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He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":404,"_313":405},{"_311":402,"_313":403},{"_311":400,"_313":401},{"_311":398,"_313":399},{"_311":396,"_313":397},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":462,"_221":463,"_325":464,"_327":409,"_329":465,"_331":466,"_333":467,"_335":336,"_337":468,"_140":97},"c. 1776/1777","oil on canvas","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[447,448,449,450,451],{"_220":301,"_221":302,"_42":303,"_304":305},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":444,"_297":445,"_299":446},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":379,"_293":380},{"_224":439,"_125":440,"_285":441},{"_276":436,"_278":437,"_280":438,"_281":421},85.3828125,99,70.3828125,{"_287":224,"_123":442,"_154":443,"_140":97},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_311":460,"_313":461},{"_311":458,"_313":459},{"_311":456,"_313":457},{"_311":454,"_313":455},{"_311":452,"_313":453},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":525,"_221":526,"_325":527,"_327":328,"_329":528,"_331":529,"_333":530,"_335":336,"_337":531,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[510,511,512,513,514],{"_220":506,"_221":507,"_42":508,"_304":509},"Courtesy of the Art Institute of Chicago","2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":503,"_297":504,"_299":505},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":292,"_293":294},{"_224":496,"_125":497,"_285":498},{"_276":493,"_278":494,"_280":495,"_281":478},48.02081362346263,59,24.02081362346263,{"_287":224,"_123":501,"_154":502,"_140":91},{"_287":125,"_123":499,"_154":500,"_140":53},{"_287":285,"_123":371,"_154":372,"_140":373},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":523,"_313":524},{"_311":521,"_313":522},{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":586,"_221":587,"_325":588,"_327":328,"_329":589,"_331":590,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[571,572,573,574,575],{"_220":387,"_221":388,"_42":389,"_304":390},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":570,"_385":386},"Bray Church Yard, by John Varley, 1807",{"_295":567,"_297":568,"_299":569},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":292,"_293":294},{"_224":559,"_125":560,"_285":561},{"_276":556,"_278":557,"_280":540,"_281":558},60.9,48.95091176470588,24.950911764705882,{"_287":224,"_123":565,"_154":566,"_140":89},{"_287":125,"_123":562,"_154":563,"_140":564},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_311":584,"_313":585},{"_311":582,"_313":583},{"_311":580,"_313":581},{"_311":578,"_313":579},{"_311":576,"_313":577},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":639,"_221":640,"_325":641,"_327":328,"_329":642,"_331":643,"_333":644,"_335":336,"_337":645,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[624,625,626,627,628],{"_220":387,"_221":388,"_42":389,"_304":390},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":623,"_385":386},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":620,"_297":621,"_299":622},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":379,"_293":380},{"_224":615,"_125":616,"_285":617},{"_276":612,"_278":613,"_280":614,"_281":597},185.63529411764705,211,170.63529411764705,{"_287":224,"_123":618,"_154":619,"_140":95},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_311":637,"_313":638},{"_311":635,"_313":636},{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":695,"_221":696,"_325":697,"_327":328,"_329":698,"_331":699,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[680,681,682,683,684],{"_220":301,"_221":302,"_42":303,"_304":305},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_295":677,"_297":678,"_299":679},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_291":292,"_293":294},{"_224":669,"_125":670,"_285":671},{"_276":666,"_278":667,"_280":652,"_281":668},82.5,66.1468505859375,42.1468505859375,{"_287":224,"_123":675,"_154":676,"_140":89},{"_287":125,"_123":672,"_154":673,"_140":674},{"_287":285,"_123":371,"_154":372,"_140":373},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_311":693,"_313":694},{"_311":691,"_313":692},{"_311":689,"_313":690},{"_311":687,"_313":688},{"_311":685,"_313":686},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"william-pitt-nga-52264","William Pitt",{"_42":748,"_221":749,"_325":750,"_327":328,"_329":751,"_331":411,"_333":-5,"_335":-5,"_337":752,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[733,734,735,736,737],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":730,"_297":731,"_299":732},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":379,"_293":380},{"_224":725,"_125":726,"_285":727},{"_276":722,"_278":168,"_280":723,"_281":724},34.62890625,19.62890625,25,{"_287":224,"_123":728,"_154":729,"_140":99},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_311":746,"_313":747},{"_311":744,"_313":745},{"_311":742,"_313":743},{"_311":740,"_313":741},{"_311":738,"_313":739},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":801,"_221":802,"_325":803,"_327":328,"_329":804,"_331":805,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[786,787,788,789,790],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":783,"_297":784,"_299":785},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":379,"_293":380},{"_224":775,"_125":776,"_285":777},{"_276":772,"_278":773,"_280":758,"_281":774},167.6,105.38271484375,90.38271484375,{"_287":224,"_123":781,"_154":782,"_140":89},{"_287":125,"_123":778,"_154":779,"_140":780},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":799,"_313":800},{"_311":797,"