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It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":292,"_293":294},{"_224":429,"_125":430,"_285":431},{"_276":426,"_278":427,"_280":428,"_282":410},54.4048095703125,74.1,39.4048095703125,{"_287":224,"_123":432,"_154":433,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":522,"_221":523,"_325":524,"_327":328,"_329":525,"_331":526,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1807",19,"drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[507,508,509,510,511],{"_220":378,"_221":379,"_42":380,"_304":381},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":506,"_376":377},"Bray Church Yard, by John Varley, 1807",{"_295":503,"_297":504,"_299":505},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":501,"_293":502},{"_224":490,"_125":491,"_285":492},{"_276":487,"_278":488,"_280":471,"_282":489},60.9,48.95091176470588,24.950911764705882,{"_287":224,"_123":499,"_154":500,"_140":89},{"_287":125,"_123":496,"_154":497,"_140":498},{"_287":285,"_123":493,"_154":494,"_140":495},"era/19-britain","19th-century Britain",40,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","white","snow","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":520,"_313":521},{"_311":518,"_313":519},{"_311":516,"_313":517},{"_311":514,"_313":515},{"_311":512,"_313":513},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":579,"_221":580,"_325":581,"_327":582,"_329":583,"_331":584,"_333":-5,"_335":-5,"_337":-5,"_140":101},"print","Print","hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[564,565,566,567,568],{"_220":437,"_221":438,"_42":439,"_304":440},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":561,"_297":562,"_299":563},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":501,"_293":502},{"_224":553,"_125":554,"_285":555},{"_276":549,"_278":550,"_280":551,"_282":552},49,39.68603515625,25,15.686035156249998,{"_287":224,"_123":559,"_154":560,"_140":89},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":577,"_313":578},{"_311":575,"_313":576},{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[619,620,621,622,623],{"_220":615,"_221":616,"_42":617,"_304":618},"Courtesy of the Art Institute of Chicago","2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":612,"_297":613,"_299":614},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":292,"_293":294},{"_224":609,"_125":610,"_285":611},{"_276":606,"_278":607,"_280":608,"_282":591},76.14076281287247,88,61.14076281287247,{"_287":224,"_123":170,"_154":169,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":632,"_313":633},{"_311":630,"_313":631},{"_311":628,"_313":629},{"_311":626,"_313":627},{"_311":624,"_313":625},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":681,"_221":682,"_325":683,"_327":684,"_329":685,"_331":460,"_333":686,"_335":686,"_337":687,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[666,667,668,669,670],{"_220":301,"_221":302,"_42":303,"_304":305},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":663,"_297":664,"_299":665},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":292,"_293":294},{"_224":658,"_125":659,"_285":660},{"_276":655,"_278":656,"_280":639,"_282":657},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":661,"_154":662,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":679,"_313":680},{"_311":677,"_313":678},{"_311":675,"_313":676},{"_311":673,"_313":674},{"_311":671,"_313":672},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":735,"_221":736,"_325":737,"_327":328,"_329":738,"_331":739,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[720,721,722,723,724],{"_220":437,"_221":438,"_42":439,"_304":440},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":501,"_293":502},{"_224":712,"_125":713,"_285":714},{"_276":709,"_278":710,"_280":711,"_282":695},59.630419921874996,77.4,35.630419921874996,{"_287":224,"_123":715,"_154":716,"_140":89},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},{"_311":725,"_313":726},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":790,"_221":791,"_325":792,"_327":684,"_329":793,"_331":794,"_333":-5,"_335":-5,"_337":795,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[775,776,777,778,779],{"_220":437,"_221":438,"_42":439,"_304":440},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":772,"_297":773,"_299":774},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":292,"_293":294},{"_224":764,"_125":765,"_285":766},{"_276":761,"_278":762,"_280":745,"_282":763},116.2,69.8001953125,54.8001953125,{"_287":224,"_123":770,"_154":771,"_140":99},{"_287":125,"_123":767,"_154":768,"_140":769},{"_287":285,"_123":493,"_154":494,"_140":495},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_311":788,"_313":789},{"_311":786,"_313":787},{"_311":784,"_313":785},{"_311":782,"_313":783},{"_311":780,"_313":781},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":843,"_221":844,"_325":845,"_327":684,"_329":846,"_331":847,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[828,829,830,831,832],{"_220":615,"_221":616,"_42":