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It is now at the Cleveland Museum of Art.",{"_118":382,"_383":384},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_295":379,"_297":380,"_299":381},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_291":377,"_293":378},{"_225":366,"_125":367,"_286":368},{"_277":363,"_279":364,"_281":346,"_283":365},138.2,106.49411764705881,91.49411764705881,{"_288":225,"_123":375,"_154":376,"_140":97},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","natural","ivory","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":402,"_313":403},{"_311":400,"_313":401},{"_311":398,"_313":399},{"_311":396,"_313":397},{"_311":394,"_313":395},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":462,"_222":463,"_325":464,"_327":328,"_329":465,"_331":466,"_333":-5,"_334":-5,"_335":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7948175568482284,[447,448,449,450,451],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":444,"_297":445,"_299":446},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":292,"_293":294},{"_225":436,"_125":437,"_286":438},{"_277":433,"_279":434,"_281":435,"_283":371},55.79270227392914,64,31.792702273929137,{"_288":225,"_123":442,"_154":443,"_140":99},{"_288":125,"_123":439,"_154":440,"_140":441},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_311":460,"_313":461},{"_311":458,"_313":459},{"_311":456,"_313":457},{"_311":454,"_313":455},{"_311":452,"_313":453},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":523,"_222":524,"_325":525,"_327":526,"_329":527,"_331":528,"_333":529,"_334":409,"_335":530,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[508,509,510,511,512],{"_221":504,"_222":505,"_42":506,"_304":507},"Courtesy National Gallery of Art, Washington","2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":501,"_297":502,"_299":503},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":292,"_293":294},{"_225":493,"_125":494,"_286":495},{"_277":490,"_279":491,"_281":473,"_283":492},49.2,41.94638671875,17.94638671875,{"_288":225,"_123":499,"_154":500,"_140":97},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":369,"_154":370,"_140":371},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":521,"_313":522},{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","william-pitt-nga-52264","William Pitt",{"_42":582,"_222":583,"_325":584,"_327":526,"_329":585,"_331":586,"_333":-5,"_334":-5,"_335":587,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[567,568,569,570,571],{"_221":504,"_222":505,"_42":506,"_304":507},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":564,"_297":565,"_299":566},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":377,"_293":378},{"_225":556,"_125":557,"_286":558},{"_277":553,"_279":371,"_281":554,"_283":555},34.62890625,19.62890625,25,{"_288":225,"_123":562,"_154":563,"_140":99},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_311":580,"_313":581},{"_311":578,"_313":579},{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":635,"_222":636,"_325":637,"_327":328,"_329":638,"_331":639,"_333":-5,"_334":-5,"_335":640,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[620,621,622,623,624],{"_221":504,"_222":505,"_42":506,"_304":507},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_295":617,"_297":618,"_299":619},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_291":377,"_293":378},{"_225":612,"_125":613,"_286":614},{"_277":609,"_279":610,"_281":593,"_283":611},116.2,69.8001953125,54.8001953125,{"_288":225,"_123":615,"_154":616,"_140":99},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","peamore-devon-nga-137152","Peamore, Devon",{"_42":693,"_222":694,"_325":695,"_327":526,"_329":696,"_331":408,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[678,679,680,681,682],{"_221":504,"_222":505,"_42":506,"_304":507},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_295":675,"_297":676,"_299":677},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_291":292,"_293":294},{"_225":667,"_125":668,"_286":669},{"_277":664,"_279":665,"_281":649,"_283":666},81.3,70.4443359375,46.44433593749999,{"_288":225,"_123":673,"_154":674,"_140":89},{"_288":125,"_123":670,"_154":671,"_140":672},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_311":691,"_313":692},{"_311":689,"_313":690},{"_311":687,"_313":688},{"_311":685,"_313":686},{"_311":683,"_313":684},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":746,"_222":747,"_325":748,"_327":526,"_329":749,"_331":750,"_333":751,"_334":409,"_335":752,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[731,732,733,734,735],{"_221":385,"_222":386,"_42":387,"_304":388},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":730,"_383":384},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":727,"_297":728,"_299":729},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":377,"_293":378},{"_225":722,"_125":723,"_286":724},{"_277":718,"_279":719,"_281":720,"_283":721},163.0235294117647,255,148.0235294117647,240,{"_288":225,"_123":725,"_154":726,"_140":91},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_311":744,"_313":745},{"_311":742,"_313":743},{"_311":740,"_313":741},{"_311":738,"_313":739},{"_311":736,"_313":737},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":746,"_222":747,"_325":748,"_327":526,"_329":749,"_331":750,"_333":751,"_334":409,"_335":752,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[783,784,785,786,787],{"_221":301,"_222":302,"_42":303,"_304":305},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":780,"_297":781,"_299":782},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":377,"_293":378},{"_225":777,"_125":778,"_286":779},{"_277":774,"_279":775,"_281":776,"_