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In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/1651.jpg?dl=1","page_url","/art/a-dell-at-helmingham-park-suffolk-nga-119643","walk_url","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643","frame",{"_293":294,"_295":296},{"_225":285,"_125":286,"_287":288},"size",{"_277":278,"_279":280,"_281":282,"_283":284},"w",49,"h",44.166015625,"image_w",25,"image_h",20.166015625,{"_289":225,"_123":171,"_154":170,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":167,"_154":166,"_140":169},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1651/480.jpg","960","https://img.ochreeditions.com/a/1651/960.jpg","1920","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#cbb99e","weight",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","bio","British, 1802–1881","nationality","British","birth_year",1802,"death_year",1881,"birth_place","Geddington Chase, Northamptonshire","death_place","London","about_excerpt","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":409,"_222":410,"_327":411,"_329":330,"_331":412,"_333":413,"_335":414,"_337":338,"_339":415,"_140":91},"1794",18,"painting","Painting","oil on canvas","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[394,395,396,397,398],{"_221":390,"_222":391,"_42":392,"_306":393},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":387,"_388":389},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_297":384,"_299":385,"_301":386},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_293":382,"_295":383},{"_225":371,"_125":372,"_287":373},{"_277":367,"_279":368,"_281":369,"_283":370},163.0235294117647,255,148.0235294117647,240,{"_289":225,"_123":380,"_154":381,"_140":91},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","natural","ivory","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":407,"_315":408},{"_313":405,"_315":406},{"_313":403,"_315":404},{"_313":401,"_315":402},{"_313":399,"_315":400},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":463,"_222":464,"_327":465,"_329":466,"_331":467,"_333":468,"_335":469,"_337":338,"_339":470,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[448,449,450,451,452],{"_221":303,"_222":304,"_42":305,"_306":307},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_297":445,"_299":446,"_301":447},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_293":382,"_295":383},{"_225":440,"_125":441,"_287":442},{"_277":437,"_279":438,"_281":439,"_283":422},85.3828125,99,70.3828125,{"_289":225,"_123":443,"_154":444,"_140":97},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_313":461,"_315":462},{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":463,"_222":464,"_327":465,"_329":466,"_331":467,"_333":468,"_335":469,"_337":338,"_339":470,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[508,509,510,511,512],{"_221":504,"_222":505,"_42":506,"_306":507},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_297":501,"_299":502,"_301":503},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_293":382,"_295":383},{"_225":498,"_125":499,"_287":500},{"_277":495,"_279":496,"_281":497,"_283":479},135.62100077780656,162.6,120.62100077780657,{"_289":225,"_123":443,"_154":444,"_140":97},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":521,"_315":522},{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":570,"_222":571,"_327":572,"_329":466,"_331":573,"_333":574,"_335":575,"_337":575,"_339":576,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[555,556,557,558,559],{"_221":504,"_222":505,"_42":506,"_306":507},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_297":552,"_299":553,"_301":554},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_293":382,"_295":383},{"_225":547,"_125":548,"_287":549},{"_277":544,"_279":545,"_281":528,"_283":546},142,117.37854406130268,102.37854406130268,{"_289":225,"_123":550,"_154":551,"_140":99},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_313":568,"_315":569},{"_313":566,"_315":567},{"_313":564,"_315":565},{"_313":562,"_315":563},{"_313":560,"_315":561},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","noon-nga-119642","Noon",{"_42":325,"_222":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[605,606,607,608,609],{"_221":303,"_222":304,"_42":305,"_306":307},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_297":602,"_299":603,"_301":604},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_293":294,"_295":296},{"_225":599,"_125":600,"_287":601},{"_277":596,"_279":597,"_281":581,"_283":598},49.5,42.3094482421875,18.3094482421875,{"_289":225,"_123":171,"_154":170,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_313":618,"_315":619},{"_313":616,"_315":617},{"_313":614,"_315":615},{"_313":612,"_315":613},{"_313":610,"_315":611},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":669,"_222":670,"_327":671,"_329":330,"_331":672,"_333":673,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[654,655,656,657,658],{"_221":303,"_222":304,"_42":305,"_306":307},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_297":651,"_299":652,"_301":653},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_293":382,"_295":383},{"_225":643,"_125":644,"_287":645},{"_277":640,"_279":641,"_281":625,"_283":642},167.6,105.38271484375,90.38271484375,{"_289":225,"_123":649,"_154":650,"_140":89},{"_289":125,"_123":646,"_154":647,"_140":648},{"_289":287,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_313":667,"_315":668},{"_313":665,"_315":666},{"_313":663,"_315":664},{"_313":661,"_315":662},{"_313":659,"_315":660},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":409,"_222":410,"_327":411,"_329":330,"_331":412,"_333":413,"_335":414,"_337":338,"_339":415,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[713,714,715,716,717],{"_221":709,"_222":710,"_42":711,"_306":712},"Courtesy of the Art Institute of Chicago","2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_297":706,"_299":707,"_301":708},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_293":294,"_295":296},{"_225":701,"_125":702,"_287":703},{"_277":698,"_279":699,"_281":700,"_283":683},48.02081362346263,59,24.02081362346263,{"_289":225,"_123":380,"_154":381,"_140":91},{"_289":125,"_123":704,"_154":705,"_140":53},{"_289":287,"_123":374,"_154":375,"_140":376},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":726,"_315":727},{"_313":724,"_315":725},{"_313":722,"_315":723},{"_313":720,"_315":721},{"_313":718,"_315":719},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":781,"_222":782,"_327":783,"_329":784,"_331":785,"_333":786,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[766,767,768,769,770],{"_221":390,"_222":391,"_42":392,"_306":393},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":765,"_388":389},"Descent