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A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1327.jpg?dl=1","page_url","/art/wivenhoe-park-essex-nga-1147","walk_url","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",116.2,"h",69.8001953125,"image_w","image_h",54.8001953125,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1327/480.jpg","960","https://img.ochreeditions.com/a/1327/960.jpg","1920","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#796b3d","weight",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":391,"_221":392,"_325":393,"_327":328,"_329":394,"_331":395,"_333":396,"_334":397,"_335":398,"_140":97},"c. 1776/1777",18,"overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[376,377,378,379,380],{"_220":301,"_221":302,"_42":303,"_304":305},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. 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It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_291":432,"_293":433},{"_224":425,"_125":426,"_285":427},{"_276":343,"_278":423,"_280":407,"_281":424},60.23588863463005,36.23588863463005,{"_287":224,"_123":430,"_154":431,"_140":99},{"_287":125,"_123":428,"_154":429,"_140":53},{"_287":285,"_123":365,"_154":366,"_140":367},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","white","snow","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[497,498,499,500,501],{"_220":494,"_221":495,"_42":496,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":491,"_297":492,"_299":493},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_224":486,"_125":487,"_285":488},{"_276":483,"_278":484,"_280":467,"_281":485},70.2,58.4424,43.4424,{"_287":224,"_123":489,"_154":490,"_140":97},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":510,"_313":511},{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":564,"_221":565,"_325":566,"_327":328,"_329":567,"_331":568,"_333":-5,"_334":-5,"_335":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[549,550,551,552,553],{"_220":437,"_221":438,"_42":439,"_304":440},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":546,"_297":547,"_299":548},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":432,"_293":433},{"_224":538,"_125":539,"_285":540},{"_276":535,"_278":536,"_280":537,"_281":169},55.79270227392914,64,31.792702273929137,{"_287":224,"_123":544,"_154":545,"_140":99},{"_287":125,"_123":541,"_154":542,"_140":543},{"_287":285,"_123":365,"_154":366,"_140":367},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_311":562,"_313":563},{"_311":560,"_313":561},{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"self-portrait-aic-11706","Self-Portrait",{"_42":456,"_221":457,"_325":458,"_327":328,"_329":459,"_331":460,"_333":-5,"_334":-5,"_335":461,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[599,600,601,602,603],{"_220":437,"_221":438,"_42":439,"_304":440},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_295":596,"_297":597,"_299":598},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_291":432,"_293":433},{"_224":593,"_125":594,"_285":595},{"_276":590,"_278":591,"_280":592,"_281":520},41.0926483233018,54,17.092648323301805,{"_287":224,"_123":430,"_154":431,"_140":99},{"_287":125,"_123":428,"_154":429,"_140":53},{"_287":285,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},{"_311":604,"_313":605},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":662,"_221":663,"_325":664,"_327":665,"_329":666,"_331":667,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[647,648,649,650,651],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":644,"_297":645,"_299":646},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":432,"_293":433},{"_224":639,"_125":640,"_285":641},{"_276":635,"_278":636,"_280":637,"_281":638},41.572021484375,49,17.572021484375,25,{"_287":224,"_123":642,"_154":643,"_140":89},{"_287":125,"_123":541,"_154":542,"_140":543},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":660,"_313":661},{"_311":658,"_313":659},{"_311":656,"_313":657},{"_311":654,"_313":655},{"_311":652,"_313":653},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812","British",1742,1811,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":725,"_221":726,"_325":727,"_327":665,"_329":728,"_331":729,"_333":397,"_334":397,"_335":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[710,711,712,713,714],{"_220":706,"_221":707,"_42":708,"_304":709},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":703,"_297":704,"_299":705},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":432,"_293":433},{"_224":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":694,"_281":677},50.26670344827586,63.2,26.266703448275862,{"_287":224,"_123":701,"_154":702,"_140":89},{"_287":125,"_123":698,"_154":699,"_140":700},{"_287":285,"_123":365,"_154":366,"_140":367},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},{"_311":717,"_313":718},{"_311":715,"_313":716},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":786,"_221":787,"_325":788,"_327":665,"_329":789,"_331":790,"_333":791,"_334":397,"_335":792,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[771,772,773,774,775],{"_220":767,"_221":768,"_42":769,"_304":770},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":764,"_765":766},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":761,"_297":762,"_299":763},