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The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. 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The background is a textured, earth-toned surface.",{"_298":377,"_300":378,"_302":379},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_294":295,"_296":297},{"_227":366,"_125":367,"_288":368},{"_279":363,"_281":168,"_283":364,"_284":365},34.62890625,19.62890625,25,{"_290":227,"_123":375,"_154":376,"_140":99},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":369,"_154":370,"_140":371},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},{"_314":387,"_316":388},{"_314":385,"_316":386},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797","British",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":456,"_224":457,"_328":458,"_330":331,"_332":459,"_334":460,"_336":461,"_337":462,"_338":463,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[441,442,443,444,445],{"_223":437,"_224":438,"_42":439,"_307":440},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_298":434,"_300":435,"_302":436},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_294":295,"_296":297},{"_227":429,"_125":430,"_288":431},{"_279":426,"_281":427,"_283":428,"_284":410},135.62100077780656,162.6,120.62100077780657,{"_290":227,"_123":432,"_154":433,"_140":97},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":522,"_224":523,"_328":524,"_330":331,"_332":525,"_334":526,"_336":-5,"_337":-5,"_338":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[507,508,509,510,511],{"_223":503,"_224":504,"_42":505,"_307":506},"Courtesy of the Art Institute of Chicago","1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_298":500,"_300":501,"_302":502},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_294":498,"_296":499},{"_227":490,"_125":491,"_288":492},{"_279":487,"_281":488,"_283":489,"_284":168},55.65007857517025,64,31.650078575170248,{"_290":227,"_123":496,"_154":497,"_140":99},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":369,"_154":370,"_140":371},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":520,"_316":521},{"_314":518,"_316":519},{"_314":516,"_316":517},{"_314":514,"_316":515},{"_314":512,"_316":513},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":579,"_224":580,"_328":581,"_330":398,"_332":582,"_334":583,"_336":462,"_337":462,"_338":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[564,565,566,567,568],{"_223":437,"_224":438,"_42":439,"_307":440},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_298":561,"_300":562,"_302":563},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_294":498,"_296":499},{"_227":553,"_125":554,"_288":555},{"_279":550,"_281":551,"_283":535,"_284":552},76,62.26731078904992,38.26731078904992,{"_290":227,"_123":559,"_154":560,"_140":89},{"_290":125,"_123":556,"_154":557,"_140":558},{"_290":288,"_123":369,"_154":370,"_140":371},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_314":577,"_316":578},{"_314":575,"_316":576},{"_314":573,"_316":574},{"_314":571,"_316":572},{"_314":569,"_316":570},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":631,"_224":632,"_328":633,"_330":398,"_332":634,"_334":635,"_336":462,"_337":462,"_338":-5,"_140":103},"ca. 1803–5","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[616,617,618,619,620],{"_223":437,"_224":438,"_42":439,"_307":440},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_298":613,"_300":614,"_302":615},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_294":498,"_296":499},{"_227":608,"_125":609,"_288":610},{"_279":605,"_281":606,"_283":607,"_284":591},50.26670344827586,63.2,26.266703448275862,{"_290":227,"_123":611,"_154":612,"_140":89},{"_290":125,"_123":556,"_154":557,"_140":558},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_314":629,"_316":630},{"_314":627,"_316":628},{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":682,"_224":683,"_328":684,"_330":398,"_332":685,"_334":686,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[667,668,669,670,671],{"_223":304,"_224":305,"_42":306,"_307":308},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_298":664,"_300":665,"_302":666},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_294":295,"_296":297},{"_227":659,"_125":660,"_288":661},{"_279":656,"_281":657,"_283":641,"_284":658},246,166.762939453125,151.762939453125,{"_290":227,"_123":662,"_154":663,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":742,"_224":743,"_328":744,"_330":331,"_332":582,"_334":745,"_336":462,"_337":462,"_338":746,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[727,728,729,730,731],{"_223":723,"_224":724,"_42":725,"_307":726},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":720,"_721":722},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_298":717,"_300":718,"_302":719},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_294":295,"_296":297},{"_227":712,"_125":713,"_288":714},{"_279":709,"_281":710,"_283":692,"_284":711},138.2,106.49411764705881,91.49411764705881,{"_290":227,"_123":715,"_154":716,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":740,"_316":741},{"_314":738,"_316":739},{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":522,"_224":523,"_328":524,"_330":331,"_332":525,"_334":526,"_336":-5,"_337":-5,"_338":-5,"_140":99},0.7948175568482284,[770,771,772,773,774],{"_223":503,"_224":504,"_42":505,"_307":506},"1946.402","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.",{"_298":767,"_300":768,"_302":769},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_294":498,"_296":499},{"_227":764,"_125":765,"_288":766},{"_279":762,"_281":488,"_283":763,"_284":168},55.79270227392914,31.792702273929137,{"_290":227,"_123":496,"_154":497,"_140":99},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