into the Plain of Granada, by David Roberts, 1834",{"_297":762,"_299":763,"_301":764},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_293":294,"_295":296},{"_225":755,"_125":756,"_287":757},{"_277":752,"_279":753,"_281":736,"_283":754},56.5,47.45735294117647,23.45735294117647,{"_289":225,"_123":760,"_154":761,"_140":89},{"_289":125,"_123":758,"_154":759,"_140":626},{"_289":287,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_313":779,"_315":780},{"_313":777,"_315":778},{"_313":775,"_315":776},{"_313":773,"_315":774},{"_313":771,"_315":772},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":834,"_222":835,"_327":836,"_329":466,"_331":672,"_333":837,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[819,820,821,822,823],{"_221":709,"_222":710,"_42":711,"_306":712},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":817,"_388":818},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_297":814,"_299":815,"_301":816},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_293":382,"_295":383},{"_225":809,"_125":810,"_287":811},{"_277":807,"_279":544,"_281":808,"_283":528},115.83991565971941,100.83991565971941,{"_289":225,"_123":812,"_154":813,"_140":89},{"_289":125,"_123":646,"_154":647,"_140":648},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_313":832,"_315":833},{"_313":830,"_315":831},{"_313":828,"_315":829},{"_313":826,"_315":827},{"_313":824,"_315":825},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,"self-portrait-aic-11706","Self-Portrait",{"_42":886,"_222":887,"_327":888,"_329":466,"_331":889,"_333":890,"_335":-5,"_337":-5,"_339":891,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[871,872,873,874,875],{"_221":709,"_222":710,"_42":711,"_306":712},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_297":868,"_299":869,"_301":870},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_293":294,"_295":296},{"_225":863,"_125":864,"_287":865},{"_277":860,"_279":861,"_281":862,"_283":845},41.0926483233018,54,17.092648323301805,{"_289":225,"_123":866,"_154":867,"_140":99},{"_289":125,"_123":704,"_154":705,"_140":53},{"_289":287,"_123":374,"_154":375,"_140":376},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_313":884,"_315":885},{"_313":882,"_315":883},{"_313":880,"_315":881},{"_313":878,"_315":879},{"_313":876,"_315":877},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":940,"_222":941,"_327":942,"_329":330,"_331":943,"_333":944,"_335":945,"_337":338,"_339":946,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[925,926,927,928,929],{"_221":390,"_222":391,"_42":392,"_306":393},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":924,"_388":389},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_297":921,"_299":922,"_301":923},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_293":382,"_295":383},{"_225":916,"_125":917,"_287":918},{"_277":913,"_279":914,"_281":915,"_283":898},185.63529411764705,211,170.63529411764705,{"_289":225,"_123":919,"_154":920,"_140":95},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_313":938,"_315":939},{"_313":936,"_315":937},{"_313":934,"_315":935},{"_313":932,"_315":933},{"_313":930,"_315":931},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":996,"_222":997,"_327":998,"_329":466,"_331":999,"_333":1000,"_335":-5,"_337":-5,"_339":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7948175568482284,[981,982,983,984,985],{"_221":709,"_222":710,"_42":711,"_306":712},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_297":978,"_299":979,"_301":980},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_293":294,"_295":296},{"_225":970,"_125":971,"_287":972},{"_277":967,"_279":968,"_281":969,"_283":169},55.79270227392914,64,31.792702273929137,{"_289":225,"_123":976,"_154":977,"_140":99},{"_289":125,"_123":973,"_154":974,"_140":975},{"_289":287,"_123":374,"_154":375,"_140":376},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_313":994,"_315":995},{"_313":992,"_315":993},{"_313":990,"_315":991},{"_313":988,"_315":989},{"_313":986,"_315":987},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1050,"_222":1051,"_327":1052,"_329":330,"_331":1053,"_333":1054,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1035,1036,1037,1038,1039],{"_221":390,"_222":391,"_42":392,"_306":393},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1034,"_388":389},"Bray Church Yard, by John Varley, 1807",{"_297":1031,"_299":1032,"_301":1033},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_293":294,"_295":296},{"_225":1026,"_125":1027,"_287":1028},{"_277":1023,"_279":1024,"_281":1007,"_283":1025},60.9,48.95091176470588,24.950911764705882,{"_289":225,"_123":1029,"_154":1030,"_140":89},{"_289":125,"_123":758,"_154":759,"_140":626},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_313":1048,"_315":1049},{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":940,"_222":941,"_327":942,"_329":330,"_331":943,"_333":944,"_335":945,"_337":338,"_339":946,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",126,0.7977275284058949,[1083,1084,1085,1086,1087],{"_221":709,"_222":710,"_42":711,"_306":712},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":1080,"_299":1081,"_301":1082},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_293":382,"_295":383},{"_225":1077,"_125":1078,"_287":1079},{"_277":1074,"_279":1075,"_281":1076,"_283":1060},115.51366857914276,141,100.51366857914276,{"_289":225,"_123":919,"_154":920,"_140":95},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_313":1096,"_315":1097},{"_313":1094,"_315":1095},{"_313":1092,"_315":1093},{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1143,"_222":1144,"_327":1145,"_329":466,"_331":1146,"_333":1147,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1128,1129,1130,1131,1132],{"_221":709,"_222":710,"_42":711,"_306":712},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_297":1125,"_299":1126,"_301":1127},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_293":382,"_295":383},{"_225":1120,"_125":1121,"_287":1122},{"_277":1117,"_279":1118,"_281":1119,"_283":1104},42.32984293193717,51,27.329842931937172,{"_289":225,"_123":1123,"_154":1124,"_140":89},{"_289":125,"_123":377,"_154":378,"_140":379},{"_289":287,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},{"_313":1137,"_315":1138},{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","5ff40b9fca06ef596057c33cb7c4d9dc83876259","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]