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George K. H. Coussmaker (1759–1801)","artist",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"unrecorded","date","1782","century",18,"place","britain","movement","georgian-britain","painting","classification","Paintings","medium","Oil on canvas","dimensions","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)","width_cm",145.4,"height_cm",238.1,"aspect",0.619244697361614,"palette",[307,308,309,310,311],"museum",{"_221":302,"_222":303,"_42":304,"_305":306},"credit","Courtesy of The Metropolitan Museum of Art","accession","20.155.3","licence","CC0","story","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","note","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1146.jpg?dl=1","page_url","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","walk_url","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",162.4421624418003,"h",253.1,"image_w",147.4421624418003,"image_h",{"_288":225,"_123":170,"_154":169,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1146/480.jpg","960","https://img.ochreeditions.com/a/1146/960.jpg","1920","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#4f2114","weight",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":398,"_222":399,"_326":400,"_328":401,"_330":402,"_332":403,"_334":404,"_336":404,"_338":405,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[383,384,385,386,387],{"_221":379,"_222":380,"_42":381,"_305":382},"Courtesy of the Art Institute of Chicago","1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_296":376,"_298":377,"_300":378},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_292":374,"_294":375},{"_225":367,"_125":368,"_286":369},{"_277":364,"_279":365,"_281":366,"_283":168},53.22455845248108,66,29.224558452481077,{"_288":225,"_123":372,"_154":373,"_140":99},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","white","snow","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":396,"_314":397},{"_312":394,"_314":395},{"_312":392,"_314":393},{"_312":390,"_314":391},{"_312":388,"_314":389},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":460,"_222":461,"_326":462,"_328":401,"_330":463,"_332":464,"_334":465,"_336":337,"_338":466,"_140":97},"c. 1781/1782","Painting","oil on canvas","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[445,446,447,448,449],{"_221":441,"_222":442,"_42":443,"_305":444},"Courtesy National Gallery of Art, Washington","1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_296":438,"_298":439,"_300":440},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_292":293,"_294":295},{"_225":433,"_125":434,"_286":435},{"_277":430,"_279":431,"_281":413,"_283":432},142.6,116.65009765625,101.65009765625,{"_288":225,"_123":436,"_154":437,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":524,"_222":525,"_326":526,"_328":329,"_330":527,"_332":528,"_334":529,"_336":337,"_338":530,"_140":91},"1803–15",19,"128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[509,510,511,512,513],{"_221":379,"_222":380,"_42":381,"_305":382},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":506,"_507":508},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_296":503,"_298":504,"_300":505},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_292":293,"_294":295},{"_225":492,"_125":493,"_286":494},{"_277":489,"_279":490,"_281":491,"_283":474},116.09951287404314,143,101.09951287404314,{"_288":225,"_123":501,"_154":502,"_140":91},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":495,"_154":496,"_140":497},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_312":522,"_314":523},{"_312":520,"_314":521},{"_312":518,"_314":519},{"_312":516,"_314":517},{"_312":514,"_314":515},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":578,"_222":579,"_326":580,"_328":329,"_330":581,"_332":403,"_334":-5,"_336":-5,"_338":582,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[563,564,565,566,567],{"_221":441,"_222":442,"_42":443,"_305":444},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_296":560,"_298":561,"_300":562},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_292":293,"_294":295},{"_225":555,"_125":556,"_286":557},{"_277":552,"_279":553,"_281":554,"_283":537},54.4048095703125,74.1,39.4048095703125,{"_288":225,"_123":558,"_154":559,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_312":576,"_314":577},{"_312":574,"_314":575},{"_312":572,"_314":573},{"_312":570,"_314":571},{"_312":568,"_314":569},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":460,"_222":461,"_326":462,"_328":401,"_330":463,"_332":464,"_334":465,"_336":337,"_338":466,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[614,615,616,617,618],{"_221":379,"_222":380,"_42":381,"_305":382},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":611,"_298":612,"_300":613},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":374,"_294":375},{"_225":608,"_125":609,"_286":610},{"_277":605,"_279":606,"_281":589,"_283":607},79,66.1776611694153,42.177661169415295,{"_288":225,"_123":436,"_154":437,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":460,"_222":461,"_326":462,"_328":401,"_330":463,"_332":464,"_334":465,"_336":337,"_338":466,"_140":97},"1787","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[659,660,661,662,663],{"_221":302,"_222":303,"_42":304,"_305":306},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_296":656,"_298":657,"_300":658},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_292":293,"_294":295},{"_225":653,"_125":654,"_286":655},{"_277":650,"_279":651,"_281":652,"_283":635},135.62100077780656,162.6,120.62100077780657,{"_288":225,"_123":436,"_154":437,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_312":672,"_314":673},{"_312":670,"_314":671},{"_312":668,"_314":669},{"_312":666,"_314":667},{"_312":664,"_314":665},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":398,"_222":399,"_326":400,"_328":401,"_330":402,"_332":403,"_334":404,"_336":404,"_338":405,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[711,712,713,714,715],{"_221":707,"_222":708,"_42":709,"_305":710},"Courtesy of the Cleveland Museum of