283":760},79.64294930875576,93,64.64294930875576,{"_288":225,"_123":725,"_154":726,"_140":91},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":796,"_313":797},{"_311":794,"_313":795},{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":746,"_222":747,"_325":748,"_327":526,"_329":749,"_331":750,"_333":751,"_334":409,"_335":752,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[828,829,830,831,832],{"_221":504,"_222":505,"_42":506,"_304":507},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":825,"_297":826,"_299":827},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":377,"_293":378},{"_225":822,"_125":823,"_286":824},{"_277":819,"_279":820,"_281":821,"_283":804},116.6768798828125,143.5,101.6768798828125,{"_288":225,"_123":725,"_154":726,"_140":91},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":840,"_313":841},{"_311":838,"_313":839},{"_311":836,"_313":837},{"_311":835,"_313":834},{"_311":833,"_313":834},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":889,"_222":890,"_325":891,"_327":526,"_329":892,"_331":893,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[874,875,876,877,878],{"_221":504,"_222":505,"_42":506,"_304":507},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":871,"_297":872,"_299":873},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":292,"_293":294},{"_225":866,"_125":867,"_286":868},{"_277":863,"_279":864,"_281":865,"_283":849},59.630419921874996,77.4,35.630419921874996,{"_288":225,"_123":869,"_154":870,"_140":89},{"_288":125,"_123":439,"_154":440,"_140":441},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_311":887,"_313":888},{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":947,"_222":948,"_325":949,"_327":328,"_329":950,"_331":951,"_333":952,"_334":409,"_335":953,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[932,933,934,935,936],{"_221":928,"_222":929,"_42":930,"_304":931},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":925,"_297":926,"_299":927},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":377,"_293":378},{"_225":920,"_125":921,"_286":922},{"_277":917,"_279":918,"_281":919,"_283":901},135.62100077780656,162.6,120.62100077780657,{"_288":225,"_123":923,"_154":924,"_140":97},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":945,"_313":946},{"_311":943,"_313":944},{"_311":941,"_313":942},{"_311":939,"_313":940},{"_311":937,"_313":938},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1005,"_222":1006,"_325":1007,"_327":1008,"_329":1009,"_331":1010,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1834","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[990,991,992,993,994],{"_221":385,"_222":386,"_42":387,"_304":388},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":989,"_383":384},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":986,"_297":987,"_299":988},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":292,"_293":294},{"_225":979,"_125":980,"_286":981},{"_277":976,"_279":977,"_281":960,"_283":978},56.5,47.45735294117647,23.45735294117647,{"_288":225,"_123":984,"_154":985,"_140":89},{"_288":125,"_123":982,"_154":983,"_140":347},{"_288":286,"_123":369,"_154":370,"_140":371},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_311":1003,"_313":1004},{"_311":1001,"_313":1002},{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":746,"_222":747,"_325":748,"_327":526,"_329":749,"_331":750,"_333":751,"_334":409,"_335":752,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1041,1042,1043,1044,1045],{"_221":928,"_222":929,"_42":930,"_304":931},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_295":1038,"_297":1039,"_299":1040},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_291":377,"_293":378},{"_225":1035,"_125":1036,"_286":1037},{"_277":1032,"_279":1033,"_281":1034,"_283":1017},161.4845419354839,253.8,146.4845419354839,{"_288":225,"_123":725,"_154":726,"_140":91},{"_288":125,"_123":559,"_154":560,"_140":561},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_311":1054,"_313":1055},{"_311":1052,"_313":1053},{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":523,"_222":524,"_325":525,"_327":526,"_329":527,"_331":528,"_333":529,"_334":409,"_335":530,"_140":97},"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[1085,1086,1087,1088,1089],{"_221":504,"_222":505,"_42":506,"_304":507},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":1082,"_297":1083,"_299":1084},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":292,"_293":294},{"_225":1079,"_125":1080,"_286":1081},{"_277":1076,"_279":1077,"_281":555,"_283":1078},49,44.166015625,20.166015625,{"_288":225,"_123":499,"_154":500,"_140":97},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},{"_311":1090,"_313":1091},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":1148,"_222":1149,"_325":1150,"_327":526,"_329":1151,"_331":1152,"_333":409,"_334":409,"_335":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[1133,1134,1135,1136,1137],{"_221":928,"_222":929,"_42":930,"_304":931},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":1130,"_297":1131,"_299":1132},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":292,"_293":294},{"_225":1125,"_125":1126,"_286":1127},{"_277":1122,"_279":1123,"_281":1124,"_283":1108},50.26670344827586,63.2,26.266703448275862,{"_288":225,"_123":1128,"_154":1129,"_140":89},{"_288":125,"_123":670,"_154":671,"_140":672},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_311":1146,"_313":1147},{"_311":1144,"_313":1145},{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},{"_311":1138,"_313":1139},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","f99b001c0678cb678f73fb4d1d4eba2fadc235dd","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]