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Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1552.jpg?dl=1","page_url","/art/seashore-with-fishermen-nga-52265","walk_url","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",142.6,"h",116.65009765625,"image_w","image_h",101.65009765625,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1552/480.jpg","960","https://img.ochreeditions.com/a/1552/960.jpg","1920","https://img.ochreeditions.com/a/1552/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#b1a488","weight",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","bio","English, 1727–1788","nationality","English","birth_year",1727,"death_year",1788,"birth_place","Sudbury","death_place","London","about_excerpt","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[374,375,376,377,378],{"_220":371,"_221":372,"_42":373,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. 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It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":426,"_297":427,"_299":428},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":424,"_293":425},{"_224":416,"_125":417,"_285":418},{"_276":413,"_278":414,"_280":415,"_281":398},69.57777777777778,89,45.57777777777778,{"_287":224,"_123":422,"_154":423,"_140":89},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","white","snow","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},{"_311":440,"_313":441},{"_311":438,"_313":439},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":511,"_221":512,"_325":513,"_327":514,"_329":515,"_331":516,"_333":517,"_335":336,"_337":518,"_140":91},"1803–15",19,"Oil on canvas","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[496,497,498,499,500],{"_220":429,"_221":430,"_42":431,"_304":432},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":493,"_494":495},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_295":490,"_297":491,"_299":492},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_291":292,"_293":294},{"_224":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":478,"_281":461},116.09951287404314,143,101.09951287404314,{"_287":224,"_123":488,"_154":489,"_140":91},{"_287":125,"_123":485,"_154":486,"_140":487},{"_287":285,"_123":482,"_154":483,"_140":484},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":567,"_221":568,"_325":569,"_327":328,"_329":570,"_331":571,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[552,553,554,555,556],{"_220":429,"_221":430,"_42":431,"_304":432},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":551,"_494":495},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_295":548,"_297":549,"_299":550},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_291":292,"_293":294},{"_224":543,"_125":544,"_285":545},{"_276":540,"_278":541,"_280":542,"_281":525},115.83991565971941,142,100.83991565971941,{"_287":224,"_123":546,"_154":547,"_140":89},{"_287":125,"_123":485,"_154":486,"_140":487},{"_287":285,"_123":482,"_154":483,"_140":484},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_311":565,"_313":566},{"_311":563,"_313":564},{"_311":561,"_313":562},{"_311":559,"_313":560},{"_311":557,"_313":558},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[602,603,604,605,606],{"_220":301,"_221":302,"_42":303,"_304":305},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":599,"_297":600,"_299":601},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":292,"_293":294},{"_224":596,"_125":597,"_285":598},{"_276":593,"_278":594,"_280":595,"_281":578},85.3828125,99,70.3828125,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_311":615,"_313":616},{"_311":613,"_313":614},{"_311":611,"_313":612},{"_311":609,"_313":610},{"_311":607,"_313":608},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":664,"_221":665,"_325":666,"_327":667,"_329":332,"_331":668,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[649,650,651,652,653],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":646,"_297":647,"_299":648},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":424,"_293":425},{"_224":641,"_125":642,"_285":643},{"_276":637,"_278":638,"_280":639,"_281":640},49,39.68603515625,25,15.686035156249998,{"_287":224,"_123":644,"_154":645,"_140":89},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":662,"_313":663},{"_311":660,"_313":661},{"_311":658,"_313":659},{"_311":656,"_313":657},{"_311":654,"_313":655},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":716,"_221":717,"_325":718,"_327":328,"_329":719,"_331":720,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[701,702,703,704,705],{"_220":429,"_221":430,"_42":431,"_304":432},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":698,"_297":699,"_299":700},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":424,"_293":425},{"_224":693,"_125":694,"_285":695},{"_276":690,"_278":691,"_280":692,"_281":484},55.79270227392914,64,31.792702273929137,{"_287":224,"_123":696,"_154":697,"_140":99},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_311":714,"_313":715},{"_311":712,"_313":713},{"_311":710,"_313":711},{"_311":708,"_313":709},{"_311":706,"_313":707},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":771,"_221":772,"_325":773,"_327":328,"_329":774,"_331":775,"_333":-5,"_335":-5,"_337":776,"_140":99},"watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[756,757,758,759,760],{"_220":429,"_221":430,"_42":431,"_304":432},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":753,"_297":754,"_299":755},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":424,"_293":425},{"_224":746,"_125":747,"_285":748},{"_276":743,"_278":744,"_280":728,"_281":745},53,44.521086780210865,20.52108678021087,{"_287":224,"_123":751,"_154":752,"_140":99},{"_287":125,"_123":749,"_154":750,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":769,"_313":770},{"_311":767,"_313":768},{"_311":765,"_313":766},{"_311":763,"_313":764},{"_311":761,"_313":762},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":829,"_221":830,"_325":831,"_327":832,"_329":833,"_331":834,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[814,815,816,817,818],{"_220":810,"_221":811,"_42":812,"_304":813},"Courtesy