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of Charlotte and Sarah Carteret-Hardy","artist",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":91},"unrecorded","date","1801","century",19,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)","width_cm",103,"height_cm",129,"aspect",0.7955882352941176,"palette",[311,312,313,314,315],"museum",{"_222":306,"_223":307,"_42":308,"_309":310},"credit","Courtesy of the Cleveland Museum of Art","accession","1942.642","licence","CC0","story","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":303,"_304":305},"note","Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/554.jpg?dl=1","page_url","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","walk_url","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","frame",{"_293":294,"_295":296},{"_226":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":283,"_284":247},"w",117.63088235294117,"h",144,"image_w",102.63088235294117,"image_h",{"_289":226,"_123":170,"_154":169,"_140":91},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/554/480.jpg","960","https://img.ochreeditions.com/a/554/960.jpg","1920","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_316":326,"_318":327},{"_316":324,"_318":325},{"_316":322,"_318":323},{"_316":320,"_318":321},{"_316":317,"_318":319},"hex","#bc9f72","weight",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","bio","English, 1769–1830","nationality","British","birth_year",1769,"death_year",1830,"birth_place","Bristol","death_place","London","about_excerpt","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":403,"_223":404,"_330":405,"_332":406,"_334":407,"_336":408,"_338":409,"_340":341,"_342":410,"_140":97},"c. 1776/1777",18,"overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[388,389,390,391,392],{"_222":384,"_223":385,"_42":386,"_309":387},"Courtesy National Gallery of Art, Washington","1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_297":381,"_299":382,"_301":383},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_293":294,"_295":296},{"_226":370,"_125":371,"_287":372},{"_278":367,"_280":368,"_282":369,"_284":351},85.3828125,99,70.3828125,{"_289":226,"_123":379,"_154":380,"_140":97},{"_289":125,"_123":376,"_154":377,"_140":378},{"_289":287,"_123":373,"_154":374,"_140":375},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":401,"_318":402},{"_316":399,"_318":400},{"_316":397,"_318":398},{"_316":395,"_318":396},{"_316":393,"_318":394},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":459,"_223":460,"_330":461,"_332":333,"_334":462,"_336":463,"_338":-5,"_340":-5,"_342":464,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[444,445,446,447,448],{"_222":306,"_223":307,"_42":308,"_309":310},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. 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It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_316":457,"_318":458},{"_316":455,"_318":456},{"_316":453,"_318":454},{"_316":451,"_318":452},{"_316":449,"_318":450},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":518,"_223":519,"_330":520,"_332":333,"_334":521,"_336":522,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1785","print","Print","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[503,504,505,506,507],{"_222":384,"_223":385,"_42":386,"_309":387},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_297":500,"_299":501,"_301":502},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_293":498,"_295":499},{"_226":491,"_125":492,"_287":493},{"_278":488,"_280":489,"_282":473,"_284":490},60.9,49.927294921875,25.927294921875,{"_289":226,"_123":496,"_154":497,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":247},{"_289":287,"_123":373,"_154":374,"_140":375},"style/print-18","More prints of the 18th century","artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","white","snow","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_316":516,"_318":517},{"_316":514,"_318":515},{"_316":512,"_318":513},{"_316":510,"_318":511},{"_316":508,"_318":509},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":569,"_223":570,"_330":571,"_332":333,"_334":572,"_336":573,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[554,555,556,557,558],{"_222":384,"_223":385,"_42":386,"_309":387},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_297":551,"_299":552,"_301":553},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_293":498,"_295":499},{"_226":546,"_125":547,"_287":548},{"_278":543,"_280":544,"_282":529,"_284":545},82.5,66.1468505859375,42.1468505859375,{"_289":226,"_123":549,"_154":550,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":247},{"_289":287,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