[{"_1":2,"_3":4},"root",{"_5":1129},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/phasianus-versicolor-nga-53855",15,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",14,"https://www.ochreeditions.com/art/cottage-children-the-wood-gatherers-met-436440",13,"https://www.ochreeditions.com/art/portrait-of-catherine-grey-lady-manners-cma-136682",12,"https://www.ochreeditions.com/art/a-dell-at-helmingham-park-suffolk-nga-119643",11,"https://www.ochreeditions.com/art/stoke-by-neyland-nga-119641",10,"https://www.ochreeditions.com/art/recovery-document-land-title-grant-aic-136136",9,"https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",8,"https://www.ochreeditions.com/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",7,"https://www.ochreeditions.com/art/noon-nga-119642",6,"https://www.ochreeditions.com/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",5,"https://www.ochreeditions.com/art/july-from-twelve-months-of-flowers-aic-127986",4,"https://www.ochreeditions.com/art/self-portrait-aic-11706",3,"https://www.ochreeditions.com/art/the-death-of-saint-peter-martyr-nga-33080",2,"https://www.ochreeditions.com/art/death-on-a-pale-horse-aic-158239",1,"https://www.ochreeditions.com/art/lord-rothes-si-saam-1956-11-60","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",8911,"/galleries/style/georgian-britain","total",63,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6ODkxMSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=8911&cursor=eyJvIjoxNiwiaCI6ODkxMSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/542/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=8911&via=continue",42,"William Home Lizars's contemporaries","artist/contemporaries-of-william-home-lizars","/galleries/artist/contemporaries-of-william-home-lizars?hang=8911&via=continue",{"_42":198,"_178":199},{"_42":193,"_178":194},{"_42":187,"_178":188},{"_42":182,"_178":183},{"_42":177,"_178":179},"Section 3, north wall","work_ids",[180,181],199,1565,"Section 2, north wall",[184,185,186],1651,640,1090,"Section 2, south wall",[189,190,191,192],798,433,319,1649,"Section 1, south wall",[195,196,197],309,557,1650,"Section 1, north wall",[200,201,202,203],1913,339,1484,22,{"_220":200,"_221":1082,"_20":1083,"_224":-5,"_226":638,"_227":1084,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":402,"_235":469,"_237":470,"_239":1085,"_241":1086,"_243":1087,"_245":1088,"_247":1089,"_249":1090,"_251":1091,"_253":1092,"_255":256,"_257":1093,"_154":-5,"_259":-5,"_111":1094,"_261":1095,"_263":1096,"_265":1097,"_267":1098,"_269":1099,"_144":1100,"_272":1101},{"_220":201,"_221":1030,"_20":1031,"_224":1032,"_226":-5,"_227":1033,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":1034,"_239":1035,"_241":1036,"_243":1037,"_245":1038,"_247":1039,"_249":1040,"_251":348,"_253":1041,"_255":256,"_257":1042,"_154":-5,"_259":-5,"_111":1043,"_261":1044,"_263":1045,"_265":1046,"_267":1047,"_269":1048,"_144":1049,"_272":1050},{"_220":202,"_221":978,"_20":979,"_224":980,"_226":-5,"_227":981,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":982,"_239":983,"_241":984,"_243":985,"_245":986,"_247":987,"_249":988,"_251":252,"_253":989,"_255":256,"_257":990,"_154":-5,"_259":-5,"_111":991,"_261":992,"_263":993,"_265":994,"_267":995,"_269":996,"_144":997,"_272":998},{"_220":203,"_221":934,"_20":935,"_224":936,"_226":-5,"_227":937,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":339,"_235":340,"_237":938,"_239":939,"_241":242,"_243":888,"_245":940,"_247":941,"_249":942,"_251":348,"_253":943,"_255":256,"_257":944,"_154":-5,"_259":945,"_111":946,"_261":947,"_263":948,"_265":949,"_267":950,"_269":951,"_144":952,"_272":953},{"_220":195,"_221":883,"_20":884,"_224":885,"_226":-5,"_227":338,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":886,"_239":887,"_241":888,"_243":561,"_245":889,"_247":890,"_249":891,"_251":348,"_253":892,"_255":256,"_257":893,"_154":-5,"_259":894,"_111":895,"_261":896,"_263":897,"_265":898,"_267":899,"_269":900,"_144":901,"_272":902},{"_220":196,"_221":828,"_20":829,"_224":830,"_226":-5,"_227":831,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":402,"_235":469,"_237":470,"_239":832,"_241":833,"_243":834,"_245":835,"_247":836,"_249":837,"_251":477,"_253":838,"_255":256,"_257":839,"_154":840,"_259":-5,"_111":841,"_261":842,"_263":843,"_265":844,"_267":845,"_269":846,"_144":847,"_272":848},{"_220":197,"_221":786,"_20":787,"_224":788,"_226":-5,"_227":534,"_228":535,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":536,"_239":789,"_241":790,"_243":598,"_245":791,"_247":792,"_249":793,"_251":252,"_253":794,"_255":256,"_257":544,"_154":-5,"_259":795,"_111":796,"_261":797,"_263":798,"_265":799,"_267":800,"_269":801,"_144":802,"_272":803},{"_220":189,"_221":732,"_20":733,"_224":734,"_226":-5,"_227":735,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":402,"_235":469,"_237":470,"_239":736,"_241":737,"_243":738,"_245":739,"_247":740,