_313":798},{"_311":795,"_313":796},{"_311":793,"_313":794},{"_311":791,"_313":792},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":639,"_221":640,"_325":641,"_327":328,"_329":642,"_331":643,"_333":644,"_335":336,"_337":645,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[843,844,845,846,847],{"_220":387,"_221":388,"_42":389,"_304":390},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":842,"_385":386},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":839,"_297":840,"_299":841},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":379,"_293":380},{"_224":831,"_125":832,"_285":833},{"_276":828,"_278":829,"_280":830,"_281":813},80.5529411764706,95,65.5529411764706,{"_287":224,"_123":618,"_154":619,"_140":95},{"_287":125,"_123":837,"_154":838,"_140":376},{"_287":285,"_123":834,"_154":835,"_140":836},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_311":856,"_313":857},{"_311":854,"_313":855},{"_311":852,"_313":853},{"_311":850,"_313":851},{"_311":848,"_313":849},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"peamore-devon-nga-137152","Peamore, Devon",{"_42":908,"_221":909,"_325":910,"_327":328,"_329":911,"_331":912,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[893,894,895,896,897],{"_220":301,"_221":302,"_42":303,"_304":305},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_295":890,"_297":891,"_299":892},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_291":292,"_293":294},{"_224":882,"_125":883,"_285":884},{"_276":879,"_278":880,"_280":864,"_281":881},81.3,70.4443359375,46.44433593749999,{"_287":224,"_123":888,"_154":889,"_140":89},{"_287":125,"_123":885,"_154":886,"_140":887},{"_287":285,"_123":371,"_154":372,"_140":373},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_311":906,"_313":907},{"_311":904,"_313":905},{"_311":902,"_313":903},{"_311":900,"_313":901},{"_311":898,"_313":899},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":525,"_221":526,"_325":527,"_327":328,"_329":528,"_331":529,"_333":530,"_335":336,"_337":531,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[943,944,945,946,947],{"_220":301,"_221":302,"_42":303,"_304":305},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":940,"_297":941,"_299":942},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":379,"_293":380},{"_224":937,"_125":938,"_285":939},{"_276":934,"_278":935,"_280":936,"_281":919},116.6768798828125,143.5,101.6768798828125,{"_287":224,"_123":501,"_154":502,"_140":91},{"_287":125,"_123":778,"_154":779,"_140":780},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":955,"_313":956},{"_311":953,"_313":954},{"_311":951,"_313":952},{"_311":950,"_313":949},{"_311":948,"_313":949},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1001,"_221":1002,"_325":1003,"_327":1004,"_329":466,"_331":1005,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[987,988,989,990,991],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":984,"_297":985,"_299":986},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":292,"_293":294},{"_224":979,"_125":980,"_285":981},{"_276":976,"_278":977,"_280":724,"_281":978},49,39.68603515625,15.686035156249998,{"_287":224,"_123":982,"_154":983,"_140":89},{"_287":125,"_123":672,"_154":673,"_140":674},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":994,"_313":399},{"_311":992,"_313":993},"#294d6a",0.0227,"#666947","#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1052,"_221":1053,"_325":1054,"_327":1055,"_329":1056,"_331":1057,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[1037,1038,1039,1040,1041],{"_220":387,"_221":388,"_42":389,"_304":390},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1036,"_385":386},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":1033,"_297":1034,"_299":1035},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":379,"_293":380},{"_224":1028,"_125":1029,"_285":1030},{"_276":366,"_278":1026,"_280":349,"_281":1027},116.11441176470589,101.11441176470589,{"_287":224,"_123":1031,"_154":1032,"_140":89},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},{"_311":1044,"_313":1045},{"_311":1042,"_313":1043},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":639,"_221":640,"_325":641,"_327":328,"_329":642,"_331":643,"_333":644,"_335":336,"_337":645,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1087,1088,1089,1090,1091],{"_220":506,"_221":507,"_42":508,"_304":509},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":379,"_293":380},{"_224":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1080,"_281":1064},76.14076281287247,88,61.14076281287247,{"_287":224,"_123":618,"_154":619,"_140":95},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_311":1100,"_313":1101},{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":639,"_221":640,"_325":641,"_327":328,"_329":642,"_331":643,"_333":644,"_335":336,"_337":645,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1138,1139,1140,1141,1142],{"_220":1134,"_221":1135,"_42":1136,"_304":1137},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":1131,"_297":1132,"_299":1133},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":379,"_293":380},{"_224":1128,"_125":1129,"_285":1130},{"_276":1125,"_278":1126,"_280":1127,"_281":1109},162.4421624418003,253.1,147.4421624418003,{"_287":224,"_123":618,"_154":619,"_140":95},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":1151,"_313":1152},{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},{"_311":1145,"_313":1146},{"_311":1143,"_313":1144},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","e82bf476c66897829008ca4c806585152623ced7","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]