of the Cleveland Museum of Art","2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":808,"_494":809},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":805,"_297":806,"_299":807},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_224":800,"_125":801,"_285":802},{"_276":541,"_278":798,"_280":525,"_281":799},116.11441176470589,101.11441176470589,{"_287":224,"_123":803,"_154":804,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":827,"_313":828},{"_311":825,"_313":826},{"_311":823,"_313":824},{"_311":821,"_313":822},{"_311":819,"_313":820},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":664,"_221":665,"_325":666,"_327":667,"_329":332,"_331":668,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[861,862,863,864,865],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.26.27","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":858,"_297":859,"_299":860},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":424,"_293":425},{"_224":855,"_125":856,"_285":857},{"_276":853,"_278":637,"_280":854,"_281":639},40.387939453125,16.387939453125,{"_287":224,"_123":644,"_154":645,"_140":89},{"_287":125,"_123":419,"_154":420,"_140":421},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_311":874,"_313":875},{"_311":872,"_313":873},{"_311":870,"_313":871},{"_311":868,"_313":869},{"_311":866,"_313":867},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[904,905,906,907,908],{"_220":371,"_221":372,"_42":373,"_304":305},"1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":901,"_297":902,"_299":903},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_224":898,"_125":899,"_285":900},{"_276":895,"_278":896,"_280":880,"_281":897},70.2,58.4424,43.4424,{"_287":224,"_123":366,"_154":367,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg",{"_311":917,"_313":918},{"_311":915,"_313":916},{"_311":913,"_313":914},{"_311":911,"_313":912},{"_311":909,"_313":910},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":973,"_221":974,"_325":975,"_327":514,"_329":976,"_331":977,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[958,959,960,961,962],{"_220":810,"_221":811,"_42":812,"_304":813},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":957,"_494":809},"Bray Church Yard, by John Varley, 1807",{"_295":954,"_297":955,"_299":956},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":424,"_293":425},{"_224":946,"_125":947,"_285":948},{"_276":943,"_278":944,"_280":927,"_281":945},60.9,48.95091176470588,24.950911764705882,{"_287":224,"_123":952,"_154":953,"_140":89},{"_287":125,"_123":949,"_154":950,"_140":951},{"_287":285,"_123":482,"_154":483,"_140":484},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":971,"_313":972},{"_311":969,"_313":970},{"_311":967,"_313":968},{"_311":965,"_313":966},{"_311":963,"_313":964},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":1024,"_221":1025,"_325":1026,"_327":328,"_329":1027,"_331":1028,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[1009,1010,1011,1012,1013],{"_220":429,"_221":430,"_42":431,"_304":432},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":1006,"_297":1007,"_299":1008},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_291":292,"_293":294},{"_224":1001,"_125":1002,"_285":1003},{"_276":743,"_278":999,"_280":984,"_281":1000},38.1345982804625,23.134598280462495,{"_287":224,"_123":1004,"_154":1005,"_140":89},{"_287":125,"_123":485,"_154":486,"_140":487},{"_287":285,"_123":482,"_154":483,"_140":484},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},{"_311":1016,"_313":1017},{"_311":1014,"_313":1015},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":1077,"_221":1078,"_325":1079,"_327":514,"_329":1080,"_331":1027,"_333":1081,"_335":336,"_337":1082,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1062,1063,1064,1065,1066],{"_220":810,"_221":811,"_42":812,"_304":813},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1061,"_494":809},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":1058,"_297":1059,"_299":1060},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":292,"_293":294},{"_224":1053,"_125":1054,"_285":1055},{"_276":1050,"_278":1051,"_280":1052,"_281":1035},185.63529411764705,211,170.63529411764705,{"_287":224,"_123":1056,"_154":1057,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_311":1075,"_313":1076},{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},{"_311":1067,"_313":1068},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":1077,"_221":1078,"_325":1079,"_327":514,"_329":1080,"_331":1027,"_333":1081,"_335":336,"_337":1082,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1119,1120,1121,1122,1123],{"_220":1115,"_221":1116,"_42":1117,"_304":1118},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":1112,"_297":1113,"_299":1114},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":292,"_293":294},{"_224":1109,"_125":1110,"_285":1111},{"_276":1106,"_278":1107,"_280":1108,"_281":1090},162.4421624418003,253.1,147.4421624418003,{"_287":224,"_123":1056,"_154":1057,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},{"_311":1126,"_313":1127},{"_311":1124,"_313":1125},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","166ceaad916977c9ccb9310a8a9eeb2688141f60","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]