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It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":374,"_297":375,"_299":376},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":372,"_293":373},{"_224":364,"_125":365,"_285":366},{"_276":361,"_278":362,"_280":344,"_282":363},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":370,"_154":371,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","natural","ivory","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":394,"_313":395},{"_311":392,"_313":393},{"_311":390,"_313":391},{"_311":388,"_313":389},{"_311":386,"_313":387},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","self-portrait-aic-11706","Self-Portrait",{"_42":454,"_221":455,"_325":456,"_327":328,"_329":457,"_331":458,"_333":-5,"_334":-5,"_335":459,"_140":99},"c. 1779","watercolour","Drawing and Watercolor","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[439,440,441,442,443],{"_220":301,"_221":302,"_42":303,"_304":305},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_295":436,"_297":437,"_299":438},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_291":292,"_293":294},{"_224":429,"_125":430,"_285":431},{"_276":426,"_278":427,"_280":428,"_282":243},41.0926483233018,54,17.092648323301805,{"_287":224,"_123":434,"_154":435,"_140":99},{"_287":125,"_123":432,"_154":433,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":513,"_221":514,"_325":515,"_327":516,"_329":517,"_331":518,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1790/1795","Painting","oil on canvas","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[498,499,500,501,502],{"_220":494,"_221":495,"_42":496,"_304":497},"Courtesy National Gallery of Art, Washington","1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":491,"_297":492,"_299":493},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":372,"_293":373},{"_224":486,"_125":487,"_285":488},{"_276":483,"_278":484,"_280":467,"_282":485},135,116.953125,101.953125,{"_287":224,"_123":489,"_154":490,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":511,"_313":512},{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":580,"_221":581,"_325":582,"_327":328,"_329":583,"_331":584,"_333":585,"_334":585,"_335":586,"_140":97},"1835",19,"Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[565,566,567,568,569],{"_220":561,"_221":562,"_42":563,"_304":564},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":558,"_559":560},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_295":555,"_297":556,"_299":557},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_291":372,"_293":373},{"_224":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":525,"_282":544},138.2,106.49411764705881,91.49411764705881,{"_287":224,"_123":553,"_154":554,"_140":97},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":548,"_154":549,"_140":245},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":578,"_313":579},{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},{"_311":570,"_313":571},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","peamore-devon-nga-137152","Peamore, Devon",{"_42":639,"_221":640,"_325":641,"_327":642,"_329":643,"_331":584,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[624,625,626,627,628],{"_220":494,"_221":495,"_42":496,"_304":497},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_295":621,"_297":622,"_299":623},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_291":292,"_293":294},{"_224":613,"_125":614,"_285":615},{"_276":610,"_278":611,"_280":595,"_282":612},81.3,70.4443359375,46.44433593749999,{"_287":224,"_123":619,"_154":620,"_140":89},{"_287":125,"_123":616,"_154":617,"_140":618},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_311":637,"_313":638},{"_311":635,"_313":636},{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851","British",1763,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":690,"_221":691,"_325":692,"_327":328,"_329":693,"_331":694,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[675,676,677,678,679],{"_220":301,"_221":302,"_42":303,"_304":305},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":672,"_297":673,"_299":674},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_291":372,"_293":373},{"_224":667,"_125":668,"_285":669},{"_276":664,"_278":665,"_280":666,"_282":650},42.32984293193717,51,27.329842931937172,{"_287":224,"_123":670,"_154":671,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},{"_311":680,"_313":681},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":740,"_221":741,"_325":742,"_327":642,"_329":743,"_331":744,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[725,726,727,728,729],{"_220":494,"_221":495,"_42":496,"_304":497},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":722,"_297":723,"_299":724},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":372,"_293":373},{"_224":717,"_125":718,"_285":719},{"_276":714,"_278":715,"_280":700,"_282":716},167.6,105.38271484375,90.38271484375,{"_287":224,"_123":720,"_154":721,"_140":89},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":548,"_154":549,"_140":245},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},{"_311":732,"_313":733},{"_311":730,"_313":731},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":454,"_221":455,"_325":456,"_327":328,"_329":457,"_331":458,"_333":-5,"_334":-5,"_335":459,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[774,775,776,777,778],{"_220":301,"_221":302,"_42":303,"_304":305},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":771,"_297":772,"_299":773},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":292,"_293":294},{"_224":