","date","1779","century",18,"place","britain","movement","georgian-britain","painting","classification","Paintings","medium","Oil on canvas","dimensions","40 x 50 in. (101.6 x 127 cm)","width_cm",127,"height_cm",101.6,"aspect",1.2404942965779469,"palette",[304,305,306,307,308],"museum",{"_218":299,"_219":300,"_42":301,"_302":303},"credit","Courtesy of The Metropolitan Museum of Art","accession","2013.155","licence","CC0","story","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","note","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/1202.jpg?dl=1","page_url","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","walk_url","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","frame",{"_289":290,"_291":292},{"_222":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":241,"_279":280},"w",142,"h",117.37854406130268,"image_w","image_h",102.37854406130268,{"_285":222,"_123":170,"_154":169,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1202/480.jpg","960","https://img.ochreeditions.com/a/1202/960.jpg","1920","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#ab9279","weight",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","bio","English, 1734–1797","nationality","English","birth_year",1734,"death_year",1797,"birth_place","Derby","death_place","about_excerpt","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":399,"_219":400,"_323":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":406,"_334":407,"_140":91},"1803–15",19,"Painting","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[384,385,386,387,388],{"_218":380,"_219":381,"_42":382,"_302":383},"Courtesy of the Art Institute of Chicago","1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":377,"_378":379},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":374,"_295":375,"_297":376},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":290,"_291":292},{"_222":363,"_125":364,"_283":365},{"_274":360,"_276":361,"_278":362,"_279":344},116.09951287404314,143,101.09951287404314,{"_285":222,"_123":372,"_154":373,"_140":91},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":397,"_311":398},{"_309":395,"_311":396},{"_309":393,"_311":394},{"_309":391,"_311":392},{"_309":389,"_311":390},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":463,"_219":464,"_323":465,"_325":326,"_327":466,"_329":467,"_331":406,"_333":406,"_334":468,"_140":97},"1835","oil on canvas","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[448,449,450,451,452],{"_218":444,"_219":445,"_42":446,"_302":447},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":442,"_378":443},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_293":439,"_295":440,"_297":441},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_289":290,"_291":292},{"_222":434,"_125":435,"_283":436},{"_274":431,"_276":432,"_278":414,"_279":433},138.2,106.49411764705881,91.49411764705881,{"_285":222,"_123":437,"_154":438,"_140":97},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":461,"_311":462},{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":519,"_219":520,"_323":521,"_325":402,"_327":522,"_329":523,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[504,505,506,507,508],{"_218":500,"_219":501,"_42":502,"_302":503},"Courtesy National Gallery of Art, Washington","1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_293":497,"_295":498,"_297":499},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_289":290,"_291":292},{"_222":492,"_125":493,"_283":494},{"_274":489,"_276":490,"_278":474,"_279":491},167.6,105.38271484375,90.38271484375,{"_285":222,"_123":495,"_154":496,"_140":89},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":517,"_311":518},{"_309":515,"_311":516},{"_309":513,"_311":514},{"_309":511,"_311":512},{"_309":509,"_311":510},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":578,"_219":579,"_323":580,"_325":326,"_327":581,"_329":582,"_331":-5,"_333":-5,"_334":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[563,564,565,566,567],{"_218":380,"_219":381,"_42":382,"_302":383},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":560,"_295":561,"_297":562},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_289":558,"_291":559},{"_222":550,"_125":551,"_283":552},{"_274":547,"_276":548,"_278":549,"_279":368},55.79270227392914,64,31.792702273929137,{"_285":222,"_123":556,"_154":557,"_140":99},{"_285":125,"_123":553,"_154":554,"_140":555},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_309":576,"_311":577},{"_309":574,"_311":575},{"_309":572,"_311":573