_316":567,"_318":568},{"_316":565,"_318":566},{"_316":563,"_318":564},{"_316":561,"_318":562},{"_316":559,"_318":560},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":622,"_223":623,"_330":624,"_332":333,"_334":625,"_336":626,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[607,608,609,610,611],{"_222":384,"_223":385,"_42":386,"_309":387},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_297":604,"_299":605,"_301":606},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_293":498,"_295":499},{"_226":599,"_125":600,"_287":601},{"_278":595,"_280":596,"_282":597,"_284":598},42.560791015625,49,18.560791015625,25,{"_289":226,"_123":602,"_154":603,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":247},{"_289":287,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_316":620,"_318":621},{"_316":618,"_318":619},{"_316":616,"_318":617},{"_316":614,"_318":615},{"_316":612,"_318":613},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":679,"_223":680,"_330":681,"_332":406,"_334":682,"_336":683,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[664,665,666,667,668],{"_222":660,"_223":661,"_42":662,"_309":663},"Courtesy of the Art Institute of Chicago","2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_297":657,"_299":658,"_301":659},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_293":294,"_295":296},{"_226":652,"_125":653,"_287":654},{"_278":649,"_280":650,"_282":633,"_284":651},53,38.1345982804625,23.134598280462495,{"_289":226,"_123":655,"_154":656,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":677,"_318":678},{"_316":675,"_318":676},{"_316":673,"_318":674},{"_316":671,"_318":672},{"_316":669,"_318":670},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[714,715,716,717,718],{"_222":660,"_223":661,"_42":662,"_309":663},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":711,"_299":712,"_301":713},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_293":294,"_295":296},{"_226":708,"_125":709,"_287":710},{"_278":705,"_280":706,"_282":707,"_284":691},79.64294930875576,93,64.64294930875576,{"_289":226,"_123":170,"_154":169,"_140":91},{"_289":125,"_123":376,"_154":377,"_140":378},{"_289":287,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_316":727,"_318":728},{"_316":725,"_318":726},{"_316":723,"_318":724},{"_316":721,"_318":722},{"_316":719,"_318":720},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":779,"_223":780,"_330":781,"_332":406,"_334":782,"_336":783,"_338":-5,"_340":-5,"_342":784,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[764,765,766,767,768],{"_222":660,"_223":661,"_42":662,"_309":663},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_297":761,"_299":762,"_301":763},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_293":498,"_295":499},{"_226":754,"_125":755,"_287":756},{"_278":350,"_280":752,"_282":737,"_284":753},60.23588863463005,36.23588863463005,{"_289":226,"_123":759,"_154":760,"_140":99},{"_289":125,"_123":757,"_154":758,"_140":53},{"_289":287,"_123":373,"_154":374,"_140":375},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_316":777,"_318":778},{"_316":775,"_318":776},{"_316":773,"_318":774},{"_316":771,"_318":772},{"_316":769,"_318":770},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":831,"_223":832,"_330":833,"_332":333,"_334":834,"_336":835,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[816,817,818,819,820],{"_222":384,"_223":385,"_42":386,"_309":387},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_297":813,"_299":814,"_301":815},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_293":294,"_295":296},{"_226":808,"_125":809,"_287":810},{"_278":805,"_280":806,"_282":790,"_284":807},246,166.762939453125,151.762939453125,{"_289":226,"_123":811,"_154":812,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_316":829,"_318":830},{"_316":827,"_318":828},{"_316":825,"_318":826},{"_316":823,"_318":824},{"_316":821,"_318":822},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":885,"_223":886,"_330":887,"_332":406,"_334":888,"_336":889,"_338":-5,"_340":-5,"_342":890,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[870,871,872,873,874],{"_222":660,"_223":661,"_42":662,"_309":663},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":868,"_304":869},"Large English country landscape painting, farmers with horses, green