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The color scheme of the painting is mostly olive-green, and everything has a green tint.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1550.jpg?dl=1","page_url","/art/georgiana-duchess-of-devonshire-nga-52263","walk_url","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":245},"w",54.4048095703125,"h",74.1,"image_w",39.4048095703125,"image_h",{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1550/480.jpg","960","https://img.ochreeditions.com/a/1550/960.jpg","1920","https://img.ochreeditions.com/a/1550/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#bba987","weight",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","bio","British, 1754–1797","nationality","British","birth_year",1754,"death_year",1797,"birth_place","death_place","about_excerpt","Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[372,373,374,375,376],{"_220":369,"_221":370,"_42":371,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. 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It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":423,"_297":424,"_299":425},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":292,"_293":294},{"_224":412,"_125":413,"_285":414},{"_276":409,"_278":410,"_280":411,"_282":394},116.6768798828125,143.5,101.6768798828125,{"_287":224,"_123":421,"_154":422,"_140":91},{"_287":125,"_123":418,"_154":419,"_140":420},{"_287":285,"_123":415,"_154":416,"_140":417},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":438,"_313":439},{"_311":436,"_313":437},{"_311":434,"_313":435},{"_311":433,"_313":432},{"_311":431,"_313":432},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":511,"_221":512,"_325":513,"_327":514,"_329":515,"_331":516,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[496,497,498,499,500],{"_220":492,"_221":493,"_42":494,"_304":495},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":489,"_490":491},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":486,"_297":487,"_299":488},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":484,"_293":485},{"_224":476,"_125":477,"_285":478},{"_276":473,"_278":474,"_280":456,"_282":475},56.5,47.45735294117647,23.45735294117647,{"_287":224,"_123":482,"_154":483,"_140":89},{"_287":125,"_123":479,"_154":480,"_140":481},{"_287":285,"_123":415,"_154":416,"_140":417},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","white","snow","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":562,"_221":563,"_325":564,"_327":328,"_329":565,"_331":566,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[547,548,549,550,551],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":544,"_297":545,"_299":546},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":292,"_293":294},{"_224":539,"_125":540,"_285":541},{"_276":536,"_278":537,"_280":522,"_282":538},167.6,105.38271484375,90.38271484375,{"_287":224,"_123":542,"_154":543,"_140":89},{"_287":125,"_123":418,"_154":419,"_140":420},{"_287":285,"_123":415,"_154":416,"_140":417},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":560,"_313":561},{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":623,"_221":624,"_325":625,"_327":328,"_329":626,"_331":627,"_333":446,"_334":446,"_335":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[608,609,610,611,612],{"_220":604,"_221":605,"_42":606,"_304":607},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":601,"_297":602,"_299":603},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":484,"_293":485},{"_224":593,"_125":594,"_285":595},{"_276":590,"_278":591,"_280":592,"_282":575},50.26670344827586,63.2,26.266703448275862,{"_287":224,"_123":599,"_154":600,"_140":89},{"_287":125,"_123":596,"_154":597,"_140":598},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":684,"_221":685,"_325":686,"_327":687,"_329":688,"_331":689,"_333":-5,"_334":-5,"_335":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[669,670,671,672,673],{"_220":665,"_221":666,"_42":667,"_304":668},"Courtesy of the Art Institute of Chicago","1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":662,"_297":663,"_299":664},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":484,"_293":485},{"_224":655,"_125":656,"_285":657},{"_276":652,"_278":653,"_280":636,"_282":654},70,56.1976386036961,32.1976386036961,{"_287":224,"_123":660,"_154":661,"_140":89},{"_287":125,"_123":658,"_154":659,"_140":417},{"_287":285,"_123":415,"_154":416,"_140":417},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":682,"_313":683},{"_311":680,"_313":681},{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878","English",1808,1878,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":737,"_221":738,"_325":739,"_327":687,"_329":740,"_331":741,"_333":742,"_334":446,"_335":743,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[722,723,724,725,726],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":292,"_293":294},{"_224":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":695,"_282":713},142.6,116.65009765625,101.65009765625,{"_287":224,"_123":717,"_154":718,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":440,"_221":441,"_325":442,"_327":328,"_329":443,"_331":444,"_333":445,"_334":446,"_335":447,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[774,775,776,777,778],{"_220":665,"_221":666,"_42":667,"_304":668},