"_249":741,"_251":477,"_253":742,"_255":256,"_257":743,"_154":744,"_259":-5,"_111":745,"_261":746,"_263":747,"_265":748,"_267":749,"_269":750,"_144":751,"_272":752},{"_220":190,"_221":681,"_20":682,"_224":683,"_226":-5,"_227":684,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":339,"_235":340,"_237":685,"_239":686,"_241":687,"_243":688,"_245":689,"_247":690,"_249":691,"_251":348,"_253":692,"_255":256,"_257":693,"_154":-5,"_259":-5,"_111":694,"_261":695,"_263":696,"_265":697,"_267":698,"_269":699,"_144":700,"_272":701},{"_220":191,"_221":636,"_20":637,"_224":-5,"_226":638,"_227":639,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":640,"_239":641,"_241":642,"_243":75,"_245":643,"_247":644,"_249":645,"_251":348,"_253":646,"_255":256,"_257":647,"_154":-5,"_259":-5,"_111":648,"_261":649,"_263":650,"_265":651,"_267":652,"_269":653,"_144":654,"_272":655},{"_220":192,"_221":592,"_20":593,"_224":594,"_226":-5,"_227":534,"_228":535,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":595,"_239":596,"_241":597,"_243":598,"_245":599,"_247":600,"_249":601,"_251":252,"_253":602,"_255":256,"_257":544,"_154":-5,"_259":603,"_111":604,"_261":605,"_263":606,"_265":607,"_267":608,"_269":609,"_144":610,"_272":611},{"_220":184,"_221":531,"_20":532,"_224":533,"_226":-5,"_227":534,"_228":535,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":536,"_239":537,"_241":538,"_243":539,"_245":540,"_247":541,"_249":542,"_251":252,"_253":543,"_255":256,"_257":544,"_154":-5,"_259":545,"_111":546,"_261":547,"_263":548,"_265":549,"_267":550,"_269":551,"_144":552,"_272":553},{"_220":185,"_221":465,"_20":466,"_224":467,"_226":-5,"_227":468,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":402,"_235":469,"_237":470,"_239":471,"_241":472,"_243":473,"_245":474,"_247":475,"_249":476,"_251":477,"_253":478,"_255":256,"_257":479,"_154":480,"_259":-5,"_111":481,"_261":482,"_263":483,"_265":484,"_267":485,"_269":486,"_144":487,"_272":488},{"_220":186,"_221":398,"_20":399,"_224":400,"_226":-5,"_227":401,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":402,"_235":403,"_237":404,"_239":405,"_241":406,"_243":407,"_245":408,"_247":409,"_249":410,"_251":411,"_253":412,"_255":256,"_257":413,"_154":-5,"_259":414,"_111":415,"_261":416,"_263":417,"_265":418,"_267":419,"_269":420,"_144":421,"_272":422},{"_220":180,"_221":335,"_20":336,"_224":337,"_226":-5,"_227":338,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":339,"_235":340,"_237":341,"_239":342,"_241":343,"_243":344,"_245":345,"_247":346,"_249":347,"_251":348,"_253":349,"_255":256,"_257":350,"_154":-5,"_259":-5,"_111":351,"_261":352,"_263":353,"_265":354,"_267":355,"_269":356,"_144":357,"_272":358},{"_220":181,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":-5,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":-5,"_111":260,"_261":262,"_263":264,"_265":266,"_267":268,"_269":270,"_144":271,"_272":273},"id","slug","phasianus-versicolor-nga-53855","Phasianus Versicolor","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},"unrecorded","date","century",18,"place","britain","movement","georgian-britain","print","classification","Print","medium","hand-colored etching","dimensions","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)","width_cm",17,"height_cm",10.8,"aspect",1.593774319066148,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","1973.26.28","licence","CC0","story","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","note","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1565.jpg?dl=1","page_url","/art/phasianus-versicolor-nga-53855","walk_url","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_274":275,"_276":277,"_278":279,"_280":281},"w",49,"h",39.68603515625,"image_w",25,"image_h",15.686035156249998,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/print-18","More prints of the 18th century",129,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1565/480.jpg","960","https://img.ochreeditions.com/a/1565/960.jpg","1920","https://img.ochreeditions.com/a/1565/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#294d6a","weight",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","bio","Scottish, 1788–1859","nationality","Scottish","birth_year",1788,"death_year",1859,"birth_place","death_place","about_excerpt","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":391,"_221":392,"_324":393,"_326":394,"_328":395,"_330":396,"_332":-5,"_333":-5,"_334":397,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[376,377,378,379,380],{"_220":372,"_221":373,"_42":374,"_303":375},"Courtesy of the Art Institute of