trees.",{"_297":865,"_299":866,"_301":867},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_293":294,"_295":296},{"_226":860,"_125":861,"_287":862},{"_278":857,"_280":858,"_282":841,"_284":859},184,139.40655926352127,124.40655926352129,{"_289":226,"_123":863,"_154":864,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_316":883,"_318":884},{"_316":881,"_318":882},{"_316":879,"_318":880},{"_316":877,"_318":878},{"_316":875,"_318":876},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":939,"_223":940,"_330":941,"_332":406,"_334":942,"_336":943,"_338":341,"_340":341,"_342":944,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[924,925,926,927,928],{"_222":306,"_223":307,"_42":308,"_309":310},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":923,"_304":305},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_297":920,"_299":921,"_301":922},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_293":294,"_295":296},{"_226":915,"_125":916,"_287":917},{"_278":912,"_280":913,"_282":896,"_284":914},138.2,106.49411764705881,91.49411764705881,{"_289":226,"_123":918,"_154":919,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_316":937,"_318":938},{"_316":935,"_318":936},{"_316":933,"_318":934},{"_316":931,"_318":932},{"_316":929,"_318":930},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":993,"_223":994,"_330":995,"_332":406,"_334":996,"_336":463,"_338":997,"_340":997,"_342":998,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[978,979,980,981,982],{"_222":306,"_223":307,"_42":308,"_309":310},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":977,"_304":305},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_297":974,"_299":975,"_301":976},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_293":294,"_295":296},{"_226":969,"_125":970,"_287":971},{"_278":966,"_280":967,"_282":968,"_284":951},116.48794117647058,142,101.48794117647058,{"_289":226,"_123":972,"_154":973,"_140":99},{"_289":125,"_123":376,"_154":377,"_140":378},{"_289":287,"_123":373,"_154":374,"_140":375},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_316":991,"_318":992},{"_316":989,"_318":990},{"_316":987,"_318":988},{"_316":985,"_318":986},{"_316":983,"_318":984},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":1046,"_223":1047,"_330":1048,"_332":333,"_334":1049,"_336":682,"_338":1050,"_340":341,"_342":1051,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1032,1033,1034,1035,1036],{"_222":306,"_223":307,"_42":308,"_309":310},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1031,"_304":305},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_297":1028,"_299":1029,"_301":1030},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_293":294,"_295":296},{"_226":1023,"_125":1024,"_287":1025},{"_278":1020,"_280":1021,"_282":1022,"_284":1005},185.63529411764705,211,170.63529411764705,{"_289":226,"_123":1026,"_154":1027,"_140":95},{"_289":125,"_123":376,"_154":377,"_140":378},{"_289":287,"_123":373,"_154":374,"_140":375},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_316":1044,"_318":1045},{"_316":1042,"_318":1043},{"_316":1040,"_318":1041},{"_316":1039,"_318":319},{"_316":1037,"_318":1038},"#aa9c7e",0.0806,"#7a6c4b","#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":1046,"_223":1047,"_330":1048,"_332":333,"_334":1049,"_336":682,"_338":1050,"_340":341,"_342":1051,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1088,1089,1090,1091,1092],{"_222":1084,"_223":1085,"_42":1086,"_309":1087},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_297":1081,"_299":1082,"_301":1083},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_293":294,"_295":296},{"_226":1078,"_125":1079,"_287":1080},{"_278":1075,"_280":1076,"_282":1077,"_284":1059},162.4421624418003,253.1,147.4421624418003,{"_289":226,"_123":1026,"_154":1027,"_140":95},{"_289":125,"_123":376,"_154":377,"_140":378},{"_289":287,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":1101,"_318":1102},{"_316":1099,"_318":1100},{"_316":1097,"_318":1098},{"_316":1095,"_318":1096},{"_316":1093,"_318":1094},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":403,"_223":404,"_330":405,"_332":406,"_334":407,"_336":408,"_338":409,"_340":341,"_342":410,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[1134,1135,1136,1137,1138],{"_222":660,"_223":661,"_42":662,"_309":663},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_297":1131,"_299":1132,"_301":1133},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_293":498,"_295":499},{"_226":1128,"_125":1129,"_287":1130},{"_278":1125,"_280":1126,"_282":1109,"_284":1127},79,66.1776611694153,42.177661169415295,{"_289":226,"_123":379,"_154":380,"_140":97},{"_289":125,"_123":757,"_154":758,"_140":53},{"_289":287,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_316":1146,"_318":1147},{"_316":1144,"_318":1145},{"_316":1142,"_318":1143},{"_316":1141,"_318":878},{"_316":1139,"_318":1140},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","415a153e33f36b6160a950844f9c8ba642ca0275","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]