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":771,"_297":772,"_299":773},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":292,"_293":294},{"_224":768,"_125":769,"_285":770},{"_276":765,"_278":766,"_280":767,"_282":751},79.64294930875576,93,64.64294930875576,{"_287":224,"_123":421,"_154":422,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":787,"_313":788},{"_311":785,"_313":786},{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[817,818,819,820,821],{"_220":369,"_221":370,"_42":371,"_304":305},"1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":814,"_297":815,"_299":816},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_224":811,"_125":812,"_285":813},{"_276":808,"_278":809,"_280":793,"_282":810},70.2,58.4424,43.4424,{"_287":224,"_123":364,"_154":365,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg",{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},{"_311":822,"_313":823},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":886,"_221":887,"_325":888,"_327":328,"_329":889,"_331":890,"_333":891,"_334":446,"_335":892,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[871,872,873,874,875],{"_220":301,"_221":302,"_42":303,"_304":305},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":868,"_297":869,"_299":870},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":484,"_293":485},{"_224":860,"_125":861,"_285":862},{"_276":856,"_278":857,"_280":858,"_282":859},49,44.166015625,25,20.166015625,{"_287":224,"_123":866,"_154":867,"_140":97},{"_287":125,"_123":863,"_154":864,"_140":865},{"_287":285,"_123":415,"_154":416,"_140":417},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":941,"_221":942,"_325":943,"_327":687,"_329":944,"_331":332,"_333":945,"_334":945,"_335":946,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[926,927,928,929,930],{"_220":604,"_221":605,"_42":606,"_304":607},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":923,"_297":924,"_299":925},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":292,"_293":294},{"_224":918,"_125":919,"_285":920},{"_276":915,"_278":916,"_280":899,"_282":917},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":921,"_154":922,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_311":939,"_313":940},{"_311":937,"_313":938},{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":995,"_221":996,"_325":997,"_327":514,"_329":741,"_331":998,"_333":-5,"_334":-5,"_335":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[980,981,982,983,984],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":977,"_297":978,"_299":979},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":484,"_293":485},{"_224":969,"_125":970,"_285":971},{"_276":856,"_278":967,"_280":858,"_282":968},39.68603515625,15.686035156249998,{"_287":224,"_123":975,"_154":976,"_140":89},{"_287":125,"_123":972,"_154":973,"_140":974},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":993,"_313":994},{"_311":991,"_313":992},{"_311":989,"_313":990},{"_311":987,"_313":988},{"_311":985,"_313":986},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":1045,"_221":1046,"_325":1047,"_327":328,"_329":1048,"_331":1049,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[1030,1031,1032,1033,1034],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":1027,"_297":1028,"_299":1029},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":484,"_293":485},{"_224":1022,"_125":1023,"_285":1024},{"_276":1020,"_278":856,"_280":1021,"_282":858},41.572021484375,17.572021484375,{"_287":224,"_123":1025,"_154":1026,"_140":89},{"_287":125,"_123":972,"_154":973,"_140":974},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},{"_311":1039,"_313":1040},{"_311":1037,"_313":1038},{"_311":1035,"_313":1036},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1077,1078,1079,1080,1081],{"_220":665,"_221":666,"_42":667,"_304":668},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":1074,"_297":1075,"_299":1076},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":484,"_293":485},{"_224":1071,"_125":1072,"_285":1073},{"_276":856,"_278":1069,"_280":858,"_282":1070},48.48828746872867,24.488287468728675,{"_287":224,"_123":364,"_154":365,"_140":97},{"_287":125,"_123":972,"_154":973,"_140":974},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":1090,"_313":1091},{"_311":1088,"_313":1089},{"_311":1086,"_313":1087},{"_311":1084,"_313":1085},{"_311":1082,"_313":1083},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":1139,"_221":1140,"_325":1141,"_327":328,"_329":1142,"_331":1143,"_333":1144,"_334":446,"_335":1145,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1124,1125,1126,1127,1128],{"_220":604,"_221":605,"_42":606,"_304":607},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":1121,"_297":1122,"_299":1123},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":292,"_293":294},{"_224":1116,"_125":1117,"_285":1118},{"_276":1113,"_278":1114,"_280":1115,"_282":1098},162.4421624418003,253.1,147.4421624418003,{"_287":224,"_123":1119,"_154":1120,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_311":1137,"_313":1138},{"_311":1135,"_313":1136},{"_311":1133,"_313":1134},{"_311":1131,"_313":1132},{"_311":1129,"_313":1130},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","f010cf68bb3302cc1dbcee7cd139e85b2e7b7d2b","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]