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_224":756,"_125":757,"_285":758},{"_276":752,"_278":753,"_280":754,"_281":755},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":759,"_154":760,"_140":91},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":784,"_313":785},{"_311":782,"_313":783},{"_311":780,"_313":781},{"_311":778,"_313":779},{"_311":776,"_313":777},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":391,"_221":392,"_325":393,"_327":328,"_329":394,"_331":395,"_333":396,"_334":397,"_335":398,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[825,826,827,828,829],{"_220":706,"_221":707,"_42":708,"_304":709},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":822,"_297":823,"_299":824},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":292,"_293":294},{"_224":819,"_125":820,"_285":821},{"_276":816,"_278":817,"_280":818,"_281":801},135.62100077780656,162.6,120.62100077780657,{"_287":224,"_123":371,"_154":372,"_140":97},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_311":838,"_313":839},{"_311":836,"_313":837},{"_311":834,"_313":835},{"_311":832,"_313":833},{"_311":830,"_313":831},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":887,"_221":888,"_325":889,"_327":328,"_329":890,"_331":891,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[872,873,874,875,876],{"_220":437,"_221":438,"_42":439,"_304":440},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_291":292,"_293":294},{"_224":864,"_125":865,"_285":866},{"_276":861,"_278":862,"_280":846,"_281":863},53,38.1345982804625,23.134598280462495,{"_287":224,"_123":867,"_154":868,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":564,"_221":565,"_325":566,"_327":328,"_329":567,"_331":568,"_333":-5,"_334":-5,"_335":-5,"_140":99},0.7912519643792562,[914,915,916,917,918],{"_220":437,"_221":438,"_42":439,"_304":440},"1946.405",{"_295":911,"_297":912,"_299":913},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_291":432,"_293":433},{"_224":908,"_125":909,"_285":910},{"_276":906,"_278":536,"_280":907,"_281":169},55.65007857517025,31.650078575170248,{"_287":224,"_123":544,"_154":545,"_140":99},{"_287":125,"_123":541,"_154":542,"_140":543},{"_287":285,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_311":927,"_313":928},{"_311":925,"_313":926},{"_311":923,"_313":924},{"_311":921,"_313":922},{"_311":919,"_313":920},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[961,962,963,964,965],{"_220":437,"_221":438,"_42":439,"_304":440},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":959,"_765":960},"Large English country landscape painting, farmers with horses, green trees.",{"_295":956,"_297":957,"_299":958},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_291":292,"_293":294},{"_224":953,"_125":954,"_285":955},{"_276":950,"_278":951,"_280":934,"_281":952},184,139.40655926352127,124.40655926352129,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_311":974,"_313":975},{"_311":972,"_313":973},{"_311":970,"_313":971},{"_311":968,"_313":969},{"_311":966,"_313":967},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1023,"_221":1024,"_325":1025,"_327":665,"_329":1026,"_331":729,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[1008,1009,1010,1011,1012],{"_220":301,"_221":302,"_42":303,"_304":305},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":1005,"_297":1006,"_299":1007},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":432,"_293":433},{"_224":1000,"_125":1001,"_285":1002},{"_276":997,"_278":998,"_280":982,"_281":999},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":1003,"_154":1004,"_140":89},{"_287":125,"_123":541,"_154":542,"_140":543},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":1073,"_221":1074,"_325":1075,"_327":665,"_329":1076,"_331":1077,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1058,1059,1060,1061,1062],{"_220":301,"_221":302,"_42":303,"_304":305},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_295":1055,"_297":1056,"_299":1057},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_291":432,"_293":433},{"_224":1050,"_125":1051,"_285":1052},{"_276":1047,"_278":1048,"_280":1033,"_281":1049},82.5,66.1468505859375,42.1468505859375,{"_287":224,"_123":1053,"_154":1054,"_140":89},{"_287":125,"_123":541,"_154":542,"_140":543},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},{"_311":1067,"_313":1068},{"_311":1065,"_313":1066},{"_311":1063,"_313":1064},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"noon-nga-119642","Noon",{"_42":1129,"_221":1130,"_325":1131,"_327":665,"_329":1132,"_331":1133,"_333":1134,"_334":397,"_335":1135,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1114,1115,1116,1117,1118],{"_220":301,"_221":302,"_42":303,"_304":305},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_295":1111,"_297":1112,"_299":1113},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_291":432,"_293":433},{"_224":1103,"_125":1104,"_285":1105},{"_276":1100,"_278":1101,"_280":1084,"_281":1102},49.5,42.3094482421875,18.3094482421875,{"_287":224,"_123":1109,"_154":1110,"_140":97},{"_287":125,"_123":1106,"_154":1107,"_140":1108},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.",{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","cea2e81567acb12ef8b8d9564014713e7f699477","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]