},{"_309":570,"_311":571},{"_309":568,"_311":569},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":630,"_219":631,"_323":632,"_325":402,"_327":633,"_329":634,"_331":635,"_333":406,"_334":636,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[615,616,617,618,619],{"_218":299,"_219":300,"_42":301,"_302":303},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_293":612,"_295":613,"_297":614},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_289":290,"_291":292},{"_222":607,"_125":608,"_283":609},{"_274":604,"_276":605,"_278":606,"_279":589},162.4421624418003,253.1,147.4421624418003,{"_285":222,"_123":610,"_154":611,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_309":628,"_311":629},{"_309":626,"_311":627},{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":684,"_219":685,"_323":686,"_325":402,"_327":687,"_329":688,"_331":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[669,670,671,672,673],{"_218":500,"_219":501,"_42":502,"_302":503},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_293":666,"_295":667,"_297":668},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_289":558,"_291":559},{"_222":661,"_125":662,"_283":663},{"_274":658,"_276":659,"_278":660,"_279":644},59.630419921874996,77.4,35.630419921874996,{"_285":222,"_123":664,"_154":665,"_140":89},{"_285":125,"_123":553,"_154":554,"_140":555},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_309":682,"_311":683},{"_309":680,"_311":681},{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":741,"_219":742,"_323":743,"_325":326,"_327":744,"_329":745,"_331":746,"_333":406,"_334":747,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[726,727,728,729,730],{"_218":380,"_219":381,"_42":382,"_302":383},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_293":723,"_295":724,"_297":725},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_289":558,"_291":559},{"_222":716,"_125":717,"_283":718},{"_274":713,"_276":714,"_278":697,"_279":715},79,66.1776611694153,42.177661169415295,{"_285":222,"_123":721,"_154":722,"_140":97},{"_285":125,"_123":719,"_154":720,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_309":739,"_311":740},{"_309":737,"_311":738},{"_309":735,"_311":736},{"_309":733,"_311":734},{"_309":731,"_311":732},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","william-pitt-nga-52264","William Pitt",{"_42":796,"_219":797,"_323":798,"_325":402,"_327":799,"_329":330,"_331":-5,"_333":-5,"_334":800,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[781,782,783,784,785],{"_218":500,"_219":501,"_42":502,"_302":503},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_293":778,"_295":779,"_297":780},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_289":290,"_291":292},{"_222":773,"_125":774,"_283":775},{"_274":770,"_276":368,"_278":771,"_279":772},34.62890625,19.62890625,25,{"_285":222,"_123":776,"_154":777,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_309":794,"_311":795},{"_309":792,"_311":793},{"_309":790,"_311":791},{"_309":788,"_311":789},{"_309":786,"_311":787},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":399,"_219":400,"_323":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":406,"_334":407,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[831,832,833,834,835],{"_218":444,"_219":445,"_42":446,"_302":447},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":830,"_378":443},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":827,"_295":828,"_297":829},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":290,"_291":292},{"_222":824,"_125":825,"_283":826},{"_274":821,"_276":822,"_278":823,"_279":555},117.63088235294117,144,102.63088235294117,{"_285":222,"_123":372,"_154":373,"_140":91},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_309":844,"_311":845},{"_309":842,"_311":843},{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":894,"_219":895,"_323":896,"_325":326,"_327":897,"_329":898,"_331":-5,"_333":-5,"_334":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[879,880,881,882,883],{"_218":380,"_219":381,"_42":382,"_302":383},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_293":876,"_295":877,"_297":878},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_289":558,"_291":559},{"_222":869,"_125":870,"_283":871},{"_274":866,"_276":867,"_278":851,"_279":868},70,56.1976386036961,32.1976386036961,{"_285":222,"_123":874,"_154":875,"_140":89},{"_285":125,"_123":872,"_154":873,"_140":368},{"_285":283,"_123":366,"_154":367,"_140":368},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