Chicago","1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":369,"_296":370,"_298":371},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":291,"_292":293},{"_224":362,"_125":363,"_284":364},{"_274":359,"_276":360,"_278":343,"_280":361},53,44.521086780210865,20.52108678021087,{"_286":224,"_123":367,"_154":368,"_140":99},{"_286":125,"_123":365,"_154":366,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},{"_310":383,"_312":384},{"_310":381,"_312":382},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826","English",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":458,"_221":459,"_324":460,"_326":394,"_328":461,"_330":329,"_332":462,"_333":463,"_334":464,"_140":97},"1787","painting","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[443,444,445,446,447],{"_220":439,"_221":440,"_42":441,"_303":442},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_294":436,"_296":437,"_298":438},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_290":434,"_292":435},{"_224":426,"_125":427,"_284":428},{"_274":423,"_276":424,"_278":425,"_280":407},135.62100077780656,162.6,120.62100077780657,{"_286":224,"_123":432,"_154":433,"_140":97},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","natural","ivory","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":523,"_221":524,"_324":525,"_326":526,"_328":527,"_330":528,"_332":529,"_333":463,"_334":530,"_140":91},"1794","Painting","oil on canvas","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[508,509,510,511,512],{"_220":504,"_221":505,"_42":506,"_303":507},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":501,"_502":503},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":434,"_292":435},{"_224":493,"_125":494,"_284":495},{"_274":489,"_276":490,"_278":491,"_280":492},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":496,"_154":497,"_140":91},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":521,"_312":522},{"_310":519,"_312":520},{"_310":517,"_312":518},{"_310":515,"_312":516},{"_310":513,"_312":514},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":585,"_221":586,"_324":587,"_326":526,"_328":588,"_330":589,"_332":590,"_333":463,"_334":591,"_140":97},"1830",19,"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[570,571,572,573,574],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":567,"_296":568,"_298":569},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":291,"_292":293},{"_224":556,"_125":557,"_284":558},{"_274":275,"_276":554,"_278":279,"_280":555},44.166015625,20.166015625,{"_286":224,"_123":565,"_154":566,"_140":97},{"_286":125,"_123":562,"_154":563,"_140":564},{"_286":284,"_123":559,"_154":560,"_140":561},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_310":583,"_312":584},{"_310":581,"_312":582},{"_310":579,"_312":580},{"_310":577,"_312":578},{"_310":575,"_312":576},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":585,"_221":586,"_324":587,"_326":526,"_328":588,"_330":589,"_332":590,"_333":463,"_334":591,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[621,622,623,624,625],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":618,"_296":619,"_298":620},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":291,"_292":293},{"_224":615,"_125":616,"_284":617},{"_274":612,"_276":613,"_278":597,"_280":614},49.2,41.94638671875,17.94638671875,{"_286":224,"_123":565,"_154":566,"_140":97},{"_286":125,"_123":562,"_154":563,"_140":564},{"_286":284,"_123":559,"_154":560,"_140":561},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_310":634,"_312":635},{"_310":632,"_312":633},{"_310":630,"_312":631},{"_310":628,"_312":629},{"_310":626,"_312":627},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[666,667,668,669,670],{"_220":372,"_221":373,"_42":374,"_303":375},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":663,"_296":664,"_298":665},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":291,"_292":293},{"_224":658,"_125":659,"_284":660},{"_274":275,"_276":656,"_278":279,"_280":657},48.48828746872867,24.488287468728675,{"_286":224,"_123":661,"_154":662,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":728,"_221":729,"_324":730,"_326":526,"_328":395,"_330":731,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[713,714,715,716,717],{"_220":372,"_221":373,"_42":374,"_303":375},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":710,"_296":711,"_298":712},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":291,"_292":293},{"_224":705,"_125":706,"_284":707},{"_274":702,"_276":703,"_278":687,"_280":704},80,62.20221481948321,38.20221481948321,{"_286":224,"_123":708,"_154":709,"_140":89},{"_286":125,"_123":365,"_154":366,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":780,"_221":781,"_324":782,"_326":783,"_328":784,"_330":785,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[765,766,767,768,769],{"_220":504,"_221":505,"_42":506,"_303":507},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":764,"_502":503},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":761,"_296":762,"_298":763},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":434,"_292":435},{"_224":756,"_125":757,"_284":758},{"_274":753,"_276":754,"_278":737,"_280":755},142,116.11441176470589,101.11441176470589,{"_286":224,"_123":759,"_154":760,"_140":89},