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The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. 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The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_294":371,"_296":372,"_298":373},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_290":291,"_292":293},{"_224":360,"_125":361,"_284":362},{"_275":357,"_277":358,"_279":359,"_280":342},54.4048095703125,74.1,39.4048095703125,{"_286":224,"_123":369,"_154":370,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":363,"_154":364,"_140":365},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_310":387,"_312":388},{"_310":385,"_312":386},{"_310":383,"_312":384},{"_310":381,"_312":382},{"_310":379,"_312":380},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":458,"_221":459,"_324":460,"_326":461,"_328":462,"_330":463,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[443,444,445,446,447],{"_220":439,"_221":440,"_42":441,"_303":442},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":436,"_437":438},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":431,"_292":432},{"_224":423,"_125":424,"_284":425},{"_275":420,"_277":421,"_279":403,"_280":422},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":429,"_154":430,"_140":89},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","white","snow","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":518,"_221":519,"_324":520,"_326":521,"_328":522,"_330":393,"_332":523,"_333":523,"_334":524,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[503,504,505,506,507],{"_220":499,"_221":500,"_42":501,"_303":502},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":291,"_292":293},{"_224":491,"_125":492,"_284":493},{"_275":488,"_277":489,"_279":471,"_280":490},142,117.37854406130268,102.37854406130268,{"_286":224,"_123":494,"_154":495,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":582,"_221":583,"_324":584,"_326":521,"_328":585,"_330":586,"_332":-5,"_333":-5,"_334":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[567,568,569,570,571],{"_220":563,"_221":564,"_42":565,"_303":566},"Courtesy of the Art Institute of Chicago","1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":560,"_296":561,"_298":562},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":431,"_292":432},{"_224":552,"_125":553,"_284":554},{"_275":549,"_277":550,"_279":551,"_280":168},55.79270227392914,64,31.792702273929137,{"_286":224,"_123":558,"_154":559,"_140":99},{"_286":125,"_123":555,"_154":556,"_140":557},{"_286":284,"_123":363,"_154":364,"_140":365},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":580,"_312":581},{"_310":578,"_312":579},{"_310":576,"_312":577},{"_310":574,"_312":575},{"_310":572,"_312":573},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":633,"_221":634,"_324":635,"_326":521,"_328":636,"_330":637,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[618,619,620,621,622],{"_220":563,"_221":564,"_42":565,"_303":566},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":615,"_296":616,"_298":617},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":291,"_292":293},{"_224":610,"_125":611,"_284":612},{"_275":607,"_277":608,"_279":609,"_280":593},42.32984293193717,51,27.329842931937172,{"_286":224,"_123":613,"_154":614,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},{"_310":625,"_312":626},{"_310":623,"_312":624},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"the-white-horse-nga-1146","The White Horse",{"_42":684,"_221":685,"_324":686,"_326":521,"_328":687,"_330":688,"_332":-5,"_333":-5,"_334":689,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[669,670,671,672,673],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":666,"_296":667,"_298":668},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":291,"_292":293},{"_224":661,"_125":662,"_284":663},{"_275":658,"_277":659,"_279":643,"_280":660},198,142.912353515625,127.912353515625,{"_286":224,"_123":664,"_154":665,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":682,"_312":683},{"_310":680,"_312":681},{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","peamore-devon-nga-137152","Peamore, Devon",{"_42":740,"_221":741,"_324":742,"_326":327,"_328":743,"_330":744,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[725,726,727,728,729],{"_220":300,"_221":301,"_42":302,"_303":304},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_294":722,"_296":723,"_298":724},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_290":431,"_292":432},{"_224":714,"_125":715,"_284":716},{"_275":711,"_277":712,"_279":696,"_280":713},81.3,70.4443359375,46.44433593749999,{"_286":224,"_123":720,"_154":721,"_140":89},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":363,"_154":364,"_140":365},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_310":738,"_312":739},{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":792,"_221":793,"_324":794,"_326":521,"_328":795,"_330":796,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[777,778,779,780,781],{"_220":563,"_221":564,"_42":565,"_303":566},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":774,"_296":775,"_298":776},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