_309":892,"_311":893},{"_309":890,"_311":891},{"_309":888,"_311":889},{"_309":886,"_311":887},{"_309":884,"_311":885},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":943,"_219":944,"_323":945,"_325":402,"_327":946,"_329":947,"_331":-5,"_333":-5,"_334":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[928,929,930,931,932],{"_218":500,"_219":501,"_42":502,"_302":503},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_293":925,"_295":926,"_297":927},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_289":290,"_291":292},{"_222":920,"_125":921,"_283":922},{"_274":918,"_276":431,"_278":919,"_279":414},113.11484375,98.11484375,{"_285":222,"_123":923,"_154":924,"_140":89},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_309":941,"_311":942},{"_309":939,"_311":940},{"_309":937,"_311":938},{"_309":935,"_311":936},{"_309":933,"_311":934},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"noon-nga-119642","Noon",{"_42":999,"_219":1000,"_323":1001,"_325":402,"_327":1002,"_329":1003,"_331":1004,"_333":406,"_334":1005,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[984,985,986,987,988],{"_218":500,"_219":501,"_42":502,"_302":503},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":981,"_295":982,"_297":983},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":558,"_291":559},{"_222":973,"_125":974,"_283":975},{"_274":970,"_276":971,"_278":954,"_279":972},49.5,42.3094482421875,18.3094482421875,{"_285":222,"_123":979,"_154":980,"_140":97},{"_285":125,"_123":976,"_154":977,"_140":978},{"_285":283,"_123":366,"_154":367,"_140":368},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_309":997,"_311":998},{"_309":995,"_311":996},{"_309":993,"_311":994},{"_309":991,"_311":992},{"_309":989,"_311":990},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":1053,"_219":1054,"_323":1055,"_325":326,"_327":1056,"_329":1057,"_331":-5,"_333":-5,"_334":1058,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[1039,1040,1041,1042,1043],{"_218":380,"_219":381,"_42":382,"_302":383},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":1038,"_378":379},"Large English country landscape painting, farmers with horses, green trees.",{"_293":1035,"_295":1036,"_297":1037},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_289":290,"_291":292},{"_222":1030,"_125":1031,"_283":1032},{"_274":1027,"_276":1028,"_278":1011,"_279":1029},184,139.40655926352127,124.40655926352129,{"_285":222,"_123":1033,"_154":1034,"_140":99},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_309":1051,"_311":1052},{"_309":1049,"_311":1050},{"_309":1047,"_311":1048},{"_309":1046,"_311":734},{"_309":1044,"_311":1045},"#a8b3b4",0.111,"#706346","#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":399,"_219":400,"_323":401,"_325":402,"_327":403,"_329":404,"_331":405,"_333":406,"_334":407,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[1089,1090,1091,1092,1093],{"_218":380,"_219":381,"_42":382,"_302":383},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":1086,"_295":1087,"_297":1088},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":558,"_291":559},{"_222":1083,"_125":1084,"_283":1085},{"_274":1080,"_276":1081,"_278":1082,"_279":1066},48.02081362346263,59,24.02081362346263,{"_285":222,"_123":372,"_154":373,"_140":91},{"_285":125,"_123":719,"_154":720,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":1102,"_311":1103},{"_309":1100,"_311":1101},{"_309":1098,"_311":1099},{"_309":1096,"_311":1097},{"_309":1094,"_311":1095},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":741,"_219":742,"_323":743,"_325":326,"_327":744,"_329":745,"_331":746,"_333":406,"_334":747,"_140":97},"1787","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[1134,1135,1136,1137,1138],{"_218":299,"_219":300,"_42":301,"_302":303},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":1131,"_295":1132,"_297":1133},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":290,"_291":292},{"_222":1128,"_125":1129,"_283":1130},{"_274":1125,"_276":1126,"_278":1127,"_279":1110},135.62100077780656,162.6,120.62100077780657,{"_285":222,"_123":721,"_154":722,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_309":1147,"_311":1148},{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","b5416b2600f5da93cf89d6596d7d3f8a4ac82c49","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_219":1193,"_20":1194},{"_219":1191,"_20":1192},{"_219":1189,"_20":1190},{"_219":1187,"_20":1188},{"_219":1185,"_20":1186},{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]