},{"_314":777,"_316":778},{"_314":775,"_316":776},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":832,"_224":833,"_328":834,"_330":331,"_332":835,"_334":836,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[817,818,819,820,821],{"_223":503,"_224":504,"_42":505,"_307":506},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_298":814,"_300":815,"_302":816},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_294":498,"_296":499},{"_227":809,"_125":810,"_288":811},{"_279":806,"_281":807,"_283":808,"_284":792},69.57777777777778,89,45.57777777777778,{"_290":227,"_123":812,"_154":813,"_140":89},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_314":830,"_316":831},{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},{"_314":822,"_316":823},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":326,"_224":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":-5,"_337":-5,"_338":339,"_140":99},"overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[866,867,868,869,870],{"_223":304,"_224":305,"_42":306,"_307":308},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_298":863,"_300":864,"_302":865},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_294":295,"_296":297},{"_227":860,"_125":861,"_288":862},{"_279":857,"_281":858,"_283":841,"_284":859},116.2,69.8001953125,54.8001953125,{"_290":227,"_123":170,"_154":169,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_314":879,"_316":880},{"_314":877,"_316":878},{"_314":875,"_316":876},{"_314":873,"_316":874},{"_314":871,"_316":872},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[912,913,914,915,916],{"_223":503,"_224":504,"_42":505,"_307":506},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_298":909,"_300":910,"_302":911},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_294":498,"_296":499},{"_227":904,"_125":905,"_288":906},{"_279":901,"_281":902,"_283":365,"_284":903},49,48.48828746872867,24.488287468728675,{"_290":227,"_123":907,"_154":908,"_140":97},{"_290":125,"_123":493,"_154":494,"_140":495},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_314":925,"_316":926},{"_314":923,"_316":924},{"_314":921,"_316":922},{"_314":919,"_316":920},{"_314":917,"_316":918},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":973,"_224":974,"_328":975,"_330":398,"_332":976,"_334":977,"_336":978,"_337":462,"_338":979,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[958,959,960,961,962],{"_223":503,"_224":504,"_42":505,"_307":506},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_298":955,"_300":956,"_302":957},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_294":295,"_296":297},{"_227":950,"_125":951,"_288":952},{"_279":947,"_281":948,"_283":949,"_284":933},115.51366857914276,141,100.51366857914276,{"_290":227,"_123":953,"_154":954,"_140":95},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_314":971,"_316":972},{"_314":969,"_316":970},{"_314":967,"_316":968},{"_314":965,"_316":966},{"_314":963,"_316":964},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1027,"_224":1028,"_328":1029,"_330":1030,"_332":1031,"_334":1032,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[1012,1013,1014,1015,1016],{"_223":723,"_224":724,"_42":725,"_307":726},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1011,"_721":722},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_298":1008,"_300":1009,"_302":1010},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_294":295,"_296":297},{"_227":1003,"_125":1004,"_288":1005},{"_279":1000,"_281":1001,"_283":248,"_284":1002},142,116.11441176470589,101.11441176470589,{"_290":227,"_123":1006,"_154":1007,"_140":89},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_314":1025,"_316":1026},{"_314":1023,"_316":1024},{"_314":1021,"_316":1022},{"_314":1019,"_316":1020},{"_314":1017,"_316":1018},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":456,"_224":457,"_328":458,"_330":331,"_332":459,"_334":460,"_336":461,"_337":462,"_338":463,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1063,1064,1065,1066,1067],{"_223":304,"_224":305,"_42":306,"_307":308},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_298":1060,"_300":1061,"_302":1062},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_294":295,"_296":297},{"_227":1057,"_125":1058,"_288":1059},{"_279":1054,"_281":1055,"_283":1056,"_284":1039},85.3828125,99,70.3828125,{"_290":227,"_123":432,"_154":433,"_140":97},{"_290":125,"_123":372,"_154":373,"_140":374},{"_290":288,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_314":1076,"_316":1077},{"_314":1074,"_316":1075},{"_314":1072,"_316":1073},{"_314":1070,"_316":1071},{"_314":1068,"_316":1069},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":1128,"_224":1129,"_328":1130,"_330":331,"_332":1131,"_334":1132,"_336":-5,"_337":-5,"_338":1133,"_140":99},"watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[1113,1114,1115,1116,1117],{"_223":503,"_224":504,"_42":505,"_307":506},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_298":1110,"_300":1111,"_302":1112},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_294":498,"_296":499},{"_227":1103,"_125":1104,"_288":1105},{"_279":1100,"_281":1101,"_283":1085,"_284":1102},53,44.521086780210865,20.52108678021087,{"_290":227,"_123":1108,"_154":1109,"_140":99},{"_290":125,"_123":1106,"_154":1107,"_140":53},{"_290":288,"_123":369,"_154":370,"_140":371},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_314":1126,"_316":1127},{"_314":1124,"_316":1125},{"_314":1122,"_316":1123},{"_314":1120,"_316":1121},{"_314":1118,"_316":1119},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.",{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","7109c1b7d02f06feab367a51e080e87cae8bf828","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]