768,"_125":769,"_285":770},{"_276":765,"_278":766,"_280":750,"_282":767},53,44.521086780210865,20.52108678021087,{"_287":224,"_123":434,"_154":435,"_140":99},{"_287":125,"_123":432,"_154":433,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":787,"_313":788},{"_311":785,"_313":786},{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":837,"_221":838,"_325":839,"_327":642,"_329":840,"_331":841,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[822,823,824,825,826],{"_220":494,"_221":495,"_42":496,"_304":497},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":819,"_297":820,"_299":821},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":292,"_293":294},{"_224":814,"_125":815,"_285":816},{"_276":810,"_278":811,"_280":812,"_282":813},41.572021484375,49,17.572021484375,25,{"_287":224,"_123":817,"_154":818,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":835,"_313":836},{"_311":833,"_313":834},{"_311":831,"_313":832},{"_311":829,"_313":830},{"_311":827,"_313":828},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":890,"_221":891,"_325":892,"_327":328,"_329":893,"_331":894,"_333":-5,"_334":-5,"_335":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[875,876,877,878,879],{"_220":301,"_221":302,"_42":303,"_304":305},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":872,"_297":873,"_299":874},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":292,"_293":294},{"_224":865,"_125":866,"_285":867},{"_276":862,"_278":863,"_280":847,"_282":864},70,56.1976386036961,32.1976386036961,{"_287":224,"_123":870,"_154":871,"_140":89},{"_287":125,"_123":868,"_154":869,"_140":245},{"_287":285,"_123":548,"_154":549,"_140":245},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":888,"_313":889},{"_311":886,"_313":887},{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":941,"_221":942,"_325":943,"_327":642,"_329":944,"_331":945,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[926,927,928,929,930],{"_220":494,"_221":495,"_42":496,"_304":497},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_295":923,"_297":924,"_299":925},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_291":372,"_293":373},{"_224":918,"_125":919,"_285":920},{"_276":915,"_278":916,"_280":900,"_282":917},246,166.762939453125,151.762939453125,{"_287":224,"_123":921,"_154":922,"_140":89},{"_287":125,"_123":550,"_154":551,"_140":552},{"_287":285,"_123":548,"_154":549,"_140":245},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_311":939,"_313":940},{"_311":937,"_313":938},{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":994,"_221":995,"_325":996,"_327":642,"_329":997,"_331":400,"_333":-5,"_334":-5,"_335":998,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[979,980,981,982,983],{"_220":561,"_221":562,"_42":563,"_304":564},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":978,"_559":560},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":975,"_297":976,"_299":977},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":372,"_293":373},{"_224":970,"_125":971,"_285":972},{"_276":967,"_278":968,"_280":969,"_282":952},83.17205882352941,90.5,68.17205882352941,{"_287":224,"_123":973,"_154":974,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},{"_311":986,"_313":987},{"_311":984,"_313":985},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1050,"_221":1051,"_325":1052,"_327":516,"_329":1053,"_331":1054,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1834","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1035,1036,1037,1038,1039],{"_220":561,"_221":562,"_42":563,"_304":564},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1034,"_559":560},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":1031,"_297":1032,"_299":1033},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":292,"_293":294},{"_224":1024,"_125":1025,"_285":1026},{"_276":1021,"_278":1022,"_280":1005,"_282":1023},56.5,47.45735294117647,23.45735294117647,{"_287":224,"_123":1029,"_154":1030,"_140":89},{"_287":125,"_123":1027,"_154":1028,"_140":526},{"_287":285,"_123":548,"_154":549,"_140":245},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},{"_311":1044,"_313":1045},{"_311":1042,"_313":1043},{"_311":1040,"_313":1041},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1099,"_221":1100,"_325":1101,"_327":516,"_329":1102,"_331":1103,"_333":-5,"_334":-5,"_335":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1084,1085,1086,1087,1088],{"_220":494,"_221":495,"_42":496,"_304":497},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":1081,"_297":1082,"_299":1083},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":292,"_293":294},{"_224":1076,"_125":1077,"_285":1078},{"_276":811,"_278":1074,"_280":813,"_282":1075},39.68603515625,15.686035156249998,{"_287":224,"_123":1079,"_154":1080,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":1097,"_313":1098},{"_311":1095,"_313":1096},{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":-5,"_140":99},0.7912519643792562,[1126,1127,1128,1129,1130],{"_220":301,"_221":302,"_42":303,"_304":305},"1946.405",{"_295":1123,"_297":1124,"_299":1125},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_291":292,"_293":294},{"_224":1120,"_125":1121,"_285":1122},{"_276":1118,"_278":279,"_280":1119,"_282":245},55.65007857517025,31.650078575170248,{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_311":1138,"_313":1139},{"_311":1136,"_313":1137},{"_311":1135,"_313":731},{"_311":1133,"_313":1134},{"_311":1131,"_313":1132},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","d4d0737e1d045d920592e1f03aa71d47e389c86c","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]