":431,"_292":432},{"_224":769,"_125":770,"_284":771},{"_275":766,"_277":767,"_279":768,"_280":752},69.57777777777778,89,45.57777777777778,{"_286":224,"_123":772,"_154":773,"_140":89},{"_286":125,"_123":555,"_154":556,"_140":557},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":790,"_312":791},{"_310":788,"_312":789},{"_310":786,"_312":787},{"_310":784,"_312":785},{"_310":782,"_312":783},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":843,"_221":844,"_324":845,"_326":327,"_328":846,"_330":847,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[828,829,830,831,832],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":825,"_296":826,"_298":827},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":291,"_292":293},{"_224":820,"_125":821,"_284":822},{"_275":817,"_277":818,"_279":819,"_280":803},113.11484375,138.2,98.11484375,{"_286":224,"_123":823,"_154":824,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":894,"_221":895,"_324":896,"_326":897,"_328":898,"_330":899,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[879,880,881,882,883],{"_220":439,"_221":440,"_42":441,"_303":442},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":878,"_437":438},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":875,"_296":876,"_298":877},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":291,"_292":293},{"_224":870,"_125":871,"_284":872},{"_275":488,"_277":868,"_279":471,"_280":869},116.11441176470589,101.11441176470589,{"_286":224,"_123":873,"_154":874,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":946,"_221":947,"_324":948,"_326":521,"_328":949,"_330":950,"_332":-5,"_333":-5,"_334":-5,"_140":101},"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[931,932,933,934,935],{"_220":563,"_221":564,"_42":565,"_303":566},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":928,"_296":929,"_298":930},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_290":291,"_292":293},{"_224":923,"_125":924,"_284":925},{"_275":920,"_277":921,"_279":905,"_280":922},53,38.1345982804625,23.134598280462495,{"_286":224,"_123":926,"_154":927,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},{"_310":936,"_312":937},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":684,"_221":685,"_324":686,"_326":521,"_328":687,"_330":688,"_332":-5,"_333":-5,"_334":689,"_140":99},"overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[980,981,982,983,984],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_294":977,"_296":978,"_298":979},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_290":291,"_292":293},{"_224":974,"_125":975,"_284":976},{"_275":971,"_277":972,"_279":955,"_280":973},116.2,69.8001953125,54.8001953125,{"_286":224,"_123":664,"_154":665,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_310":993,"_312":994},{"_310":991,"_312":992},{"_310":989,"_312":990},{"_310":987,"_312":988},{"_310":985,"_312":986},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":1047,"_221":1048,"_324":1049,"_326":327,"_328":1050,"_330":1051,"_332":1052,"_333":1053,"_334":1054,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[1032,1033,1034,1035,1036],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":1029,"_296":1030,"_298":1031},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":431,"_292":432},{"_224":1021,"_125":1022,"_284":1023},{"_275":1017,"_277":1018,"_279":1019,"_280":1020},49,44.166015625,25,20.166015625,{"_286":224,"_123":1027,"_154":1028,"_140":97},{"_286":125,"_123":1024,"_154":1025,"_140":1026},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},{"_310":1041,"_312":1042},{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":1100,"_221":1101,"_324":1102,"_326":461,"_328":1103,"_330":1104,"_332":-5,"_333":-5,"_334":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[1085,1086,1087,1088,1089],{"_220":300,"_221":301,"_42":302,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":1082,"_296":1083,"_298":1084},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":431,"_292":432},{"_224":1077,"_125":1078,"_284":1079},{"_275":1075,"_277":1017,"_279":1076,"_280":1019},40.387939453125,16.387939453125,{"_286":224,"_123":1080,"_154":1081,"_140":89},{"_286":125,"_123":555,"_154":556,"_140":557},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1153,"_221":1154,"_324":1155,"_326":327,"_328":1156,"_330":1050,"_332":1053,"_333":1053,"_334":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1138,1139,1140,1141,1142],{"_220":499,"_221":500,"_42":501,"_303":502},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":1135,"_296":1136,"_298":1137},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":431,"_292":432},{"_224":1130,"_125":1131,"_284":1132},{"_275":1127,"_277":1128,"_279":1112,"_280":1129},76,62.26731078904992,38.26731078904992,{"_286":224,"_123":1133,"_154":1134,"_140":89},{"_286":125,"_123":717,"_154":718,"_140":719},{"_286":284,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},{"_310":1147,"_312":1148},{"_310":1145,"_312":1146},{"_310":1143,"_312":1144},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","82a82d789ca0f319835aa7f15546cfe953753f15","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]