Art","2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":705,"_507":706},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_296":702,"_298":703,"_300":704},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_292":293,"_294":295},{"_225":699,"_125":700,"_286":701},{"_277":696,"_279":697,"_281":698,"_283":680},116.48794117647058,142,101.48794117647058,{"_288":225,"_123":372,"_154":373,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},{"_312":718,"_314":719},{"_312":716,"_314":717},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":524,"_222":525,"_326":526,"_328":329,"_330":527,"_332":528,"_334":529,"_336":337,"_338":530,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[756,757,758,759,760],{"_221":441,"_222":442,"_42":443,"_305":444},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_296":753,"_298":754,"_300":755},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_292":293,"_294":295},{"_225":750,"_125":751,"_286":752},{"_277":747,"_279":748,"_281":749,"_283":732},116.6768798828125,143.5,101.6768798828125,{"_288":225,"_123":501,"_154":502,"_140":91},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":495,"_154":496,"_140":497},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_312":768,"_314":769},{"_312":766,"_314":767},{"_312":764,"_314":765},{"_312":763,"_314":762},{"_312":761,"_314":762},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":822,"_222":823,"_326":824,"_328":329,"_330":825,"_332":826,"_334":337,"_336":337,"_338":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[807,808,809,810,811],{"_221":302,"_222":303,"_42":304,"_305":306},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_296":804,"_298":805,"_300":806},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_292":374,"_294":375},{"_225":796,"_125":797,"_286":798},{"_277":793,"_279":794,"_281":795,"_283":779},50.26670344827586,63.2,26.266703448275862,{"_288":225,"_123":802,"_154":803,"_140":89},{"_288":125,"_123":799,"_154":800,"_140":801},{"_288":286,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_312":820,"_314":821},{"_312":818,"_314":819},{"_312":816,"_314":817},{"_312":814,"_314":815},{"_312":812,"_314":813},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":880,"_222":881,"_326":882,"_328":883,"_330":884,"_332":885,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1834","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[865,866,867,868,869],{"_221":707,"_222":708,"_42":709,"_305":710},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":864,"_507":706},"Descent into the Plain of Granada, by David Roberts, 1834",{"_296":861,"_298":862,"_300":863},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_292":374,"_294":375},{"_225":853,"_125":854,"_286":855},{"_277":850,"_279":851,"_281":834,"_283":852},56.5,47.45735294117647,23.45735294117647,{"_288":225,"_123":859,"_154":860,"_140":89},{"_288":125,"_123":856,"_154":857,"_140":858},{"_288":286,"_123":495,"_154":496,"_140":497},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_312":878,"_314":879},{"_312":876,"_314":877},{"_312":874,"_314":875},{"_312":872,"_314":873},{"_312":870,"_314":871},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","print","Print","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[923,924,925,926,927],{"_221":379,"_222":380,"_42":381,"_305":382},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_296":920,"_298":921,"_300":922},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_292":374,"_294":375},{"_225":912,"_125":913,"_286":914},{"_277":908,"_279":909,"_281":910,"_283":911},49,48.48828746872867,25,24.488287468728675,{"_288":225,"_123":918,"_154":919,"_140":97},{"_288":125,"_123":915,"_154":916,"_140":917},{"_288":286,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_312":936,"_314":937},{"_312":934,"_314":935},{"_312":932,"_314":933},{"_312":930,"_314":931},{"_312":928,"_314":929},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[967,968,969,970,971],{"_221":379,"_222":380,"_42":381,"_305":382},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":964,"_298":965,"_300":966},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_292":293,"_294":295},{"_225":961,"_125":962,"_286":963},{"_277":958,"_279":959,"_281":960,"_283":944},115.51366857914276,141,100.51366857914276,{"_288":225,"_123":170,"_154":169,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_312":980,"_314":981},{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":974,"_314":975},{"_312":972,"_314":973},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1028,"_222":1029,"_326":1030,"_328":329,"_330":1031,"_332":1032,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1013,1014,1015,1016,1017],{"_221":441,"_222":442,"_42":443,"_305":444},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":1010,"_298":1011,"_300":1012},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_225":1005,"_125":1006,"_286":1007},{"_277":1002,"_279":1003,"_281":987,"_283":1004},246,166.762939453125,151.762939453125,{"_288":225,"_123":1008,"_154":1009,"_140":89},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},{"_312":1020,"_314":1021},{"_312":1018,"_314":1019},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1080,"_222":1081,"_326":1082,"_328":329,"_330":1083,"_332":1084,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1065,1066,1067,1068,1069],{"_221":441,"_222":442,"_42":443,"_305":444},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_296":1062,"_298":1063,"_300":1064},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_292":374,"_294":375},{"_225":1057,"_125":1058,"_286":1059},{"_277":1054,"_279":1055,"_281":1056,"_283":1040},59.630419921874996,77.4,35.630419921874996,{"_288":225,"_123":1060,"_154":1061,"_140":89},{"_288":125,"_123":915,"_154":916,"_140":917},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_312":1078,"_314":1079},{"_312":1076,"_314":1077},{"_312":1074,"_314":1075},{"_312":1072,"_314":1073},{"_312":1070,"_314":1071},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":1131,"_222":1132,"_326":1133,"_328":401,"_330":1134,"_332":1135,"_334":337,"_336":337,"_338":1136,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1117,1118,1119,1120,1121],{"_221":379,"_222":380,"_42":381,"_305":382},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_296":1114,"_298":1115,"_300":1116},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_292":293,"_294":295},{"_225":1109,"_125":1110,"_286":1111},{"_277":1106,"_279":1107,"_281":1090,"_283":1108},239,188.10233393177737,173.10233393177737,{"_288":225,"_123":1112,"_154":1113,"_140":97},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":495,"_154":496,"_140":497},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_312":1129,"_314":1130},{"_312":1127,"_314":1128},{"_312":1126,"_314":877},{"_312":1124,"_314":1125},{"_312":1122,"_314":1123},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438","#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","9e765bec607c6a14755b9ef385364d62cd49f916","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]