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_310":778,"_312":779},{"_310":776,"_312":777},{"_310":774,"_312":775},{"_310":772,"_312":773},{"_310":770,"_312":771},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"noon-nga-119642","Noon",{"_42":585,"_221":586,"_324":587,"_326":526,"_328":588,"_330":589,"_332":590,"_333":463,"_334":591,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[813,814,815,816,817],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":810,"_296":811,"_298":812},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_224":807,"_125":808,"_284":809},{"_274":804,"_276":805,"_278":790,"_280":806},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":565,"_154":566,"_140":97},{"_286":125,"_123":562,"_154":563,"_140":564},{"_286":284,"_123":559,"_154":560,"_140":561},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":826,"_312":827},{"_310":824,"_312":825},{"_310":822,"_312":823},{"_310":820,"_312":821},{"_310":818,"_312":819},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":876,"_221":877,"_324":878,"_326":526,"_328":879,"_330":880,"_332":881,"_333":463,"_334":882,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[861,862,863,864,865],{"_220":504,"_221":505,"_42":506,"_303":507},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":860,"_502":503},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_294":857,"_296":858,"_298":859},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_290":434,"_292":435},{"_224":852,"_125":853,"_284":854},{"_274":849,"_276":850,"_278":851,"_280":834},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":855,"_154":856,"_140":95},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":929,"_221":930,"_324":931,"_326":394,"_328":932,"_330":933,"_332":-5,"_333":-5,"_334":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[914,915,916,917,918],{"_220":372,"_221":373,"_42":374,"_303":375},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":911,"_296":912,"_298":913},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":291,"_292":293},{"_224":906,"_125":907,"_284":908},{"_274":903,"_276":904,"_278":905,"_280":561},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":909,"_154":910,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"self-portrait-aic-11706","Self-Portrait",{"_42":391,"_221":392,"_324":393,"_326":394,"_328":395,"_330":396,"_332":-5,"_333":-5,"_334":397,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",0.5697549441100602,[963,964,965,966,967],{"_220":372,"_221":373,"_42":374,"_303":375},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":960,"_296":961,"_298":962},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":291,"_292":293},{"_224":957,"_125":958,"_284":959},{"_274":954,"_276":955,"_278":956,"_280":888},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":367,"_154":368,"_140":99},{"_286":125,"_123":365,"_154":366,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":976,"_312":977},{"_310":974,"_312":975},{"_310":972,"_312":973},{"_310":970,"_312":971},{"_310":968,"_312":969},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1025,"_221":1026,"_324":1027,"_326":526,"_328":1028,"_330":1029,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1010,1011,1012,1013,1014],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":1007,"_296":1008,"_298":1009},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":291,"_292":293},{"_224":1002,"_125":1003,"_284":1004},{"_274":999,"_276":1000,"_278":1001,"_280":985},59.630419921874996,77.4,35.630419921874996,{"_286":224,"_123":1005,"_154":1006,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":1077,"_221":1078,"_324":1079,"_326":394,"_328":1080,"_330":1081,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[1062,1063,1064,1065,1066],{"_220":372,"_221":373,"_42":374,"_303":375},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":1059,"_296":1060,"_298":1061},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":291,"_292":293},{"_224":1054,"_125":1055,"_284":1056},{"_274":1051,"_276":1052,"_278":1053,"_280":1037},69.57777777777778,89,45.57777777777778,{"_286":224,"_123":1057,"_154":1058,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},{"_310":1071,"_312":1072},{"_310":1069,"_312":1070},{"_310":1067,"_312":1068},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[1114,1115,1116,1117,1118],{"_220":1111,"_221":1112,"_42":1113,"_303":304},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":1108,"_296":1109,"_298":1110},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":434,"_292":435},{"_224":1105,"_125":1106,"_284":1107},{"_274":1102,"_276":1103,"_278":1104,"_280":1087},117.51170000000002,143.3,102.51170000000002,{"_286":224,"_123":661,"_154":662,"_140":97},{"_286":125,"_123":429,"_154":430,"_140":431},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","8225c2c8dfe879efabe01d64eb4955609d7c4cf8","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]