617,"_304":618},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":825,"_297":826,"_299":827},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":501,"_293":502},{"_224":820,"_125":821,"_285":822},{"_276":817,"_278":818,"_280":819,"_282":803},69.57777777777778,89,45.57777777777778,{"_287":224,"_123":823,"_154":824,"_140":89},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_311":841,"_313":842},{"_311":839,"_313":840},{"_311":837,"_313":838},{"_311":835,"_313":836},{"_311":833,"_313":834},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":894,"_221":895,"_325":896,"_327":328,"_329":897,"_331":898,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[879,880,881,882,883],{"_220":437,"_221":438,"_42":439,"_304":440},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_295":876,"_297":877,"_299":878},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_291":501,"_293":502},{"_224":871,"_125":872,"_285":873},{"_276":869,"_278":549,"_280":870,"_282":551},42.560791015625,18.560791015625,{"_287":224,"_123":874,"_154":875,"_140":89},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_311":892,"_313":893},{"_311":890,"_313":891},{"_311":888,"_313":889},{"_311":886,"_313":887},{"_311":884,"_313":885},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"william-pitt-nga-52264","William Pitt",{"_42":456,"_221":457,"_325":458,"_327":328,"_329":459,"_331":460,"_333":-5,"_335":-5,"_337":461,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[929,930,931,932,933],{"_220":437,"_221":438,"_42":439,"_304":440},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":926,"_297":927,"_299":928},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":292,"_293":294},{"_224":923,"_125":924,"_285":925},{"_276":921,"_278":495,"_280":922,"_282":551},34.62890625,19.62890625,{"_287":224,"_123":432,"_154":433,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":994,"_221":995,"_325":996,"_327":328,"_329":997,"_331":998,"_333":-5,"_335":-5,"_337":-5,"_140":103},"watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[979,980,981,982,983],{"_220":615,"_221":616,"_42":617,"_304":618},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":976,"_297":977,"_299":978},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":501,"_293":502},{"_224":969,"_125":970,"_285":971},{"_276":966,"_278":967,"_280":951,"_282":968},80,62.20221481948321,38.20221481948321,{"_287":224,"_123":974,"_154":975,"_140":89},{"_287":125,"_123":972,"_154":973,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_311":992,"_313":993},{"_311":990,"_313":991},{"_311":988,"_313":989},{"_311":986,"_313":987},{"_311":984,"_313":985},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":1046,"_221":1047,"_325":1048,"_327":684,"_329":997,"_331":1049,"_333":-5,"_335":-5,"_337":1050,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[1031,1032,1033,1034,1035],{"_220":615,"_221":616,"_42":617,"_304":618},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":1028,"_297":1029,"_299":1030},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":501,"_293":502},{"_224":1023,"_125":1024,"_285":1025},{"_276":1020,"_278":1021,"_280":1005,"_282":1022},53,44.521086780210865,20.52108678021087,{"_287":224,"_123":1026,"_154":1027,"_140":99},{"_287":125,"_123":972,"_154":973,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":1044,"_313":1045},{"_311":1042,"_313":1043},{"_311":1040,"_313":1041},{"_311":1038,"_313":1039},{"_311":1036,"_313":1037},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":397,"_221":398,"_325":399,"_327":328,"_329":400,"_331":401,"_333":402,"_335":336,"_337":403,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",78,0.8287557603686636,[1078,1079,1080,1081,1082],{"_220":615,"_221":616,"_42":617,"_304":618},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_295":1075,"_297":1076,"_299":1077},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":292,"_293":294},{"_224":1072,"_125":1073,"_285":1074},{"_276":1069,"_278":1070,"_280":1071,"_282":1056},79.64294930875576,93,64.64294930875576,{"_287":224,"_123":370,"_154":371,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":1091,"_313":1092},{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1138,"_221":1139,"_325":1140,"_327":328,"_329":1141,"_331":1142,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",26.5,1.4232105628908964,[1123,1124,1125,1126,1127],{"_220":437,"_221":438,"_42":439,"_304":440},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":1120,"_297":1121,"_299":1122},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":501,"_293":502},{"_224":1115,"_125":1116,"_285":1117},{"_276":487,"_278":1113,"_280":471,"_282":1114},49.927294921875,25.927294921875,{"_287":224,"_123":1118,"_154":1119,"_140":89},{"_287":125,"_123":556,"_154":557,"_140":558},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_311":1136,"_313":1137},{"_311":1134,"_313":1135},{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","9b074df5f3fc73e8e32126277cb1f4c1dc9f2365","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]